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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC2A69 it is the complementary color #03D596. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC2A69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC2A69 shade: #FF2A64, #FF3C77, #FF4E8A, #FF609D and #FF72B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC2A69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC2A69 shade: #FC2A69, #EB1856, #DA0643, #C90030 and #B8001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC2A69 shade: #FB2C6A, #FB2C32 and #FB2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC2A69 shade: #FB2C6A, #FB2CA2, #FB2CDA, #E52CFB and #AD2CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC2A69 shade matches the following richer shades: #FB2C6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC2A69 shade: #FB2C6A, #EA3D71, #D94E78, #C75F7F and #B67186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC2A69 shade: #FB2CD9, #FB2CA1, #FB2C6A, #FB2C32 and #FB5C2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC2A69 shade: #D20341, #FA034D, #FB2C6A, #FC5486 and #FD7DA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC2A69 shade: #FC2A69, #FBE72C and #2CBDFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC2A69 shade: #FC2A69, #6AFB2C and #2C6AFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC2A69 shade: #FC2A69, #FBE72C, #2CFBBD and #2C40FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC2A69 shade: #FC2A69, #D2FB2C, #2CFBBD and #552CFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 58 / 1

HEX #FC2A69

RGB 252 42 105

HSL 342, 0.97%, 0.58%

LAB 55.45, 77.4, 18.58

 

Complementary color

CMYK 99 / 0 / 30 / 16

HEX #03D596

RGB 3 213 150

HSL 162, 0.97%, 0.42%

LAB 75.95, -58.44, 19.07

 

CMYK 0 / 84 / 61 / 0

HEX #FF2A64

RGB 255 42 100

HSL 343.66, 1%, 0.58%

LAB 55.92, 77.85, 22.3

 

CMYK 0 / 76 / 53 / 0

HEX #FF3C77

RGB 255 60 119

HSL 341.85, 1%, 0.62%

LAB 57.87, 74.69, 13.67

 

CMYK 0 / 69 / 46 / 0

HEX #FF4E8A

RGB 255 78 138

HSL 339.66, 1%, 0.65%

LAB 60.38, 70.48, 6.04

 

CMYK 0 / 62 / 38 / 0

HEX #FF609D

RGB 255 96 157

HSL 336.98, 1%, 0.69%

LAB 63.39, 65.44, -0.6

 

CMYK 0 / 55 / 31 / 0

HEX #FF72B0

RGB 255 114 176

HSL 333.62, 1%, 0.72%

LAB 66.85, 59.8, -6.36

 

CMYK 0 / 83 / 58 / 1

HEX #FC2A69

RGB 252 42 105

HSL 342, 0.97%, 0.58%

LAB 55.45, 77.4, 18.58

 

CMYK 0 / 90 / 63 / 8

HEX #EB1856

RGB 235 24 86

HSL 342.37, 0.84%, 0.51%

LAB 50.67, 75.28, 23.07

 

CMYK 0 / 97 / 69 / 15

HEX #DA0643

RGB 218 6 67

HSL 342.74, 0.95%, 0.44%

LAB 46.23, 72.16, 28.3

 

CMYK 0 / 100 / 76 / 21

HEX #C90030

RGB 201 0 48

HSL 345.67, 1%, 0.39%

LAB 42.2, 67.86, 34.21

 

CMYK 0 / 100 / 84 / 28

HEX #B8001D

RGB 184 0 29

HSL 350.54, 1%, 0.36%

LAB 38.34, 63.12, 40.11

 

CMYK 0 / 82 / 58 / 2

HEX #FB2C6A

RGB 251 44 106

HSL 342.03, 0.96%, 0.58%

LAB 55.43, 76.79, 17.92

 

CMYK 0 / 82 / 80 / 2

HEX #FB2C32

RGB 251 44 50

HSL 358.26, 0.96%, 0.58%

LAB 54.6, 74.29, 49.18

 

CMYK 0 / 82 / 82 / 2

HEX #FB2C2C

RGB 251 44 44

HSL 0, 0.96%, 0.58%

LAB 54.55, 74.14, 52.2

 

CMYK 0 / 82 / 58 / 2

HEX #FB2C6A

RGB 251 44 106

HSL 342.03, 0.96%, 0.58%

LAB 55.43, 76.79, 17.92

 

CMYK 0 / 82 / 35 / 2

HEX #FB2CA2

RGB 251 44 162

HSL 325.8, 0.96%, 0.58%

LAB 57, 81.32, -13.08

 

CMYK 0 / 82 / 13 / 2

HEX #FB2CDA

RGB 251 44 218

HSL 309.57, 0.96%, 0.58%

LAB 59.32, 87.77, -41.77

 

CMYK 9 / 82 / 0 / 2

HEX #E52CFB

RGB 229 44 251

HSL 293.62, 0.96%, 0.58%

LAB 57.49, 88.55, -63.4

 

CMYK 31 / 82 / 0 / 2

HEX #AD2CFB

RGB 173 44 251

HSL 277.39, 0.96%, 0.58%

LAB 49.07, 79.77, -77.43

 

CMYK 0 / 82 / 58 / 2

HEX #FB2C6A

RGB 251 44 106

HSL 342.03, 0.96%, 0.58%

LAB 55.43, 76.79, 17.92

 

CMYK 0 / 82 / 58 / 2

HEX #FB2C6A

RGB 251 44 106

HSL 342.03, 0.96%, 0.58%

LAB 55.43, 76.79, 17.92

 

CMYK 0 / 74 / 52 / 8

HEX #EA3D71

RGB 234 61 113

HSL 341.97, 0.8%, 0.58%

LAB 54.05, 68.27, 11.34

 

CMYK 0 / 64 / 45 / 15

HEX #D94E78

RGB 217 78 120

HSL 341.87, 0.65%, 0.58%

LAB 53.55, 57.66, 6.04

 

CMYK 0 / 52 / 36 / 22

HEX #C75F7F

RGB 199 95 127

HSL 341.54, 0.48%, 0.58%

LAB 53.88, 44.73, 1.99

 

CMYK 0 / 38 / 26 / 29

HEX #B67186

RGB 182 113 134

HSL 341.74, 0.32%, 0.58%

LAB 55.56, 30.08, 0.05

 

CMYK 0 / 82 / 14 / 2

HEX #FB2CD9

RGB 251 44 217

HSL 309.86, 0.96%, 0.58%

LAB 59.27, 87.64, -41.27

 

CMYK 0 / 82 / 36 / 2

HEX #FB2CA1

RGB 251 44 161

HSL 326.09, 0.96%, 0.58%

LAB 56.96, 81.23, -12.55

 

CMYK 0 / 82 / 58 / 2

HEX #FB2C6A

RGB 251 44 106

HSL 342.03, 0.96%, 0.58%

LAB 55.43, 76.79, 17.92

 

CMYK 0 / 82 / 80 / 2

HEX #FB2C32

RGB 251 44 50

HSL 358.26, 0.96%, 0.58%

LAB 54.6, 74.29, 49.18

 

CMYK 0 / 63 / 82 / 2

HEX #FB5C2C

RGB 251 92 44

HSL 13.91, 0.96%, 0.58%

LAB 60.2, 58.54, 57.31

 

CMYK 0 / 99 / 69 / 18

HEX #D20341

RGB 210 3 65

HSL 342.03, 0.97%, 0.42%

LAB 44.45, 70.42, 26.95

 

CMYK 0 / 99 / 69 / 2

HEX #FA034D

RGB 250 3 77

HSL 342.02, 0.98%, 0.5%

LAB 52.87, 80.32, 31.91

 

CMYK 0 / 82 / 58 / 2

HEX #FB2C6A

RGB 251 44 106

HSL 342.03, 0.96%, 0.58%

LAB 55.43, 76.79, 17.92

 

CMYK 0 / 67 / 47 / 1

HEX #FC5486

RGB 252 84 134

HSL 342.14, 0.97%, 0.66%

LAB 60.57, 67.08, 8.58

 

CMYK 0 / 51 / 36 / 1

HEX #FD7DA3

RGB 253 125 163

HSL 342.19, 0.97%, 0.74%

LAB 68.16, 52.5, 2.89

 

CMYK 0 / 83 / 58 / 1

HEX #FC2A69

RGB 252 42 105

HSL 342, 0.97%, 0.58%

LAB 55.45, 77.4, 18.58

 

CMYK 0 / 8 / 82 / 2

HEX #FBE72C

RGB 251 231 44

HSL 54.2, 0.96%, 0.58%

LAB 90.71, -10.98, 83.56

 

CMYK 82 / 25 / 0 / 2

HEX #2CBDFB

RGB 44 189 251

HSL 197.97, 0.96%, 0.58%

LAB 72.16, -16.07, -40.98

 

CMYK 0 / 83 / 58 / 1

HEX #FC2A69

RGB 252 42 105

HSL 342, 0.97%, 0.58%

LAB 55.45, 77.4, 18.58

 

CMYK 58 / 0 / 82 / 2

HEX #6AFB2C

RGB 106 251 44

HSL 102.03, 0.96%, 0.58%

LAB 88.08, -71.17, 78.1

 

CMYK 82 / 58 / 0 / 2

HEX #2C6AFB

RGB 44 106 251

HSL 222.03, 0.96%, 0.58%

LAB 49.26, 32.98, -77.55

 

CMYK 0 / 83 / 58 / 1

HEX #FC2A69

RGB 252 42 105

HSL 342, 0.97%, 0.58%

LAB 55.45, 77.4, 18.58

 

CMYK 0 / 8 / 82 / 2

HEX #FBE72C

RGB 251 231 44

HSL 54.2, 0.96%, 0.58%

LAB 90.71, -10.98, 83.56

 

CMYK 82 / 0 / 25 / 2

HEX #2CFBBD

RGB 44 251 189

HSL 162.03, 0.96%, 0.58%

LAB 88.54, -61.73, 16.36

 

CMYK 82 / 75 / 0 / 2

HEX #2C40FB

RGB 44 64 251

HSL 234.2, 0.96%, 0.58%

LAB 39.86, 58.02, -93.01

 

CMYK 0 / 83 / 58 / 1

HEX #FC2A69

RGB 252 42 105

HSL 342, 0.97%, 0.58%

LAB 55.45, 77.4, 18.58

 

CMYK 16 / 0 / 82 / 2

HEX #D2FB2C

RGB 210 251 44

HSL 71.88, 0.96%, 0.58%

LAB 92.96, -37.13, 84.26

 

CMYK 82 / 0 / 25 / 2

HEX #2CFBBD

RGB 44 251 189

HSL 162.03, 0.96%, 0.58%

LAB 88.54, -61.73, 16.36

 

CMYK 66 / 82 / 0 / 2

HEX #552CFB

RGB 85 44 251

HSL 251.88, 0.96%, 0.58%

LAB 39.07, 69.92, -94.25

 

Description

Color code: HEX #FC2A69 | qconv.com Color code: HEX #FC2A69 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 42 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 42 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 58 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 58% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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