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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC9311 it is the complementary color #036CEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC9311. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC9311 shade: #FF930C, #FFA51F, #FFB732, #FFC945 and #FFDB58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC9311. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC9311 shade: #FC9311, #EB8100, #DA6F00, #C95D00 and #B84B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC9311 shade: #FC9311, #FC5411, #FC1411 and #FC1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC9311 shade: #FC9311, #FCD211, #E6FC11, #A7FC11 and #68FC11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC9311 shade matches the following richer shades: #FC9311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC9311 shade: #FC9311, #E99125, #D58F38, #C28D4B and #AF8B5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC9311 shade: #FC1511, #FC5411, #FC9211, #FCD111 and #E9FC11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC9311 shade: #B96701, #E27E02, #FC9311, #FDA63A and #FDB863

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC9311 shade: #FC9311, #4CFC11 and #3411FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC9311 shade: #FC9311, #11FC92 and #9211FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC9311 shade: #FC9311, #4CFC11, #117BFC and #C111FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC9311 shade: #FC9311, #11FC1D, #117BFC and #FC11F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 93 / 1

HEX #FC9311

RGB 252 147 17

HSL 33.19, 0.98%, 0.53%

LAB 70.6, 32.19, 73.67

 

Complementary color

CMYK 99 / 55 / 0 / 7

HEX #036CEE

RGB 3 108 238

HSL 213.19, 0.98%, 0.47%

LAB 48.16, 24.93, -72.13

 

CMYK 0 / 42 / 95 / 0

HEX #FF930C

RGB 255 147 12

HSL 33.33, 1%, 0.52%

LAB 70.98, 33.36, 74.89

 

CMYK 0 / 35 / 88 / 0

HEX #FFA51F

RGB 255 165 31

HSL 35.89, 1%, 0.56%

LAB 74.99, 24.29, 74.12

 

CMYK 0 / 28 / 80 / 0

HEX #FFB732

RGB 255 183 50

HSL 38.93, 1%, 0.6%

LAB 79.25, 15.37, 72.2

 

CMYK 0 / 21 / 73 / 0

HEX #FFC945

RGB 255 201 69

HSL 42.58, 1%, 0.64%

LAB 83.69, 6.74, 69.62

 

CMYK 0 / 14 / 65 / 0

HEX #FFDB58

RGB 255 219 88

HSL 47.07, 1%, 0.67%

LAB 88.27, -1.52, 66.75

 

CMYK 0 / 42 / 93 / 1

HEX #FC9311

RGB 252 147 17

HSL 33.19, 0.98%, 0.53%

LAB 70.6, 32.19, 73.67

 

CMYK 0 / 45 / 100 / 8

HEX #EB8100

RGB 235 129 0

HSL 32.94, 1%, 0.46%

LAB 64.45, 34.39, 71.03

 

CMYK 0 / 49 / 100 / 15

HEX #DA6F00

RGB 218 111 0

HSL 30.55, 1%, 0.43%

LAB 58.3, 36.76, 66.07

 

CMYK 0 / 54 / 100 / 21

HEX #C95D00

RGB 201 93 0

HSL 27.76, 1%, 0.39%

LAB 52.11, 39.1, 61.11

 

CMYK 0 / 59 / 100 / 28

HEX #B84B00

RGB 184 75 0

HSL 24.46, 1%, 0.36%

LAB 45.94, 41.34, 56.18

 

CMYK 0 / 42 / 93 / 1

HEX #FC9311

RGB 252 147 17

HSL 33.19, 0.98%, 0.53%

LAB 70.6, 32.19, 73.67

 

CMYK 0 / 67 / 93 / 1

HEX #FC5411

RGB 252 84 17

HSL 17.11, 0.98%, 0.53%

LAB 59.05, 61.6, 65.99

 

CMYK 0 / 92 / 93 / 1

HEX #FC1411

RGB 252 20 17

HSL 0.77, 0.98%, 0.53%

LAB 53.21, 77.93, 62.52

 

CMYK 0 / 93 / 93 / 1

HEX #FC1111

RGB 252 17 17

HSL 0, 0.98%, 0.53%

LAB 53.1, 78.24, 62.46

 

CMYK 0 / 42 / 93 / 1

HEX #FC9311

RGB 252 147 17

HSL 33.19, 0.98%, 0.53%

LAB 70.6, 32.19, 73.67

 

CMYK 0 / 17 / 93 / 1

HEX #FCD211

RGB 252 210 17

HSL 49.28, 0.98%, 0.53%

LAB 85.42, -0.52, 84.34

 

CMYK 9 / 0 / 93 / 1

HEX #E6FC11

RGB 230 252 17

HSL 65.62, 0.98%, 0.53%

LAB 94.52, -30.18, 90.42

 

CMYK 34 / 0 / 93 / 1

HEX #A7FC11

RGB 167 252 17

HSL 81.7, 0.98%, 0.53%

LAB 90.72, -54.12, 85.82

 

CMYK 59 / 0 / 93 / 1

HEX #68FC11

RGB 104 252 17

HSL 97.79, 0.98%, 0.53%

LAB 88.26, -72.77, 82.8

 

CMYK 0 / 42 / 93 / 1

HEX #FC9311

RGB 252 147 17

HSL 33.19, 0.98%, 0.53%

LAB 70.6, 32.19, 73.67

 

CMYK 0 / 42 / 93 / 1

HEX #FC9311

RGB 252 147 17

HSL 33.19, 0.98%, 0.53%

LAB 70.6, 32.19, 73.67

 

CMYK 0 / 38 / 84 / 9

HEX #E99125

RGB 233 145 37

HSL 33.06, 0.82%, 0.53%

LAB 67.8, 25.75, 65.51

 

CMYK 0 / 33 / 74 / 16

HEX #D58F38

RGB 213 143 56

HSL 33.25, 0.65%, 0.53%

LAB 65.02, 19.03, 54.84

 

CMYK 0 / 27 / 61 / 24

HEX #C28D4B

RGB 194 141 75

HSL 33.28, 0.49%, 0.53%

LAB 62.53, 13.08, 42.52

 

CMYK 0 / 21 / 46 / 31

HEX #AF8B5F

RGB 175 139 95

HSL 33, 0.33%, 0.53%

LAB 60.25, 7.84, 28.68

 

CMYK 0 / 92 / 93 / 1

HEX #FC1511

RGB 252 21 17

HSL 1.02, 0.98%, 0.53%

LAB 53.25, 77.82, 62.54

 

CMYK 0 / 67 / 93 / 1

HEX #FC5411

RGB 252 84 17

HSL 17.11, 0.98%, 0.53%

LAB 59.05, 61.6, 65.99

 

CMYK 0 / 42 / 93 / 1

HEX #FC9211

RGB 252 146 17

HSL 32.94, 0.98%, 0.53%

LAB 70.38, 32.7, 73.52

 

CMYK 0 / 17 / 93 / 1

HEX #FCD111

RGB 252 209 17

HSL 49.02, 0.98%, 0.53%

LAB 85.17, -0.01, 84.16

 

CMYK 8 / 0 / 93 / 1

HEX #E9FC11

RGB 233 252 17

HSL 64.85, 0.98%, 0.53%

LAB 94.73, -28.97, 90.68

 

CMYK 0 / 44 / 99 / 27

HEX #B96701

RGB 185 103 1

HSL 33.26, 0.99%, 0.36%

LAB 51.86, 27.29, 59.53

 

CMYK 0 / 44 / 99 / 11

HEX #E27E02

RGB 226 126 2

HSL 33.21, 0.98%, 0.45%

LAB 62.59, 32.28, 68.94

 

CMYK 0 / 42 / 93 / 1

HEX #FC9311

RGB 252 147 17

HSL 33.19, 0.98%, 0.53%

LAB 70.6, 32.19, 73.67

 

CMYK 0 / 34 / 77 / 1

HEX #FDA63A

RGB 253 166 58

HSL 33.23, 0.98%, 0.61%

LAB 75.11, 23.69, 65.49

 

CMYK 0 / 27 / 61 / 1

HEX #FDB863

RGB 253 184 99

HSL 33.12, 0.97%, 0.69%

LAB 79.65, 16.39, 52.24

 

CMYK 0 / 42 / 93 / 1

HEX #FC9311

RGB 252 147 17

HSL 33.19, 0.98%, 0.53%

LAB 70.6, 32.19, 73.67

 

CMYK 70 / 0 / 93 / 1

HEX #4CFC11

RGB 76 252 17

HSL 104.94, 0.98%, 0.53%

LAB 87.58, -78.48, 81.97

 

CMYK 79 / 93 / 0 / 1

HEX #3411FC

RGB 52 17 252

HSL 248.94, 0.98%, 0.53%

LAB 34.31, 76.45, -102.78

 

CMYK 0 / 42 / 93 / 1

HEX #FC9311

RGB 252 147 17

HSL 33.19, 0.98%, 0.53%

LAB 70.6, 32.19, 73.67

 

CMYK 93 / 0 / 42 / 1

HEX #11FC92

RGB 17 252 146

HSL 152.94, 0.98%, 0.53%

LAB 87.88, -72.35, 37.15

 

CMYK 42 / 93 / 0 / 1

HEX #9211FC

RGB 146 17 252

HSL 272.94, 0.98%, 0.53%

LAB 43.57, 82.26, -87.16

 

CMYK 0 / 42 / 93 / 1

HEX #FC9311

RGB 252 147 17

HSL 33.19, 0.98%, 0.53%

LAB 70.6, 32.19, 73.67

 

CMYK 70 / 0 / 93 / 1

HEX #4CFC11

RGB 76 252 17

HSL 104.94, 0.98%, 0.53%

LAB 87.58, -78.48, 81.97

 

CMYK 93 / 51 / 0 / 1

HEX #117BFC

RGB 17 123 252

HSL 212.94, 0.98%, 0.53%

LAB 53.29, 21.2, -71.58

 

CMYK 23 / 93 / 0 / 1

HEX #C111FC

RGB 193 17 252

HSL 284.94, 0.98%, 0.53%

LAB 50.41, 87.69, -75.68

 

CMYK 0 / 42 / 93 / 1

HEX #FC9311

RGB 252 147 17

HSL 33.19, 0.98%, 0.53%

LAB 70.6, 32.19, 73.67

 

CMYK 93 / 0 / 88 / 1

HEX #11FC1D

RGB 17 252 29

HSL 123.06, 0.98%, 0.53%

LAB 86.91, -84.31, 79.51

 

CMYK 93 / 51 / 0 / 1

HEX #117BFC

RGB 17 123 252

HSL 212.94, 0.98%, 0.53%

LAB 53.29, 21.2, -71.58

 

CMYK 0 / 93 / 5 / 1

HEX #FC11F0

RGB 252 17 240

HSL 303.06, 0.98%, 0.53%

LAB 59.33, 94.65, -54.11

 

Description

Color code: HEX #FC9311 | qconv.com Color code: HEX #FC9311 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 147 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 147 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 93 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 93% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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