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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC8B63 it is the complementary color #03749C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC8B63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC8B63 shade: #FF8B5E, #FF9D71, #FFAF84, #FFC197 and #FFD3AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC8B63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC8B63 shade: #FC8B63, #EB7950, #DA673D, #C9552A and #B84317

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC8B63 shade: #FB8B64 and #FB6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC8B63 shade: #FB8B64, #FBB464, #FBDD64, #F1FB64 and #C8FB64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC8B63 shade matches the following richer shades: #FB8B64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC8B63 shade: #FB8B64, #EF9170, #E2977D, #D59E8A and #C8A497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC8B63 shade: #FB648F, #FB6466, #FB8A64, #FBB264 and #FBDA64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC8B63 shade: #FA4F13, #FB6D3B, #FB8B64, #FCA98C and #FDC7B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC8B63 shade: #FC8B63, #B7FB64 and #647AFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC8B63 shade: #FC8B63, #64FB8A and #8A64FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC8B63 shade: #FC8B63, #B7FB64, #64D5FB and #A864FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC8B63 shade: #FC8B63, #8AFB64, #64D5FB and #D564FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 61 / 1

HEX #FC8B63

RGB 252 139 99

HSL 15.69, 0.96%, 0.69%

LAB 69.51, 39.37, 40.13

 

Complementary color

CMYK 98 / 26 / 0 / 39

HEX #03749C

RGB 3 116 156

HSL 195.69, 0.96%, 0.31%

LAB 45.51, -12.34, -29.21

 

CMYK 0 / 45 / 63 / 0

HEX #FF8B5E

RGB 255 139 94

HSL 16.77, 1%, 0.68%

LAB 69.85, 40.19, 43.26

 

CMYK 0 / 38 / 56 / 0

HEX #FF9D71

RGB 255 157 113

HSL 18.59, 1%, 0.72%

LAB 73.91, 32.31, 38.3

HEX #FF9D71

CMYK 0 / 31 / 48 / 0

HEX #FFAF84

RGB 255 175 132

HSL 20.98, 1%, 0.76%

LAB 78.22, 24.54, 33.81

HEX #FFAF84

CMYK 0 / 24 / 41 / 0

HEX #FFC197

RGB 255 193 151

HSL 24.23, 1%, 0.8%

LAB 82.72, 17.02, 29.76

HEX #FFC197

CMYK 0 / 17 / 33 / 0

HEX #FFD3AA

RGB 255 211 170

HSL 28.94, 1%, 0.83%

LAB 87.36, 9.82, 26.1

HEX #FFD3AA

CMYK 0 / 45 / 61 / 1

HEX #FC8B63

RGB 252 139 99

HSL 15.69, 0.96%, 0.69%

LAB 69.51, 39.37, 40.13

 

CMYK 0 / 49 / 66 / 8

HEX #EB7950

RGB 235 121 80

HSL 15.87, 0.79%, 0.62%

LAB 63.27, 40.79, 42.12

 

CMYK 0 / 53 / 72 / 15

HEX #DA673D

RGB 218 103 61

HSL 16.05, 0.68%, 0.55%

LAB 57.02, 42.29, 44.26

 

CMYK 0 / 58 / 79 / 21

HEX #C9552A

RGB 201 85 42

HSL 16.23, 0.65%, 0.48%

LAB 50.78, 43.86, 46.45

 

CMYK 0 / 64 / 88 / 28

HEX #B84317

RGB 184 67 23

HSL 16.4, 0.78%, 0.41%

LAB 44.61, 45.4, 48.36

 

CMYK 0 / 45 / 60 / 2

HEX #FB8B64

RGB 251 139 100

HSL 15.5, 0.95%, 0.69%

LAB 69.39, 39.06, 39.43

 

CMYK 0 / 60 / 60 / 2

HEX #FB6464

RGB 251 100 100

HSL 0, 0.95%, 0.69%

LAB 62.12, 57.65, 30.28

 

CMYK 0 / 45 / 60 / 2

HEX #FB8B64

RGB 251 139 100

HSL 15.5, 0.95%, 0.69%

LAB 69.39, 39.06, 39.43

 

CMYK 0 / 28 / 60 / 2

HEX #FBB464

RGB 251 180 100

HSL 31.79, 0.95%, 0.69%

LAB 78.5, 17.74, 50.37

 

CMYK 0 / 12 / 60 / 2

HEX #FBDD64

RGB 251 221 100

HSL 48.08, 0.95%, 0.69%

LAB 88.52, -3.44, 61.79

 

CMYK 4 / 0 / 60 / 2

HEX #F1FB64

RGB 241 251 100

HSL 63.97, 0.95%, 0.69%

LAB 95.42, -22.21, 69.13

 

CMYK 20 / 0 / 60 / 2

HEX #C8FB64

RGB 200 251 100

HSL 80.26, 0.95%, 0.69%

LAB 92.66, -37.98, 65.33

 

CMYK 0 / 45 / 60 / 2

HEX #FB8B64

RGB 251 139 100

HSL 15.5, 0.95%, 0.69%

LAB 69.39, 39.06, 39.43

 

CMYK 0 / 45 / 60 / 2

HEX #FB8B64

RGB 251 139 100

HSL 15.5, 0.95%, 0.69%

LAB 69.39, 39.06, 39.43

 

CMYK 0 / 39 / 53 / 6

HEX #EF9170

RGB 239 145 112

HSL 15.59, 0.8%, 0.69%

LAB 69.31, 32.25, 32.56

 

CMYK 0 / 33 / 45 / 11

HEX #E2977D

RGB 226 151 125

HSL 15.45, 0.64%, 0.69%

LAB 69.31, 25.2, 25.2

 

CMYK 0 / 26 / 35 / 16

HEX #D59E8A

RGB 213 158 138

HSL 16, 0.47%, 0.69%

LAB 69.78, 17.8, 18.45

 

CMYK 0 / 18 / 25 / 22

HEX #C8A497

RGB 200 164 151

HSL 15.92, 0.31%, 0.69%

LAB 70.22, 11.24, 11.71

 

CMYK 0 / 60 / 43 / 2

HEX #FB648F

RGB 251 100 143

HSL 342.91, 0.95%, 0.69%

LAB 63.02, 61.14, 6.84

 

CMYK 0 / 60 / 59 / 2

HEX #FB6466

RGB 251 100 102

HSL 359.21, 0.95%, 0.69%

LAB 62.15, 57.78, 29.19

 

CMYK 0 / 45 / 60 / 2

HEX #FB8A64

RGB 251 138 100

HSL 15.1, 0.95%, 0.69%

LAB 69.19, 39.57, 39.17

 

CMYK 0 / 29 / 60 / 2

HEX #FBB264

RGB 251 178 100

HSL 30.99, 0.95%, 0.69%

LAB 78.03, 18.79, 49.82

 

CMYK 0 / 13 / 60 / 2

HEX #FBDA64

RGB 251 218 100

HSL 46.89, 0.95%, 0.69%

LAB 87.76, -1.92, 60.95

 

CMYK 0 / 68 / 92 / 2

HEX #FA4F13

RGB 250 79 19

HSL 15.58, 0.96%, 0.53%

LAB 58, 62.88, 64.63

 

CMYK 0 / 57 / 76 / 2

HEX #FB6D3B

RGB 251 109 59

HSL 15.63, 0.96%, 0.61%

LAB 63.15, 51.54, 53.25

 

CMYK 0 / 45 / 60 / 2

HEX #FB8B64

RGB 251 139 100

HSL 15.5, 0.95%, 0.69%

LAB 69.39, 39.06, 39.43

 

CMYK 0 / 33 / 44 / 1

HEX #FCA98C

RGB 252 169 140

HSL 15.54, 0.95%, 0.77%

LAB 76.66, 27.3, 27.43

 

CMYK 0 / 21 / 29 / 1

HEX #FDC7B4

RGB 253 199 180

HSL 15.62, 0.95%, 0.85%

LAB 84.5, 16.57, 16.85

 

CMYK 0 / 45 / 61 / 1

HEX #FC8B63

RGB 252 139 99

HSL 15.69, 0.96%, 0.69%

LAB 69.51, 39.37, 40.13

 

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

CMYK 60 / 51 / 0 / 2

HEX #647AFB

RGB 100 122 251

HSL 231.26, 0.95%, 0.69%

LAB 55.68, 30.06, -67.03

 

CMYK 0 / 45 / 61 / 1

HEX #FC8B63

RGB 252 139 99

HSL 15.69, 0.96%, 0.69%

LAB 69.51, 39.37, 40.13

 

CMYK 60 / 0 / 45 / 2

HEX #64FB8A

RGB 100 251 138

HSL 135.1, 0.95%, 0.69%

LAB 88.7, -63.53, 42.35

 

CMYK 45 / 60 / 0 / 2

HEX #8A64FB

RGB 138 100 251

HSL 255.1, 0.95%, 0.69%

LAB 53.47, 50.01, -70.45

 

CMYK 0 / 45 / 61 / 1

HEX #FC8B63

RGB 252 139 99

HSL 15.69, 0.96%, 0.69%

LAB 69.51, 39.37, 40.13

 

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

CMYK 60 / 15 / 0 / 2

HEX #64D5FB

RGB 100 213 251

HSL 195.1, 0.95%, 0.69%

LAB 80.33, -21.33, -28.24

 

CMYK 33 / 60 / 0 / 2

HEX #A864FB

RGB 168 100 251

HSL 267.02, 0.95%, 0.69%

LAB 56.49, 56.27, -65.43

 

CMYK 0 / 45 / 61 / 1

HEX #FC8B63

RGB 252 139 99

HSL 15.69, 0.96%, 0.69%

LAB 69.51, 39.37, 40.13

 

CMYK 45 / 0 / 60 / 2

HEX #8AFB64

RGB 138 251 100

HSL 104.9, 0.95%, 0.69%

LAB 89.54, -58.75, 60.98

 

CMYK 60 / 15 / 0 / 2

HEX #64D5FB

RGB 100 213 251

HSL 195.1, 0.95%, 0.69%

LAB 80.33, -21.33, -28.24

 

CMYK 15 / 60 / 0 / 2

HEX #D564FB

RGB 213 100 251

HSL 284.9, 0.95%, 0.69%

LAB 61.85, 66.48, -56.55

 

Description

Color code: HEX #FC8B63 | qconv.com Color code: HEX #FC8B63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 139 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 139 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 61 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 61% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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