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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD25EA it is the complementary color #02DA15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD25EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD25EA shade: #FF25E5, #FF37F8, #FF49FF, #FF5BFF and #FF6DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD25EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD25EA shade: #FD25EA, #EC13D7, #DB01C4, #CA00B1 and #B9009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD25EA shade: #FC25E9, #FC25AF, #FC2575, #FC253C and #FC2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD25EA shade: #FC25E9, #D525FC, #9B25FC, #6125FC and #2725FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD25EA shade matches the following richer shades: #FC25E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD25EA shade: #FC25E9, #EB37DB, #D949CC, #C75BBE and #B56CAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD25EA shade: #9C25FC, #D525FC, #FC25EA, #FC25B1 and #FC2578

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD25EA shade: #CE02BC, #F602E1, #FC25E9, #FD4EED and #FD77F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD25EA shade: #FD25EA, #FC6225 and #25FCB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD25EA shade: #FD25EA, #EAFC25 and #25EAFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD25EA shade: #FD25EA, #FC6225, #25FC37 and #25BFFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD25EA shade: #FD25EA, #FCA325, #25FC37 and #257FFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 8 / 1

HEX #FD25EA

RGB 253 37 234

HSL 305.28, 0.98%, 0.57%

LAB 60.02, 91.54, -49.64

 

Complementary color

CMYK 99 / 0 / 90 / 15

HEX #02DA15

RGB 2 218 21

HSL 125.28, 0.98%, 0.43%

LAB 76.2, -76.06, 71.61

 

CMYK 0 / 85 / 10 / 0

HEX #FF25E5

RGB 255 37 229

HSL 307.16, 1%, 0.57%

LAB 60.11, 91.24, -46.68

 

CMYK 0 / 78 / 3 / 0

HEX #FF37F8

RGB 255 55 248

HSL 302.1, 1%, 0.61%

LAB 62.31, 90.29, -53.79

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 85 / 8 / 1

HEX #FD25EA

RGB 253 37 234

HSL 305.28, 0.98%, 0.57%

LAB 60.02, 91.54, -49.64

 

CMYK 0 / 92 / 9 / 7

HEX #EC13D7

RGB 236 19 215

HSL 305.81, 0.85%, 0.5%

LAB 55.28, 88.39, -46.61

 

CMYK 0 / 100 / 11 / 14

HEX #DB01C4

RGB 219 1 196

HSL 306.33, 0.99%, 0.43%

LAB 50.77, 84.36, -43.04

 

CMYK 0 / 100 / 12 / 21

HEX #CA00B1

RGB 202 0 177

HSL 307.43, 1%, 0.4%

LAB 46.62, 78.98, -38.69

 

CMYK 0 / 100 / 15 / 27

HEX #B9009E

RGB 185 0 158

HSL 308.76, 1%, 0.36%

LAB 42.43, 73.45, -34.18

 

CMYK 0 / 85 / 8 / 1

HEX #FC25E9

RGB 252 37 233

HSL 305.3, 0.97%, 0.57%

LAB 59.8, 91.23, -49.44

 

CMYK 0 / 85 / 31 / 1

HEX #FC25AF

RGB 252 37 175

HSL 321.49, 0.97%, 0.57%

LAB 57.19, 84.21, -20.38

 

CMYK 0 / 85 / 54 / 1

HEX #FC2575

RGB 252 37 117

HSL 337.67, 0.97%, 0.57%

LAB 55.38, 79.15, 11.3

 

CMYK 0 / 85 / 76 / 1

HEX #FC253C

RGB 252 37 60

HSL 353.58, 0.97%, 0.57%

LAB 54.39, 76.28, 43.62

 

CMYK 0 / 85 / 85 / 1

HEX #FC2525

RGB 252 37 37

HSL 0, 0.97%, 0.57%

LAB 54.19, 75.69, 55.33

 

CMYK 0 / 85 / 8 / 1

HEX #FC25E9

RGB 252 37 233

HSL 305.3, 0.97%, 0.57%

LAB 59.8, 91.23, -49.44

 

CMYK 15 / 85 / 0 / 1

HEX #D525FC

RGB 213 37 252

HSL 289.12, 0.97%, 0.57%

LAB 54.55, 87.53, -68.82

 

CMYK 38 / 85 / 0 / 1

HEX #9B25FC

RGB 155 37 252

HSL 272.93, 0.97%, 0.57%

LAB 46.07, 79.39, -83

 

CMYK 62 / 85 / 0 / 1

HEX #6125FC

RGB 97 37 252

HSL 256.74, 0.97%, 0.57%

LAB 39.4, 73.52, -94.23

 

CMYK 85 / 85 / 0 / 1

HEX #2725FC

RGB 39 37 252

HSL 240.56, 0.97%, 0.57%

LAB 35.56, 70.45, -100.71

 

CMYK 0 / 85 / 8 / 1

HEX #FC25E9

RGB 252 37 233

HSL 305.3, 0.97%, 0.57%

LAB 59.8, 91.23, -49.44

 

CMYK 0 / 85 / 8 / 1

HEX #FC25E9

RGB 252 37 233

HSL 305.3, 0.97%, 0.57%

LAB 59.8, 91.23, -49.44

 

CMYK 0 / 77 / 7 / 8

HEX #EB37DB

RGB 235 55 219

HSL 305.33, 0.82%, 0.57%

LAB 57.57, 82.21, -45.27

 

CMYK 0 / 66 / 6 / 15

HEX #D949CC

RGB 217 73 204

HSL 305.42, 0.65%, 0.57%

LAB 55.96, 70.34, -39.46

 

CMYK 0 / 54 / 5 / 22

HEX #C75BBE

RGB 199 91 190

HSL 305, 0.49%, 0.57%

LAB 55.42, 55.87, -32.48

 

CMYK 0 / 40 / 3 / 29

HEX #B56CAF

RGB 181 108 175

HSL 304.93, 0.33%, 0.57%

LAB 55.73, 39.22, -23.55

 

CMYK 38 / 85 / 0 / 1

HEX #9C25FC

RGB 156 37 252

HSL 273.21, 0.97%, 0.57%

LAB 46.2, 79.51, -82.78

 

CMYK 15 / 85 / 0 / 1

HEX #D525FC

RGB 213 37 252

HSL 289.12, 0.97%, 0.57%

LAB 54.55, 87.53, -68.82

 

CMYK 0 / 85 / 7 / 1

HEX #FC25EA

RGB 252 37 234

HSL 305.02, 0.97%, 0.57%

LAB 59.85, 91.36, -49.92

 

CMYK 0 / 85 / 30 / 1

HEX #FC25B1

RGB 252 37 177

HSL 320.93, 0.97%, 0.57%

LAB 57.26, 84.43, -21.42

 

CMYK 0 / 85 / 52 / 1

HEX #FC2578

RGB 252 37 120

HSL 336.84, 0.97%, 0.57%

LAB 55.46, 79.36, 9.6

 

CMYK 0 / 99 / 9 / 19

HEX #CE02BC

RGB 206 2 188

HSL 305.29, 0.98%, 0.41%

LAB 48, 80.98, -42.91

 

CMYK 0 / 99 / 9 / 4

HEX #F602E1

RGB 246 2 225

HSL 305.16, 0.98%, 0.49%

LAB 57.15, 92.65, -49.21

 

CMYK 0 / 85 / 8 / 1

HEX #FC25E9

RGB 252 37 233

HSL 305.3, 0.97%, 0.57%

LAB 59.8, 91.23, -49.44

 

CMYK 0 / 69 / 6 / 1

HEX #FD4EED

RGB 253 78 237

HSL 305.49, 0.98%, 0.65%

LAB 63.71, 81.78, -45.49

 

CMYK 0 / 53 / 5 / 1

HEX #FD77F1

RGB 253 119 241

HSL 305.37, 0.97%, 0.73%

LAB 69.77, 66.2, -38.2

 

CMYK 0 / 85 / 8 / 1

HEX #FD25EA

RGB 253 37 234

HSL 305.28, 0.98%, 0.57%

LAB 60.02, 91.54, -49.64

 

CMYK 0 / 61 / 85 / 1

HEX #FC6225

RGB 252 98 37

HSL 17.02, 0.97%, 0.57%

LAB 61.28, 56.17, 61.17

 

CMYK 85 / 0 / 27 / 1

HEX #25FCB8

RGB 37 252 184

HSL 161.02, 0.97%, 0.57%

LAB 88.67, -63.73, 19.1

 

CMYK 0 / 85 / 8 / 1

HEX #FD25EA

RGB 253 37 234

HSL 305.28, 0.98%, 0.57%

LAB 60.02, 91.54, -49.64

 

CMYK 7 / 0 / 85 / 1

HEX #EAFC25

RGB 234 252 37

HSL 65.02, 0.97%, 0.57%

LAB 94.84, -28.23, 87.93

 

CMYK 85 / 7 / 0 / 1

HEX #25EAFC

RGB 37 234 252

HSL 185.02, 0.97%, 0.57%

LAB 85.13, -38.42, -21.56

 

CMYK 0 / 85 / 8 / 1

HEX #FD25EA

RGB 253 37 234

HSL 305.28, 0.98%, 0.57%

LAB 60.02, 91.54, -49.64

 

CMYK 0 / 61 / 85 / 1

HEX #FC6225

RGB 252 98 37

HSL 17.02, 0.97%, 0.57%

LAB 61.28, 56.17, 61.17

 

CMYK 85 / 0 / 78 / 1

HEX #25FC37

RGB 37 252 55

HSL 125.02, 0.97%, 0.57%

LAB 87.14, -81.92, 73.91

 

CMYK 85 / 24 / 0 / 1

HEX #25BFFC

RGB 37 191 252

HSL 197.02, 0.97%, 0.57%

LAB 72.68, -17.29, -40.71

 

CMYK 0 / 85 / 8 / 1

HEX #FD25EA

RGB 253 37 234

HSL 305.28, 0.98%, 0.57%

LAB 60.02, 91.54, -49.64

 

CMYK 0 / 35 / 85 / 1

HEX #FCA325

RGB 252 163 37

HSL 35.16, 0.97%, 0.57%

LAB 74.2, 24.22, 71.75

 

CMYK 85 / 0 / 78 / 1

HEX #25FC37

RGB 37 252 55

HSL 125.02, 0.97%, 0.57%

LAB 87.14, -81.92, 73.91

 

CMYK 85 / 50 / 0 / 1

HEX #257FFC

RGB 37 127 252

HSL 214.88, 0.97%, 0.57%

LAB 54.66, 19.69, -69.35

 

Description

Color code: HEX #FD25EA | qconv.com Color code: HEX #FD25EA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 37 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 37 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 8 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 8% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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