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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC17A1 it is the complementary color #03E85E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC17A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC17A1 shade: #FF179C, #FF29AF, #FF3BC2, #FF4DD5 and #FF5FE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC17A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC17A1 shade: #FC17A1, #EB058E, #DA007B, #C90068 and #B80055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC17A1 shade: #FB17A1, #FB1763, #FB1726 and #FB1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC17A1 shade: #FB17A1, #FB17DE, #DB17FB, #9D17FB and #6017FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC17A1 shade matches the following richer shades: #FB17A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC17A1 shade: #FB17A1, #E82A9D, #D53D99, #C25095 and #AF6391

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC17A1 shade: #D917FB, #FB17E0, #FB17A4, #FB1767 and #FB172A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC17A1 shade: #BD0273, #E6038C, #FB17A1, #FC40B1 and #FC69C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC17A1 shade: #FC17A1, #FB9C17 and #17FBF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC17A1 shade: #FC17A1, #A4FB17 and #17A4FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC17A1 shade: #FC17A1, #FB9C17, #17FB6F and #1776FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC17A1 shade: #FC17A1, #FBE017, #17FB6F and #1732FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 36 / 1

HEX #FC17A1

RGB 252 23 161

HSL 323.84, 0.97%, 0.54%

LAB 55.97, 84.85, -14.03

 

Complementary color

CMYK 99 / 0 / 59 / 9

HEX #03E85E

RGB 3 232 94

HSL 143.84, 0.97%, 0.46%

LAB 81.04, -74.41, 53.13

 

CMYK 0 / 91 / 39 / 0

HEX #FF179C

RGB 255 23 156

HSL 325.6, 1%, 0.55%

LAB 56.36, 85.02, -10.44

 

CMYK 0 / 84 / 31 / 0

HEX #FF29AF

RGB 255 41 175

HSL 322.43, 1%, 0.58%

LAB 57.98, 84.13, -19.11

 

CMYK 0 / 77 / 24 / 0

HEX #FF3BC2

RGB 255 59 194

HSL 318.67, 1%, 0.62%

LAB 60.14, 82.15, -26.76

 

CMYK 0 / 70 / 16 / 0

HEX #FF4DD5

RGB 255 77 213

HSL 314.16, 1%, 0.65%

LAB 62.82, 79.18, -33.42

 

CMYK 0 / 63 / 9 / 0

HEX #FF5FE8

RGB 255 95 232

HSL 308.63, 1%, 0.69%

LAB 65.96, 75.4, -39.16

 

CMYK 0 / 91 / 36 / 1

HEX #FC17A1

RGB 252 23 161

HSL 323.84, 0.97%, 0.54%

LAB 55.97, 84.85, -14.03

 

CMYK 0 / 98 / 40 / 8

HEX #EB058E

RGB 235 5 142

HSL 324.26, 0.96%, 0.47%

LAB 51.52, 81.12, -9.74

 

CMYK 0 / 100 / 44 / 15

HEX #DA007B

RGB 218 0 123

HSL 326.15, 1%, 0.43%

LAB 47.41, 76.27, -4.7

 

CMYK 0 / 100 / 48 / 21

HEX #C90068

RGB 201 0 104

HSL 328.96, 1%, 0.39%

LAB 43.38, 71.03, 0.76

 

CMYK 0 / 100 / 54 / 28

HEX #B80055

RGB 184 0 85

HSL 332.28, 1%, 0.36%

LAB 39.32, 65.76, 6.49

 

CMYK 0 / 91 / 36 / 2

HEX #FB17A1

RGB 251 23 161

HSL 323.68, 0.97%, 0.54%

LAB 55.78, 84.64, -14.33

 

CMYK 0 / 91 / 61 / 2

HEX #FB1763

RGB 251 23 99

HSL 340, 0.97%, 0.54%

LAB 54.05, 79.92, 20.26

 

CMYK 0 / 91 / 85 / 2

HEX #FB1726

RGB 251 23 38

HSL 356.05, 0.97%, 0.54%

LAB 53.24, 77.64, 53.98

 

CMYK 0 / 91 / 91 / 2

HEX #FB1717

RGB 251 23 23

HSL 0, 0.97%, 0.54%

LAB 53.15, 77.4, 60.34

 

CMYK 0 / 91 / 36 / 2

HEX #FB17A1

RGB 251 23 161

HSL 323.68, 0.97%, 0.54%

LAB 55.78, 84.64, -14.33

 

CMYK 0 / 91 / 12 / 2

HEX #FB17DE

RGB 251 23 222

HSL 307.63, 0.97%, 0.54%

LAB 58.41, 91.52, -45.46

 

CMYK 13 / 91 / 0 / 2

HEX #DB17FB

RGB 219 23 251

HSL 291.58, 0.97%, 0.54%

LAB 54.7, 90.47, -67.98

 

CMYK 37 / 91 / 0 / 2

HEX #9D17FB

RGB 157 23 251

HSL 275.26, 0.97%, 0.54%

LAB 45.28, 82.31, -83.72

 

CMYK 62 / 91 / 0 / 2

HEX #6017FB

RGB 96 23 251

HSL 259.21, 0.97%, 0.54%

LAB 37.96, 76.92, -96.06

 

CMYK 0 / 91 / 36 / 2

HEX #FB17A1

RGB 251 23 161

HSL 323.68, 0.97%, 0.54%

LAB 55.78, 84.64, -14.33

 

CMYK 0 / 91 / 36 / 2

HEX #FB17A1

RGB 251 23 161

HSL 323.68, 0.97%, 0.54%

LAB 55.78, 84.64, -14.33

 

CMYK 0 / 82 / 32 / 9

HEX #E82A9D

RGB 232 42 157

HSL 323.68, 0.81%, 0.54%

LAB 53.22, 76.94, -16.19

 

CMYK 0 / 71 / 28 / 16

HEX #D53D99

RGB 213 61 153

HSL 323.68, 0.64%, 0.54%

LAB 51.59, 66.56, -16.6

 

CMYK 0 / 59 / 23 / 24

HEX #C25095

RGB 194 80 149

HSL 323.68, 0.48%, 0.54%

LAB 51.12, 53.14, -15.22

 

CMYK 0 / 43 / 17 / 31

HEX #AF6391

RGB 175 99 145

HSL 323.68, 0.32%, 0.54%

LAB 51.93, 36.9, -11.9

 

CMYK 14 / 91 / 0 / 2

HEX #D917FB

RGB 217 23 251

HSL 291.05, 0.97%, 0.54%

LAB 54.37, 90.17, -68.52

 

CMYK 0 / 91 / 11 / 2

HEX #FB17E0

RGB 251 23 224

HSL 307.11, 0.97%, 0.54%

LAB 58.51, 91.77, -46.43

 

CMYK 0 / 91 / 35 / 2

HEX #FB17A4

RGB 251 23 164

HSL 322.89, 0.97%, 0.54%

LAB 55.89, 84.93, -15.93

 

CMYK 0 / 91 / 59 / 2

HEX #FB1767

RGB 251 23 103

HSL 338.95, 0.97%, 0.54%

LAB 54.13, 80.15, 17.96

 

CMYK 0 / 91 / 83 / 2

HEX #FB172A

RGB 251 23 42

HSL 355, 0.97%, 0.54%

LAB 53.26, 77.72, 52.04

 

CMYK 0 / 99 / 39 / 26

HEX #BD0273

RGB 189 2 115

HSL 323.74, 0.98%, 0.37%

LAB 41.37, 69.17, -9.37

 

CMYK 0 / 99 / 39 / 10

HEX #E6038C

RGB 230 3 140

HSL 323.79, 0.97%, 0.46%

LAB 50.43, 80.05, -10.28

 

CMYK 0 / 91 / 36 / 2

HEX #FB17A1

RGB 251 23 161

HSL 323.68, 0.97%, 0.54%

LAB 55.78, 84.64, -14.33

 

CMYK 0 / 75 / 30 / 1

HEX #FC40B1

RGB 252 64 177

HSL 323.94, 0.97%, 0.62%

LAB 59.47, 78.1, -18.06

 

CMYK 0 / 58 / 23 / 1

HEX #FC69C2

RGB 252 105 194

HSL 323.67, 0.96%, 0.7%

LAB 65.51, 65.16, -18.59

 

CMYK 0 / 91 / 36 / 1

HEX #FC17A1

RGB 252 23 161

HSL 323.84, 0.97%, 0.54%

LAB 55.97, 84.85, -14.03

 

CMYK 0 / 38 / 91 / 2

HEX #FB9C17

RGB 251 156 23

HSL 35, 0.97%, 0.54%

LAB 72.46, 27.19, 73.8

 

CMYK 91 / 0 / 2 / 2

HEX #17FBF7

RGB 23 251 247

HSL 178.95, 0.97%, 0.54%

LAB 89.81, -48.08, -11.93

 

CMYK 0 / 91 / 36 / 1

HEX #FC17A1

RGB 252 23 161

HSL 323.84, 0.97%, 0.54%

LAB 55.97, 84.85, -14.03

 

CMYK 35 / 0 / 91 / 2

HEX #A4FB17

RGB 164 251 23

HSL 82.89, 0.97%, 0.54%

LAB 90.3, -54.66, 84.71

 

CMYK 91 / 35 / 0 / 2

HEX #17A4FB

RGB 23 164 251

HSL 202.89, 0.97%, 0.54%

LAB 64.72, -3.61, -52.69

 

CMYK 0 / 91 / 36 / 1

HEX #FC17A1

RGB 252 23 161

HSL 323.84, 0.97%, 0.54%

LAB 55.97, 84.85, -14.03

 

CMYK 0 / 38 / 91 / 2

HEX #FB9C17

RGB 251 156 23

HSL 35, 0.97%, 0.54%

LAB 72.46, 27.19, 73.8

 

CMYK 91 / 0 / 56 / 2

HEX #17FB6F

RGB 23 251 111

HSL 143.16, 0.97%, 0.54%

LAB 87.16, -77.2, 52.79

 

CMYK 91 / 53 / 0 / 2

HEX #1776FB

RGB 23 118 251

HSL 215, 0.97%, 0.54%

LAB 51.95, 24.19, -73.19

 

CMYK 0 / 91 / 36 / 1

HEX #FC17A1

RGB 252 23 161

HSL 323.84, 0.97%, 0.54%

LAB 55.97, 84.85, -14.03

 

CMYK 0 / 11 / 91 / 2

HEX #FBE017

RGB 251 224 23

HSL 52.89, 0.97%, 0.54%

LAB 88.87, -7.92, 86.1

 

CMYK 91 / 0 / 56 / 2

HEX #17FB6F

RGB 23 251 111

HSL 143.16, 0.97%, 0.54%

LAB 87.16, -77.2, 52.79

 

CMYK 91 / 80 / 0 / 2

HEX #1732FB

RGB 23 50 251

HSL 232.89, 0.97%, 0.54%

LAB 36.8, 64.3, -98.11

 

Description

Color code: HEX #FC17A1 | qconv.com Color code: HEX #FC17A1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 23 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 23 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 36 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 36% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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