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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC6059 it is the complementary color #039FA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC6059. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC6059 shade: #FF6054, #FF7267, #FF847A, #FF968D and #FFA8A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC6059. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC6059 shade: #FC6059, #EB4E46, #DA3C33, #C92A20 and #B8180D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC6059 shade: #FB615A and #FB5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC6059 shade: #FB615A, #FB8C5A, #FBB85A, #FBE35A and #E7FB5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC6059 shade matches the following richer shades: #FB615A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC6059 shade: #FB615A, #EE6D67, #E07975, #D28682 and #C59290

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC6059 shade: #FB5AAA, #FB5A7F, #FB5F5A, #FB8A5A and #FBB55A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC6059 shade: #F91309, #FA3A31, #FB615A, #FC8782 and #FDAEAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC6059 shade: #FC6059, #D5FB5A and #5A95FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC6059 shade: #FC6059, #5AFB5F and #5F5AFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC6059 shade: #FC6059, #D5FB5A, #5AF6FB and #7F5AFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC6059 shade: #FC6059, #A5FB5A, #5AF6FB and #B05AFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 65 / 1

HEX #FC6059

RGB 252 96 89

HSL 2.58, 0.96%, 0.67%

LAB 61.47, 59.03, 35.67

 

Complementary color

CMYK 98 / 4 / 0 / 35

HEX #039FA6

RGB 3 159 166

HSL 182.58, 0.96%, 0.33%

LAB 59.5, -31.44, -13.52

 

CMYK 0 / 62 / 67 / 0

HEX #FF6054

RGB 255 96 84

HSL 4.21, 1%, 0.66%

LAB 61.88, 59.75, 39.06

 

CMYK 0 / 55 / 60 / 0

HEX #FF7267

RGB 255 114 103

HSL 4.34, 1%, 0.7%

LAB 65.18, 52.92, 32.64

 

CMYK 0 / 48 / 52 / 0

HEX #FF847A

RGB 255 132 122

HSL 4.51, 1%, 0.74%

LAB 68.87, 45.72, 26.91

 

CMYK 0 / 41 / 45 / 0

HEX #FF968D

RGB 255 150 141

HSL 4.74, 1%, 0.78%

LAB 72.89, 38.39, 21.85

 

CMYK 0 / 34 / 37 / 0

HEX #FFA8A0

RGB 255 168 160

HSL 5.05, 1%, 0.81%

LAB 77.16, 31.1, 17.37

 

CMYK 0 / 62 / 65 / 1

HEX #FC6059

RGB 252 96 89

HSL 2.58, 0.96%, 0.67%

LAB 61.47, 59.03, 35.67

 

CMYK 0 / 67 / 70 / 8

HEX #EB4E46

RGB 235 78 70

HSL 2.91, 0.8%, 0.6%

LAB 55.64, 59.85, 38.6

 

CMYK 0 / 72 / 77 / 15

HEX #DA3C33

RGB 218 60 51

HSL 3.23, 0.69%, 0.53%

LAB 49.95, 60.38, 41.9

 

CMYK 0 / 79 / 84 / 21

HEX #C92A20

RGB 201 42 32

HSL 3.55, 0.73%, 0.46%

LAB 44.49, 60.39, 45.42

 

CMYK 0 / 87 / 93 / 28

HEX #B8180D

RGB 184 24 13

HSL 3.86, 0.87%, 0.39%

LAB 39.37, 59.57, 48.42

 

CMYK 0 / 61 / 64 / 2

HEX #FB615A

RGB 251 97 90

HSL 2.61, 0.95%, 0.67%

LAB 61.48, 58.33, 35.09

 

CMYK 0 / 64 / 64 / 2

HEX #FB5A5A

RGB 251 90 90

HSL 0, 0.95%, 0.67%

LAB 60.39, 61.25, 33.74

 

CMYK 0 / 61 / 64 / 2

HEX #FB615A

RGB 251 97 90

HSL 2.61, 0.95%, 0.67%

LAB 61.48, 58.33, 35.09

 

CMYK 0 / 44 / 64 / 2

HEX #FB8C5A

RGB 251 140 90

HSL 18.63, 0.95%, 0.67%

LAB 69.47, 37.91, 44.75

 

CMYK 0 / 27 / 64 / 2

HEX #FBB85A

RGB 251 184 90

HSL 35.03, 0.95%, 0.67%

LAB 79.34, 15, 56.08

 

CMYK 0 / 10 / 64 / 2

HEX #FBE35A

RGB 251 227 90

HSL 51.06, 0.95%, 0.67%

LAB 89.95, -7.08, 67.6

 

CMYK 8 / 0 / 64 / 2

HEX #E7FB5A

RGB 231 251 90

HSL 67.45, 0.95%, 0.67%

LAB 94.62, -26.79, 72.03

 

CMYK 0 / 61 / 64 / 2

HEX #FB615A

RGB 251 97 90

HSL 2.61, 0.95%, 0.67%

LAB 61.48, 58.33, 35.09

 

CMYK 0 / 61 / 64 / 2

HEX #FB615A

RGB 251 97 90

HSL 2.61, 0.95%, 0.67%

LAB 61.48, 58.33, 35.09

 

CMYK 0 / 54 / 57 / 7

HEX #EE6D67

RGB 238 109 103

HSL 2.67, 0.8%, 0.67%

LAB 61.73, 49.3, 27.69

 

CMYK 0 / 46 / 48 / 12

HEX #E07975

RGB 224 121 117

HSL 2.24, 0.63%, 0.67%

LAB 62.34, 39.45, 20.21

 

CMYK 0 / 36 / 38 / 18

HEX #D28682

RGB 210 134 130

HSL 3, 0.47%, 0.67%

LAB 63.64, 28.68, 14.35

 

CMYK 0 / 26 / 27 / 23

HEX #C59290

RGB 197 146 144

HSL 2.26, 0.31%, 0.67%

LAB 65.31, 18.95, 8.6

 

CMYK 0 / 64 / 32 / 2

HEX #FB5AAA

RGB 251 90 170

HSL 330.19, 0.95%, 0.67%

LAB 62.27, 68.1, -9.81

 

CMYK 0 / 64 / 49 / 2

HEX #FB5A7F

RGB 251 90 127

HSL 346.21, 0.95%, 0.67%

LAB 61.09, 63.85, 13.37

 

CMYK 0 / 62 / 64 / 2

HEX #FB5F5A

RGB 251 95 90

HSL 1.86, 0.95%, 0.67%

LAB 61.16, 59.18, 34.7

 

CMYK 0 / 45 / 64 / 2

HEX #FB8A5A

RGB 251 138 90

HSL 17.89, 0.95%, 0.67%

LAB 69.06, 38.92, 44.26

 

CMYK 0 / 28 / 64 / 2

HEX #FBB55A

RGB 251 181 90

HSL 33.91, 0.95%, 0.67%

LAB 78.63, 16.57, 55.28

 

CMYK 0 / 92 / 96 / 2

HEX #F91309

RGB 249 19 9

HSL 2.5, 0.95%, 0.51%

LAB 52.54, 77.23, 63.98

 

CMYK 0 / 77 / 80 / 2

HEX #FA3A31

RGB 250 58 49

HSL 2.69, 0.95%, 0.59%

LAB 55.66, 70.43, 50.67

 

CMYK 0 / 61 / 64 / 2

HEX #FB615A

RGB 251 97 90

HSL 2.61, 0.95%, 0.67%

LAB 61.48, 58.33, 35.09

 

CMYK 0 / 46 / 48 / 1

HEX #FC8782

RGB 252 135 130

HSL 2.46, 0.95%, 0.75%

LAB 69.21, 43.84, 22.86

 

CMYK 0 / 31 / 33 / 1

HEX #FDAEAA

RGB 253 174 170

HSL 2.89, 0.95%, 0.83%

LAB 78.49, 28.41, 13.78

 

CMYK 0 / 62 / 65 / 1

HEX #FC6059

RGB 252 96 89

HSL 2.58, 0.96%, 0.67%

LAB 61.47, 59.03, 35.67

 

CMYK 15 / 0 / 64 / 2

HEX #D5FB5A

RGB 213 251 90

HSL 74.16, 0.95%, 0.67%

LAB 93.4, -33.79, 70.37

 

CMYK 64 / 41 / 0 / 2

HEX #5A95FB

RGB 90 149 251

HSL 218.01, 0.95%, 0.67%

LAB 62.2, 12.14, -56.6

 

CMYK 0 / 62 / 65 / 1

HEX #FC6059

RGB 252 96 89

HSL 2.58, 0.96%, 0.67%

LAB 61.47, 59.03, 35.67

 

CMYK 64 / 0 / 62 / 2

HEX #5AFB5F

RGB 90 251 95

HSL 121.86, 0.95%, 0.67%

LAB 87.97, -71.02, 60.88

 

CMYK 62 / 64 / 0 / 2

HEX #5F5AFB

RGB 95 90 251

HSL 241.86, 0.95%, 0.67%

LAB 47.89, 48.29, -79.69

 

CMYK 0 / 62 / 65 / 1

HEX #FC6059

RGB 252 96 89

HSL 2.58, 0.96%, 0.67%

LAB 61.47, 59.03, 35.67

 

CMYK 15 / 0 / 64 / 2

HEX #D5FB5A

RGB 213 251 90

HSL 74.16, 0.95%, 0.67%

LAB 93.4, -33.79, 70.37

 

CMYK 64 / 2 / 0 / 2

HEX #5AF6FB

RGB 90 246 251

HSL 181.86, 0.95%, 0.67%

LAB 89.42, -38.78, -14.5

 

CMYK 49 / 64 / 0 / 2

HEX #7F5AFB

RGB 127 90 251

HSL 253.79, 0.95%, 0.67%

LAB 50.44, 53.38, -75.43

 

CMYK 0 / 62 / 65 / 1

HEX #FC6059

RGB 252 96 89

HSL 2.58, 0.96%, 0.67%

LAB 61.47, 59.03, 35.67

 

CMYK 34 / 0 / 64 / 2

HEX #A5FB5A

RGB 165 251 90

HSL 92.05, 0.95%, 0.67%

LAB 90.66, -51.16, 66.63

 

CMYK 64 / 2 / 0 / 2

HEX #5AF6FB

RGB 90 246 251

HSL 181.86, 0.95%, 0.67%

LAB 89.42, -38.78, -14.5

 

CMYK 30 / 64 / 0 / 2

HEX #B05AFB

RGB 176 90 251

HSL 272.05, 0.95%, 0.67%

LAB 55.59, 62.88, -66.84

 

Description

Color code: HEX #FC6059 | qconv.com Color code: HEX #FC6059 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 96 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 96 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 65 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 65% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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