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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC5EED it is the complementary color #03A112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC5EED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC5EED shade: #FF5EE8, #FF70FB, #FF82FF, #FF94FF and #FFA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC5EED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC5EED shade: #FC5EED, #EB4CDA, #DA3AC7, #C928B4 and #B816A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC5EED shade: #FB5FEC, #FB5FC2, #FB5F98, #FB5F6E and #FB5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC5EED shade: #FB5FEC, #E05FFB, #B65FFB, #8B5FFB and #615FFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC5EED shade matches the following richer shades: #FB5FEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC5EED shade: #FB5FEC, #EE6CE2, #E179D7, #D486CC and #C693C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC5EED shade: #B55FFB, #DF5FFB, #FB5FEE, #FB5FC4 and #FB5F9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC5EED shade: #FA0EE3, #FA36E8, #FB5FEC, #FC87F1 and #FDAFF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC5EED shade: #FC5EED, #FB8B5F and #5FFBCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC5EED shade: #FC5EED, #EEFB5F and #5FEEFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC5EED shade: #FC5EED, #FB8B5F, #5FFB6C and #5FCFFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC5EED shade: #FC5EED, #FBBA5F, #5FFB6C and #5FA0FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 6 / 1

HEX #FC5EED

RGB 252 94 237

HSL 305.7, 0.96%, 0.68%

LAB 65.6, 75.82, -42.52

 

Complementary color

CMYK 98 / 0 / 89 / 37

HEX #03A112

RGB 3 161 18

HSL 125.7, 0.96%, 0.32%

LAB 57.61, -60.39, 56.14

 

CMYK 0 / 63 / 9 / 0

HEX #FF5EE8

RGB 255 94 232

HSL 308.57, 1%, 0.68%

LAB 65.82, 75.79, -39.38

 

CMYK 0 / 56 / 2 / 0

HEX #FF70FB

RGB 255 112 251

HSL 301.68, 1%, 0.72%

LAB 69.34, 71.43, -44.35

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 63 / 6 / 1

HEX #FC5EED

RGB 252 94 237

HSL 305.7, 0.96%, 0.68%

LAB 65.6, 75.82, -42.52

 

CMYK 0 / 68 / 7 / 8

HEX #EB4CDA

RGB 235 76 218

HSL 306.42, 0.8%, 0.61%

LAB 59.79, 75.59, -41.2

 

CMYK 0 / 73 / 9 / 15

HEX #DA3AC7

RGB 218 58 199

HSL 307.13, 0.68%, 0.54%

LAB 54.09, 74.88, -39.54

 

CMYK 0 / 80 / 10 / 21

HEX #C928B4

RGB 201 40 180

HSL 307.83, 0.67%, 0.47%

LAB 48.55, 73.49, -37.42

 

CMYK 0 / 88 / 13 / 28

HEX #B816A1

RGB 184 22 161

HSL 308.52, 0.79%, 0.4%

LAB 43.27, 71.13, -34.68

 

CMYK 0 / 62 / 6 / 2

HEX #FB5FEC

RGB 251 95 236

HSL 305.77, 0.95%, 0.68%

LAB 65.55, 75.04, -42.06

 

CMYK 0 / 62 / 23 / 2

HEX #FB5FC2

RGB 251 95 194

HSL 321.92, 0.95%, 0.68%

LAB 63.83, 69.05, -21.17

 

CMYK 0 / 62 / 39 / 2

HEX #FB5F98

RGB 251 95 152

HSL 338.08, 0.95%, 0.68%

LAB 62.47, 64.14, 0.86

 

CMYK 0 / 62 / 56 / 2

HEX #FB5F6E

RGB 251 95 110

HSL 354.23, 0.95%, 0.68%

LAB 61.5, 60.47, 23.76

 

CMYK 0 / 62 / 62 / 2

HEX #FB5F5F

RGB 251 95 95

HSL 0, 0.95%, 0.68%

LAB 61.24, 59.48, 31.98

 

CMYK 0 / 62 / 6 / 2

HEX #FB5FEC

RGB 251 95 236

HSL 305.77, 0.95%, 0.68%

LAB 65.55, 75.04, -42.06

 

CMYK 11 / 62 / 0 / 2

HEX #E05FFB

RGB 224 95 251

HSL 289.62, 0.95%, 0.68%

LAB 62.5, 71.2, -55.42

 

CMYK 27 / 62 / 0 / 2

HEX #B65FFB

RGB 182 95 251

HSL 273.46, 0.95%, 0.68%

LAB 57.17, 61.79, -64.26

 

CMYK 45 / 62 / 0 / 2

HEX #8B5FFB

RGB 139 95 251

HSL 256.92, 0.95%, 0.68%

LAB 52.55, 52.91, -71.94

 

CMYK 61 / 62 / 0 / 2

HEX #615FFB

RGB 97 95 251

HSL 240.77, 0.95%, 0.68%

LAB 49.12, 45.69, -77.68

 

CMYK 0 / 62 / 6 / 2

HEX #FB5FEC

RGB 251 95 236

HSL 305.77, 0.95%, 0.68%

LAB 65.55, 75.04, -42.06

 

CMYK 0 / 62 / 6 / 2

HEX #FB5FEC

RGB 251 95 236

HSL 305.77, 0.95%, 0.68%

LAB 65.55, 75.04, -42.06

 

CMYK 0 / 55 / 5 / 7

HEX #EE6CE2

RGB 238 108 226

HSL 305.54, 0.79%, 0.68%

LAB 65.27, 64.69, -37.07

 

CMYK 0 / 46 / 4 / 12

HEX #E179D7

RGB 225 121 215

HSL 305.77, 0.63%, 0.68%

LAB 65.43, 53.06, -30.83

 

CMYK 0 / 37 / 4 / 17

HEX #D486CC

RGB 212 134 204

HSL 306.15, 0.48%, 0.68%

LAB 66.06, 40.47, -23.84

 

CMYK 0 / 26 / 2 / 22

HEX #C693C2

RGB 198 147 194

HSL 304.71, 0.31%, 0.68%

LAB 67.1, 27, -16.81

 

CMYK 28 / 62 / 0 / 2

HEX #B55FFB

RGB 181 95 251

HSL 273.08, 0.95%, 0.68%

LAB 57.05, 61.57, -64.46

 

CMYK 11 / 62 / 0 / 2

HEX #DF5FFB

RGB 223 95 251

HSL 289.23, 0.95%, 0.68%

LAB 62.37, 70.97, -55.64

 

CMYK 0 / 62 / 5 / 2

HEX #FB5FEE

RGB 251 95 238

HSL 305, 0.95%, 0.68%

LAB 65.64, 75.35, -43.02

 

CMYK 0 / 62 / 22 / 2

HEX #FB5FC4

RGB 251 95 196

HSL 321.15, 0.95%, 0.68%

LAB 63.9, 69.31, -22.19

 

CMYK 0 / 62 / 38 / 2

HEX #FB5F9B

RGB 251 95 155

HSL 336.92, 0.95%, 0.68%

LAB 62.56, 64.45, -0.75

 

CMYK 0 / 94 / 9 / 2

HEX #FA0EE3

RGB 250 14 227

HSL 305.85, 0.96%, 0.52%

LAB 58.21, 92.82, -48.61

 

CMYK 0 / 78 / 7 / 2

HEX #FA36E8

RGB 250 54 232

HSL 305.51, 0.95%, 0.6%

LAB 60.59, 87.29, -47.65

 

CMYK 0 / 62 / 6 / 2

HEX #FB5FEC

RGB 251 95 236

HSL 305.77, 0.95%, 0.68%

LAB 65.55, 75.04, -42.06

 

CMYK 0 / 46 / 4 / 1

HEX #FC87F1

RGB 252 135 241

HSL 305.64, 0.95%, 0.76%

LAB 72.48, 58.44, -34.01

 

CMYK 0 / 31 / 3 / 1

HEX #FDAFF6

RGB 253 175 246

HSL 305.38, 0.95%, 0.84%

LAB 80.85, 39.34, -23.86

 

CMYK 0 / 63 / 6 / 1

HEX #FC5EED

RGB 252 94 237

HSL 305.7, 0.96%, 0.68%

LAB 65.6, 75.82, -42.52

 

CMYK 0 / 45 / 62 / 2

HEX #FB8B5F

RGB 251 139 95

HSL 16.92, 0.95%, 0.68%

LAB 69.33, 38.73, 41.98

 

CMYK 62 / 0 / 20 / 2

HEX #5FFBCA

RGB 95 251 202

HSL 161.15, 0.95%, 0.68%

LAB 89.72, -52.38, 11.43

 

CMYK 0 / 63 / 6 / 1

HEX #FC5EED

RGB 252 94 237

HSL 305.7, 0.96%, 0.68%

LAB 65.6, 75.82, -42.52

 

CMYK 5 / 0 / 62 / 2

HEX #EEFB5F

RGB 238 251 95

HSL 65, 0.95%, 0.68%

LAB 95.16, -23.72, 70.8

 

CMYK 62 / 5 / 0 / 2

HEX #5FEEFB

RGB 95 238 251

HSL 185, 0.95%, 0.68%

LAB 87.26, -34.32, -17.72

 

CMYK 0 / 63 / 6 / 1

HEX #FC5EED

RGB 252 94 237

HSL 305.7, 0.96%, 0.68%

LAB 65.6, 75.82, -42.52

 

CMYK 0 / 45 / 62 / 2

HEX #FB8B5F

RGB 251 139 95

HSL 16.92, 0.95%, 0.68%

LAB 69.33, 38.73, 41.98

 

CMYK 62 / 0 / 57 / 2

HEX #5FFB6C

RGB 95 251 108

HSL 125, 0.95%, 0.68%

LAB 88.21, -68.59, 55.64

 

CMYK 62 / 18 / 0 / 2

HEX #5FCFFB

RGB 95 207 251

HSL 196.92, 0.95%, 0.68%

LAB 78.48, -19.13, -31.1

 

CMYK 0 / 63 / 6 / 1

HEX #FC5EED

RGB 252 94 237

HSL 305.7, 0.96%, 0.68%

LAB 65.6, 75.82, -42.52

 

CMYK 0 / 26 / 62 / 2

HEX #FBBA5F

RGB 251 186 95

HSL 35, 0.95%, 0.68%

LAB 79.87, 14.27, 54.34

 

CMYK 62 / 0 / 57 / 2

HEX #5FFB6C

RGB 95 251 108

HSL 125, 0.95%, 0.68%

LAB 88.21, -68.59, 55.64

 

CMYK 62 / 36 / 0 / 2

HEX #5FA0FB

RGB 95 160 251

HSL 215, 0.95%, 0.68%

LAB 65.39, 6.55, -51.52

 

Description

Color code: HEX #FC5EED | qconv.com Color code: HEX #FC5EED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 94 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 94 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 6 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 6% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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