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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC2AB5 it is the complementary color #03D54A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC2AB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC2AB5 shade: #FF2AB0, #FF3CC3, #FF4ED6, #FF60E9 and #FF72FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC2AB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC2AB5 shade: #FC2AB5, #EB18A2, #DA068F, #C9007C and #B80069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC2AB5 shade: #FB2CB5, #FB2C7D, #FB2C45 and #FB2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC2AB5 shade: #FB2CB5, #FB2CED, #D12CFB, #992CFB and #612CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC2AB5 shade matches the following richer shades: #FB2CB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC2AB5 shade: #FB2CB5, #EA3DAF, #D94EAA, #C75FA4 and #B6719F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC2AB5 shade: #D22CFB, #FB2CED, #FB2CB6, #FB2C7F and #FB2C47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC2AB5 shade: #D2038C, #FA03A7, #FB2CB5, #FC54C3 and #FD7DD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC2AB5 shade: #FC2AB5, #FB9A2C and #2CFBED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC2AB5 shade: #FC2AB5, #B6FB2C and #2CB6FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC2AB5 shade: #FC2AB5, #FB9A2C, #2CFB71 and #2C8CFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC2AB5 shade: #FC2AB5, #FBD92C, #2CFB71 and #2C4EFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 28 / 1

HEX #FC2AB5

RGB 252 42 181

HSL 320.29, 0.97%, 0.58%

LAB 57.74, 83.93, -23.02

 

Complementary color

CMYK 99 / 0 / 65 / 16

HEX #03D54A

RGB 3 213 74

HSL 140.29, 0.97%, 0.42%

LAB 74.89, -71.12, 54.71

 

CMYK 0 / 84 / 31 / 0

HEX #FF2AB0

RGB 255 42 176

HSL 322.25, 1%, 0.58%

LAB 58.08, 84.04, -19.54

 

CMYK 0 / 76 / 24 / 0

HEX #FF3CC3

RGB 255 60 195

HSL 318.46, 1%, 0.62%

LAB 60.28, 82, -27.13

 

CMYK 0 / 69 / 16 / 0

HEX #FF4ED6

RGB 255 78 214

HSL 313.9, 1%, 0.65%

LAB 62.98, 78.99, -33.73

 

CMYK 0 / 62 / 9 / 0

HEX #FF60E9

RGB 255 96 233

HSL 308.3, 1%, 0.69%

LAB 66.14, 75.16, -39.43

 

CMYK 0 / 55 / 1 / 0

HEX #FF72FC

RGB 255 114 252

HSL 301.28, 1%, 0.72%

LAB 69.7, 70.74, -44.33

 

CMYK 0 / 83 / 28 / 1

HEX #FC2AB5

RGB 252 42 181

HSL 320.29, 0.97%, 0.58%

LAB 57.74, 83.93, -23.02

 

CMYK 0 / 90 / 31 / 8

HEX #EB18A2

RGB 235 24 162

HSL 320.76, 0.84%, 0.51%

LAB 52.87, 81.29, -19.63

 

CMYK 0 / 97 / 34 / 15

HEX #DA068F

RGB 218 6 143

HSL 321.23, 0.95%, 0.44%

LAB 48.28, 77.63, -15.56

 

CMYK 0 / 100 / 38 / 21

HEX #C9007C

RGB 201 0 124

HSL 322.99, 1%, 0.39%

LAB 44.05, 72.77, -10.69

 

CMYK 0 / 100 / 43 / 28

HEX #B80069

RGB 184 0 105

HSL 325.76, 1%, 0.36%

LAB 39.93, 67.37, -5.35

 

CMYK 0 / 82 / 28 / 2

HEX #FB2CB5

RGB 251 44 181

HSL 320.29, 0.96%, 0.58%

LAB 57.7, 83.31, -23.09

 

CMYK 0 / 82 / 50 / 2

HEX #FB2C7D

RGB 251 44 125

HSL 336.52, 0.96%, 0.58%

LAB 55.88, 78.1, 7.19

 

CMYK 0 / 82 / 73 / 2

HEX #FB2C45

RGB 251 44 69

HSL 352.75, 0.96%, 0.58%

LAB 54.8, 74.92, 38.95

 

CMYK 0 / 82 / 82 / 2

HEX #FB2C2C

RGB 251 44 44

HSL 0, 0.96%, 0.58%

LAB 54.55, 74.14, 52.2

 

CMYK 0 / 82 / 28 / 2

HEX #FB2CB5

RGB 251 44 181

HSL 320.29, 0.96%, 0.58%

LAB 57.7, 83.31, -23.09

 

CMYK 0 / 82 / 6 / 2

HEX #FB2CED

RGB 251 44 237

HSL 304.06, 0.96%, 0.58%

LAB 60.27, 90.34, -50.95

 

CMYK 17 / 82 / 0 / 2

HEX #D12CFB

RGB 209 44 251

HSL 287.83, 0.96%, 0.58%

LAB 54.37, 85.26, -68.59

 

CMYK 39 / 82 / 0 / 2

HEX #992CFB

RGB 153 44 251

HSL 271.59, 0.96%, 0.58%

LAB 46.36, 77.02, -81.97

 

CMYK 61 / 82 / 0 / 2

HEX #612CFB

RGB 97 44 251

HSL 255.36, 0.96%, 0.58%

LAB 40.09, 70.89, -92.52

 

CMYK 0 / 82 / 28 / 2

HEX #FB2CB5

RGB 251 44 181

HSL 320.29, 0.96%, 0.58%

LAB 57.7, 83.31, -23.09

 

CMYK 0 / 82 / 28 / 2

HEX #FB2CB5

RGB 251 44 181

HSL 320.29, 0.96%, 0.58%

LAB 57.7, 83.31, -23.09

 

CMYK 0 / 74 / 25 / 8

HEX #EA3DAF

RGB 234 61 175

HSL 320.46, 0.8%, 0.58%

LAB 56.01, 74.44, -22.45

 

CMYK 0 / 64 / 22 / 15

HEX #D94EAA

RGB 217 78 170

HSL 320.29, 0.65%, 0.58%

LAB 55.18, 63.45, -21.06

 

CMYK 0 / 52 / 18 / 22

HEX #C75FA4

RGB 199 95 164

HSL 320.19, 0.48%, 0.58%

LAB 55.08, 49.76, -17.95

 

CMYK 0 / 38 / 13 / 29

HEX #B6719F

RGB 182 113 159

HSL 320, 0.32%, 0.58%

LAB 56.35, 34.01, -13.34

 

CMYK 16 / 82 / 0 / 2

HEX #D22CFB

RGB 210 44 251

HSL 288.12, 0.96%, 0.58%

LAB 54.52, 85.42, -68.33

 

CMYK 0 / 82 / 6 / 2

HEX #FB2CED

RGB 251 44 237

HSL 304.06, 0.96%, 0.58%

LAB 60.27, 90.34, -50.95

 

CMYK 0 / 82 / 27 / 2

HEX #FB2CB6

RGB 251 44 182

HSL 320, 0.96%, 0.58%

LAB 57.74, 83.42, -23.61

 

CMYK 0 / 82 / 49 / 2

HEX #FB2C7F

RGB 251 44 127

HSL 335.94, 0.96%, 0.58%

LAB 55.93, 78.25, 6.07

 

CMYK 0 / 82 / 72 / 2

HEX #FB2C47

RGB 251 44 71

HSL 352.17, 0.96%, 0.58%

LAB 54.83, 75, 37.83

 

CMYK 0 / 99 / 33 / 18

HEX #D2038C

RGB 210 3 140

HSL 320.29, 0.97%, 0.42%

LAB 46.53, 75.94, -16.57

 

CMYK 0 / 99 / 33 / 2

HEX #FA03A7

RGB 250 3 167

HSL 320.16, 0.98%, 0.5%

LAB 55.26, 86.65, -18.68

 

CMYK 0 / 82 / 28 / 2

HEX #FB2CB5

RGB 251 44 181

HSL 320.29, 0.96%, 0.58%

LAB 57.7, 83.31, -23.09

 

CMYK 0 / 67 / 23 / 1

HEX #FC54C3

RGB 252 84 195

HSL 320.36, 0.97%, 0.66%

LAB 62.49, 73.66, -23.77

 

CMYK 0 / 51 / 17 / 1

HEX #FD7DD1

RGB 253 125 209

HSL 320.63, 0.97%, 0.74%

LAB 69.58, 58.49, -20.8

 

CMYK 0 / 83 / 28 / 1

HEX #FC2AB5

RGB 252 42 181

HSL 320.29, 0.97%, 0.58%

LAB 57.74, 83.93, -23.02

 

CMYK 0 / 39 / 82 / 2

HEX #FB9A2C

RGB 251 154 44

HSL 31.88, 0.96%, 0.58%

LAB 72.1, 28.67, 67.75

 

CMYK 82 / 0 / 6 / 2

HEX #2CFBED

RGB 44 251 237

HSL 175.94, 0.96%, 0.58%

LAB 89.69, -49.75, -6.88

 

CMYK 0 / 83 / 28 / 1

HEX #FC2AB5

RGB 252 42 181

HSL 320.29, 0.97%, 0.58%

LAB 57.74, 83.93, -23.02

 

CMYK 27 / 0 / 82 / 2

HEX #B6FB2C

RGB 182 251 44

HSL 80, 0.96%, 0.58%

LAB 91.29, -47.72, 82.16

 

CMYK 82 / 27 / 0 / 2

HEX #2CB6FB

RGB 44 182 251

HSL 200, 0.96%, 0.58%

LAB 70.15, -12.32, -44.13

 

CMYK 0 / 83 / 28 / 1

HEX #FC2AB5

RGB 252 42 181

HSL 320.29, 0.97%, 0.58%

LAB 57.74, 83.93, -23.02

 

CMYK 0 / 39 / 82 / 2

HEX #FB9A2C

RGB 251 154 44

HSL 31.88, 0.96%, 0.58%

LAB 72.1, 28.67, 67.75

 

CMYK 82 / 0 / 55 / 2

HEX #2CFB71

RGB 44 251 113

HSL 140, 0.96%, 0.58%

LAB 87.35, -75.47, 52.16

 

CMYK 82 / 44 / 0 / 2

HEX #2C8CFB

RGB 44 140 251

HSL 212.17, 0.96%, 0.58%

LAB 58.28, 11.84, -62.95

 

CMYK 0 / 83 / 28 / 1

HEX #FC2AB5

RGB 252 42 181

HSL 320.29, 0.97%, 0.58%

LAB 57.74, 83.93, -23.02

 

CMYK 0 / 14 / 82 / 2

HEX #FBD92C

RGB 251 217 44

HSL 50.14, 0.96%, 0.58%

LAB 87.15, -3.99, 80.58

 

CMYK 82 / 0 / 55 / 2

HEX #2CFB71

RGB 44 251 113

HSL 140, 0.96%, 0.58%

LAB 87.35, -75.47, 52.16

 

CMYK 82 / 69 / 0 / 2

HEX #2C4EFB

RGB 44 78 251

HSL 230.14, 0.96%, 0.58%

LAB 42.69, 50.15, -88.34

 

Description

Color code: HEX #FC2AB5 | qconv.com Color code: HEX #FC2AB5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 42 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 42 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 28 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 28% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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