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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC8BD2 it is the complementary color #03742D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC8BD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC8BD2 shade: #FF8BCD, #FF9DE0, #FFAFF3, #FFC1FF and #FFD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC8BD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC8BD2 shade: #FC8BD2, #EB79BF, #DA67AC, #C95599 and #B84386

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC8BD2 shade: #FC8CD2, #FC8CB4, #FC8C96 and #FC8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC8BD2 shade: #FC8CD2, #FC8CF0, #E98CFC, #CB8CFC and #AD8CFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC8BD2 shade matches the following richer shades: #FC8CD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC8BD2 shade: #FC8CD2, #F296D0, #E99FCD, #DFA9CB and #D6B2C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC8BD2 shade: #E98CFC, #FC8CF0, #FC8CD3, #FC8CB5 and #FC8C97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC8BD2 shade: #FA3CB3, #FB64C3, #FC8CD2, #FDB4E2 and #FEDDF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC8BD2 shade: #FC8BD2, #FCCB8C and #8CFCF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC8BD2 shade: #FC8BD2, #D3FC8C and #8CD3FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC8BD2 shade: #FC8BD2, #FCCB8C, #8CFCB5 and #8CBCFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC8BD2 shade: #FC8BD2, #FCED8C, #8CFCB5 and #8C9BFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 17 / 1

HEX #FC8BD2

RGB 252 139 210

HSL 322.3, 0.95%, 0.77%

LAB 72.1, 51.55, -17.54

 

Complementary color

CMYK 97 / 0 / 61 / 55

HEX #03742D

RGB 3 116 45

HSL 142.3, 0.95%, 0.23%

LAB 42.31, -44.2, 30.99

 

CMYK 0 / 45 / 20 / 0

HEX #FF8BCD

RGB 255 139 205

HSL 325.86, 1%, 0.77%

LAB 72.32, 51.77, -14.42

 

CMYK 0 / 38 / 12 / 0

HEX #FF9DE0

RGB 255 157 224

HSL 318.98, 1%, 0.81%

LAB 76.53, 45.6, -18.5

 

CMYK 0 / 31 / 5 / 0

HEX #FFAFF3

RGB 255 175 243

HSL 309, 1%, 0.84%

LAB 80.96, 39.45, -22.07

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 45 / 17 / 1

HEX #FC8BD2

RGB 252 139 210

HSL 322.3, 0.95%, 0.77%

LAB 72.1, 51.55, -17.54

 

CMYK 0 / 49 / 19 / 8

HEX #EB79BF

RGB 235 121 191

HSL 323.16, 0.74%, 0.7%

LAB 65.83, 52.28, -16.65

 

CMYK 0 / 53 / 21 / 15

HEX #DA67AC

RGB 218 103 172

HSL 324, 0.61%, 0.63%

LAB 59.51, 52.95, -15.61

 

CMYK 0 / 58 / 24 / 21

HEX #C95599

RGB 201 85 153

HSL 324.83, 0.52%, 0.56%

LAB 53.18, 53.52, -14.36

 

CMYK 0 / 64 / 27 / 28

HEX #B84386

RGB 184 67 134

HSL 325.64, 0.47%, 0.49%

LAB 46.88, 53.87, -12.83

 

CMYK 0 / 44 / 17 / 1

HEX #FC8CD2

RGB 252 140 210

HSL 322.5, 0.95%, 0.77%

LAB 72.3, 51.06, -17.25

 

CMYK 0 / 44 / 29 / 1

HEX #FC8CB4

RGB 252 140 180

HSL 338.57, 0.95%, 0.77%

LAB 71.38, 46.87, -1.96

 

CMYK 0 / 44 / 40 / 1

HEX #FC8C96

RGB 252 140 150

HSL 354.64, 0.95%, 0.77%

LAB 70.63, 43.32, 13.69

 

CMYK 0 / 44 / 44 / 1

HEX #FC8C8C

RGB 252 140 140

HSL 0, 0.95%, 0.77%

LAB 70.42, 42.28, 18.95

 

CMYK 0 / 44 / 17 / 1

HEX #FC8CD2

RGB 252 140 210

HSL 322.5, 0.95%, 0.77%

LAB 72.3, 51.06, -17.25

 

CMYK 0 / 44 / 5 / 1

HEX #FC8CF0

RGB 252 140 240

HSL 306.43, 0.95%, 0.77%

LAB 73.38, 55.83, -32.07

 

CMYK 8 / 44 / 0 / 1

HEX #E98CFC

RGB 233 140 252

HSL 289.82, 0.95%, 0.77%

LAB 71.63, 52.52, -41.51

 

CMYK 19 / 44 / 0 / 1

HEX #CB8CFC

RGB 203 140 252

HSL 273.75, 0.95%, 0.77%

LAB 68.37, 44.15, -46.84

 

CMYK 31 / 44 / 0 / 1

HEX #AD8CFC

RGB 173 140 252

HSL 257.68, 0.95%, 0.77%

LAB 65.49, 36.07, -51.58

 

CMYK 0 / 44 / 17 / 1

HEX #FC8CD2

RGB 252 140 210

HSL 322.5, 0.95%, 0.77%

LAB 72.3, 51.06, -17.25

 

CMYK 0 / 44 / 17 / 1

HEX #FC8CD2

RGB 252 140 210

HSL 322.5, 0.95%, 0.77%

LAB 72.3, 51.06, -17.25

 

CMYK 0 / 38 / 14 / 5

HEX #F296D0

RGB 242 150 208

HSL 322.17, 0.78%, 0.77%

LAB 73.05, 42.46, -15.12

 

CMYK 0 / 32 / 12 / 9

HEX #E99FCD

RGB 233 159 205

HSL 322.7, 0.63%, 0.77%

LAB 73.89, 34.26, -12.32

 

CMYK 0 / 24 / 9 / 13

HEX #DFA9CB

RGB 223 169 203

HSL 322.22, 0.46%, 0.77%

LAB 75.06, 25.16, -9.58

 

CMYK 0 / 17 / 7 / 16

HEX #D6B2C8

RGB 214 178 200

HSL 323.33, 0.31%, 0.77%

LAB 76.26, 16.65, -6.26

 

CMYK 8 / 44 / 0 / 1

HEX #E98CFC

RGB 233 140 252

HSL 289.82, 0.95%, 0.77%

LAB 71.63, 52.52, -41.51

 

CMYK 0 / 44 / 5 / 1

HEX #FC8CF0

RGB 252 140 240

HSL 306.43, 0.95%, 0.77%

LAB 73.38, 55.83, -32.07

 

CMYK 0 / 44 / 16 / 1

HEX #FC8CD3

RGB 252 140 211

HSL 321.96, 0.95%, 0.77%

LAB 72.33, 51.21, -17.75

 

CMYK 0 / 44 / 28 / 1

HEX #FC8CB5

RGB 252 140 181

HSL 338.04, 0.95%, 0.77%

LAB 71.41, 46.99, -2.48

 

CMYK 0 / 44 / 40 / 1

HEX #FC8C97

RGB 252 140 151

HSL 354.11, 0.95%, 0.77%

LAB 70.65, 43.42, 13.16

 

CMYK 0 / 76 / 28 / 2

HEX #FA3CB3

RGB 250 60 179

HSL 322.42, 0.95%, 0.61%

LAB 58.8, 78.99, -20.27

 

CMYK 0 / 60 / 22 / 2

HEX #FB64C3

RGB 251 100 195

HSL 322.25, 0.95%, 0.69%

LAB 64.61, 67.13, -20.53

 

CMYK 0 / 44 / 17 / 1

HEX #FC8CD2

RGB 252 140 210

HSL 322.5, 0.95%, 0.77%

LAB 72.3, 51.06, -17.25

 

CMYK 0 / 29 / 11 / 1

HEX #FDB4E2

RGB 253 180 226

HSL 322.19, 0.95%, 0.85%

LAB 81.3, 33.33, -12.43

 

CMYK 0 / 13 / 5 / 0

HEX #FEDDF1

RGB 254 221 241

HSL 323.64, 0.94%, 0.93%

LAB 91.3, 14.68, -5.54

 

CMYK 0 / 45 / 17 / 1

HEX #FC8BD2

RGB 252 139 210

HSL 322.3, 0.95%, 0.77%

LAB 72.1, 51.55, -17.54

 

CMYK 0 / 19 / 44 / 1

HEX #FCCB8C

RGB 252 203 140

HSL 33.75, 0.95%, 0.77%

LAB 84.64, 9.5, 37.93

 

CMYK 44 / 0 / 2 / 1

HEX #8CFCF8

RGB 140 252 248

HSL 177.86, 0.95%, 0.77%

LAB 92.56, -32.99, -8.09

 

CMYK 0 / 45 / 17 / 1

HEX #FC8BD2

RGB 252 139 210

HSL 322.3, 0.95%, 0.77%

LAB 72.1, 51.55, -17.54

 

CMYK 16 / 0 / 44 / 1

HEX #D3FC8C

RGB 211 252 140

HSL 81.96, 0.95%, 0.77%

LAB 94.04, -30.63, 49.17

 

CMYK 44 / 16 / 0 / 1

HEX #8CD3FC

RGB 140 211 252

HSL 201.96, 0.95%, 0.77%

LAB 81.4, -11.72, -27

 

CMYK 0 / 45 / 17 / 1

HEX #FC8BD2

RGB 252 139 210

HSL 322.3, 0.95%, 0.77%

LAB 72.1, 51.55, -17.54

 

CMYK 0 / 19 / 44 / 1

HEX #FCCB8C

RGB 252 203 140

HSL 33.75, 0.95%, 0.77%

LAB 84.64, 9.5, 37.93

 

CMYK 44 / 0 / 28 / 1

HEX #8CFCB5

RGB 140 252 181

HSL 141.96, 0.95%, 0.77%

LAB 91.02, -47.27, 24.25

 

CMYK 44 / 25 / 0 / 1

HEX #8CBCFC

RGB 140 188 252

HSL 214.29, 0.95%, 0.77%

LAB 75.18, 0.58, -36.56

 

CMYK 0 / 45 / 17 / 1

HEX #FC8BD2

RGB 252 139 210

HSL 322.3, 0.95%, 0.77%

LAB 72.1, 51.55, -17.54

 

CMYK 0 / 6 / 44 / 1

HEX #FCED8C

RGB 252 237 140

HSL 51.96, 0.95%, 0.77%

LAB 93.08, -7.81, 48.63

 

CMYK 44 / 0 / 28 / 1

HEX #8CFCB5

RGB 140 252 181

HSL 141.96, 0.95%, 0.77%

LAB 91.02, -47.27, 24.25

 

CMYK 44 / 38 / 0 / 1

HEX #8C9BFC

RGB 140 155 252

HSL 231.96, 0.95%, 0.77%

LAB 66.56, 19.19, -50.07

 

Description

Color code: HEX #FC8BD2 | qconv.com Color code: HEX #FC8BD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 139 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 139 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 17 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 17% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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