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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC9A90 it is the complementary color #03656F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC9A90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC9A90 shade: #FF9A8B, #FFAC9E, #FFBEB1, #FFD0C4 and #FFE2D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC9A90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC9A90 shade: #FC9A90, #EB887D, #DA766A, #C96457 and #B85244

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC9A90 shade: #FC9B91 and #FC9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC9A90 shade: #FC9B91, #FCB891, #FCD491, #FCF191 and #E9FC91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC9A90 shade matches the following richer shades: #FC9B91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC9A90 shade: #FC9B91, #F3A29A, #EAAAA3, #E0B1AC and #D7B9B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC9A90 shade: #FC91C1, #FC91A5, #FC9A91, #FCB691 and #FCD391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC9A90 shade: #FA5241, #FB7669, #FC9B91, #FDC0B9 and #FEE4E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC9A90 shade: #FC9A90, #DDFC91 and #91B3FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC9A90 shade: #FC9A90, #91FC9A and #9A91FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC9A90 shade: #FC9A90, #DDFC91, #91F3FC and #AF91FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC9A90 shade: #FC9A90, #BEFC91, #91F3FC and #CF91FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 43 / 1

HEX #FC9A90

RGB 252 154 144

HSL 5.56, 0.95%, 0.78%

LAB 73.43, 35.52, 20.88

 

Complementary color

CMYK 97 / 9 / 0 / 56

HEX #03656F

RGB 3 101 111

HSL 185.56, 0.95%, 0.22%

LAB 38.68, -20.66, -12.7

 

CMYK 0 / 40 / 45 / 0

HEX #FF9A8B

RGB 255 154 139

HSL 7.76, 1%, 0.77%

LAB 73.7, 36.14, 24.05

 

CMYK 0 / 33 / 38 / 0

HEX #FFAC9E

RGB 255 172 158

HSL 8.66, 1%, 0.81%

LAB 78.01, 28.79, 19.64

 

CMYK 0 / 25 / 31 / 0

HEX #FFBEB1

RGB 255 190 177

HSL 10, 1%, 0.85%

LAB 82.52, 21.64, 15.71

 

CMYK 0 / 18 / 23 / 0

HEX #FFD0C4

RGB 255 208 196

HSL 12.2, 1%, 0.88%

LAB 87.17, 14.77, 12.19

 

CMYK 0 / 11 / 16 / 0

HEX #FFE2D7

RGB 255 226 215

HSL 16.5, 1%, 0.92%

LAB 91.94, 8.22, 9.01

 

CMYK 0 / 39 / 43 / 1

HEX #FC9A90

RGB 252 154 144

HSL 5.56, 0.95%, 0.78%

LAB 73.43, 35.52, 20.88

 

CMYK 0 / 42 / 47 / 8

HEX #EB887D

RGB 235 136 125

HSL 6, 0.73%, 0.71%

LAB 67.09, 36.59, 22.39

 

CMYK 0 / 46 / 51 / 15

HEX #DA766A

RGB 218 118 106

HSL 6.43, 0.6%, 0.64%

LAB 60.7, 37.74, 24.09

 

CMYK 0 / 50 / 57 / 21

HEX #C96457

RGB 201 100 87

HSL 6.84, 0.51%, 0.56%

LAB 54.26, 38.96, 26.04

 

CMYK 0 / 55 / 63 / 28

HEX #B85244

RGB 184 82 68

HSL 7.24, 0.46%, 0.49%

LAB 47.81, 40.25, 28.3

 

CMYK 0 / 38 / 42 / 1

HEX #FC9B91

RGB 252 155 145

HSL 5.61, 0.95%, 0.78%

LAB 73.66, 35.11, 20.66

 

CMYK 0 / 42 / 42 / 1

HEX #FC9191

RGB 252 145 145

HSL 0, 0.95%, 0.78%

LAB 71.55, 40.25, 17.74

 

CMYK 0 / 38 / 42 / 1

HEX #FC9B91

RGB 252 155 145

HSL 5.61, 0.95%, 0.78%

LAB 73.66, 35.11, 20.66

 

CMYK 0 / 27 / 42 / 1

HEX #FCB891

RGB 252 184 145

HSL 21.87, 0.95%, 0.78%

LAB 80.19, 19.94, 29.49

 

CMYK 0 / 16 / 42 / 1

HEX #FCD491

RGB 252 212 145

HSL 37.57, 0.95%, 0.78%

LAB 86.91, 5.35, 38.32

 

CMYK 0 / 4 / 42 / 1

HEX #FCF191

RGB 252 241 145

HSL 53.83, 0.95%, 0.78%

LAB 94.16, -9.31, 47.56

 

CMYK 8 / 0 / 42 / 1

HEX #E9FC91

RGB 233 252 145

HSL 70.65, 0.95%, 0.78%

LAB 95.58, -21.94, 49.03

 

CMYK 0 / 38 / 42 / 1

HEX #FC9B91

RGB 252 155 145

HSL 5.61, 0.95%, 0.78%

LAB 73.66, 35.11, 20.66

 

CMYK 0 / 38 / 42 / 1

HEX #FC9B91

RGB 252 155 145

HSL 5.61, 0.95%, 0.78%

LAB 73.66, 35.11, 20.66

 

CMYK 0 / 33 / 37 / 5

HEX #F3A29A

RGB 243 162 154

HSL 5.39, 0.79%, 0.78%

LAB 74.34, 29.08, 16.5

 

CMYK 0 / 27 / 30 / 8

HEX #EAAAA3

RGB 234 170 163

HSL 5.92, 0.63%, 0.78%

LAB 75.38, 22.57, 12.9

 

CMYK 0 / 21 / 23 / 12

HEX #E0B1AC

RGB 224 177 172

HSL 5.77, 0.46%, 0.78%

LAB 76.23, 16.32, 9.07

 

CMYK 0 / 14 / 16 / 16

HEX #D7B9B5

RGB 215 185 181

HSL 7.06, 0.3%, 0.78%

LAB 77.57, 10.07, 5.99

 

CMYK 0 / 42 / 23 / 1

HEX #FC91C1

RGB 252 145 193

HSL 333.08, 0.95%, 0.78%

LAB 72.76, 46.09, -7.15

 

CMYK 0 / 42 / 35 / 1

HEX #FC91A5

RGB 252 145 165

HSL 348.79, 0.95%, 0.78%

LAB 72, 42.48, 7.28

 

CMYK 0 / 39 / 42 / 1

HEX #FC9A91

RGB 252 154 145

HSL 5.05, 0.95%, 0.78%

LAB 73.45, 35.63, 20.36

 

CMYK 0 / 28 / 42 / 1

HEX #FCB691

RGB 252 182 145

HSL 20.75, 0.95%, 0.78%

LAB 79.73, 20.99, 28.87

 

CMYK 0 / 16 / 42 / 1

HEX #FCD391

RGB 252 211 145

HSL 37.01, 0.95%, 0.78%

LAB 86.67, 5.87, 38.01

 

CMYK 0 / 67 / 74 / 2

HEX #FA5241

RGB 250 82 65

HSL 5.51, 0.95%, 0.62%

LAB 58.73, 62.89, 45.52

 

CMYK 0 / 53 / 58 / 2

HEX #FB7669

RGB 251 118 105

HSL 5.34, 0.95%, 0.7%

LAB 65.35, 49.77, 31.62

 

CMYK 0 / 38 / 42 / 1

HEX #FC9B91

RGB 252 155 145

HSL 5.61, 0.95%, 0.78%

LAB 73.66, 35.11, 20.66

 

CMYK 0 / 24 / 27 / 1

HEX #FDC0B9

RGB 253 192 185

HSL 6.18, 0.94%, 0.86%

LAB 82.96, 20.9, 12.02

 

CMYK 0 / 10 / 11 / 0

HEX #FEE4E2

RGB 254 228 226

HSL 4.29, 0.93%, 0.94%

LAB 92.6, 8.56, 4.21

 

CMYK 0 / 39 / 43 / 1

HEX #FC9A90

RGB 252 154 144

HSL 5.56, 0.95%, 0.78%

LAB 73.43, 35.52, 20.88

 

CMYK 12 / 0 / 42 / 1

HEX #DDFC91

RGB 221 252 145

HSL 77.38, 0.95%, 0.78%

LAB 94.75, -26.41, 47.82

 

CMYK 42 / 29 / 0 / 1

HEX #91B3FC

RGB 145 179 252

HSL 220.93, 0.95%, 0.78%

LAB 73.08, 6.79, -39.81

 

CMYK 0 / 39 / 43 / 1

HEX #FC9A90

RGB 252 154 144

HSL 5.56, 0.95%, 0.78%

LAB 73.43, 35.52, 20.88

 

CMYK 42 / 0 / 39 / 1

HEX #91FC9A

RGB 145 252 154

HSL 125.05, 0.95%, 0.78%

LAB 90.77, -50.43, 37.5

 

CMYK 39 / 42 / 0 / 1

HEX #9A91FC

RGB 154 145 252

HSL 245.05, 0.95%, 0.78%

LAB 65.08, 28.37, -52.33

 

CMYK 0 / 39 / 43 / 1

HEX #FC9A90

RGB 252 154 144

HSL 5.56, 0.95%, 0.78%

LAB 73.43, 35.52, 20.88

 

CMYK 12 / 0 / 42 / 1

HEX #DDFC91

RGB 221 252 145

HSL 77.38, 0.95%, 0.78%

LAB 94.75, -26.41, 47.82

 

CMYK 42 / 4 / 0 / 1

HEX #91F3FC

RGB 145 243 252

HSL 185.05, 0.95%, 0.78%

LAB 90.39, -26.59, -13.38

 

CMYK 31 / 42 / 0 / 1

HEX #AF91FC

RGB 175 145 252

HSL 256.82, 0.95%, 0.78%

LAB 66.82, 33.8, -49.47

 

CMYK 0 / 39 / 43 / 1

HEX #FC9A90

RGB 252 154 144

HSL 5.56, 0.95%, 0.78%

LAB 73.43, 35.52, 20.88

 

CMYK 25 / 0 / 42 / 1

HEX #BEFC91

RGB 190 252 145

HSL 94.77, 0.95%, 0.78%

LAB 92.84, -37.5, 45.01

 

CMYK 42 / 4 / 0 / 1

HEX #91F3FC

RGB 145 243 252

HSL 185.05, 0.95%, 0.78%

LAB 90.39, -26.59, -13.38

 

CMYK 18 / 42 / 0 / 1

HEX #CF91FC

RGB 207 145 252

HSL 274.77, 0.95%, 0.78%

LAB 69.86, 42.58, -44.49

 

Description

Color code: HEX #FC9A90 | qconv.com Color code: HEX #FC9A90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 154 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 154 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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