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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC945E it is the complementary color #036BA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC945E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC945E shade: #FF9459, #FFA66C, #FFB87F, #FFCA92 and #FFDCA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC945E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC945E shade: #FC945E, #EB824B, #DA7038, #C95E25 and #B84C12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC945E shade: #FB945F, #FB6A5F and #FB5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC945E shade: #FB945F, #FBBE5F, #FBE95F, #E4FB5F and #B9FB5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC945E shade matches the following richer shades: #FB945F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC945E shade: #FB945F, #EE986C, #E19C79, #D4A186 and #C6A593

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC945E shade: #FB5F7E, #FB695F, #FB935F, #FBBD5F and #FBE65F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC945E shade: #FA5E0E, #FA7936, #FB945F, #FCAF87 and #FDCAAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC945E shade: #FC945E, #A8FB5F and #5F69FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC945E shade: #FC945E, #5FFB93 and #935FFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC945E shade: #FC945E, #A8FB5F, #5FC7FB and #B25FFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC945E shade: #FC945E, #79FB5F, #5FC7FB and #E15FFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 63 / 1

HEX #FC945E

RGB 252 148 94

HSL 20.51, 0.96%, 0.68%

LAB 71.34, 34.45, 44.94

 

Complementary color

CMYK 98 / 34 / 0 / 37

HEX #036BA1

RGB 3 107 161

HSL 200.51, 0.96%, 0.32%

LAB 42.93, -5.06, -36.23

 

CMYK 0 / 42 / 65 / 0

HEX #FF9459

RGB 255 148 89

HSL 21.33, 1%, 0.67%

LAB 71.66, 35.31, 47.95

 

CMYK 0 / 35 / 58 / 0

HEX #FFA66C

RGB 255 166 108

HSL 23.67, 1%, 0.71%

LAB 75.83, 27.25, 43.28

 

CMYK 0 / 28 / 50 / 0

HEX #FFB87F

RGB 255 184 127

HSL 26.72, 1%, 0.75%

LAB 80.22, 19.38, 38.99

 

CMYK 0 / 21 / 43 / 0

HEX #FFCA92

RGB 255 202 146

HSL 30.83, 1%, 0.79%

LAB 84.78, 11.8, 35.09

 

CMYK 0 / 14 / 35 / 0

HEX #FFDCA5

RGB 255 220 165

HSL 36.67, 1%, 0.82%

LAB 89.47, 4.59, 31.53

 

CMYK 0 / 41 / 63 / 1

HEX #FC945E

RGB 252 148 94

HSL 20.51, 0.96%, 0.68%

LAB 71.34, 34.45, 44.94

 

CMYK 0 / 45 / 68 / 8

HEX #EB824B

RGB 235 130 75

HSL 20.63, 0.8%, 0.61%

LAB 65.07, 35.92, 46.76

 

CMYK 0 / 49 / 74 / 15

HEX #DA7038

RGB 218 112 56

HSL 20.74, 0.69%, 0.54%

LAB 58.77, 37.53, 48.63

 

CMYK 0 / 53 / 82 / 21

HEX #C95E25

RGB 201 94 37

HSL 20.85, 0.69%, 0.47%

LAB 52.46, 39.27, 50.35

 

CMYK 0 / 59 / 90 / 28

HEX #B84C12

RGB 184 76 18

HSL 20.96, 0.82%, 0.4%

LAB 46.18, 41.1, 51.43

 

CMYK 0 / 41 / 62 / 2

HEX #FB945F

RGB 251 148 95

HSL 20.38, 0.95%, 0.68%

LAB 71.22, 34.12, 44.26

 

CMYK 0 / 58 / 62 / 2

HEX #FB6A5F

RGB 251 106 95

HSL 4.23, 0.95%, 0.68%

LAB 63.05, 54.68, 34.26

 

CMYK 0 / 62 / 62 / 2

HEX #FB5F5F

RGB 251 95 95

HSL 0, 0.95%, 0.68%

LAB 61.24, 59.48, 31.98

 

CMYK 0 / 41 / 62 / 2

HEX #FB945F

RGB 251 148 95

HSL 20.38, 0.95%, 0.68%

LAB 71.22, 34.12, 44.26

 

CMYK 0 / 24 / 62 / 2

HEX #FBBE5F

RGB 251 190 95

HSL 36.54, 0.95%, 0.68%

LAB 80.83, 12.18, 55.43

 

CMYK 0 / 7 / 62 / 2

HEX #FBE95F

RGB 251 233 95

HSL 53.08, 0.95%, 0.68%

LAB 91.51, -9.76, 67.21

 

CMYK 9 / 0 / 62 / 2

HEX #E4FB5F

RGB 228 251 95

HSL 68.85, 0.95%, 0.68%

LAB 94.45, -27.65, 69.82

 

CMYK 26 / 0 / 62 / 2

HEX #B9FB5F

RGB 185 251 95

HSL 85.38, 0.95%, 0.68%

LAB 91.75, -43.83, 66.12

 

CMYK 0 / 41 / 62 / 2

HEX #FB945F

RGB 251 148 95

HSL 20.38, 0.95%, 0.68%

LAB 71.22, 34.12, 44.26

 

CMYK 0 / 41 / 62 / 2

HEX #FB945F

RGB 251 148 95

HSL 20.38, 0.95%, 0.68%

LAB 71.22, 34.12, 44.26

 

CMYK 0 / 36 / 55 / 7

HEX #EE986C

RGB 238 152 108

HSL 20.31, 0.79%, 0.68%

LAB 70.67, 27.85, 36.42

 

CMYK 0 / 31 / 46 / 12

HEX #E19C79

RGB 225 156 121

HSL 20.19, 0.63%, 0.68%

LAB 70.29, 21.73, 28.66

 

CMYK 0 / 24 / 37 / 17

HEX #D4A186

RGB 212 161 134

HSL 20.77, 0.48%, 0.68%

LAB 70.32, 15.3, 21.38

 

CMYK 0 / 17 / 26 / 22

HEX #C6A593

RGB 198 165 147

HSL 21.18, 0.31%, 0.68%

LAB 70.19, 9.35, 13.85

 

CMYK 0 / 62 / 50 / 2

HEX #FB5F7E

RGB 251 95 126

HSL 348.08, 0.95%, 0.68%

LAB 61.83, 61.72, 14.97

 

CMYK 0 / 58 / 62 / 2

HEX #FB695F

RGB 251 105 95

HSL 3.85, 0.95%, 0.68%

LAB 62.88, 55.13, 34.04

 

CMYK 0 / 41 / 62 / 2

HEX #FB935F

RGB 251 147 95

HSL 20, 0.95%, 0.68%

LAB 71.01, 34.63, 44

 

CMYK 0 / 25 / 62 / 2

HEX #FBBD5F

RGB 251 189 95

HSL 36.15, 0.95%, 0.68%

LAB 80.59, 12.7, 55.15

 

CMYK 0 / 8 / 62 / 2

HEX #FBE65F

RGB 251 230 95

HSL 51.92, 0.95%, 0.68%

LAB 90.75, -8.27, 66.38

 

CMYK 0 / 62 / 94 / 2

HEX #FA5E0E

RGB 250 94 14

HSL 20.34, 0.96%, 0.52%

LAB 60.21, 56.83, 67.23

 

CMYK 0 / 52 / 78 / 2

HEX #FA7936

RGB 250 121 54

HSL 20.51, 0.95%, 0.6%

LAB 65.17, 45.3, 57.5

 

CMYK 0 / 41 / 62 / 2

HEX #FB945F

RGB 251 148 95

HSL 20.38, 0.95%, 0.68%

LAB 71.22, 34.12, 44.26

 

CMYK 0 / 31 / 46 / 1

HEX #FCAF87

RGB 252 175 135

HSL 20.51, 0.95%, 0.76%

LAB 77.94, 23.66, 31.79

 

CMYK 0 / 20 / 31 / 1

HEX #FDCAAF

RGB 253 202 175

HSL 20.77, 0.95%, 0.84%

LAB 85.11, 14.36, 20.35

 

CMYK 0 / 41 / 63 / 1

HEX #FC945E

RGB 252 148 94

HSL 20.51, 0.96%, 0.68%

LAB 71.34, 34.45, 44.94

 

CMYK 33 / 0 / 62 / 2

HEX #A8FB5F

RGB 168 251 95

HSL 91.92, 0.95%, 0.68%

LAB 90.85, -49.75, 64.88

 

CMYK 62 / 58 / 0 / 2

HEX #5F69FB

RGB 95 105 251

HSL 236.15, 0.95%, 0.68%

LAB 51.27, 39.48, -74.19

 

CMYK 0 / 41 / 63 / 1

HEX #FC945E

RGB 252 148 94

HSL 20.51, 0.96%, 0.68%

LAB 71.34, 34.45, 44.94

 

CMYK 62 / 0 / 41 / 2

HEX #5FFB93

RGB 95 251 147

HSL 140, 0.95%, 0.68%

LAB 88.7, -63.1, 37.94

 

CMYK 41 / 62 / 0 / 2

HEX #935FFB

RGB 147 95 251

HSL 260, 0.95%, 0.68%

LAB 53.33, 54.47, -70.64

 

CMYK 0 / 41 / 63 / 1

HEX #FC945E

RGB 252 148 94

HSL 20.51, 0.96%, 0.68%

LAB 71.34, 34.45, 44.94

 

CMYK 33 / 0 / 62 / 2

HEX #A8FB5F

RGB 168 251 95

HSL 91.92, 0.95%, 0.68%

LAB 90.85, -49.75, 64.88

 

CMYK 62 / 21 / 0 / 2

HEX #5FC7FB

RGB 95 199 251

HSL 200, 0.95%, 0.68%

LAB 76.22, -14.99, -34.58

 

CMYK 29 / 62 / 0 / 2

HEX #B25FFB

RGB 178 95 251

HSL 271.92, 0.95%, 0.68%

LAB 56.7, 60.92, -65.04

 

CMYK 0 / 41 / 63 / 1

HEX #FC945E

RGB 252 148 94

HSL 20.51, 0.96%, 0.68%

LAB 71.34, 34.45, 44.94

 

CMYK 52 / 0 / 62 / 2

HEX #79FB5F

RGB 121 251 95

HSL 110, 0.95%, 0.68%

LAB 88.87, -63.92, 62.14

 

CMYK 62 / 21 / 0 / 2

HEX #5FC7FB

RGB 95 199 251

HSL 200, 0.95%, 0.68%

LAB 76.22, -14.99, -34.58

 

CMYK 10 / 62 / 0 / 2

HEX #E15FFB

RGB 225 95 251

HSL 290, 0.95%, 0.68%

LAB 62.64, 71.43, -55.2

 

Description

Color code: HEX #FC945E | qconv.com Color code: HEX #FC945E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 148 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 148 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 63 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 63% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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