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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC5690 it is the complementary color #03A96F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC5690. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC5690 shade: #FF568B, #FF689E, #FF7AB1, #FF8CC4 and #FF9ED7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC5690. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC5690 shade: #FC5690, #EB447D, #DA326A, #C92057 and #B80E44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC5690 shade: #FC548E, #FC5461 and #FC5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC5690 shade: #FC548E, #FC54BC, #FC54E9, #E154FC and #B454FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC5690 shade matches the following richer shades: #FC548E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC5690 shade: #FC548E, #EE6293, #E07097, #D27E9B and #C48C9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC5690 shade: #FC54E8, #FC54BB, #FC548F, #FC5462 and #FC7354

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC5690 shade: #FA0359, #FB2B74, #FC548E, #FD7CA9 and #FDA5C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC5690 shade: #FC5690, #FCE354 and #54D2FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC5690 shade: #FC5690, #8FFC54 and #548FFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC5690 shade: #FC5690, #FCE354, #54FCC1 and #546DFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC5690 shade: #FC5690, #E3FC54, #54FCC1 and #6D54FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 43 / 1

HEX #FC5690

RGB 252 86 144

HSL 339.04, 0.97%, 0.66%

LAB 61.1, 67.23, 3.52

 

Complementary color

CMYK 98 / 0 / 34 / 34

HEX #03A96F

RGB 3 169 111

HSL 159.04, 0.97%, 0.34%

LAB 61.26, -50.77, 19.82

 

CMYK 0 / 66 / 45 / 0

HEX #FF568B

RGB 255 86 139

HSL 341.18, 1%, 0.67%

LAB 61.46, 67.64, 7.01

 

CMYK 0 / 59 / 38 / 0

HEX #FF689E

RGB 255 104 158

HSL 338.54, 1%, 0.7%

LAB 64.67, 62.18, 0.68

 

CMYK 0 / 52 / 31 / 0

HEX #FF7AB1

RGB 255 122 177

HSL 335.19, 1%, 0.74%

LAB 68.28, 56.23, -4.8

 

CMYK 0 / 45 / 23 / 0

HEX #FF8CC4

RGB 255 140 196

HSL 330.78, 1%, 0.77%

LAB 72.23, 50, -9.56

 

CMYK 0 / 38 / 16 / 0

HEX #FF9ED7

RGB 255 158 215

HSL 324.74, 1%, 0.81%

LAB 76.45, 43.68, -13.71

 

CMYK 0 / 66 / 43 / 1

HEX #FC5690

RGB 252 86 144

HSL 339.04, 0.97%, 0.66%

LAB 61.1, 67.23, 3.52

 

CMYK 0 / 71 / 47 / 8

HEX #EB447D

RGB 235 68 125

HSL 339.52, 0.81%, 0.59%

LAB 55.36, 67.22, 6.05

 

CMYK 0 / 77 / 51 / 15

HEX #DA326A

RGB 218 50 106

HSL 340, 0.69%, 0.53%

LAB 49.77, 66.7, 9.12

 

CMYK 0 / 84 / 57 / 21

HEX #C92057

RGB 201 32 87

HSL 340.47, 0.73%, 0.46%

LAB 44.43, 65.44, 12.89

 

CMYK 0 / 92 / 63 / 28

HEX #B80E44

RGB 184 14 68

HSL 340.94, 0.86%, 0.39%

LAB 39.45, 63.11, 17.55

 

CMYK 0 / 67 / 44 / 1

HEX #FC548E

RGB 252 84 142

HSL 339.29, 0.97%, 0.66%

LAB 60.77, 67.8, 4.21

 

CMYK 0 / 67 / 62 / 1

HEX #FC5461

RGB 252 84 97

HSL 355.36, 0.97%, 0.66%

LAB 59.8, 64.34, 29.03

 

CMYK 0 / 67 / 67 / 1

HEX #FC5454

RGB 252 84 84

HSL 0, 0.97%, 0.66%

LAB 59.6, 63.61, 36.18

 

CMYK 0 / 67 / 44 / 1

HEX #FC548E

RGB 252 84 142

HSL 339.29, 0.97%, 0.66%

LAB 60.77, 67.8, 4.21

 

CMYK 0 / 67 / 25 / 1

HEX #FC54BC

RGB 252 84 188

HSL 322.86, 0.97%, 0.66%

LAB 62.23, 72.79, -20.18

 

CMYK 0 / 67 / 8 / 1

HEX #FC54E9

RGB 252 84 233

HSL 306.79, 0.97%, 0.66%

LAB 64.1, 78.92, -42.67

 

CMYK 11 / 67 / 0 / 1

HEX #E154FC

RGB 225 84 252

HSL 290.36, 0.97%, 0.66%

LAB 61.11, 76.01, -58.18

 

CMYK 29 / 67 / 0 / 1

HEX #B454FC

RGB 180 84 252

HSL 274.29, 0.97%, 0.66%

LAB 55.15, 66.66, -68.08

 

CMYK 0 / 67 / 44 / 1

HEX #FC548E

RGB 252 84 142

HSL 339.29, 0.97%, 0.66%

LAB 60.77, 67.8, 4.21

 

CMYK 0 / 67 / 44 / 1

HEX #FC548E

RGB 252 84 142

HSL 339.29, 0.97%, 0.66%

LAB 60.77, 67.8, 4.21

 

CMYK 0 / 59 / 38 / 7

HEX #EE6293

RGB 238 98 147

HSL 339, 0.8%, 0.66%

LAB 60.8, 58.36, 1.07

 

CMYK 0 / 50 / 33 / 12

HEX #E07097

RGB 224 112 151

HSL 339.11, 0.64%, 0.66%

LAB 61.37, 47.72, -0.66

 

CMYK 0 / 40 / 26 / 18

HEX #D27E9B

RGB 210 126 155

HSL 339.29, 0.48%, 0.66%

LAB 62.5, 36.2, -1.51

 

CMYK 0 / 29 / 19 / 23

HEX #C48C9F

RGB 196 140 159

HSL 339.64, 0.32%, 0.66%

LAB 64.16, 24.13, -1.55

 

CMYK 0 / 67 / 8 / 1

HEX #FC54E8

RGB 252 84 232

HSL 307.14, 0.97%, 0.66%

LAB 64.05, 78.77, -42.18

 

CMYK 0 / 67 / 26 / 1

HEX #FC54BB

RGB 252 84 187

HSL 323.21, 0.97%, 0.66%

LAB 62.19, 72.66, -19.67

 

CMYK 0 / 67 / 43 / 1

HEX #FC548F

RGB 252 84 143

HSL 338.93, 0.97%, 0.66%

LAB 60.8, 67.9, 3.67

 

CMYK 0 / 67 / 61 / 1

HEX #FC5462

RGB 252 84 98

HSL 355, 0.97%, 0.66%

LAB 59.81, 64.41, 28.48

 

CMYK 0 / 54 / 67 / 1

HEX #FC7354

RGB 252 115 84

HSL 11.07, 0.97%, 0.66%

LAB 64.64, 50.24, 42.23

 

CMYK 0 / 99 / 64 / 2

HEX #FA0359

RGB 250 3 89

HSL 339.11, 0.98%, 0.5%

LAB 53.07, 80.87, 24.96

 

CMYK 0 / 83 / 54 / 2

HEX #FB2B74

RGB 251 43 116

HSL 338.94, 0.96%, 0.58%

LAB 55.58, 77.66, 12.15

 

CMYK 0 / 67 / 44 / 1

HEX #FC548E

RGB 252 84 142

HSL 339.29, 0.97%, 0.66%

LAB 60.77, 67.8, 4.21

 

CMYK 0 / 51 / 33 / 1

HEX #FD7CA9

RGB 253 124 169

HSL 339.07, 0.97%, 0.74%

LAB 68.14, 53.67, -0.53

 

CMYK 0 / 35 / 23 / 1

HEX #FDA5C4

RGB 253 165 196

HSL 338.86, 0.96%, 0.82%

LAB 77.15, 36.58, -2.31

 

CMYK 0 / 66 / 43 / 1

HEX #FC5690

RGB 252 86 144

HSL 339.04, 0.97%, 0.66%

LAB 61.1, 67.23, 3.52

 

CMYK 0 / 10 / 67 / 1

HEX #FCE354

RGB 252 227 84

HSL 51.07, 0.97%, 0.66%

LAB 89.99, -7, 70.07

 

CMYK 67 / 17 / 0 / 1

HEX #54D2FC

RGB 84 210 252

HSL 195, 0.97%, 0.66%

LAB 79.04, -22.09, -30.78

 

CMYK 0 / 66 / 43 / 1

HEX #FC5690

RGB 252 86 144

HSL 339.04, 0.97%, 0.66%

LAB 61.1, 67.23, 3.52

 

CMYK 43 / 0 / 67 / 1

HEX #8FFC54

RGB 143 252 84

HSL 98.93, 0.97%, 0.66%

LAB 89.91, -59.04, 67.86

 

CMYK 67 / 43 / 0 / 1

HEX #548FFC

RGB 84 143 252

HSL 218.93, 0.97%, 0.66%

LAB 60.39, 15.09, -60.05

 

CMYK 0 / 66 / 43 / 1

HEX #FC5690

RGB 252 86 144

HSL 339.04, 0.97%, 0.66%

LAB 61.1, 67.23, 3.52

 

CMYK 0 / 10 / 67 / 1

HEX #FCE354

RGB 252 227 84

HSL 51.07, 0.97%, 0.66%

LAB 89.99, -7, 70.07

 

CMYK 67 / 0 / 23 / 1

HEX #54FCC1

RGB 84 252 193

HSL 158.93, 0.97%, 0.66%

LAB 89.56, -56.57, 15.82

 

CMYK 67 / 57 / 0 / 1

HEX #546DFC

RGB 84 109 252

HSL 231.07, 0.97%, 0.66%

LAB 51.67, 35.77, -74.12

 

CMYK 0 / 66 / 43 / 1

HEX #FC5690

RGB 252 86 144

HSL 339.04, 0.97%, 0.66%

LAB 61.1, 67.23, 3.52

 

CMYK 10 / 0 / 67 / 1

HEX #E3FC54

RGB 227 252 84

HSL 68.93, 0.97%, 0.66%

LAB 94.56, -29.19, 74.14

 

CMYK 67 / 0 / 23 / 1

HEX #54FCC1

RGB 84 252 193

HSL 158.93, 0.97%, 0.66%

LAB 89.56, -56.57, 15.82

 

CMYK 57 / 67 / 0 / 1

HEX #6D54FC

RGB 109 84 252

HSL 248.93, 0.97%, 0.66%

LAB 47.78, 53.97, -80.39

 

Description

Color code: HEX #FC5690 | qconv.com Color code: HEX #FC5690 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 86 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 86 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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