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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD16AA it is the complementary color #02E955. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD16AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD16AA shade: #FF16A5, #FF28B8, #FF3ACB, #FF4CDE and #FF5EF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD16AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD16AA shade: #FD16AA, #EC0497, #DB0084, #CA0071 and #B9005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD16AA shade: #FC16AA, #FC166C, #FC162E and #FC1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD16AA shade: #FC16AA, #FC16E8, #D316FC, #9516FC and #5716FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD16AA shade matches the following richer shades: #FC16AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD16AA shade: #FC16AA, #E929A4, #D63C9F, #C34F9A and #B06294

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD16AA shade: #D216FC, #FC16E9, #FC16AC, #FC166E and #FC1631

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD16AA shade: #BE017B, #E70295, #FC16AA, #FD3FB8 and #FD68C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD16AA shade: #FD16AA, #FC9516 and #16FCF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD16AA shade: #FD16AA, #ACFC16 and #16ACFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD16AA shade: #FD16AA, #FC9516, #16FC67 and #167EFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD16AA shade: #FD16AA, #FCDA16, #16FC67 and #1639FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 33 / 1

HEX #FD16AA

RGB 253 22 170

HSL 321.56, 0.98%, 0.54%

LAB 56.45, 86.05, -18.57

 

Complementary color

CMYK 99 / 0 / 64 / 9

HEX #02E955

RGB 2 233 85

HSL 141.56, 0.98%, 0.46%

LAB 81.26, -75.79, 57.22

 

CMYK 0 / 91 / 35 / 0

HEX #FF16A5

RGB 255 22 165

HSL 323.18, 1%, 0.54%

LAB 56.63, 85.97, -15.32

 

CMYK 0 / 84 / 28 / 0

HEX #FF28B8

RGB 255 40 184

HSL 319.81, 1%, 0.58%

LAB 58.26, 85.27, -23.9

 

CMYK 0 / 77 / 20 / 0

HEX #FF3ACB

RGB 255 58 203

HSL 315.84, 1%, 0.61%

LAB 60.43, 83.5, -31.47

 

CMYK 0 / 70 / 13 / 0

HEX #FF4CDE

RGB 255 76 222

HSL 311.06, 1%, 0.65%

LAB 63.1, 80.74, -38.05

 

CMYK 0 / 63 / 5 / 0

HEX #FF5EF1

RGB 255 94 241

HSL 305.22, 1%, 0.68%

LAB 66.23, 77.15, -43.73

 

CMYK 0 / 91 / 33 / 1

HEX #FD16AA

RGB 253 22 170

HSL 321.56, 0.98%, 0.54%

LAB 56.45, 86.05, -18.57

 

CMYK 0 / 98 / 36 / 7

HEX #EC0497

RGB 236 4 151

HSL 321.98, 0.97%, 0.47%

LAB 52.01, 82.23, -14.38

 

CMYK 0 / 100 / 40 / 14

HEX #DB0084

RGB 219 0 132

HSL 323.84, 1%, 0.43%

LAB 47.91, 77.27, -9.43

 

CMYK 0 / 100 / 44 / 21

HEX #CA0071

RGB 202 0 113

HSL 326.44, 1%, 0.4%

LAB 43.87, 71.99, -4.12

 

CMYK 0 / 100 / 49 / 27

HEX #B9005E

RGB 185 0 94

HSL 329.51, 1%, 0.36%

LAB 39.79, 66.67, 1.44

 

CMYK 0 / 91 / 33 / 1

HEX #FC16AA

RGB 252 22 170

HSL 321.39, 0.97%, 0.54%

LAB 56.26, 85.84, -18.87

 

CMYK 0 / 91 / 57 / 1

HEX #FC166C

RGB 252 22 108

HSL 337.57, 0.97%, 0.54%

LAB 54.4, 80.81, 15.34

 

CMYK 0 / 91 / 82 / 1

HEX #FC162E

RGB 252 22 46

HSL 353.74, 0.97%, 0.54%

LAB 53.46, 78.18, 50.24

 

CMYK 0 / 91 / 91 / 1

HEX #FC1616

RGB 252 22 22

HSL 0, 0.97%, 0.54%

LAB 53.31, 77.75, 60.91

 

CMYK 0 / 91 / 33 / 1

HEX #FC16AA

RGB 252 22 170

HSL 321.39, 0.97%, 0.54%

LAB 56.26, 85.84, -18.87

 

CMYK 0 / 91 / 8 / 1

HEX #FC16E8

RGB 252 22 232

HSL 305.22, 0.97%, 0.54%

LAB 59.06, 93.1, -50.05

 

CMYK 16 / 91 / 0 / 1

HEX #D316FC

RGB 211 22 252

HSL 289.3, 0.97%, 0.54%

LAB 53.44, 89.58, -70.63

 

CMYK 41 / 91 / 0 / 1

HEX #9516FC

RGB 149 22 252

HSL 273.13, 0.97%, 0.54%

LAB 44.22, 81.81, -86.07

 

CMYK 65 / 91 / 0 / 1

HEX #5716FC

RGB 87 22 252

HSL 256.96, 0.97%, 0.54%

LAB 37.17, 76.84, -97.96

 

CMYK 0 / 91 / 33 / 1

HEX #FC16AA

RGB 252 22 170

HSL 321.39, 0.97%, 0.54%

LAB 56.26, 85.84, -18.87

 

CMYK 0 / 91 / 33 / 1

HEX #FC16AA

RGB 252 22 170

HSL 321.39, 0.97%, 0.54%

LAB 56.26, 85.84, -18.87

 

CMYK 0 / 82 / 30 / 9

HEX #E929A4

RGB 233 41 164

HSL 321.56, 0.81%, 0.54%

LAB 53.59, 78.14, -19.74

 

CMYK 0 / 72 / 26 / 16

HEX #D63C9F

RGB 214 60 159

HSL 321.43, 0.65%, 0.54%

LAB 51.87, 67.88, -19.71

 

CMYK 0 / 59 / 21 / 24

HEX #C34F9A

RGB 195 79 154

HSL 321.21, 0.49%, 0.54%

LAB 51.3, 54.59, -17.9

 

CMYK 0 / 44 / 16 / 31

HEX #B06294

RGB 176 98 148

HSL 321.54, 0.33%, 0.54%

LAB 51.95, 38.26, -13.62

 

CMYK 17 / 91 / 0 / 1

HEX #D216FC

RGB 210 22 252

HSL 289.04, 0.97%, 0.54%

LAB 53.28, 89.44, -70.9

 

CMYK 0 / 91 / 8 / 1

HEX #FC16E9

RGB 252 22 233

HSL 304.96, 0.97%, 0.54%

LAB 59.12, 93.24, -50.53

 

CMYK 0 / 91 / 32 / 1

HEX #FC16AC

RGB 252 22 172

HSL 320.87, 0.97%, 0.54%

LAB 56.34, 86.05, -19.93

 

CMYK 0 / 91 / 56 / 1

HEX #FC166E

RGB 252 22 110

HSL 337.04, 0.97%, 0.54%

LAB 54.44, 80.93, 14.19

 

CMYK 0 / 91 / 81 / 1

HEX #FC1631

RGB 252 22 49

HSL 352.96, 0.97%, 0.54%

LAB 53.48, 78.25, 48.69

 

CMYK 0 / 99 / 35 / 25

HEX #BE017B

RGB 190 1 123

HSL 321.27, 0.99%, 0.37%

LAB 41.84, 70.27, -13.63

 

CMYK 0 / 99 / 35 / 9

HEX #E70295

RGB 231 2 149

HSL 321.48, 0.98%, 0.46%

LAB 50.92, 81.17, -14.93

 

CMYK 0 / 91 / 33 / 1

HEX #FC16AA

RGB 252 22 170

HSL 321.39, 0.97%, 0.54%

LAB 56.26, 85.84, -18.87

 

CMYK 0 / 75 / 27 / 1

HEX #FD3FB8

RGB 253 63 184

HSL 321.79, 0.98%, 0.62%

LAB 59.8, 79.42, -21.58

 

CMYK 0 / 59 / 21 / 1

HEX #FD68C7

RGB 253 104 199

HSL 321.74, 0.97%, 0.7%

LAB 65.68, 66.53, -21.15

 

CMYK 0 / 91 / 33 / 1

HEX #FD16AA

RGB 253 22 170

HSL 321.56, 0.98%, 0.54%

LAB 56.45, 86.05, -18.57

 

CMYK 0 / 41 / 91 / 1

HEX #FC9516

RGB 252 149 22

HSL 33.13, 0.97%, 0.54%

LAB 71.04, 31.22, 73.03

 

CMYK 91 / 0 / 4 / 1

HEX #16FCF1

RGB 22 252 241

HSL 177.13, 0.97%, 0.54%

LAB 89.93, -50.23, -8.63

 

CMYK 0 / 91 / 33 / 1

HEX #FD16AA

RGB 253 22 170

HSL 321.56, 0.98%, 0.54%

LAB 56.45, 86.05, -18.57

 

CMYK 32 / 0 / 91 / 1

HEX #ACFC16

RGB 172 252 22

HSL 80.87, 0.97%, 0.54%

LAB 90.98, -52.28, 85.57

 

CMYK 91 / 32 / 0 / 1

HEX #16ACFC

RGB 22 172 252

HSL 200.87, 0.97%, 0.54%

LAB 67.05, -7.8, -49.55

 

CMYK 0 / 91 / 33 / 1

HEX #FD16AA

RGB 253 22 170

HSL 321.56, 0.98%, 0.54%

LAB 56.45, 86.05, -18.57

 

CMYK 0 / 41 / 91 / 1

HEX #FC9516

RGB 252 149 22

HSL 33.13, 0.97%, 0.54%

LAB 71.04, 31.22, 73.03

 

CMYK 91 / 0 / 59 / 1

HEX #16FC67

RGB 22 252 103

HSL 141.13, 0.97%, 0.54%

LAB 87.37, -78.56, 56.57

 

CMYK 91 / 50 / 0 / 1

HEX #167EFC

RGB 22 126 252

HSL 212.87, 0.97%, 0.54%

LAB 54.15, 19.51, -70.17

 

CMYK 0 / 91 / 33 / 1

HEX #FD16AA

RGB 253 22 170

HSL 321.56, 0.98%, 0.54%

LAB 56.45, 86.05, -18.57

 

CMYK 0 / 13 / 91 / 1

HEX #FCDA16

RGB 252 218 22

HSL 51.13, 0.97%, 0.54%

LAB 87.43, -4.51, 85.19

 

CMYK 91 / 0 / 59 / 1

HEX #16FC67

RGB 22 252 103

HSL 141.13, 0.97%, 0.54%

LAB 87.37, -78.56, 56.57

 

CMYK 91 / 77 / 0 / 1

HEX #1639FC

RGB 22 57 252

HSL 230.87, 0.97%, 0.54%

LAB 38.07, 61.17, -96.56

 

Description

Color code: HEX #FD16AA | qconv.com Color code: HEX #FD16AA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 22 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 22 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 33 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 33% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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