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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD1F96 it is the complementary color #02E069. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD1F96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD1F96 shade: #FF1F91, #FF31A4, #FF43B7, #FF55CA and #FF67DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD1F96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD1F96 shade: #FD1F96, #EC0D83, #DB0070, #CA005D and #B9004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD1F96 shade: #FC2096, #FC205B and #FC2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD1F96 shade: #FC2096, #FC20D2, #EC20FC, #B020FC and #7520FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD1F96 shade matches the following richer shades: #FC2096

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD1F96 shade: #FC2096, #EA3295, #D84594, #C65792 and #B46991

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD1F96 shade: #EA20FC, #FC20D4, #FC2099, #FC205F and #FC2024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD1F96 shade: #C9026C, #F10282, #FC2096, #FD49A9 and #FD72BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD1F96 shade: #FD1F96, #FCAF20 and #20F1FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD1F96 shade: #FD1F96, #99FC20 and #2099FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD1F96 shade: #FD1F96, #FCAF20, #20FC83 and #206DFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD1F96 shade: #FD1F96, #FCF120, #20FC83 and #202BFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 41 / 1

HEX #FD1F96

RGB 253 31 150

HSL 327.84, 0.98%, 0.56%

LAB 56.15, 82.99, -7.24

 

Complementary color

CMYK 99 / 0 / 53 / 12

HEX #02E069

RGB 2 224 105

HSL 147.84, 0.98%, 0.44%

LAB 78.66, -70.53, 45.3

 

CMYK 0 / 88 / 43 / 0

HEX #FF1F91

RGB 255 31 145

HSL 329.46, 1%, 0.56%

LAB 56.37, 83, -3.91

 

CMYK 0 / 81 / 36 / 0

HEX #FF31A4

RGB 255 49 164

HSL 326.5, 1%, 0.6%

LAB 58.17, 81.34, -12.42

 

CMYK 0 / 74 / 28 / 0

HEX #FF43B7

RGB 255 67 183

HSL 322.98, 1%, 0.63%

LAB 60.51, 78.62, -19.89

 

CMYK 0 / 67 / 21 / 0

HEX #FF55CA

RGB 255 85 202

HSL 318.71, 1%, 0.67%

LAB 63.36, 74.96, -26.36

 

CMYK 0 / 60 / 13 / 0

HEX #FF67DD

RGB 255 103 221

HSL 313.42, 1%, 0.7%

LAB 66.66, 70.58, -31.95

 

CMYK 0 / 88 / 41 / 1

HEX #FD1F96

RGB 253 31 150

HSL 327.84, 0.98%, 0.56%

LAB 56.15, 82.99, -7.24

 

CMYK 0 / 94 / 44 / 7

HEX #EC0D83

RGB 236 13 131

HSL 328.25, 0.9%, 0.49%

LAB 51.56, 79.79, -3.03

 

CMYK 0 / 100 / 49 / 14

HEX #DB0070

RGB 219 0 112

HSL 329.32, 1%, 0.43%

LAB 47.27, 75.6, 1.89

 

CMYK 0 / 100 / 54 / 21

HEX #CA005D

RGB 202 0 93

HSL 332.38, 1%, 0.4%

LAB 43.28, 70.43, 7.55

 

CMYK 0 / 100 / 60 / 27

HEX #B9004A

RGB 185 0 74

HSL 336, 1%, 0.36%

LAB 39.26, 65.26, 13.49

 

CMYK 0 / 87 / 40 / 1

HEX #FC2096

RGB 252 32 150

HSL 327.82, 0.97%, 0.56%

LAB 56.02, 82.61, -7.46

 

CMYK 0 / 87 / 64 / 1

HEX #FC205B

RGB 252 32 91

HSL 343.91, 0.97%, 0.56%

LAB 54.54, 78.46, 25.74

 

CMYK 0 / 87 / 87 / 1

HEX #FC2020

RGB 252 32 32

HSL 0, 0.97%, 0.56%

LAB 53.85, 76.48, 57.3

 

CMYK 0 / 87 / 40 / 1

HEX #FC2096

RGB 252 32 150

HSL 327.82, 0.97%, 0.56%

LAB 56.02, 82.61, -7.46

 

CMYK 0 / 87 / 17 / 1

HEX #FC20D2

RGB 252 32 210

HSL 311.45, 0.97%, 0.56%

LAB 58.4, 89.03, -38.66

 

CMYK 6 / 87 / 0 / 1

HEX #EC20FC

RGB 236 32 252

HSL 295.64, 0.97%, 0.56%

LAB 57.94, 92.02, -63.17

 

CMYK 30 / 87 / 0 / 1

HEX #B020FC

RGB 176 32 252

HSL 279.27, 0.97%, 0.56%

LAB 48.63, 83.18, -78.7

 

CMYK 54 / 87 / 0 / 1

HEX #7520FC

RGB 117 32 252

HSL 263.18, 0.97%, 0.56%

LAB 40.97, 76.61, -91.57

 

CMYK 0 / 87 / 40 / 1

HEX #FC2096

RGB 252 32 150

HSL 327.82, 0.97%, 0.56%

LAB 56.02, 82.61, -7.46

 

CMYK 0 / 87 / 40 / 1

HEX #FC2096

RGB 252 32 150

HSL 327.82, 0.97%, 0.56%

LAB 56.02, 82.61, -7.46

 

CMYK 0 / 79 / 36 / 8

HEX #EA3295

RGB 234 50 149

HSL 327.72, 0.81%, 0.56%

LAB 53.97, 74.66, -10.28

 

CMYK 0 / 68 / 31 / 15

HEX #D84594

RGB 216 69 148

HSL 327.76, 0.65%, 0.56%

LAB 52.94, 63.9, -11.54

 

CMYK 0 / 56 / 26 / 22

HEX #C65792

RGB 198 87 146

HSL 328.11, 0.49%, 0.56%

LAB 52.84, 50.71, -10.8

 

CMYK 0 / 42 / 19 / 29

HEX #B46991

RGB 180 105 145

HSL 328, 0.33%, 0.56%

LAB 53.87, 35.39, -8.92

 

CMYK 7 / 87 / 0 / 1

HEX #EA20FC

RGB 234 32 252

HSL 295.09, 0.97%, 0.56%

LAB 57.61, 91.7, -63.72

 

CMYK 0 / 87 / 16 / 1

HEX #FC20D4

RGB 252 32 212

HSL 310.91, 0.97%, 0.56%

LAB 58.49, 89.28, -39.65

 

CMYK 0 / 87 / 39 / 1

HEX #FC2099

RGB 252 32 153

HSL 327, 0.97%, 0.56%

LAB 56.12, 82.88, -9.09

 

CMYK 0 / 87 / 62 / 1

HEX #FC205F

RGB 252 32 95

HSL 342.82, 0.97%, 0.56%

LAB 54.61, 78.67, 23.44

 

CMYK 0 / 87 / 86 / 1

HEX #FC2024

RGB 252 32 36

HSL 358.91, 0.97%, 0.56%

LAB 53.87, 76.55, 55.53

 

CMYK 0 / 99 / 46 / 21

HEX #C9026C

RGB 201 2 108

HSL 328.04, 0.98%, 0.4%

LAB 43.57, 71.16, -1.47

 

CMYK 0 / 99 / 46 / 5

HEX #F10282

RGB 241 2 130

HSL 327.87, 0.98%, 0.48%

LAB 52.24, 81.59, -1.33

 

CMYK 0 / 87 / 40 / 1

HEX #FC2096

RGB 252 32 150

HSL 327.82, 0.97%, 0.56%

LAB 56.02, 82.61, -7.46

 

CMYK 0 / 71 / 33 / 1

HEX #FD49A9

RGB 253 73 169

HSL 328, 0.98%, 0.64%

LAB 60.35, 74.68, -12.08

 

CMYK 0 / 55 / 25 / 1

HEX #FD72BD

RGB 253 114 189

HSL 327.63, 0.97%, 0.72%

LAB 66.97, 60.82, -13.55

 

CMYK 0 / 88 / 41 / 1

HEX #FD1F96

RGB 253 31 150

HSL 327.84, 0.98%, 0.56%

LAB 56.15, 82.99, -7.24

 

CMYK 0 / 31 / 87 / 1

HEX #FCAF20

RGB 252 175 32

HSL 39, 0.97%, 0.56%

LAB 76.96, 17.83, 75.26

 

CMYK 87 / 4 / 0 / 1

HEX #20F1FC

RGB 32 241 252

HSL 183, 0.97%, 0.56%

LAB 87.12, -41.86, -18.57

 

CMYK 0 / 88 / 41 / 1

HEX #FD1F96

RGB 253 31 150

HSL 327.84, 0.98%, 0.56%

LAB 56.15, 82.99, -7.24

 

CMYK 39 / 0 / 87 / 1

HEX #99FC20

RGB 153 252 32

HSL 87, 0.97%, 0.56%

LAB 90.09, -58.54, 82.96

 

CMYK 87 / 39 / 0 / 1

HEX #2099FC

RGB 32 153 252

HSL 207, 0.97%, 0.56%

LAB 61.76, 3.6, -57.95

 

CMYK 0 / 88 / 41 / 1

HEX #FD1F96

RGB 253 31 150

HSL 327.84, 0.98%, 0.56%

LAB 56.15, 82.99, -7.24

 

CMYK 0 / 31 / 87 / 1

HEX #FCAF20

RGB 252 175 32

HSL 39, 0.97%, 0.56%

LAB 76.96, 17.83, 75.26

 

CMYK 87 / 0 / 48 / 1

HEX #20FC83

RGB 32 252 131

HSL 147, 0.97%, 0.56%

LAB 87.76, -74.1, 44.28

 

CMYK 87 / 57 / 0 / 1

HEX #206DFC

RGB 32 109 252

HSL 219, 0.97%, 0.56%

LAB 49.83, 30.69, -77.2

 

CMYK 0 / 88 / 41 / 1

HEX #FD1F96

RGB 253 31 150

HSL 327.84, 0.98%, 0.56%

LAB 56.15, 82.99, -7.24

 

CMYK 0 / 4 / 87 / 1

HEX #FCF120

RGB 252 241 32

HSL 57, 0.97%, 0.56%

LAB 93.32, -15.73, 88.18

 

CMYK 87 / 0 / 48 / 1

HEX #20FC83

RGB 32 252 131

HSL 147, 0.97%, 0.56%

LAB 87.76, -74.1, 44.28

 

CMYK 87 / 83 / 0 / 1

HEX #202BFC

RGB 32 43 252

HSL 237, 0.97%, 0.56%

LAB 36.11, 67.92, -99.82

 

Description

Color code: HEX #FD1F96 | qconv.com Color code: HEX #FD1F96 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 31 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 31 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 41 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 41% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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