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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC2BDB it is the complementary color #03D424. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC2BDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC2BDB shade: #FF2BD6, #FF3DE9, #FF4FFC, #FF61FF and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC2BDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC2BDB shade: #FC2BDB, #EB19C8, #DA07B5, #C900A2 and #B8008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC2BDB shade: #FB2CDA, #FB2CA2, #FB2C6A, #FB2C32 and #FB2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC2BDB shade: #FB2CDA, #E42CFB, #AC2CFB, #742CFB and #3C2CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC2BDB shade matches the following richer shades: #FB2CDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC2BDB shade: #FB2CDA, #EA3DCF, #D94EC3, #C75FB7 and #B671AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC2BDB shade: #AC2CFB, #E32CFB, #FB2CDC, #FB2CA5 and #FB2C6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC2BDB shade: #D203B1, #FA03D3, #FB2CDA, #FC54E1 and #FD7DE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC2BDB shade: #FC2BDB, #FB742C and #2CFBC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC2BDB shade: #FC2BDB, #DCFB2C and #2CDCFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC2BDB shade: #FC2BDB, #FB742C, #2CFB4B and #2CB3FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC2BDB shade: #FC2BDB, #FBB32C, #2CFB4B and #2C74FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 13 / 1

HEX #FC2BDB

RGB 252 43 219

HSL 309.47, 0.97%, 0.58%

LAB 59.47, 88.29, -42.08

 

Complementary color

CMYK 99 / 0 / 83 / 17

HEX #03D424

RGB 3 212 36

HSL 129.47, 0.97%, 0.42%

LAB 74.34, -73.8, 66.97

 

CMYK 0 / 83 / 16 / 0

HEX #FF2BD6

RGB 255 43 214

HSL 311.6, 1%, 0.58%

LAB 59.75, 88.24, -38.78

 

CMYK 0 / 76 / 9 / 0

HEX #FF3DE9

RGB 255 61 233

HSL 306.8, 1%, 0.62%

LAB 62.07, 86.67, -45.83

 

CMYK 0 / 69 / 1 / 0

HEX #FF4FFC

RGB 255 79 252

HSL 301.02, 1%, 0.65%

LAB 64.87, 84.15, -51.94

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 83 / 13 / 1

HEX #FC2BDB

RGB 252 43 219

HSL 309.47, 0.97%, 0.58%

LAB 59.47, 88.29, -42.08

 

CMYK 0 / 89 / 15 / 8

HEX #EB19C8

RGB 235 25 200

HSL 310, 0.84%, 0.51%

LAB 54.58, 85.56, -39.13

 

CMYK 0 / 97 / 17 / 15

HEX #DA07B5

RGB 218 7 181

HSL 310.52, 0.94%, 0.44%

LAB 49.97, 81.81, -35.56

 

CMYK 0 / 100 / 19 / 21

HEX #C900A2

RGB 201 0 162

HSL 311.64, 1%, 0.39%

LAB 45.67, 76.9, -31.29

 

CMYK 0 / 100 / 22 / 28

HEX #B8008F

RGB 184 0 143

HSL 313.37, 1%, 0.36%

LAB 41.49, 71.38, -26.58

 

CMYK 0 / 82 / 13 / 2

HEX #FB2CDA

RGB 251 44 218

HSL 309.57, 0.96%, 0.58%

LAB 59.32, 87.77, -41.77

 

CMYK 0 / 82 / 35 / 2

HEX #FB2CA2

RGB 251 44 162

HSL 325.8, 0.96%, 0.58%

LAB 57, 81.32, -13.08

 

CMYK 0 / 82 / 58 / 2

HEX #FB2C6A

RGB 251 44 106

HSL 342.03, 0.96%, 0.58%

LAB 55.43, 76.79, 17.92

 

CMYK 0 / 82 / 80 / 2

HEX #FB2C32

RGB 251 44 50

HSL 358.26, 0.96%, 0.58%

LAB 54.6, 74.29, 49.18

 

CMYK 0 / 82 / 82 / 2

HEX #FB2C2C

RGB 251 44 44

HSL 0, 0.96%, 0.58%

LAB 54.55, 74.14, 52.2

 

CMYK 0 / 82 / 13 / 2

HEX #FB2CDA

RGB 251 44 218

HSL 309.57, 0.96%, 0.58%

LAB 59.32, 87.77, -41.77

 

CMYK 9 / 82 / 0 / 2

HEX #E42CFB

RGB 228 44 251

HSL 293.33, 0.96%, 0.58%

LAB 57.33, 88.38, -63.67

 

CMYK 31 / 82 / 0 / 2

HEX #AC2CFB

RGB 172 44 251

HSL 277.1, 0.96%, 0.58%

LAB 48.93, 79.62, -77.67

 

CMYK 54 / 82 / 0 / 2

HEX #742CFB

RGB 116 44 251

HSL 260.87, 0.96%, 0.58%

LAB 41.97, 72.68, -89.36

 

CMYK 76 / 82 / 0 / 2

HEX #3C2CFB

RGB 60 44 251

HSL 244.64, 0.96%, 0.58%

LAB 37.35, 68.32, -97.15

 

CMYK 0 / 82 / 13 / 2

HEX #FB2CDA

RGB 251 44 218

HSL 309.57, 0.96%, 0.58%

LAB 59.32, 87.77, -41.77

 

CMYK 0 / 82 / 13 / 2

HEX #FB2CDA

RGB 251 44 218

HSL 309.57, 0.96%, 0.58%

LAB 59.32, 87.77, -41.77

 

CMYK 0 / 74 / 12 / 8

HEX #EA3DCF

RGB 234 61 207

HSL 309.36, 0.8%, 0.58%

LAB 57.4, 78.62, -38.73

 

CMYK 0 / 64 / 10 / 15

HEX #D94EC3

RGB 217 78 195

HSL 309.5, 0.65%, 0.58%

LAB 56.23, 67.04, -33.89

 

CMYK 0 / 52 / 8 / 22

HEX #C75FB7

RGB 199 95 183

HSL 309.23, 0.48%, 0.58%

LAB 55.83, 52.79, -27.81

 

CMYK 0 / 38 / 6 / 29

HEX #B671AB

RGB 182 113 171

HSL 309.57, 0.32%, 0.58%

LAB 56.78, 36.11, -19.62

 

CMYK 31 / 82 / 0 / 2

HEX #AC2CFB

RGB 172 44 251

HSL 277.1, 0.96%, 0.58%

LAB 48.93, 79.62, -77.67

 

CMYK 10 / 82 / 0 / 2

HEX #E32CFB

RGB 227 44 251

HSL 293.04, 0.96%, 0.58%

LAB 57.17, 88.22, -63.93

 

CMYK 0 / 82 / 12 / 2

HEX #FB2CDC

RGB 251 44 220

HSL 308.99, 0.96%, 0.58%

LAB 59.41, 88.04, -42.74

 

CMYK 0 / 82 / 34 / 2

HEX #FB2CA5

RGB 251 44 165

HSL 324.93, 0.96%, 0.58%

LAB 57.1, 81.62, -14.68

 

CMYK 0 / 82 / 57 / 2

HEX #FB2C6D

RGB 251 44 109

HSL 341.16, 0.96%, 0.58%

LAB 55.5, 76.98, 16.22

 

CMYK 0 / 99 / 16 / 18

HEX #D203B1

RGB 210 3 177

HSL 309.57, 0.97%, 0.42%

LAB 48.19, 80.17, -36.12

 

CMYK 0 / 99 / 16 / 2

HEX #FA03D3

RGB 250 3 211

HSL 309.47, 0.98%, 0.5%

LAB 57.17, 91.5, -41.19

 

CMYK 0 / 82 / 13 / 2

HEX #FB2CDA

RGB 251 44 218

HSL 309.57, 0.96%, 0.58%

LAB 59.32, 87.77, -41.77

 

CMYK 0 / 67 / 11 / 1

HEX #FC54E1

RGB 252 84 225

HSL 309.64, 0.97%, 0.66%

LAB 63.73, 77.74, -38.77

 

CMYK 0 / 51 / 8 / 1

HEX #FD7DE8

RGB 253 125 232

HSL 309.84, 0.97%, 0.74%

LAB 70.44, 62, -32.22

 

CMYK 0 / 83 / 13 / 1

HEX #FC2BDB

RGB 252 43 219

HSL 309.47, 0.97%, 0.58%

LAB 59.47, 88.29, -42.08

 

CMYK 0 / 54 / 82 / 2

HEX #FB742C

RGB 251 116 44

HSL 20.87, 0.96%, 0.58%

LAB 64.31, 47.78, 60.95

 

CMYK 82 / 0 / 21 / 2

HEX #2CFBC7

RGB 44 251 199

HSL 164.93, 0.96%, 0.58%

LAB 88.76, -59.42, 11.5

 

CMYK 0 / 83 / 13 / 1

HEX #FC2BDB

RGB 252 43 219

HSL 309.47, 0.97%, 0.58%

LAB 59.47, 88.29, -42.08

 

CMYK 12 / 0 / 82 / 2

HEX #DCFB2C

RGB 220 251 44

HSL 68.99, 0.96%, 0.58%

LAB 93.62, -33.19, 85.08

 

CMYK 82 / 12 / 0 / 2

HEX #2CDCFB

RGB 44 220 251

HSL 188.99, 0.96%, 0.58%

LAB 81.12, -31.7, -27.14

 

CMYK 0 / 83 / 13 / 1

HEX #FC2BDB

RGB 252 43 219

HSL 309.47, 0.97%, 0.58%

LAB 59.47, 88.29, -42.08

 

CMYK 0 / 54 / 82 / 2

HEX #FB742C

RGB 251 116 44

HSL 20.87, 0.96%, 0.58%

LAB 64.31, 47.78, 60.95

 

CMYK 82 / 0 / 70 / 2

HEX #2CFB4B

RGB 44 251 75

HSL 128.99, 0.96%, 0.58%

LAB 87.02, -79.59, 67.37

 

CMYK 82 / 29 / 0 / 2

HEX #2CB3FB

RGB 44 179 251

HSL 200.87, 0.96%, 0.58%

LAB 69.28, -10.69, -45.48

 

CMYK 0 / 83 / 13 / 1

HEX #FC2BDB

RGB 252 43 219

HSL 309.47, 0.97%, 0.58%

LAB 59.47, 88.29, -42.08

 

CMYK 0 / 29 / 82 / 2

HEX #FBB32C

RGB 251 179 44

HSL 39.13, 0.96%, 0.58%

LAB 77.83, 15.6, 72.68

 

CMYK 82 / 0 / 70 / 2

HEX #2CFB4B

RGB 44 251 75

HSL 128.99, 0.96%, 0.58%

LAB 87.02, -79.59, 67.37

 

CMYK 82 / 54 / 0 / 2

HEX #2C74FB

RGB 44 116 251

HSL 219.13, 0.96%, 0.58%

LAB 51.83, 26.7, -73.37

 

Description

Color code: HEX #FC2BDB | qconv.com Color code: HEX #FC2BDB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 43 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 43 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 13 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 13% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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