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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC8DD5 it is the complementary color #03722A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC8DD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC8DD5 shade: #FF8DD0, #FF9FE3, #FFB1F6, #FFC3FF and #FFD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC8DD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC8DD5 shade: #FC8DD5, #EB7BC2, #DA69AF, #C9579C and #B84589

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC8DD5 shade: #FC8CD4, #FC8CB6, #FC8C98 and #FC8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC8DD5 shade: #FC8CD4, #FC8CF2, #E78CFC, #C98CFC and #AB8CFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC8DD5 shade matches the following richer shades: #FC8CD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC8DD5 shade: #FC8CD4, #F296D2, #E99FCF, #DFA9CC and #D6B2C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC8DD5 shade: #E78CFC, #FC8CF2, #FC8CD5, #FC8CB7 and #FC8C99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC8DD5 shade: #FA3CB7, #FB64C6, #FC8CD4, #FDB4E3 and #FEDDF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC8DD5 shade: #FC8DD5, #FCC98C and #8CFCF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC8DD5 shade: #FC8DD5, #D5FC8C and #8CD5FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC8DD5 shade: #FC8DD5, #FCC98C, #8CFCB3 and #8CBEFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC8DD5 shade: #FC8DD5, #FCEB8C, #8CFCB3 and #8C9DFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 15 / 1

HEX #FC8DD5

RGB 252 141 213

HSL 321.08, 0.95%, 0.77%

LAB 72.59, 51.01, -18.46

 

Complementary color

CMYK 97 / 0 / 63 / 55

HEX #03722A

RGB 3 114 42

HSL 141.08, 0.95%, 0.23%

LAB 41.57, -43.94, 31.63

 

CMYK 0 / 45 / 18 / 0

HEX #FF8DD0

RGB 255 141 208

HSL 324.74, 1%, 0.78%

LAB 72.8, 51.21, -15.35

 

CMYK 0 / 38 / 11 / 0

HEX #FF9FE3

RGB 255 159 227

HSL 317.5, 1%, 0.81%

LAB 77.04, 45.05, -19.35

 

CMYK 0 / 31 / 4 / 0

HEX #FFB1F6

RGB 255 177 246

HSL 306.92, 1%, 0.85%

LAB 81.49, 38.93, -22.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 44 / 15 / 1

HEX #FC8DD5

RGB 252 141 213

HSL 321.08, 0.95%, 0.77%

LAB 72.59, 51.01, -18.46

 

CMYK 0 / 48 / 17 / 8

HEX #EB7BC2

RGB 235 123 194

HSL 321.96, 0.74%, 0.7%

LAB 66.31, 51.74, -17.6

 

CMYK 0 / 52 / 20 / 15

HEX #DA69AF

RGB 218 105 175

HSL 322.83, 0.6%, 0.63%

LAB 59.98, 52.43, -16.62

 

CMYK 0 / 57 / 22 / 21

HEX #C9579C

RGB 201 87 156

HSL 323.68, 0.51%, 0.56%

LAB 53.64, 53.02, -15.44

 

CMYK 0 / 63 / 26 / 28

HEX #B84589

RGB 184 69 137

HSL 324.52, 0.45%, 0.5%

LAB 47.3, 53.41, -13.99

 

CMYK 0 / 44 / 16 / 1

HEX #FC8CD4

RGB 252 140 212

HSL 321.43, 0.95%, 0.77%

LAB 72.37, 51.36, -18.25

 

CMYK 0 / 44 / 28 / 1

HEX #FC8CB6

RGB 252 140 182

HSL 337.5, 0.95%, 0.77%

LAB 71.44, 47.13, -2.99

 

CMYK 0 / 44 / 40 / 1

HEX #FC8C98

RGB 252 140 152

HSL 353.57, 0.95%, 0.77%

LAB 70.68, 43.53, 12.64

 

CMYK 0 / 44 / 44 / 1

HEX #FC8C8C

RGB 252 140 140

HSL 0, 0.95%, 0.77%

LAB 70.42, 42.28, 18.95

 

CMYK 0 / 44 / 16 / 1

HEX #FC8CD4

RGB 252 140 212

HSL 321.43, 0.95%, 0.77%

LAB 72.37, 51.36, -18.25

 

CMYK 0 / 44 / 4 / 1

HEX #FC8CF2

RGB 252 140 242

HSL 305.36, 0.95%, 0.77%

LAB 73.46, 56.17, -33.05

 

CMYK 8 / 44 / 0 / 1

HEX #E78CFC

RGB 231 140 252

HSL 288.75, 0.95%, 0.77%

LAB 71.4, 51.96, -41.88

 

CMYK 20 / 44 / 0 / 1

HEX #C98CFC

RGB 201 140 252

HSL 272.68, 0.95%, 0.77%

LAB 68.17, 43.6, -47.18

 

CMYK 32 / 44 / 0 / 1

HEX #AB8CFC

RGB 171 140 252

HSL 256.61, 0.95%, 0.77%

LAB 65.31, 35.55, -51.88

 

CMYK 0 / 44 / 16 / 1

HEX #FC8CD4

RGB 252 140 212

HSL 321.43, 0.95%, 0.77%

LAB 72.37, 51.36, -18.25

 

CMYK 0 / 44 / 16 / 1

HEX #FC8CD4

RGB 252 140 212

HSL 321.43, 0.95%, 0.77%

LAB 72.37, 51.36, -18.25

 

CMYK 0 / 38 / 13 / 5

HEX #F296D2

RGB 242 150 210

HSL 320.87, 0.78%, 0.77%

LAB 73.12, 42.77, -16.13

 

CMYK 0 / 32 / 11 / 9

HEX #E99FCF

RGB 233 159 207

HSL 321.08, 0.63%, 0.77%

LAB 73.95, 34.59, -13.33

 

CMYK 0 / 24 / 9 / 13

HEX #DFA9CC

RGB 223 169 204

HSL 321.11, 0.46%, 0.77%

LAB 75.09, 25.33, -10.08

 

CMYK 0 / 17 / 6 / 16

HEX #D6B2C9

RGB 214 178 201

HSL 321.67, 0.31%, 0.77%

LAB 76.29, 16.83, -6.76

 

CMYK 8 / 44 / 0 / 1

HEX #E78CFC

RGB 231 140 252

HSL 288.75, 0.95%, 0.77%

LAB 71.4, 51.96, -41.88

 

CMYK 0 / 44 / 4 / 1

HEX #FC8CF2

RGB 252 140 242

HSL 305.36, 0.95%, 0.77%

LAB 73.46, 56.17, -33.05

 

CMYK 0 / 44 / 15 / 1

HEX #FC8CD5

RGB 252 140 213

HSL 320.89, 0.95%, 0.77%

LAB 72.4, 51.51, -18.75

 

CMYK 0 / 44 / 27 / 1

HEX #FC8CB7

RGB 252 140 183

HSL 336.96, 0.95%, 0.77%

LAB 71.47, 47.26, -3.51

 

CMYK 0 / 44 / 39 / 1

HEX #FC8C99

RGB 252 140 153

HSL 353.04, 0.95%, 0.77%

LAB 70.7, 43.64, 12.11

 

CMYK 0 / 76 / 27 / 2

HEX #FA3CB7

RGB 250 60 183

HSL 321.16, 0.95%, 0.61%

LAB 58.95, 79.45, -22.34

 

CMYK 0 / 60 / 21 / 2

HEX #FB64C6

RGB 251 100 198

HSL 321.06, 0.95%, 0.69%

LAB 64.72, 67.53, -22.06

 

CMYK 0 / 44 / 16 / 1

HEX #FC8CD4

RGB 252 140 212

HSL 321.43, 0.95%, 0.77%

LAB 72.37, 51.36, -18.25

 

CMYK 0 / 29 / 10 / 1

HEX #FDB4E3

RGB 253 180 227

HSL 321.37, 0.95%, 0.85%

LAB 81.33, 33.49, -12.92

 

CMYK 0 / 13 / 5 / 0

HEX #FEDDF2

RGB 254 221 242

HSL 321.82, 0.94%, 0.93%

LAB 91.32, 14.85, -6.02

 

CMYK 0 / 44 / 15 / 1

HEX #FC8DD5

RGB 252 141 213

HSL 321.08, 0.95%, 0.77%

LAB 72.59, 51.01, -18.46

 

CMYK 0 / 20 / 44 / 1

HEX #FCC98C

RGB 252 201 140

HSL 32.68, 0.95%, 0.77%

LAB 84.15, 10.54, 37.3

 

CMYK 44 / 0 / 2 / 1

HEX #8CFCF6

RGB 140 252 246

HSL 176.79, 0.95%, 0.77%

LAB 92.51, -33.47, -7.13

 

CMYK 0 / 44 / 15 / 1

HEX #FC8DD5

RGB 252 141 213

HSL 321.08, 0.95%, 0.77%

LAB 72.59, 51.01, -18.46

 

CMYK 15 / 0 / 44 / 1

HEX #D5FC8C

RGB 213 252 140

HSL 80.89, 0.95%, 0.77%

LAB 94.17, -29.9, 49.36

 

CMYK 44 / 15 / 0 / 1

HEX #8CD5FC

RGB 140 213 252

HSL 200.89, 0.95%, 0.77%

LAB 81.94, -12.76, -26.16

 

CMYK 0 / 44 / 15 / 1

HEX #FC8DD5

RGB 252 141 213

HSL 321.08, 0.95%, 0.77%

LAB 72.59, 51.01, -18.46

 

CMYK 0 / 20 / 44 / 1

HEX #FCC98C

RGB 252 201 140

HSL 32.68, 0.95%, 0.77%

LAB 84.15, 10.54, 37.3

 

CMYK 44 / 0 / 29 / 1

HEX #8CFCB3

RGB 140 252 179

HSL 140.89, 0.95%, 0.77%

LAB 90.99, -47.64, 25.22

 

CMYK 44 / 25 / 0 / 1

HEX #8CBEFC

RGB 140 190 252

HSL 213.21, 0.95%, 0.77%

LAB 75.72, -0.51, -35.73

 

CMYK 0 / 44 / 15 / 1

HEX #FC8DD5

RGB 252 141 213

HSL 321.08, 0.95%, 0.77%

LAB 72.59, 51.01, -18.46

 

CMYK 0 / 7 / 44 / 1

HEX #FCEB8C

RGB 252 235 140

HSL 50.89, 0.95%, 0.77%

LAB 92.58, -6.82, 48

 

CMYK 44 / 0 / 29 / 1

HEX #8CFCB3

RGB 140 252 179

HSL 140.89, 0.95%, 0.77%

LAB 90.99, -47.64, 25.22

 

CMYK 44 / 38 / 0 / 1

HEX #8C9DFC

RGB 140 157 252

HSL 230.89, 0.95%, 0.77%

LAB 67.06, 18.03, -49.26

 

Description

Color code: HEX #FC8DD5 | qconv.com Color code: HEX #FC8DD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 141 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 141 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 15 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 15% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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