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Color name
HEX #FC0CCC

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC0CCC it is the complementary color #03F333. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC0CCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC0CCC shade: #FF0CC7, #FF1EDA, #FF30ED, #FF42FF and #FF54FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC0CCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC0CCC shade: #FC0CCC, #EB00B9, #DA00A6, #C90093 and #B80080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC0CCC shade: #FC0CCC, #FC0C8B, #FC0C4B and #FC0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC0CCC shade: #FC0CCC, #EB0CFC, #AB0CFC, #6A0CFC and #290CFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC0CCC shade matches the following richer shades: #FC0CCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC0CCC shade: #FC0CCC, #E820C0, #D434B4, #C148A8 and #AD5B9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC0CCC shade: #AC0CFC, #EC0CFC, #FC0CCC, #FC0C8C and #FC0C4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC0CCC shade: #B40191, #DD02B1, #FC0CCC, #FC35D5 and #FD5EDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC0CCC shade: #FC0CCC, #FC6C0C and #0CFCCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC0CCC shade: #FC0CCC, #CCFC0C and #0CCCFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC0CCC shade: #FC0CCC, #FC6C0C, #0CFC3C and #0C9CFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC0CCC shade: #FC0CCC, #FCB40C, #0CFC3C and #0C54FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 19 / 1

HEX #FC0CCC

RGB 252 12 204

HSL 312, 0.98%, 0.52%

LAB 57.38, 90.46, -36.82

 

Complementary color

CMYK 99 / 0 / 79 / 5

HEX #03F333

RGB 3 243 51

HSL 132, 0.98%, 0.48%

LAB 84.15, -81.39, 72.14

 

CMYK 0 / 95 / 22 / 0

HEX #FF0CC7

RGB 255 12 199

HSL 313.83, 1%, 0.52%

LAB 57.7, 90.43, -33.42

 

CMYK 0 / 88 / 15 / 0

HEX #FF1EDA

RGB 255 30 218

HSL 309.87, 1%, 0.56%

LAB 59.21, 90.87, -41.89

 

CMYK 0 / 81 / 7 / 0

HEX #FF30ED

RGB 255 48 237

HSL 305.22, 1%, 0.59%

LAB 61.21, 90.28, -49.41

 

CMYK 0 / 74 / 0 / 0

HEX #FF42FF

RGB 255 66 255

HSL 300, 1%, 0.63%

LAB 63.65, 88.52, -55.53

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 95 / 19 / 1

HEX #FC0CCC

RGB 252 12 204

HSL 312, 0.98%, 0.52%

LAB 57.38, 90.46, -36.82

 

CMYK 0 / 100 / 21 / 8

HEX #EB00B9

RGB 235 0 185

HSL 312.77, 1%, 0.46%

LAB 53.13, 85.92, -32.73

 

CMYK 0 / 100 / 24 / 15

HEX #DA00A6

RGB 218 0 166

HSL 314.31, 1%, 0.43%

LAB 49.08, 80.57, -28.11

 

CMYK 0 / 100 / 27 / 21

HEX #C90093

RGB 201 0 147

HSL 316.12, 1%, 0.39%

LAB 44.98, 75.15, -23.34

 

CMYK 0 / 100 / 30 / 28

HEX #B80080

RGB 184 0 128

HSL 318.26, 1%, 0.36%

LAB 40.81, 69.66, -18.4

 

CMYK 0 / 95 / 19 / 1

HEX #FC0CCC

RGB 252 12 204

HSL 312, 0.98%, 0.52%

LAB 57.38, 90.46, -36.82

 

CMYK 0 / 95 / 45 / 1

HEX #FC0C8B

RGB 252 12 139

HSL 328.25, 0.98%, 0.52%

LAB 54.89, 83.96, -2.59

 

CMYK 0 / 95 / 70 / 1

HEX #FC0C4B

RGB 252 12 75

HSL 344.25, 0.98%, 0.52%

LAB 53.46, 80.08, 33.91

 

CMYK 0 / 95 / 95 / 1

HEX #FC0C0C

RGB 252 12 12

HSL 0, 0.98%, 0.52%

LAB 52.93, 78.64, 63.79

 

CMYK 0 / 95 / 19 / 1

HEX #FC0CCC

RGB 252 12 204

HSL 312, 0.98%, 0.52%

LAB 57.38, 90.46, -36.82

 

CMYK 7 / 95 / 0 / 1

HEX #EB0CFC

RGB 235 12 252

HSL 295.75, 0.98%, 0.52%

LAB 57.03, 94.06, -64.64

 

CMYK 32 / 95 / 0 / 1

HEX #AB0CFC

RGB 171 12 252

HSL 279.75, 0.98%, 0.52%

LAB 46.91, 85.5, -81.54

 

CMYK 58 / 95 / 0 / 1

HEX #6A0CFC

RGB 106 12 252

HSL 263.5, 0.98%, 0.52%

LAB 38.47, 79.67, -95.74

 

CMYK 84 / 95 / 0 / 1

HEX #290CFC

RGB 41 12 252

HSL 247.25, 0.98%, 0.52%

LAB 33.48, 77.08, -104.18

 

CMYK 0 / 95 / 19 / 1

HEX #FC0CCC

RGB 252 12 204

HSL 312, 0.98%, 0.52%

LAB 57.38, 90.46, -36.82

 

CMYK 0 / 95 / 19 / 1

HEX #FC0CCC

RGB 252 12 204

HSL 312, 0.98%, 0.52%

LAB 57.38, 90.46, -36.82

 

CMYK 0 / 86 / 17 / 9

HEX #E820C0

RGB 232 32 192

HSL 312, 0.81%, 0.52%

LAB 54.02, 82.94, -35.44

 

CMYK 0 / 75 / 15 / 17

HEX #D434B4

RGB 212 52 180

HSL 312, 0.65%, 0.52%

LAB 51.55, 72.65, -32.58

 

CMYK 0 / 63 / 13 / 24

HEX #C148A8

RGB 193 72 168

HSL 312.4, 0.49%, 0.52%

LAB 50.45, 59.14, -27.49

 

CMYK 0 / 47 / 9 / 32

HEX #AD5B9D

RGB 173 91 157

HSL 311.71, 0.33%, 0.52%

LAB 50.45, 42.49, -21.25

 

CMYK 32 / 95 / 0 / 1

HEX #AC0CFC

RGB 172 12 252

HSL 280, 0.98%, 0.52%

LAB 47.06, 85.62, -81.29

 

CMYK 6 / 95 / 0 / 1

HEX #EC0CFC

RGB 236 12 252

HSL 296, 0.98%, 0.52%

LAB 57.2, 94.21, -64.36

 

CMYK 0 / 95 / 19 / 1

HEX #FC0CCC

RGB 252 12 204

HSL 312, 0.98%, 0.52%

LAB 57.38, 90.46, -36.82

 

CMYK 0 / 95 / 44 / 1

HEX #FC0C8C

RGB 252 12 140

HSL 328, 0.98%, 0.52%

LAB 54.92, 84.04, -3.14

 

CMYK 0 / 95 / 70 / 1

HEX #FC0C4C

RGB 252 12 76

HSL 344, 0.98%, 0.52%

LAB 53.47, 80.12, 33.33

 

CMYK 0 / 99 / 19 / 29

HEX #B40191

RGB 180 1 145

HSL 311.73, 0.99%, 0.35%

LAB 40.85, 70.75, -28.86

 

CMYK 0 / 99 / 20 / 13

HEX #DD02B1

RGB 221 2 177

HSL 312.05, 0.98%, 0.44%

LAB 50.2, 82.26, -32.81

 

CMYK 0 / 95 / 19 / 1

HEX #FC0CCC

RGB 252 12 204

HSL 312, 0.98%, 0.52%

LAB 57.38, 90.46, -36.82

 

CMYK 0 / 79 / 15 / 1

HEX #FC35D5

RGB 252 53 213

HSL 311.76, 0.97%, 0.6%

LAB 59.93, 85.36, -37.96

 

CMYK 0 / 63 / 13 / 1

HEX #FD5EDD

RGB 253 94 221

HSL 312.08, 0.98%, 0.68%

LAB 65.05, 73.68, -34.47

 

CMYK 0 / 95 / 19 / 1

HEX #FC0CCC

RGB 252 12 204

HSL 312, 0.98%, 0.52%

LAB 57.38, 90.46, -36.82

 

CMYK 0 / 57 / 95 / 1

HEX #FC6C0C

RGB 252 108 12

HSL 24, 0.98%, 0.52%

LAB 62.88, 51.33, 69.43

 

CMYK 95 / 0 / 19 / 1

HEX #0CFCCC

RGB 12 252 204

HSL 168, 0.98%, 0.52%

LAB 88.95, -60.2, 9.16

 

CMYK 0 / 95 / 19 / 1

HEX #FC0CCC

RGB 252 12 204

HSL 312, 0.98%, 0.52%

LAB 57.38, 90.46, -36.82

 

CMYK 19 / 0 / 95 / 1

HEX #CCFC0C

RGB 204 252 12

HSL 72, 0.98%, 0.52%

LAB 92.79, -40.53, 88.79

 

CMYK 95 / 19 / 0 / 1

HEX #0CCCFC

RGB 12 204 252

HSL 192, 0.98%, 0.52%

LAB 76.25, -25.08, -35.18

 

CMYK 0 / 95 / 19 / 1

HEX #FC0CCC

RGB 252 12 204

HSL 312, 0.98%, 0.52%

LAB 57.38, 90.46, -36.82

 

CMYK 0 / 57 / 95 / 1

HEX #FC6C0C

RGB 252 108 12

HSL 24, 0.98%, 0.52%

LAB 62.88, 51.33, 69.43

 

CMYK 95 / 0 / 76 / 1

HEX #0CFC3C

RGB 12 252 60

HSL 132, 0.98%, 0.52%

LAB 87.01, -82.99, 72.27

 

CMYK 95 / 38 / 0 / 1

HEX #0C9CFC

RGB 12 156 252

HSL 204, 0.98%, 0.52%

LAB 62.41, 0.98, -56.92

 

CMYK 0 / 95 / 19 / 1

HEX #FC0CCC

RGB 252 12 204

HSL 312, 0.98%, 0.52%

LAB 57.38, 90.46, -36.82

 

CMYK 0 / 29 / 95 / 1

HEX #FCB40C

RGB 252 180 12

HSL 42, 0.98%, 0.52%

LAB 78.09, 14.93, 79.63

 

CMYK 95 / 0 / 76 / 1

HEX #0CFC3C

RGB 12 252 60

HSL 132, 0.98%, 0.52%

LAB 87.01, -82.99, 72.27

 

CMYK 95 / 67 / 0 / 1

HEX #0C54FC

RGB 12 84 252

HSL 222, 0.98%, 0.52%

LAB 43.43, 45.59, -87.7

 

Description

Color code: HEX #FC0CCC | qconv.com Color code: HEX #FC0CCC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 12 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 12 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 19 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 19% 1% C M Y K

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