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Color name
HEX #FD0AD9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD0AD9 it is the complementary color #02F526. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD0AD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD0AD9 shade: #FF0AD4, #FF1CE7, #FF2EFA, #FF40FF and #FF52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD0AD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD0AD9 shade: #FD0AD9, #EC00C6, #DB00B3, #CA00A0 and #B9008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD0AD9 shade: #FC0CD9, #FC0C98, #FC0C57, #FC0C16 and #FC0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD0AD9 shade: #FC0CD9, #DF0CFC, #9E0CFC, #5E0CFC and #1D0CFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD0AD9 shade matches the following richer shades: #FC0CD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD0AD9 shade: #FC0CD9, #E820CB, #D434BD, #C148AF and #AD5BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD0AD9 shade: #9C0CFC, #DC0CFC, #FC0CDC, #FC0C9C and #FC0C5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD0AD9 shade: #B4019A, #DD02BD, #FC0CD9, #FC35DF and #FD5EE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD0AD9 shade: #FD0AD9, #FC5C0C and #0CFCBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD0AD9 shade: #FD0AD9, #DCFC0C and #0CDCFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD0AD9 shade: #FD0AD9, #FC5C0C, #0CFC2C and #0CACFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD0AD9 shade: #FD0AD9, #FCA40C, #0CFC2C and #0C64FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 14 / 1

HEX #FD0AD9

RGB 253 10 217

HSL 308.89, 0.98%, 0.52%

LAB 58.14, 92.34, -43.03

 

Complementary color

CMYK 99 / 0 / 84 / 4

HEX #02F526

RGB 2 245 38

HSL 128.89, 0.98%, 0.48%

LAB 84.72, -82.62, 75.86

 

CMYK 0 / 96 / 17 / 0

HEX #FF0AD4

RGB 255 10 212

HSL 310.53, 1%, 0.52%

LAB 58.26, 92.08, -39.98

 

CMYK 0 / 89 / 9 / 0

HEX #FF1CE7

RGB 255 28 231

HSL 306.34, 1%, 0.55%

LAB 59.76, 92.8, -48.35

 

CMYK 0 / 82 / 2 / 0

HEX #FF2EFA

RGB 255 46 250

HSL 301.44, 1%, 0.59%

LAB 61.75, 92.51, -55.78

 

CMYK 0 / 75 / 0 / 0

HEX #FF40FF

RGB 255 64 255

HSL 300, 1%, 0.63%

LAB 63.46, 89.06, -55.83

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 96 / 14 / 1

HEX #FD0AD9

RGB 253 10 217

HSL 308.89, 0.98%, 0.52%

LAB 58.14, 92.34, -43.03

 

CMYK 0 / 100 / 16 / 7

HEX #EC00C6

RGB 236 0 198

HSL 309.66, 1%, 0.46%

LAB 53.93, 87.65, -38.99

 

CMYK 0 / 100 / 18 / 14

HEX #DB00B3

RGB 219 0 179

HSL 310.96, 1%, 0.43%

LAB 49.88, 82.28, -34.52

 

CMYK 0 / 100 / 21 / 21

HEX #CA00A0

RGB 202 0 160

HSL 312.48, 1%, 0.4%

LAB 45.76, 76.85, -29.93

 

CMYK 0 / 100 / 24 / 27

HEX #B9008D

RGB 185 0 141

HSL 314.27, 1%, 0.36%

LAB 41.59, 71.33, -25.19

 

CMYK 0 / 95 / 14 / 1

HEX #FC0CD9

RGB 252 12 217

HSL 308.75, 0.98%, 0.52%

LAB 58.01, 92.03, -43.25

 

CMYK 0 / 95 / 40 / 1

HEX #FC0C98

RGB 252 12 152

HSL 325, 0.98%, 0.52%

LAB 55.3, 85.06, -9.71

 

CMYK 0 / 95 / 65 / 1

HEX #FC0C57

RGB 252 12 87

HSL 341.25, 0.98%, 0.52%

LAB 53.65, 80.61, 26.99

 

CMYK 0 / 95 / 91 / 1

HEX #FC0C16

RGB 252 12 22

HSL 357.5, 0.98%, 0.52%

LAB 52.97, 78.73, 60.69

 

CMYK 0 / 95 / 95 / 1

HEX #FC0C0C

RGB 252 12 12

HSL 0, 0.98%, 0.52%

LAB 52.93, 78.64, 63.79

 

CMYK 0 / 95 / 14 / 1

HEX #FC0CD9

RGB 252 12 217

HSL 308.75, 0.98%, 0.52%

LAB 58.01, 92.03, -43.25

 

CMYK 12 / 95 / 0 / 1

HEX #DF0CFC

RGB 223 12 252

HSL 292.75, 0.98%, 0.52%

LAB 55.05, 92.29, -67.93

 

CMYK 37 / 95 / 0 / 1

HEX #9E0CFC

RGB 158 12 252

HSL 276.5, 0.98%, 0.52%

LAB 45.03, 84.08, -84.7

 

CMYK 63 / 95 / 0 / 1

HEX #5E0CFC

RGB 94 12 252

HSL 260.5, 0.98%, 0.52%

LAB 37.25, 78.96, -97.81

 

CMYK 88 / 95 / 0 / 1

HEX #1D0CFC

RGB 29 12 252

HSL 244.25, 0.98%, 0.52%

LAB 33.03, 76.89, -104.94

 

CMYK 0 / 95 / 14 / 1

HEX #FC0CD9

RGB 252 12 217

HSL 308.75, 0.98%, 0.52%

LAB 58.01, 92.03, -43.25

 

CMYK 0 / 95 / 14 / 1

HEX #FC0CD9

RGB 252 12 217

HSL 308.75, 0.98%, 0.52%

LAB 58.01, 92.03, -43.25

 

CMYK 0 / 86 / 13 / 9

HEX #E820CB

RGB 232 32 203

HSL 308.7, 0.81%, 0.52%

LAB 54.55, 84.35, -40.94

 

CMYK 0 / 75 / 11 / 17

HEX #D434BD

RGB 212 52 189

HSL 308.63, 0.65%, 0.52%

LAB 51.98, 73.91, -37.14

 

CMYK 0 / 63 / 9 / 24

HEX #C148AF

RGB 193 72 175

HSL 308.93, 0.49%, 0.52%

LAB 50.77, 60.22, -31.11

 

CMYK 0 / 47 / 7 / 32

HEX #AD5BA1

RGB 173 91 161

HSL 308.78, 0.33%, 0.52%

LAB 50.62, 43.19, -23.35

 

CMYK 38 / 95 / 0 / 1

HEX #9C0CFC

RGB 156 12 252

HSL 276, 0.98%, 0.52%

LAB 44.74, 83.87, -85.17

 

CMYK 13 / 95 / 0 / 1

HEX #DC0CFC

RGB 220 12 252

HSL 292, 0.98%, 0.52%

LAB 54.56, 91.86, -68.75

 

CMYK 0 / 95 / 13 / 1

HEX #FC0CDC

RGB 252 12 220

HSL 308, 0.98%, 0.52%

LAB 58.16, 92.41, -44.72

 

CMYK 0 / 95 / 38 / 1

HEX #FC0C9C

RGB 252 12 156

HSL 324, 0.98%, 0.52%

LAB 55.44, 85.42, -11.88

 

CMYK 0 / 95 / 63 / 1

HEX #FC0C5C

RGB 252 12 92

HSL 340, 0.98%, 0.52%

LAB 53.74, 80.86, 24.1

 

CMYK 0 / 99 / 14 / 29

HEX #B4019A

RGB 180 1 154

HSL 308.72, 0.99%, 0.35%

LAB 41.31, 71.91, -33.61

 

CMYK 0 / 99 / 14 / 13

HEX #DD02BD

RGB 221 2 189

HSL 308.77, 0.98%, 0.44%

LAB 50.79, 83.73, -38.91

 

CMYK 0 / 95 / 14 / 1

HEX #FC0CD9

RGB 252 12 217

HSL 308.75, 0.98%, 0.52%

LAB 58.01, 92.03, -43.25

 

CMYK 0 / 79 / 12 / 1

HEX #FC35DF

RGB 252 53 223

HSL 308.74, 0.97%, 0.6%

LAB 60.4, 86.68, -42.87

 

CMYK 0 / 63 / 9 / 1

HEX #FD5EE5

RGB 253 94 229

HSL 309.06, 0.98%, 0.68%

LAB 65.39, 74.85, -38.4

 

CMYK 0 / 96 / 14 / 1

HEX #FD0AD9

RGB 253 10 217

HSL 308.89, 0.98%, 0.52%

LAB 58.14, 92.34, -43.03

 

CMYK 0 / 63 / 95 / 1

HEX #FC5C0C

RGB 252 92 12

HSL 20, 0.98%, 0.52%

LAB 60.23, 58.34, 67.81

 

CMYK 95 / 0 / 25 / 1

HEX #0CFCBC

RGB 12 252 188

HSL 164, 0.98%, 0.52%

LAB 88.6, -63.98, 16.92

 

CMYK 0 / 96 / 14 / 1

HEX #FD0AD9

RGB 253 10 217

HSL 308.89, 0.98%, 0.52%

LAB 58.14, 92.34, -43.03

 

CMYK 13 / 0 / 95 / 1

HEX #DCFC0C

RGB 220 252 12

HSL 68, 0.98%, 0.52%

LAB 93.82, -34.24, 90.03

 

CMYK 95 / 13 / 0 / 1

HEX #0CDCFC

RGB 12 220 252

HSL 188, 0.98%, 0.52%

LAB 80.9, -32.9, -28.02

 

CMYK 0 / 96 / 14 / 1

HEX #FD0AD9

RGB 253 10 217

HSL 308.89, 0.98%, 0.52%

LAB 58.14, 92.34, -43.03

 

CMYK 0 / 63 / 95 / 1

HEX #FC5C0C

RGB 252 92 12

HSL 20, 0.98%, 0.52%

LAB 60.23, 58.34, 67.81

 

CMYK 95 / 0 / 83 / 1

HEX #0CFC2C

RGB 12 252 44

HSL 128, 0.98%, 0.52%

LAB 86.94, -83.9, 76.52

 

CMYK 95 / 32 / 0 / 1

HEX #0CACFC

RGB 12 172 252

HSL 200, 0.98%, 0.52%

LAB 66.98, -8.14, -49.66

 

CMYK 0 / 96 / 14 / 1

HEX #FD0AD9

RGB 253 10 217

HSL 308.89, 0.98%, 0.52%

LAB 58.14, 92.34, -43.03

 

CMYK 0 / 35 / 95 / 1

HEX #FCA40C

RGB 252 164 12

HSL 38, 0.98%, 0.52%

LAB 74.36, 23.3, 77.02

 

CMYK 95 / 0 / 83 / 1

HEX #0CFC2C

RGB 12 252 44

HSL 128, 0.98%, 0.52%

LAB 86.94, -83.9, 76.52

 

CMYK 95 / 60 / 0 / 1

HEX #0C64FC

RGB 12 100 252

HSL 218, 0.98%, 0.52%

LAB 47.26, 35.61, -81.4

 

Description

Color code: HEX #FD0AD9 | qconv.com Color code: HEX #FD0AD9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 10 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 10 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 14 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 14% 1% C M Y K

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Provide designers and agencies with accurate color values.

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