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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC97BC it is the complementary color #036843. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC97BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC97BC shade: #FF97B7, #FFA9CA, #FFBBDD, #FFCDF0 and #FFDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC97BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC97BC shade: #FC97BC, #EB85A9, #DA7396, #C96183 and #B84F70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC97BC shade: #FB97BB, #FB97A0 and #FB9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC97BC shade: #FB97BB, #FB97D7, #FB97F2, #EA97FB and #CE97FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC97BC shade matches the following richer shades: #FB97BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC97BC shade: #FB97BB, #F39FBE, #EAA8C0, #E1B1C2 and #D9B9C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC97BC shade: #FB97F1, #FB97D6, #FB97BC, #FB97A1 and #FBA797

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC97BC shade: #F94788, #FA6FA2, #FB97BB, #FDBFD5 and #FEE7EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC97BC shade: #FC97BC, #FBEB97 and #97E4FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC97BC shade: #FC97BC, #BCFB97 and #97BCFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC97BC shade: #FC97BC, #FBEB97, #97FBD6 and #97A7FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC97BC shade: #FC97BC, #EEFB97, #97FBD6 and #A497FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 25 / 1

HEX #FC97BC

RGB 252 151 188

HSL 338.02, 0.94%, 0.79%

LAB 73.84, 42.35, -2.79

 

Complementary color

CMYK 97 / 0 / 36 / 59

HEX #036843

RGB 3 104 67

HSL 158.02, 0.94%, 0.21%

LAB 38.42, -35.47, 13.76

 

CMYK 0 / 41 / 28 / 0

HEX #FF97B7

RGB 255 151 183

HSL 341.54, 1%, 0.8%

LAB 74.07, 42.71, 0.35

 

CMYK 0 / 34 / 21 / 0

HEX #FFA9CA

RGB 255 169 202

HSL 336.98, 1%, 0.83%

LAB 78.4, 36.05, -3.71

 

CMYK 0 / 27 / 13 / 0

HEX #FFBBDD

RGB 255 187 221

HSL 330, 1%, 0.87%

LAB 82.92, 29.52, -7.3

 

CMYK 0 / 20 / 6 / 0

HEX #FFCDF0

RGB 255 205 240

HSL 318, 1%, 0.9%

LAB 87.59, 23.21, -10.5

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 0 / 40 / 25 / 1

HEX #FC97BC

RGB 252 151 188

HSL 338.02, 0.94%, 0.79%

LAB 73.84, 42.35, -2.79

 

CMYK 0 / 43 / 28 / 8

HEX #EB85A9

RGB 235 133 169

HSL 338.82, 0.72%, 0.72%

LAB 67.5, 43.19, -1.75

 

CMYK 0 / 47 / 31 / 15

HEX #DA7396

RGB 218 115 150

HSL 339.61, 0.58%, 0.65%

LAB 61.11, 44.05, -0.56

 

CMYK 0 / 52 / 35 / 21

HEX #C96183

RGB 201 97 131

HSL 340.38, 0.49%, 0.58%

LAB 54.66, 44.9, 0.81

 

CMYK 0 / 57 / 39 / 28

HEX #B84F70

RGB 184 79 112

HSL 341.14, 0.43%, 0.52%

LAB 48.2, 45.71, 2.45

 

CMYK 0 / 40 / 25 / 2

HEX #FB97BB

RGB 251 151 187

HSL 338.4, 0.93%, 0.79%

LAB 73.69, 41.87, -2.47

 

CMYK 0 / 40 / 36 / 2

HEX #FB97A0

RGB 251 151 160

HSL 354.6, 0.93%, 0.79%

LAB 73.01, 38.46, 11.47

 

CMYK 0 / 40 / 40 / 2

HEX #FB9797

RGB 251 151 151

HSL 0, 0.93%, 0.79%

LAB 72.81, 37.45, 16.16

 

CMYK 0 / 40 / 25 / 2

HEX #FB97BB

RGB 251 151 187

HSL 338.4, 0.93%, 0.79%

LAB 73.69, 41.87, -2.47

 

CMYK 0 / 40 / 14 / 2

HEX #FB97D7

RGB 251 151 215

HSL 321.6, 0.93%, 0.79%

LAB 74.54, 45.96, -16.63

 

CMYK 0 / 40 / 4 / 2

HEX #FB97F2

RGB 251 151 242

HSL 305.4, 0.93%, 0.79%

LAB 75.48, 50.39, -29.93

 

CMYK 7 / 40 / 0 / 2

HEX #EA97FB

RGB 234 151 251

HSL 289.8, 0.93%, 0.79%

LAB 73.93, 46.97, -37.38

 

CMYK 18 / 40 / 0 / 2

HEX #CE97FB

RGB 206 151 251

HSL 273, 0.93%, 0.79%

LAB 71.02, 38.85, -42.12

 

CMYK 0 / 40 / 25 / 2

HEX #FB97BB

RGB 251 151 187

HSL 338.4, 0.93%, 0.79%

LAB 73.69, 41.87, -2.47

 

CMYK 0 / 40 / 25 / 2

HEX #FB97BB

RGB 251 151 187

HSL 338.4, 0.93%, 0.79%

LAB 73.69, 41.87, -2.47

 

CMYK 0 / 35 / 22 / 5

HEX #F39FBE

RGB 243 159 190

HSL 337.86, 0.78%, 0.79%

LAB 74.55, 35.38, -2.97

 

CMYK 0 / 28 / 18 / 8

HEX #EAA8C0

RGB 234 168 192

HSL 338.18, 0.61%, 0.79%

LAB 75.64, 27.75, -2.58

 

CMYK 0 / 21 / 14 / 12

HEX #E1B1C2

RGB 225 177 194

HSL 338.75, 0.44%, 0.79%

LAB 76.89, 20.06, -1.95

 

CMYK 0 / 15 / 9 / 15

HEX #D9B9C5

RGB 217 185 197

HSL 337.5, 0.3%, 0.79%

LAB 78.16, 13.42, -1.8

 

CMYK 0 / 40 / 4 / 2

HEX #FB97F1

RGB 251 151 241

HSL 306, 0.93%, 0.79%

LAB 75.45, 50.22, -29.44

 

CMYK 0 / 40 / 15 / 2

HEX #FB97D6

RGB 251 151 214

HSL 322.2, 0.93%, 0.79%

LAB 74.51, 45.81, -16.13

 

CMYK 0 / 40 / 25 / 2

HEX #FB97BC

RGB 251 151 188

HSL 337.8, 0.93%, 0.79%

LAB 73.72, 42.01, -2.98

 

CMYK 0 / 40 / 36 / 2

HEX #FB97A1

RGB 251 151 161

HSL 354, 0.93%, 0.79%

LAB 73.03, 38.58, 10.95

 

CMYK 0 / 33 / 40 / 2

HEX #FBA797

RGB 251 167 151

HSL 9.6, 0.93%, 0.79%

LAB 76.3, 29.12, 21

 

CMYK 0 / 71 / 45 / 2

HEX #F94788

RGB 249 71 136

HSL 338.09, 0.94%, 0.63%

LAB 58.44, 71.04, 4.29

 

CMYK 0 / 56 / 35 / 2

HEX #FA6FA2

RGB 250 111 162

HSL 337.99, 0.93%, 0.71%

LAB 65.2, 57.96, -0.91

 

CMYK 0 / 40 / 25 / 2

HEX #FB97BB

RGB 251 151 187

HSL 338.4, 0.93%, 0.79%

LAB 73.69, 41.87, -2.47

 

CMYK 0 / 25 / 16 / 1

HEX #FDBFD5

RGB 253 191 213

HSL 338.71, 0.94%, 0.87%

LAB 83.42, 25.48, -2.31

 

CMYK 0 / 9 / 6 / 0

HEX #FEE7EF

RGB 254 231 239

HSL 339.13, 0.92%, 0.95%

LAB 93.65, 9.16, -1.04

 

CMYK 0 / 40 / 25 / 1

HEX #FC97BC

RGB 252 151 188

HSL 338.02, 0.94%, 0.79%

LAB 73.84, 42.35, -2.79

 

CMYK 0 / 6 / 40 / 2

HEX #FBEB97

RGB 251 235 151

HSL 50.4, 0.93%, 0.79%

LAB 92.65, -6.1, 42.69

 

CMYK 40 / 9 / 0 / 2

HEX #97E4FB

RGB 151 228 251

HSL 193.8, 0.93%, 0.79%

LAB 86.52, -17.99, -18.64

 

CMYK 0 / 40 / 25 / 1

HEX #FC97BC

RGB 252 151 188

HSL 338.02, 0.94%, 0.79%

LAB 73.84, 42.35, -2.79

 

CMYK 25 / 0 / 40 / 2

HEX #BCFB97

RGB 188 251 151

HSL 97.8, 0.93%, 0.79%

LAB 92.54, -36.97, 41.68

 

CMYK 40 / 25 / 0 / 2

HEX #97BCFB

RGB 151 188 251

HSL 217.8, 0.93%, 0.79%

LAB 75.77, 3.06, -35.07

 

CMYK 0 / 40 / 25 / 1

HEX #FC97BC

RGB 252 151 188

HSL 338.02, 0.94%, 0.79%

LAB 73.84, 42.35, -2.79

 

CMYK 0 / 6 / 40 / 2

HEX #FBEB97

RGB 251 235 151

HSL 50.4, 0.93%, 0.79%

LAB 92.65, -6.1, 42.69

 

CMYK 40 / 0 / 15 / 2

HEX #97FBD6

RGB 151 251 214

HSL 157.8, 0.93%, 0.79%

LAB 91.88, -37.51, 8.57

 

CMYK 40 / 33 / 0 / 2

HEX #97A7FB

RGB 151 167 251

HSL 230.4, 0.93%, 0.79%

LAB 70.3, 14.78, -43.58

 

CMYK 0 / 40 / 25 / 1

HEX #FC97BC

RGB 252 151 188

HSL 338.02, 0.94%, 0.79%

LAB 73.84, 42.35, -2.79

 

CMYK 5 / 0 / 40 / 2

HEX #EEFB97

RGB 238 251 151

HSL 67.8, 0.93%, 0.79%

LAB 95.75, -18.94, 46.43

 

CMYK 40 / 0 / 15 / 2

HEX #97FBD6

RGB 151 251 214

HSL 157.8, 0.93%, 0.79%

LAB 91.88, -37.51, 8.57

 

CMYK 35 / 40 / 0 / 2

HEX #A497FB

RGB 164 151 251

HSL 247.8, 0.93%, 0.79%

LAB 67.27, 27.25, -48.28

 

Description

Color code: HEX #FC97BC | qconv.com Color code: HEX #FC97BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 151 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 151 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 25 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 25% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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