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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC35CB it is the complementary color #03CA34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC35CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC35CB shade: #FF35C6, #FF47D9, #FF59EC, #FF6BFF and #FF7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC35CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC35CB shade: #FC35CB, #EB23B8, #DA11A5, #C90092 and #B8007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC35CB shade: #FB36CB, #FB3695, #FB3660 and #FB3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC35CB shade: #FB36CB, #F736FB, #C136FB, #8C36FB and #5736FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC35CB shade matches the following richer shades: #FB36CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC35CB shade: #FB36CB, #EB46C2, #DA57BA, #CA67B2 and #B978A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC35CB shade: #C036FB, #F536FB, #FB36CD, #FB3699 and #FB3664

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC35CB shade: #DC03A6, #FB0DC0, #FB36CB, #FC5ED5 and #FD87E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC35CB shade: #FC35CB, #FB8B36 and #36FBDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC35CB shade: #FC35CB, #CDFB36 and #36CDFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC35CB shade: #FC35CB, #FB8B36, #36FB64 and #36A6FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC35CB shade: #FC35CB, #FBC736, #36FB64 and #366AFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 19 / 1

HEX #FC35CB

RGB 252 53 203

HSL 314.77, 0.97%, 0.6%

LAB 59.48, 84.1, -32.97

 

Complementary color

CMYK 99 / 0 / 74 / 21

HEX #03CA34

RGB 3 202 52

HSL 134.77, 0.97%, 0.4%

LAB 71.22, -69.99, 59.23

 

CMYK 0 / 79 / 22 / 0

HEX #FF35C6

RGB 255 53 198

HSL 316.93, 1%, 0.6%

LAB 59.78, 84.13, -29.61

 

CMYK 0 / 72 / 15 / 0

HEX #FF47D9

RGB 255 71 217

HSL 312.39, 1%, 0.64%

LAB 62.32, 81.63, -36.45

 

CMYK 0 / 65 / 7 / 0

HEX #FF59EC

RGB 255 89 236

HSL 306.87, 1%, 0.67%

LAB 65.33, 78.26, -42.37

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 79 / 19 / 1

HEX #FC35CB

RGB 252 53 203

HSL 314.77, 0.97%, 0.6%

LAB 59.48, 84.1, -32.97

 

CMYK 0 / 85 / 22 / 8

HEX #EB23B8

RGB 235 35 184

HSL 315.3, 0.83%, 0.53%

LAB 54.37, 82.04, -30.21

 

CMYK 0 / 92 / 24 / 15

HEX #DA11A5

RGB 218 17 165

HSL 315.82, 0.86%, 0.46%

LAB 49.52, 79.02, -26.82

 

CMYK 0 / 100 / 27 / 21

HEX #C90092

RGB 201 0 146

HSL 316.42, 1%, 0.39%

LAB 44.93, 75.03, -22.8

 

CMYK 0 / 100 / 31 / 28

HEX #B8007F

RGB 184 0 127

HSL 318.59, 1%, 0.36%

LAB 40.77, 69.55, -17.85

 

CMYK 0 / 78 / 19 / 2

HEX #FB36CB

RGB 251 54 203

HSL 314.62, 0.96%, 0.6%

LAB 59.4, 83.64, -33.12

 

CMYK 0 / 78 / 41 / 2

HEX #FB3695

RGB 251 54 149

HSL 331.07, 0.96%, 0.6%

LAB 57.38, 77.75, -4.86

 

CMYK 0 / 78 / 62 / 2

HEX #FB3660

RGB 251 54 96

HSL 347.21, 0.96%, 0.6%

LAB 56.08, 73.78, 24.75

 

CMYK 0 / 78 / 78 / 2

HEX #FB3636

RGB 251 54 54

HSL 0, 0.96%, 0.6%

LAB 55.5, 71.96, 47.98

 

CMYK 0 / 78 / 19 / 2

HEX #FB36CB

RGB 251 54 203

HSL 314.62, 0.96%, 0.6%

LAB 59.4, 83.64, -33.12

 

CMYK 2 / 78 / 0 / 2

HEX #F736FB

RGB 247 54 251

HSL 298.78, 0.96%, 0.6%

LAB 61.11, 89.48, -57.43

 

CMYK 23 / 78 / 0 / 2

HEX #C136FB

RGB 193 54 251

HSL 282.34, 0.96%, 0.6%

LAB 52.88, 80.03, -71.1

 

CMYK 44 / 78 / 0 / 2

HEX #8C36FB

RGB 140 54 251

HSL 266.19, 0.96%, 0.6%

LAB 45.88, 71.99, -82.83

 

CMYK 65 / 78 / 0 / 2

HEX #5736FB

RGB 87 54 251

HSL 250.05, 0.96%, 0.6%

LAB 40.62, 65.99, -91.67

 

CMYK 0 / 78 / 19 / 2

HEX #FB36CB

RGB 251 54 203

HSL 314.62, 0.96%, 0.6%

LAB 59.4, 83.64, -33.12

 

CMYK 0 / 78 / 19 / 2

HEX #FB36CB

RGB 251 54 203

HSL 314.62, 0.96%, 0.6%

LAB 59.4, 83.64, -33.12

 

CMYK 0 / 70 / 17 / 8

HEX #EB46C2

RGB 235 70 194

HSL 314.91, 0.8%, 0.6%

LAB 57.98, 74.23, -30.38

 

CMYK 0 / 60 / 15 / 15

HEX #DA57BA

RGB 218 87 186

HSL 314.66, 0.64%, 0.6%

LAB 57.33, 62.26, -26.99

 

CMYK 0 / 49 / 12 / 21

HEX #CA67B2

RGB 202 103 178

HSL 314.55, 0.48%, 0.6%

LAB 57.53, 48.93, -22.28

 

CMYK 0 / 35 / 9 / 27

HEX #B978A9

RGB 185 120 169

HSL 314.77, 0.32%, 0.6%

LAB 58.61, 32.93, -15.65

 

CMYK 24 / 78 / 0 / 2

HEX #C036FB

RGB 192 54 251

HSL 282.03, 0.96%, 0.6%

LAB 52.74, 79.86, -71.34

 

CMYK 2 / 78 / 0 / 2

HEX #F536FB

RGB 245 54 251

HSL 298.17, 0.96%, 0.6%

LAB 60.8, 89.12, -57.96

 

CMYK 0 / 78 / 18 / 2

HEX #FB36CD

RGB 251 54 205

HSL 314.01, 0.96%, 0.6%

LAB 59.48, 83.89, -34.12

 

CMYK 0 / 78 / 39 / 2

HEX #FB3699

RGB 251 54 153

HSL 329.85, 0.96%, 0.6%

LAB 57.51, 78.13, -7.03

 

CMYK 0 / 78 / 60 / 2

HEX #FB3664

RGB 251 54 100

HSL 345.99, 0.96%, 0.6%

LAB 56.16, 74.02, 22.47

 

CMYK 0 / 99 / 25 / 14

HEX #DC03A6

RGB 220 3 166

HSL 314.93, 0.97%, 0.44%

LAB 49.54, 80.71, -27.37

 

CMYK 0 / 95 / 24 / 2

HEX #FB0DC0

RGB 251 13 192

HSL 314.87, 0.97%, 0.52%

LAB 56.69, 88.82, -31.02

 

CMYK 0 / 78 / 19 / 2

HEX #FB36CB

RGB 251 54 203

HSL 314.62, 0.96%, 0.6%

LAB 59.4, 83.64, -33.12

 

CMYK 0 / 63 / 15 / 1

HEX #FC5ED5

RGB 252 94 213

HSL 314.81, 0.96%, 0.68%

LAB 64.57, 72.29, -30.74

 

CMYK 0 / 47 / 11 / 1

HEX #FD87E0

RGB 253 135 224

HSL 314.75, 0.97%, 0.76%

LAB 71.96, 55.97, -25.48

 

CMYK 0 / 79 / 19 / 1

HEX #FC35CB

RGB 252 53 203

HSL 314.77, 0.97%, 0.6%

LAB 59.48, 84.1, -32.97

 

CMYK 0 / 45 / 78 / 2

HEX #FB8B36

RGB 251 139 54

HSL 25.89, 0.96%, 0.6%

LAB 68.93, 36.71, 61.13

 

CMYK 78 / 0 / 13 / 2

HEX #36FBDA

RGB 54 251 218

HSL 169.95, 0.96%, 0.6%

LAB 89.32, -53.93, 2.47

 

CMYK 0 / 79 / 19 / 1

HEX #FC35CB

RGB 252 53 203

HSL 314.77, 0.97%, 0.6%

LAB 59.48, 84.1, -32.97

 

CMYK 18 / 0 / 78 / 2

HEX #CDFB36

RGB 205 251 54

HSL 74.01, 0.96%, 0.6%

LAB 92.68, -38.72, 81.44

 

CMYK 78 / 18 / 0 / 2

HEX #36CDFB

RGB 54 205 251

HSL 194.01, 0.96%, 0.6%

LAB 76.93, -23.48, -33.56

 

CMYK 0 / 79 / 19 / 1

HEX #FC35CB

RGB 252 53 203

HSL 314.77, 0.97%, 0.6%

LAB 59.48, 84.1, -32.97

 

CMYK 0 / 45 / 78 / 2

HEX #FB8B36

RGB 251 139 54

HSL 25.89, 0.96%, 0.6%

LAB 68.93, 36.71, 61.13

 

CMYK 78 / 0 / 60 / 2

HEX #36FB64

RGB 54 251 100

HSL 134.01, 0.96%, 0.6%

LAB 87.34, -76.05, 57.89

 

CMYK 78 / 34 / 0 / 2

HEX #36A6FB

RGB 54 166 251

HSL 205.89, 0.96%, 0.6%

LAB 65.77, -2.55, -51.01

 

CMYK 0 / 79 / 19 / 1

HEX #FC35CB

RGB 252 53 203

HSL 314.77, 0.97%, 0.6%

LAB 59.48, 84.1, -32.97

 

CMYK 0 / 21 / 78 / 2

HEX #FBC736

RGB 251 199 54

HSL 44.16, 0.96%, 0.6%

LAB 82.71, 5.5, 73.84

 

CMYK 78 / 0 / 60 / 2

HEX #36FB64

RGB 54 251 100

HSL 134.01, 0.96%, 0.6%

LAB 87.34, -76.05, 57.89

 

CMYK 78 / 58 / 0 / 2

HEX #366AFB

RGB 54 106 251

HSL 224.16, 0.96%, 0.6%

LAB 49.57, 33.8, -77.04

 

Description

Color code: HEX #FC35CB | qconv.com Color code: HEX #FC35CB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 53 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 53 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 19 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 19% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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