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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD33AF it is the complementary color #02CC50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD33AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD33AF shade: #FF33AA, #FF45BD, #FF57D0, #FF69E3 and #FF7BF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD33AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD33AF shade: #FD33AF, #EC219C, #DB0F89, #CA0076 and #B90063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD33AF shade: #FC35AF, #FC3579, #FC3543 and #FC3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD33AF shade: #FC35AF, #FC35E5, #DE35FC, #A835FC and #7235FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD33AF shade matches the following richer shades: #FC35AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD33AF shade: #FC35AF, #EC45AC, #DB56A8, #CB66A4 and #BA77A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD33AF shade: #DE35FC, #FC35E5, #FC35B0, #FC357B and #FC3545

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD33AF shade: #DD0288, #FC0C9F, #FC35AF, #FD5DBF and #FD86CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD33AF shade: #FD33AF, #FCA935 and #35FCF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD33AF shade: #FD33AF, #B0FC35 and #35B0FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD33AF shade: #FD33AF, #FCA935, #35FC81 and #3588FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD33AF shade: #FD33AF, #FCE535, #35FC81 and #354CFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 31 / 1

HEX #FD33AF

RGB 253 51 175

HSL 323.17, 0.98%, 0.6%

LAB 58.36, 81.55, -18.56

 

Complementary color

CMYK 99 / 0 / 61 / 20

HEX #02CC50

RGB 2 204 80

HSL 143.17, 0.98%, 0.4%

LAB 72.08, -67.78, 48.97

 

CMYK 0 / 80 / 33 / 0

HEX #FF33AA

RGB 255 51 170

HSL 325, 1%, 0.6%

LAB 58.54, 81.48, -15.36

 

CMYK 0 / 73 / 26 / 0

HEX #FF45BD

RGB 255 69 189

HSL 321.29, 1%, 0.64%

LAB 60.95, 78.71, -22.66

 

CMYK 0 / 66 / 18 / 0

HEX #FF57D0

RGB 255 87 208

HSL 316.79, 1%, 0.67%

LAB 63.86, 75.02, -28.98

 

CMYK 0 / 59 / 11 / 0

HEX #FF69E3

RGB 255 105 227

HSL 311.2, 1%, 0.71%

LAB 67.21, 70.63, -34.43

 

CMYK 0 / 52 / 4 / 0

HEX #FF7BF6

RGB 255 123 246

HSL 304.09, 1%, 0.74%

LAB 70.93, 65.74, -39.13

 

CMYK 0 / 80 / 31 / 1

HEX #FD33AF

RGB 253 51 175

HSL 323.17, 0.98%, 0.6%

LAB 58.36, 81.55, -18.56

 

CMYK 0 / 86 / 34 / 7

HEX #EC219C

RGB 236 33 156

HSL 323.65, 0.84%, 0.53%

LAB 53.3, 79.51, -15.4

 

CMYK 0 / 93 / 37 / 14

HEX #DB0F89

RGB 219 15 137

HSL 324.12, 0.87%, 0.46%

LAB 48.52, 76.48, -11.55

 

CMYK 0 / 100 / 42 / 21

HEX #CA0076

RGB 202 0 118

HSL 324.95, 1%, 0.4%

LAB 44.04, 72.42, -6.98

 

CMYK 0 / 100 / 46 / 27

HEX #B90063

RGB 185 0 99

HSL 327.89, 1%, 0.36%

LAB 39.94, 67.08, -1.51

 

CMYK 0 / 79 / 31 / 1

HEX #FC35AF

RGB 252 53 175

HSL 323.22, 0.97%, 0.6%

LAB 58.36, 80.85, -18.59

 

CMYK 0 / 79 / 52 / 1

HEX #FC3579

RGB 252 53 121

HSL 339.5, 0.97%, 0.6%

LAB 56.71, 75.93, 10.77

 

CMYK 0 / 79 / 73 / 1

HEX #FC3543

RGB 252 53 67

HSL 355.78, 0.97%, 0.6%

LAB 55.73, 72.94, 41.19

 

CMYK 0 / 79 / 79 / 1

HEX #FC3535

RGB 252 53 53

HSL 0, 0.97%, 0.6%

LAB 55.58, 72.48, 48.66

 

CMYK 0 / 79 / 31 / 1

HEX #FC35AF

RGB 252 53 175

HSL 323.22, 0.97%, 0.6%

LAB 58.36, 80.85, -18.59

 

CMYK 0 / 79 / 9 / 1

HEX #FC35E5

RGB 252 53 229

HSL 306.93, 0.97%, 0.6%

LAB 60.69, 87.5, -45.79

 

CMYK 12 / 79 / 0 / 1

HEX #DE35FC

RGB 222 53 252

HSL 290.95, 0.97%, 0.6%

LAB 57.18, 85.41, -64.51

 

CMYK 33 / 79 / 0 / 1

HEX #A835FC

RGB 168 53 252

HSL 274.67, 0.97%, 0.6%

LAB 49.37, 76.57, -77.53

 

CMYK 55 / 79 / 0 / 1

HEX #7235FC

RGB 114 53 252

HSL 258.39, 0.97%, 0.6%

LAB 42.99, 69.4, -88.24

 

CMYK 0 / 79 / 31 / 1

HEX #FC35AF

RGB 252 53 175

HSL 323.22, 0.97%, 0.6%

LAB 58.36, 80.85, -18.59

 

CMYK 0 / 79 / 31 / 1

HEX #FC35AF

RGB 252 53 175

HSL 323.22, 0.97%, 0.6%

LAB 58.36, 80.85, -18.59

 

CMYK 0 / 71 / 27 / 7

HEX #EC45AC

RGB 236 69 172

HSL 322.99, 0.81%, 0.6%

LAB 57.14, 72.01, -18.95

 

CMYK 0 / 61 / 23 / 14

HEX #DB56A8

RGB 219 86 168

HSL 323.01, 0.65%, 0.6%

LAB 56.63, 60.42, -17.66

 

CMYK 0 / 50 / 19 / 20

HEX #CB66A4

RGB 203 102 164

HSL 323.17, 0.49%, 0.6%

LAB 56.96, 47.56, -15.05

 

CMYK 0 / 36 / 14 / 27

HEX #BA77A0

RGB 186 119 160

HSL 323.28, 0.33%, 0.6%

LAB 58.2, 32.28, -11.08

 

CMYK 12 / 79 / 0 / 1

HEX #DE35FC

RGB 222 53 252

HSL 290.95, 0.97%, 0.6%

LAB 57.18, 85.41, -64.51

 

CMYK 0 / 79 / 9 / 1

HEX #FC35E5

RGB 252 53 229

HSL 306.93, 0.97%, 0.6%

LAB 60.69, 87.5, -45.79

 

CMYK 0 / 79 / 30 / 1

HEX #FC35B0

RGB 252 53 176

HSL 322.91, 0.97%, 0.6%

LAB 58.39, 80.95, -19.12

 

CMYK 0 / 79 / 51 / 1

HEX #FC357B

RGB 252 53 123

HSL 338.89, 0.97%, 0.6%

LAB 56.75, 76.08, 9.65

 

CMYK 0 / 79 / 73 / 1

HEX #FC3545

RGB 252 53 69

HSL 355.18, 0.97%, 0.6%

LAB 55.76, 73.02, 40.09

 

CMYK 0 / 99 / 38 / 13

HEX #DD0288

RGB 221 2 136

HSL 323.29, 0.98%, 0.44%

LAB 48.5, 77.9, -10.94

 

CMYK 0 / 95 / 37 / 1

HEX #FC0C9F

RGB 252 12 159

HSL 323.25, 0.98%, 0.52%

LAB 55.54, 85.7, -13.49

 

CMYK 0 / 79 / 31 / 1

HEX #FC35AF

RGB 252 53 175

HSL 323.22, 0.97%, 0.6%

LAB 58.36, 80.85, -18.59

 

CMYK 0 / 63 / 25 / 1

HEX #FD5DBF

RGB 253 93 191

HSL 323.25, 0.98%, 0.68%

LAB 63.73, 70, -19.58

 

CMYK 0 / 47 / 18 / 1

HEX #FD86CF

RGB 253 134 207

HSL 323.19, 0.97%, 0.76%

LAB 71.17, 53.88, -17.28

 

CMYK 0 / 80 / 31 / 1

HEX #FD33AF

RGB 253 51 175

HSL 323.17, 0.98%, 0.6%

LAB 58.36, 81.55, -18.56

 

CMYK 0 / 33 / 79 / 1

HEX #FCA935

RGB 252 169 53

HSL 34.97, 0.97%, 0.6%

LAB 75.66, 21.53, 67.81

 

CMYK 79 / 0 / 1 / 1

HEX #35FCF9

RGB 53 252 249

HSL 179.1, 0.97%, 0.6%

LAB 90.42, -46.2, -12.02

 

CMYK 0 / 80 / 31 / 1

HEX #FD33AF

RGB 253 51 175

HSL 323.17, 0.98%, 0.6%

LAB 58.36, 81.55, -18.56

 

CMYK 30 / 0 / 79 / 1

HEX #B0FC35

RGB 176 252 53

HSL 82.91, 0.97%, 0.6%

LAB 91.28, -49.96, 79.82

 

CMYK 79 / 30 / 0 / 1

HEX #35B0FC

RGB 53 176 252

HSL 202.91, 0.97%, 0.6%

LAB 68.63, -7.91, -47.03

 

CMYK 0 / 80 / 31 / 1

HEX #FD33AF

RGB 253 51 175

HSL 323.17, 0.98%, 0.6%

LAB 58.36, 81.55, -18.56

 

CMYK 0 / 33 / 79 / 1

HEX #FCA935

RGB 252 169 53

HSL 34.97, 0.97%, 0.6%

LAB 75.66, 21.53, 67.81

 

CMYK 79 / 0 / 49 / 1

HEX #35FC81

RGB 53 252 129

HSL 142.91, 0.97%, 0.6%

LAB 87.95, -72.62, 45.51

 

CMYK 79 / 46 / 0 / 1

HEX #3588FC

RGB 53 136 252

HSL 214.97, 0.97%, 0.6%

LAB 57.46, 15.45, -64.82

 

CMYK 0 / 80 / 31 / 1

HEX #FD33AF

RGB 253 51 175

HSL 323.17, 0.98%, 0.6%

LAB 58.36, 81.55, -18.56

 

CMYK 0 / 9 / 79 / 1

HEX #FCE535

RGB 252 229 53

HSL 53.07, 0.97%, 0.6%

LAB 90.32, -9.31, 80.93

 

CMYK 79 / 0 / 49 / 1

HEX #35FC81

RGB 53 252 129

HSL 142.91, 0.97%, 0.6%

LAB 87.95, -72.62, 45.51

 

CMYK 79 / 70 / 0 / 1

HEX #354CFC

RGB 53 76 252

HSL 233.07, 0.97%, 0.6%

LAB 42.69, 52.24, -88.87

 

Description

Color code: HEX #FD33AF | qconv.com Color code: HEX #FD33AF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 51 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 51 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 31 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 31% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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