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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC6ECE it is the complementary color #039131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC6ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC6ECE shade: #FF6EC9, #FF80DC, #FF92EF, #FFA4FF and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC6ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC6ECE shade: #FC6ECE, #EB5CBB, #DA4AA8, #C93895 and #B82682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC6ECE shade: #FC6ECE, #FC6EA7, #FC6E81 and #FC6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC6ECE shade: #FC6ECE, #FC6EF4, #DD6EFC, #B76EFC and #906EFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC6ECE shade matches the following richer shades: #FC6ECE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC6ECE shade: #FC6ECE, #F07AC9, #E485C5, #D891C1 and #CC9DBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC6ECE shade: #DD6EFC, #FC6EF4, #FC6ECF, #FC6EA9 and #FC6E83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC6ECE shade: #FA1DB2, #FB45C0, #FC6ECE, #FC96DB and #FDBEE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC6ECE shade: #FC6ECE, #FCB76E and #6EFCF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC6ECE shade: #FC6ECE, #CFFC6E and #6ECFFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC6ECE shade: #FC6ECE, #FCB76E, #6EFC9B and #6EB2FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC6ECE shade: #FC6ECE, #FCE26E, #6EFC9B and #6E88FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 18 / 1

HEX #FC6ECE

RGB 252 110 206

HSL 319.44, 0.96%, 0.71%

LAB 66.75, 64.62, -23.45

 

Complementary color

CMYK 98 / 0 / 66 / 43

HEX #039131

RGB 3 145 49

HSL 139.44, 0.96%, 0.29%

LAB 52.39, -53.22, 40.57

 

CMYK 0 / 57 / 21 / 0

HEX #FF6EC9

RGB 255 110 201

HSL 322.34, 1%, 0.72%

LAB 67, 64.78, -20.23

 

CMYK 0 / 50 / 14 / 0

HEX #FF80DC

RGB 255 128 220

HSL 316.54, 1%, 0.75%

LAB 70.78, 59.3, -25.05

 

CMYK 0 / 43 / 6 / 0

HEX #FF92EF

RGB 255 146 239

HSL 308.81, 1%, 0.79%

LAB 74.86, 53.59, -29.22

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 56 / 18 / 1

HEX #FC6ECE

RGB 252 110 206

HSL 319.44, 0.96%, 0.71%

LAB 66.75, 64.62, -23.45

 

CMYK 0 / 61 / 20 / 8

HEX #EB5CBB

RGB 235 92 187

HSL 320.14, 0.78%, 0.64%

LAB 60.7, 64.96, -22.18

 

CMYK 0 / 66 / 23 / 15

HEX #DA4AA8

RGB 218 74 168

HSL 320.83, 0.66%, 0.57%

LAB 54.69, 65.03, -20.63

 

CMYK 0 / 72 / 26 / 21

HEX #C93895

RGB 201 56 149

HSL 321.52, 0.57%, 0.5%

LAB 48.78, 64.68, -18.69

 

CMYK 0 / 79 / 29 / 28

HEX #B82682

RGB 184 38 130

HSL 322.19, 0.66%, 0.44%

LAB 43.05, 63.66, -16.22

 

CMYK 0 / 56 / 18 / 1

HEX #FC6ECE

RGB 252 110 206

HSL 319.44, 0.96%, 0.71%

LAB 66.75, 64.62, -23.45

 

CMYK 0 / 56 / 34 / 1

HEX #FC6EA7

RGB 252 110 167

HSL 335.92, 0.96%, 0.71%

LAB 65.47, 59.61, -3.34

 

CMYK 0 / 56 / 49 / 1

HEX #FC6E81

RGB 252 110 129

HSL 351.97, 0.96%, 0.71%

LAB 64.51, 55.75, 16.99

 

CMYK 0 / 56 / 56 / 1

HEX #FC6E6E

RGB 252 110 110

HSL 0, 0.96%, 0.71%

LAB 64.14, 54.22, 27.28

 

CMYK 0 / 56 / 18 / 1

HEX #FC6ECE

RGB 252 110 206

HSL 319.44, 0.96%, 0.71%

LAB 66.75, 64.62, -23.45

 

CMYK 0 / 56 / 3 / 1

HEX #FC6EF4

RGB 252 110 244

HSL 303.38, 0.96%, 0.71%

LAB 68.3, 70.39, -42.16

 

CMYK 12 / 56 / 0 / 1

HEX #DD6EFC

RGB 221 110 252

HSL 286.9, 0.96%, 0.71%

LAB 64.61, 64.02, -52.66

 

CMYK 27 / 56 / 0 / 1

HEX #B76EFC

RGB 183 110 252

HSL 270.85, 0.96%, 0.71%

LAB 60.11, 54.8, -60.08

 

CMYK 43 / 56 / 0 / 1

HEX #906EFC

RGB 144 110 252

HSL 254.37, 0.96%, 0.71%

LAB 56.2, 45.98, -66.58

 

CMYK 0 / 56 / 18 / 1

HEX #FC6ECE

RGB 252 110 206

HSL 319.44, 0.96%, 0.71%

LAB 66.75, 64.62, -23.45

 

CMYK 0 / 56 / 18 / 1

HEX #FC6ECE

RGB 252 110 206

HSL 319.44, 0.96%, 0.71%

LAB 66.75, 64.62, -23.45

 

CMYK 0 / 49 / 16 / 6

HEX #F07AC9

RGB 240 122 201

HSL 319.83, 0.8%, 0.71%

LAB 67.02, 54.82, -20.39

 

CMYK 0 / 42 / 14 / 11

HEX #E485C5

RGB 228 133 197

HSL 319.58, 0.64%, 0.71%

LAB 67.5, 44.94, -17.56

 

CMYK 0 / 33 / 11 / 15

HEX #D891C1

RGB 216 145 193

HSL 319.44, 0.48%, 0.71%

LAB 68.53, 34, -13.91

 

CMYK 0 / 23 / 7 / 20

HEX #CC9DBD

RGB 204 157 189

HSL 319.15, 0.32%, 0.71%

LAB 69.91, 22.66, -9.75

 

CMYK 12 / 56 / 0 / 1

HEX #DD6EFC

RGB 221 110 252

HSL 286.9, 0.96%, 0.71%

LAB 64.61, 64.02, -52.66

 

CMYK 0 / 56 / 3 / 1

HEX #FC6EF4

RGB 252 110 244

HSL 303.38, 0.96%, 0.71%

LAB 68.3, 70.39, -42.16

 

CMYK 0 / 56 / 18 / 1

HEX #FC6ECF

RGB 252 110 207

HSL 319.01, 0.96%, 0.71%

LAB 66.79, 64.76, -23.96

 

CMYK 0 / 56 / 33 / 1

HEX #FC6EA9

RGB 252 110 169

HSL 335.07, 0.96%, 0.71%

LAB 65.52, 59.84, -4.39

 

CMYK 0 / 56 / 48 / 1

HEX #FC6E83

RGB 252 110 131

HSL 351.13, 0.96%, 0.71%

LAB 64.55, 55.93, 15.91

 

CMYK 0 / 88 / 29 / 2

HEX #FA1DB2

RGB 250 29 178

HSL 319.55, 0.96%, 0.55%

LAB 56.5, 85.38, -23.2

 

CMYK 0 / 73 / 24 / 2

HEX #FB45C0

RGB 251 69 192

HSL 319.45, 0.96%, 0.63%

LAB 60.4, 78.11, -25.28

 

CMYK 0 / 56 / 18 / 1

HEX #FC6ECE

RGB 252 110 206

HSL 319.44, 0.96%, 0.71%

LAB 66.75, 64.62, -23.45

 

CMYK 0 / 40 / 13 / 1

HEX #FC96DB

RGB 252 150 219

HSL 319.41, 0.94%, 0.79%

LAB 74.59, 47.42, -18.74

 

CMYK 0 / 25 / 8 / 1

HEX #FDBEE9

RGB 253 190 233

HSL 319.05, 0.94%, 0.87%

LAB 83.75, 29.24, -12.52

 

CMYK 0 / 56 / 18 / 1

HEX #FC6ECE

RGB 252 110 206

HSL 319.44, 0.96%, 0.71%

LAB 66.75, 64.62, -23.45

 

CMYK 0 / 27 / 56 / 1

HEX #FCB76E

RGB 252 183 110

HSL 30.85, 0.96%, 0.71%

LAB 79.44, 17.3, 46.58

 

CMYK 56 / 0 / 5 / 1

HEX #6EFCF0

RGB 110 252 240

HSL 174.93, 0.96%, 0.71%

LAB 91.34, -41.09, -5.86

 

CMYK 0 / 56 / 18 / 1

HEX #FC6ECE

RGB 252 110 206

HSL 319.44, 0.96%, 0.71%

LAB 66.75, 64.62, -23.45

 

CMYK 18 / 0 / 56 / 1

HEX #CFFC6E

RGB 207 252 110

HSL 79.01, 0.96%, 0.71%

LAB 93.46, -35.02, 62.1

 

CMYK 56 / 18 / 0 / 1

HEX #6ECFFC

RGB 110 207 252

HSL 199.01, 0.96%, 0.71%

LAB 79.02, -16.13, -30.74

 

CMYK 0 / 56 / 18 / 1

HEX #FC6ECE

RGB 252 110 206

HSL 319.44, 0.96%, 0.71%

LAB 66.75, 64.62, -23.45

 

CMYK 0 / 27 / 56 / 1

HEX #FCB76E

RGB 252 183 110

HSL 30.85, 0.96%, 0.71%

LAB 79.44, 17.3, 46.58

 

CMYK 56 / 0 / 38 / 1

HEX #6EFC9B

RGB 110 252 155

HSL 139.01, 0.96%, 0.71%

LAB 89.53, -59.06, 35.15

 

CMYK 56 / 29 / 0 / 1

HEX #6EB2FC

RGB 110 178 252

HSL 211.27, 0.96%, 0.71%

LAB 71, -0.54, -43.19

 

CMYK 0 / 56 / 18 / 1

HEX #FC6ECE

RGB 252 110 206

HSL 319.44, 0.96%, 0.71%

LAB 66.75, 64.62, -23.45

 

CMYK 0 / 10 / 56 / 1

HEX #FCE26E

RGB 252 226 110

HSL 49.01, 0.96%, 0.71%

LAB 89.96, -4.85, 58.98

 

CMYK 56 / 0 / 38 / 1

HEX #6EFC9B

RGB 110 252 155

HSL 139.01, 0.96%, 0.71%

LAB 89.53, -59.06, 35.15

 

CMYK 56 / 46 / 0 / 1

HEX #6E88FC

RGB 110 136 252

HSL 229.01, 0.96%, 0.71%

LAB 59.84, 23.81, -60.85

 

Description

Color code: HEX #FC6ECE | qconv.com Color code: HEX #FC6ECE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 110 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 110 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 18 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 18% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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