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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC549B it is the complementary color #03AB64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC549B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC549B shade: #FF5496, #FF66A9, #FF78BC, #FF8ACF and #FF9CE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC549B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC549B shade: #FC549B, #EB4288, #DA3075, #C91E62 and #B80C4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC549B shade: #FC549B, #FC546D and #FC5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC549B shade: #FC549B, #FC54C8, #FC54F6, #D554FC and #A854FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC549B shade matches the following richer shades: #FC549B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC549B shade: #FC549B, #EE629D, #E0709F, #D27EA1 and #C48CA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC549B shade: #FC54F6, #FC54C9, #FC549D, #FC5470 and #FC6554

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC549B shade: #FA036B, #FB2B83, #FC549B, #FD7CB3 and #FDA5CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC549B shade: #FC549B, #FCD554 and #54E0FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC549B shade: #FC549B, #9DFC54 and #549DFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC549B shade: #FC549B, #FCD554, #54FCB3 and #547BFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC549B shade: #FC549B, #F1FC54, #54FCB3 and #5F54FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 38 / 1

HEX #FC549B

RGB 252 84 155

HSL 334.64, 0.97%, 0.66%

LAB 61.14, 69.07, -2.82

 

Complementary color

CMYK 98 / 0 / 42 / 33

HEX #03AB64

RGB 3 171 100

HSL 154.64, 0.97%, 0.34%

LAB 61.71, -53.8, 26.35

 

CMYK 0 / 67 / 41 / 0

HEX #FF5496

RGB 255 84 150

HSL 336.84, 1%, 0.66%

LAB 61.48, 69.42, 0.65

 

CMYK 0 / 60 / 34 / 0

HEX #FF66A9

RGB 255 102 169

HSL 333.73, 1%, 0.7%

LAB 64.67, 64.24, -5.61

 

CMYK 0 / 53 / 26 / 0

HEX #FF78BC

RGB 255 120 188

HSL 329.78, 1%, 0.74%

LAB 68.26, 58.55, -11.03

 

CMYK 0 / 46 / 19 / 0

HEX #FF8ACF

RGB 255 138 207

HSL 324.62, 1%, 0.77%

LAB 72.19, 52.55, -15.72

 

CMYK 0 / 39 / 11 / 0

HEX #FF9CE2

RGB 255 156 226

HSL 317.58, 1%, 0.81%

LAB 76.39, 46.43, -19.8

 

CMYK 0 / 67 / 38 / 1

HEX #FC549B

RGB 252 84 155

HSL 334.64, 0.97%, 0.66%

LAB 61.14, 69.07, -2.82

 

CMYK 0 / 72 / 42 / 8

HEX #EB4288

RGB 235 66 136

HSL 335.15, 0.81%, 0.59%

LAB 55.42, 68.89, -0.39

 

CMYK 0 / 78 / 46 / 15

HEX #DA3075

RGB 218 48 117

HSL 335.65, 0.7%, 0.52%

LAB 49.86, 68.17, 2.56

 

CMYK 0 / 85 / 51 / 21

HEX #C91E62

RGB 201 30 98

HSL 336.14, 0.74%, 0.45%

LAB 44.56, 66.67, 6.2

 

CMYK 0 / 93 / 57 / 28

HEX #B80C4F

RGB 184 12 79

HSL 336.63, 0.88%, 0.38%

LAB 39.61, 64.05, 10.74

 

CMYK 0 / 67 / 38 / 1

HEX #FC549B

RGB 252 84 155

HSL 334.64, 0.97%, 0.66%

LAB 61.14, 69.07, -2.82

 

CMYK 0 / 67 / 57 / 1

HEX #FC546D

RGB 252 84 109

HSL 351.07, 0.97%, 0.66%

LAB 60.02, 65.13, 22.38

 

CMYK 0 / 67 / 67 / 1

HEX #FC5454

RGB 252 84 84

HSL 0, 0.97%, 0.66%

LAB 59.6, 63.61, 36.18

 

CMYK 0 / 67 / 38 / 1

HEX #FC549B

RGB 252 84 155

HSL 334.64, 0.97%, 0.66%

LAB 61.14, 69.07, -2.82

 

CMYK 0 / 67 / 21 / 1

HEX #FC54C8

RGB 252 84 200

HSL 318.57, 0.97%, 0.66%

LAB 62.68, 74.31, -26.31

 

CMYK 0 / 67 / 2 / 1

HEX #FC54F6

RGB 252 84 246

HSL 302.14, 0.97%, 0.66%

LAB 64.72, 80.89, -48.9

 

CMYK 15 / 67 / 0 / 1

HEX #D554FC

RGB 213 84 252

HSL 286.07, 0.97%, 0.66%

LAB 59.45, 73.47, -60.94

 

CMYK 33 / 67 / 0 / 1

HEX #A854FC

RGB 168 84 252

HSL 270, 0.97%, 0.66%

LAB 53.7, 64.29, -70.49

 

CMYK 0 / 67 / 38 / 1

HEX #FC549B

RGB 252 84 155

HSL 334.64, 0.97%, 0.66%

LAB 61.14, 69.07, -2.82

 

CMYK 0 / 67 / 38 / 1

HEX #FC549B

RGB 252 84 155

HSL 334.64, 0.97%, 0.66%

LAB 61.14, 69.07, -2.82

 

CMYK 0 / 59 / 34 / 7

HEX #EE629D

RGB 238 98 157

HSL 334.71, 0.8%, 0.66%

LAB 61.09, 59.48, -4.3

 

CMYK 0 / 50 / 29 / 12

HEX #E0709F

RGB 224 112 159

HSL 334.82, 0.64%, 0.66%

LAB 61.6, 48.73, -4.91

 

CMYK 0 / 40 / 23 / 18

HEX #D27EA1

RGB 210 126 161

HSL 335, 0.48%, 0.66%

LAB 62.67, 37.05, -4.68

 

CMYK 0 / 29 / 17 / 23

HEX #C48CA3

RGB 196 140 163

HSL 335.36, 0.32%, 0.66%

LAB 64.27, 24.77, -3.64

 

CMYK 0 / 67 / 2 / 1

HEX #FC54F6

RGB 252 84 246

HSL 302.14, 0.97%, 0.66%

LAB 64.72, 80.89, -48.9

 

CMYK 0 / 67 / 20 / 1

HEX #FC54C9

RGB 252 84 201

HSL 318.21, 0.97%, 0.66%

LAB 62.72, 74.44, -26.82

 

CMYK 0 / 67 / 38 / 1

HEX #FC549D

RGB 252 84 157

HSL 333.93, 0.97%, 0.66%

LAB 61.19, 69.27, -3.89

 

CMYK 0 / 67 / 56 / 1

HEX #FC5470

RGB 252 84 112

HSL 350, 0.97%, 0.66%

LAB 60.07, 65.34, 20.72

 

CMYK 0 / 60 / 67 / 1

HEX #FC6554

RGB 252 101 84

HSL 6.07, 0.97%, 0.66%

LAB 62.21, 56.6, 39.33

 

CMYK 0 / 99 / 57 / 2

HEX #FA036B

RGB 250 3 107

HSL 334.74, 0.98%, 0.5%

LAB 53.44, 81.87, 14.56

 

CMYK 0 / 83 / 48 / 2

HEX #FB2B83

RGB 251 43 131

HSL 334.62, 0.96%, 0.58%

LAB 55.96, 78.77, 3.73

 

CMYK 0 / 67 / 38 / 1

HEX #FC549B

RGB 252 84 155

HSL 334.64, 0.97%, 0.66%

LAB 61.14, 69.07, -2.82

 

CMYK 0 / 51 / 29 / 1

HEX #FD7CB3

RGB 253 124 179

HSL 334.42, 0.97%, 0.74%

LAB 68.43, 54.89, -5.74

 

CMYK 0 / 35 / 20 / 1

HEX #FDA5CA

RGB 253 165 202

HSL 334.77, 0.96%, 0.82%

LAB 77.32, 37.44, -5.34

 

CMYK 0 / 67 / 38 / 1

HEX #FC549B

RGB 252 84 155

HSL 334.64, 0.97%, 0.66%

LAB 61.14, 69.07, -2.82

 

CMYK 0 / 15 / 67 / 1

HEX #FCD554

RGB 252 213 84

HSL 46.07, 0.97%, 0.66%

LAB 86.47, 0.07, 66.42

 

CMYK 67 / 11 / 0 / 1

HEX #54E0FC

RGB 84 224 252

HSL 190, 0.97%, 0.66%

LAB 83.03, -29.02, -24.68

 

CMYK 0 / 67 / 38 / 1

HEX #FC549B

RGB 252 84 155

HSL 334.64, 0.97%, 0.66%

LAB 61.14, 69.07, -2.82

 

CMYK 38 / 0 / 67 / 1

HEX #9DFC54

RGB 157 252 84

HSL 93.93, 0.97%, 0.66%

LAB 90.52, -54.66, 68.69

 

CMYK 67 / 38 / 0 / 1

HEX #549DFC

RGB 84 157 252

HSL 213.93, 0.97%, 0.66%

LAB 64.18, 6.81, -54.01

 

CMYK 0 / 67 / 38 / 1

HEX #FC549B

RGB 252 84 155

HSL 334.64, 0.97%, 0.66%

LAB 61.14, 69.07, -2.82

 

CMYK 0 / 15 / 67 / 1

HEX #FCD554

RGB 252 213 84

HSL 46.07, 0.97%, 0.66%

LAB 86.47, 0.07, 66.42

 

CMYK 67 / 0 / 29 / 1

HEX #54FCB3

RGB 84 252 179

HSL 153.93, 0.97%, 0.66%

LAB 89.28, -59.52, 22.6

 

CMYK 67 / 51 / 0 / 1

HEX #547BFC

RGB 84 123 252

HSL 226.07, 0.97%, 0.66%

LAB 55.15, 27.22, -68.47

 

CMYK 0 / 67 / 38 / 1

HEX #FC549B

RGB 252 84 155

HSL 334.64, 0.97%, 0.66%

LAB 61.14, 69.07, -2.82

 

CMYK 4 / 0 / 67 / 1

HEX #F1FC54

RGB 241 252 84

HSL 63.93, 0.97%, 0.66%

LAB 95.56, -23.64, 75.48

 

CMYK 67 / 0 / 29 / 1

HEX #54FCB3

RGB 84 252 179

HSL 153.93, 0.97%, 0.66%

LAB 89.28, -59.52, 22.6

 

CMYK 62 / 67 / 0 / 1

HEX #5F54FC

RGB 95 84 252

HSL 243.93, 0.97%, 0.66%

LAB 46.71, 52, -82.18

 

Description

Color code: HEX #FC549B | qconv.com Color code: HEX #FC549B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 84 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 84 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 38 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 38% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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