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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC0264 it is the complementary color #03FD9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC0264. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC0264 shade: #FF025F, #FF1472, #FF2685, #FF3898 and #FF4AAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC0264. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC0264 shade: #FC0264, #EB0051, #DA003E, #C9002B and #B80018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC0264 shade: #FC0264, #FC0221 and #FC0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC0264 shade: #FC0264, #FC02A7, #FC02EB, #CA02FC and #8602FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC0264 shade matches the following richer shades: #FC0264

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC0264 shade: #FC0264, #E71768, #D32B6D, #BE4071 and #A95576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC0264 shade: #FC02EB, #FC02A9, #FC0266, #FC0223 and #FC2302

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC0264 shade: #AA0143, #D30254, #FC0264, #FC2B7D and #FD5496

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC0264 shade: #FC0264, #FCCA02 and #02CAFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC0264 shade: #FC0264, #66FC02 and #0266FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC0264 shade: #FC0264, #FCCA02, #02FC98 and #0234FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC0264 shade: #FC0264, #E3FC02, #02FC98 and #1B02FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 60 / 1

HEX #FC0264

RGB 252 2 100

HSL 336.48, 0.98%, 0.5%

LAB 53.66, 81.97, 19.17

 

Complementary color

CMYK 99 / 0 / 39 / 1

HEX #03FD9B

RGB 3 253 155

HSL 156.48, 0.98%, 0.5%

LAB 88.27, -71.42, 33.2

 

CMYK 0 / 99 / 63 / 0

HEX #FF025F

RGB 255 2 95

HSL 337.94, 1%, 0.5%

LAB 54.16, 82.38, 22.96

 

CMYK 0 / 92 / 55 / 0

HEX #FF1472

RGB 255 20 114

HSL 336, 1%, 0.54%

LAB 55.05, 82.09, 12.71

 

CMYK 0 / 85 / 48 / 0

HEX #FF2685

RGB 255 38 133

HSL 333.73, 1%, 0.57%

LAB 56.43, 80.85, 3.3

 

CMYK 0 / 78 / 40 / 0

HEX #FF3898

RGB 255 56 152

HSL 331.06, 1%, 0.61%

LAB 58.37, 78.49, -5.08

 

CMYK 0 / 71 / 33 / 0

HEX #FF4AAB

RGB 255 74 171

HSL 327.85, 1%, 0.65%

LAB 60.87, 75.08, -12.42

 

CMYK 0 / 99 / 60 / 1

HEX #FC0264

RGB 252 2 100

HSL 336.48, 0.98%, 0.5%

LAB 53.66, 81.97, 19.17

 

CMYK 0 / 100 / 66 / 8

HEX #EB0051

RGB 235 0 81

HSL 339.32, 1%, 0.46%

LAB 49.81, 77.27, 24.99

 

CMYK 0 / 100 / 72 / 15

HEX #DA003E

RGB 218 0 62

HSL 342.94, 1%, 0.43%

LAB 45.98, 72.46, 31.04

 

CMYK 0 / 100 / 79 / 21

HEX #C9002B

RGB 201 0 43

HSL 347.16, 1%, 0.39%

LAB 42.14, 67.7, 37.12

 

CMYK 0 / 100 / 87 / 28

HEX #B80018

RGB 184 0 24

HSL 352.17, 1%, 0.36%

LAB 38.3, 63.01, 42.73

 

CMYK 0 / 99 / 60 / 1

HEX #FC0264

RGB 252 2 100

HSL 336.48, 0.98%, 0.5%

LAB 53.66, 81.97, 19.17

 

CMYK 0 / 99 / 87 / 1

HEX #FC0221

RGB 252 2 33

HSL 352.56, 0.98%, 0.5%

LAB 52.78, 79.59, 56.04

 

CMYK 0 / 99 / 99 / 1

HEX #FC0202

RGB 252 2 2

HSL 0, 0.98%, 0.5%

LAB 52.67, 79.27, 66.12

 

CMYK 0 / 99 / 60 / 1

HEX #FC0264

RGB 252 2 100

HSL 336.48, 0.98%, 0.5%

LAB 53.66, 81.97, 19.17

 

CMYK 0 / 99 / 34 / 1

HEX #FC02A7

RGB 252 2 167

HSL 320.4, 0.98%, 0.5%

LAB 55.61, 87.11, -18.1

 

CMYK 0 / 99 / 7 / 1

HEX #FC02EB

RGB 252 2 235

HSL 304.08, 0.98%, 0.5%

LAB 58.73, 94.95, -52.26

 

CMYK 20 / 99 / 0 / 1

HEX #CA02FC

RGB 202 2 252

HSL 288, 0.98%, 0.5%

LAB 51.41, 90.11, -73.99

 

CMYK 47 / 99 / 0 / 1

HEX #8602FC

RGB 134 2 252

HSL 271.68, 0.98%, 0.5%

LAB 41.44, 82.82, -90.72

 

CMYK 0 / 99 / 60 / 1

HEX #FC0264

RGB 252 2 100

HSL 336.48, 0.98%, 0.5%

LAB 53.66, 81.97, 19.17

 

CMYK 0 / 99 / 60 / 1

HEX #FC0264

RGB 252 2 100

HSL 336.48, 0.98%, 0.5%

LAB 53.66, 81.97, 19.17

 

CMYK 0 / 90 / 55 / 9

HEX #E71768

RGB 231 23 104

HSL 336.63, 0.82%, 0.5%

LAB 50.22, 75.54, 11.33

 

CMYK 0 / 80 / 48 / 17

HEX #D32B6D

RGB 211 43 109

HSL 336.43, 0.66%, 0.5%

LAB 47.86, 67.03, 4.38

 

CMYK 0 / 66 / 41 / 25

HEX #BE4071

RGB 190 64 113

HSL 336.67, 0.5%, 0.5%

LAB 46.72, 54.44, -0.19

 

CMYK 0 / 50 / 30 / 34

HEX #A95576

RGB 169 85 118

HSL 336.43, 0.33%, 0.5%

LAB 47.29, 38.25, -2.78

 

CMYK 0 / 99 / 7 / 1

HEX #FC02EB

RGB 252 2 235

HSL 304.08, 0.98%, 0.5%

LAB 58.73, 94.95, -52.26

 

CMYK 0 / 99 / 33 / 1

HEX #FC02A9

RGB 252 2 169

HSL 319.92, 0.98%, 0.5%

LAB 55.69, 87.3, -19.16

 

CMYK 0 / 99 / 60 / 1

HEX #FC0266

RGB 252 2 102

HSL 336, 0.98%, 0.5%

LAB 53.71, 82.08, 18.01

 

CMYK 0 / 99 / 86 / 1

HEX #FC0223

RGB 252 2 35

HSL 352.08, 0.98%, 0.5%

LAB 52.8, 79.62, 55.12

 

CMYK 0 / 86 / 99 / 1

HEX #FC2302

RGB 252 35 2

HSL 7.92, 0.98%, 0.5%

LAB 53.92, 75.65, 66.61

 

CMYK 0 / 99 / 61 / 33

HEX #AA0143

RGB 170 1 67

HSL 336.57, 0.99%, 0.34%

LAB 35.93, 61.15, 12.95

 

CMYK 0 / 99 / 60 / 17

HEX #D30254

RGB 211 2 84

HSL 336.46, 0.98%, 0.42%

LAB 44.99, 71.73, 15.85

 

CMYK 0 / 99 / 60 / 1

HEX #FC0264

RGB 252 2 100

HSL 336.48, 0.98%, 0.5%

LAB 53.66, 81.97, 19.17

 

CMYK 0 / 83 / 50 / 1

HEX #FC2B7D

RGB 252 43 125

HSL 336.46, 0.97%, 0.58%

LAB 55.99, 78.55, 7.37

 

CMYK 0 / 67 / 41 / 1

HEX #FD5496

RGB 253 84 150

HSL 336.57, 0.98%, 0.66%

LAB 61.16, 68.85, 0.14

 

CMYK 0 / 99 / 60 / 1

HEX #FC0264

RGB 252 2 100

HSL 336.48, 0.98%, 0.5%

LAB 53.66, 81.97, 19.17

 

CMYK 0 / 20 / 99 / 1

HEX #FCCA02

RGB 252 202 2

HSL 48, 0.98%, 0.5%

LAB 83.41, 3.44, 84.35

 

CMYK 99 / 20 / 0 / 1

HEX #02CAFC

RGB 2 202 252

HSL 192, 0.98%, 0.5%

LAB 75.63, -24.3, -36.15

 

CMYK 0 / 99 / 60 / 1

HEX #FC0264

RGB 252 2 100

HSL 336.48, 0.98%, 0.5%

LAB 53.66, 81.97, 19.17

 

CMYK 60 / 0 / 99 / 1

HEX #66FC02

RGB 102 252 2

HSL 96, 0.98%, 0.5%

LAB 88.18, -73.44, 83.96

 

CMYK 99 / 60 / 0 / 1

HEX #0266FC

RGB 2 102 252

HSL 216, 0.98%, 0.5%

LAB 47.68, 34.12, -80.72

 

CMYK 0 / 99 / 60 / 1

HEX #FC0264

RGB 252 2 100

HSL 336.48, 0.98%, 0.5%

LAB 53.66, 81.97, 19.17

 

CMYK 0 / 20 / 99 / 1

HEX #FCCA02

RGB 252 202 2

HSL 48, 0.98%, 0.5%

LAB 83.41, 3.44, 84.35

 

CMYK 99 / 0 / 40 / 1

HEX #02FC98

RGB 2 252 152

HSL 156, 0.98%, 0.5%

LAB 87.92, -71.68, 34.22

 

CMYK 99 / 79 / 0 / 1

HEX #0234FC

RGB 2 52 252

HSL 228, 0.98%, 0.5%

LAB 36.92, 63.32, -98.47

 

CMYK 0 / 99 / 60 / 1

HEX #FC0264

RGB 252 2 100

HSL 336.48, 0.98%, 0.5%

LAB 53.66, 81.97, 19.17

 

CMYK 10 / 0 / 99 / 1

HEX #E3FC02

RGB 227 252 2

HSL 66, 0.98%, 0.5%

LAB 94.29, -31.52, 91.32

 

CMYK 99 / 0 / 40 / 1

HEX #02FC98

RGB 2 252 152

HSL 156, 0.98%, 0.5%

LAB 87.92, -71.68, 34.22

 

CMYK 89 / 99 / 0 / 1

HEX #1B02FC

RGB 27 2 252

HSL 246, 0.98%, 0.5%

LAB 32.49, 78.36, -105.85

 

Description

Color code: HEX #FC0264 | qconv.com Color code: HEX #FC0264 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 2 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 2 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 60 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 60% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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