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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC6BC2 it is the complementary color #03943D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC6BC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC6BC2 shade: #FF6BBD, #FF7DD0, #FF8FE3, #FFA1F6 and #FFB3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC6BC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC6BC2 shade: #FC6BC2, #EB59AF, #DA479C, #C93589 and #B82376

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC6BC2 shade: #FB69C1, #FB6999, #FB6971 and #FB6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC6BC2 shade: #FB69C1, #FB69E8, #E769FB, #BF69FB and #9869FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC6BC2 shade matches the following richer shades: #FB69C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC6BC2 shade: #FB69C1, #EF75BE, #E381BC, #D68EB9 and #CA9AB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC6BC2 shade: #E869FB, #FB69E8, #FB69C1, #FB699A and #FB6972

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC6BC2 shade: #FA189F, #FB40B0, #FB69C1, #FC91D1 and #FDB9E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC6BC2 shade: #FC6BC2, #FBC169 and #69FBFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC6BC2 shade: #FC6BC2, #C1FB69 and #69C1FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC6BC2 shade: #FC6BC2, #FBC169, #69FBA3 and #69A3FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC6BC2 shade: #FC6BC2, #FBED69, #69FBA3 and #6977FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 23 / 1

HEX #FC6BC2

RGB 252 107 194

HSL 324, 0.96%, 0.7%

LAB 65.83, 64.29, -18.11

 

Complementary color

CMYK 98 / 0 / 59 / 42

HEX #03943D

RGB 3 148 61

HSL 144, 0.96%, 0.3%

LAB 53.53, -52.62, 36.23

 

CMYK 0 / 58 / 26 / 0

HEX #FF6BBD

RGB 255 107 189

HSL 326.76, 1%, 0.71%

LAB 66.1, 64.51, -14.84

 

CMYK 0 / 51 / 18 / 0

HEX #FF7DD0

RGB 255 125 208

HSL 321.69, 1%, 0.75%

LAB 69.81, 58.94, -19.87

 

CMYK 0 / 44 / 11 / 0

HEX #FF8FE3

RGB 255 143 227

HSL 315, 1%, 0.78%

LAB 73.84, 53.12, -24.23

 

CMYK 0 / 37 / 4 / 0

HEX #FFA1F6

RGB 255 161 246

HSL 305.74, 1%, 0.82%

LAB 78.11, 47.2, -28.02

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 58 / 23 / 1

HEX #FC6BC2

RGB 252 107 194

HSL 324, 0.96%, 0.7%

LAB 65.83, 64.29, -18.11

 

CMYK 0 / 62 / 26 / 8

HEX #EB59AF

RGB 235 89 175

HSL 324.66, 0.78%, 0.64%

LAB 59.8, 64.61, -16.66

 

CMYK 0 / 67 / 28 / 15

HEX #DA479C

RGB 218 71 156

HSL 325.31, 0.67%, 0.57%

LAB 53.83, 64.65, -14.9

 

CMYK 0 / 74 / 32 / 21

HEX #C93589

RGB 201 53 137

HSL 325.95, 0.58%, 0.5%

LAB 47.97, 64.23, -12.71

 

CMYK 0 / 81 / 36 / 28

HEX #B82376

RGB 184 35 118

HSL 326.58, 0.68%, 0.43%

LAB 42.31, 63.1, -9.93

 

CMYK 0 / 58 / 23 / 2

HEX #FB69C1

RGB 251 105 193

HSL 323.84, 0.95%, 0.7%

LAB 65.33, 64.74, -18.32

 

CMYK 0 / 58 / 39 / 2

HEX #FB6999

RGB 251 105 153

HSL 340.27, 0.95%, 0.7%

LAB 64.09, 59.98, 2.63

 

CMYK 0 / 58 / 55 / 2

HEX #FB6971

RGB 251 105 113

HSL 356.71, 0.95%, 0.7%

LAB 63.18, 56.36, 24.29

 

CMYK 0 / 58 / 58 / 2

HEX #FB6969

RGB 251 105 105

HSL 0, 0.95%, 0.7%

LAB 63.04, 55.78, 28.64

 

CMYK 0 / 58 / 23 / 2

HEX #FB69C1

RGB 251 105 193

HSL 323.84, 0.95%, 0.7%

LAB 65.33, 64.74, -18.32

 

CMYK 0 / 58 / 8 / 2

HEX #FB69E8

RGB 251 105 232

HSL 307.81, 0.95%, 0.7%

LAB 66.85, 70.36, -37.8

 

CMYK 8 / 58 / 0 / 2

HEX #E769FB

RGB 231 105 251

HSL 291.78, 0.95%, 0.7%

LAB 65.01, 68.54, -51.39

 

CMYK 24 / 58 / 0 / 2

HEX #BF69FB

RGB 191 105 251

HSL 275.34, 0.95%, 0.7%

LAB 60.02, 58.97, -59.63

 

CMYK 39 / 58 / 0 / 2

HEX #9869FB

RGB 152 105 251

HSL 259.32, 0.95%, 0.7%

LAB 55.83, 50.17, -66.58

 

CMYK 0 / 58 / 23 / 2

HEX #FB69C1

RGB 251 105 193

HSL 323.84, 0.95%, 0.7%

LAB 65.33, 64.74, -18.32

 

CMYK 0 / 58 / 23 / 2

HEX #FB69C1

RGB 251 105 193

HSL 323.84, 0.95%, 0.7%

LAB 65.33, 64.74, -18.32

 

CMYK 0 / 51 / 21 / 6

HEX #EF75BE

RGB 239 117 190

HSL 324.1, 0.79%, 0.7%

LAB 65.59, 55.31, -16.39

 

CMYK 0 / 43 / 17 / 11

HEX #E381BC

RGB 227 129 188

HSL 323.88, 0.64%, 0.7%

LAB 66.26, 45.27, -14.4

 

CMYK 0 / 34 / 14 / 16

HEX #D68EB9

RGB 214 142 185

HSL 324.17, 0.47%, 0.7%

LAB 67.39, 33.6, -11.18

 

CMYK 0 / 24 / 9 / 21

HEX #CA9AB7

RGB 202 154 183

HSL 323.75, 0.31%, 0.7%

LAB 68.81, 22.56, -8.07

 

CMYK 8 / 58 / 0 / 2

HEX #E869FB

RGB 232 105 251

HSL 292.19, 0.95%, 0.7%

LAB 65.14, 68.78, -51.17

 

CMYK 0 / 58 / 8 / 2

HEX #FB69E8

RGB 251 105 232

HSL 307.81, 0.95%, 0.7%

LAB 66.85, 70.36, -37.8

 

CMYK 0 / 58 / 23 / 2

HEX #FB69C1

RGB 251 105 193

HSL 323.84, 0.95%, 0.7%

LAB 65.33, 64.74, -18.32

 

CMYK 0 / 58 / 39 / 2

HEX #FB699A

RGB 251 105 154

HSL 339.86, 0.95%, 0.7%

LAB 64.12, 60.09, 2.1

 

CMYK 0 / 58 / 55 / 2

HEX #FB6972

RGB 251 105 114

HSL 356.3, 0.95%, 0.7%

LAB 63.2, 56.44, 23.74

 

CMYK 0 / 90 / 36 / 2

HEX #FA189F

RGB 250 24 159

HSL 324.16, 0.96%, 0.54%

LAB 55.56, 84.12, -13.5

 

CMYK 0 / 75 / 30 / 2

HEX #FB40B0

RGB 251 64 176

HSL 324.06, 0.96%, 0.62%

LAB 59.26, 77.75, -17.81

 

CMYK 0 / 58 / 23 / 2

HEX #FB69C1

RGB 251 105 193

HSL 323.84, 0.95%, 0.7%

LAB 65.33, 64.74, -18.32

 

CMYK 0 / 42 / 17 / 1

HEX #FC91D1

RGB 252 145 209

HSL 324.11, 0.95%, 0.78%

LAB 73.25, 48.41, -15.26

 

CMYK 0 / 27 / 11 / 1

HEX #FDB9E2

RGB 253 185 226

HSL 323.82, 0.94%, 0.86%

LAB 82.42, 30.7, -10.76

 

CMYK 0 / 58 / 23 / 1

HEX #FC6BC2

RGB 252 107 194

HSL 324, 0.96%, 0.7%

LAB 65.83, 64.29, -18.11

 

CMYK 0 / 23 / 58 / 2

HEX #FBC169

RGB 251 193 105

HSL 36.16, 0.95%, 0.7%

LAB 81.66, 11.3, 51.65

 

CMYK 58 / 0 / 0 / 2

HEX #69FBFB

RGB 105 251 251

HSL 180, 0.95%, 0.7%

LAB 91.22, -38.69, -11.77

 

CMYK 0 / 58 / 23 / 1

HEX #FC6BC2

RGB 252 107 194

HSL 324, 0.96%, 0.7%

LAB 65.83, 64.29, -18.11

 

CMYK 23 / 0 / 58 / 2

HEX #C1FB69

RGB 193 251 105

HSL 83.84, 0.95%, 0.7%

LAB 92.29, -40.14, 62.69

 

CMYK 58 / 23 / 0 / 2

HEX #69C1FB

RGB 105 193 251

HSL 203.84, 0.95%, 0.7%

LAB 74.89, -10.01, -36.6

 

CMYK 0 / 58 / 23 / 1

HEX #FC6BC2

RGB 252 107 194

HSL 324, 0.96%, 0.7%

LAB 65.83, 64.29, -18.11

 

CMYK 0 / 23 / 58 / 2

HEX #FBC169

RGB 251 193 105

HSL 36.16, 0.95%, 0.7%

LAB 81.66, 11.3, 51.65

 

CMYK 58 / 0 / 35 / 2

HEX #69FBA3

RGB 105 251 163

HSL 143.84, 0.95%, 0.7%

LAB 89.23, -58.35, 30.72

 

CMYK 58 / 35 / 0 / 2

HEX #69A3FB

RGB 105 163 251

HSL 216.16, 0.95%, 0.7%

LAB 66.64, 6.66, -49.51

 

CMYK 0 / 58 / 23 / 1

HEX #FC6BC2

RGB 252 107 194

HSL 324, 0.96%, 0.7%

LAB 65.83, 64.29, -18.11

 

CMYK 0 / 6 / 58 / 2

HEX #FBED69

RGB 251 237 105

HSL 54.25, 0.95%, 0.7%

LAB 92.62, -11.09, 64.18

 

CMYK 58 / 0 / 35 / 2

HEX #69FBA3

RGB 105 251 163

HSL 143.84, 0.95%, 0.7%

LAB 89.23, -58.35, 30.72

 

CMYK 58 / 53 / 0 / 2

HEX #6977FB

RGB 105 119 251

HSL 234.25, 0.95%, 0.7%

LAB 55.24, 32.74, -67.72

 

Description

Color code: HEX #FC6BC2 | qconv.com Color code: HEX #FC6BC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 107 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 107 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 23 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 23% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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