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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC0654 it is the complementary color #03F9AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC0654. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FC0654 shade: #FF064F, #FF1862, #FF2A75, #FF3C88 and #FF4E9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC0654. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FC0654 shade: #FC0654, #EB0041, #DA002E, #C9001B and #B80008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FC0654 shade: #FC0755, #FC0713 and #FC0707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FC0654 shade: #FC0755, #FC0797, #FC07D9, #DD07FC and #9B07FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FC0654 shade matches the following richer shades: #FC0755

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FC0654 shade: #FC0755, #E81B5C, #D43064, #BF446B and #AB5872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FC0654 shade: #FC07DB, #FC079A, #FC0759, #FC0717 and #FC3807

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FC0654 shade: #AF0138, #D80246, #FC0755, #FC3071 and #FD598D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FC0654 shade: #FC0654, #FCDB07 and #07BBFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FC0654 shade: #FC0654, #59FC07 and #0759FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FC0654 shade: #FC0654, #FCDB07, #07FCAA and #0728FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FC0654 shade: #FC0654, #D3FC07, #07FCAA and #3007FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 67 / 1

HEX #FC0654

RGB 252 6 84

HSL 340.98, 0.98%, 0.51%

LAB 53.46, 80.89, 28.54

 

Complementary color

CMYK 99 / 0 / 31 / 2

HEX #03F9AB

RGB 3 249 171

HSL 160.98, 0.98%, 0.49%

LAB 87.34, -66.85, 23.88

 

CMYK 0 / 98 / 69 / 0

HEX #FF064F

RGB 255 6 79

HSL 342.41, 1%, 0.51%

LAB 53.98, 81.36, 32.31

 

CMYK 0 / 91 / 62 / 0

HEX #FF1862

RGB 255 24 98

HSL 340.78, 1%, 0.55%

LAB 54.86, 80.68, 22.08

 

CMYK 0 / 84 / 54 / 0

HEX #FF2A75

RGB 255 42 117

HSL 338.87, 1%, 0.58%

LAB 56.29, 78.92, 12.65

 

CMYK 0 / 76 / 47 / 0

HEX #FF3C88

RGB 255 60 136

HSL 336.62, 1%, 0.62%

LAB 58.29, 76, 4.22

 

CMYK 0 / 69 / 39 / 0

HEX #FF4E9B

RGB 255 78 155

HSL 333.9, 1%, 0.65%

LAB 60.85, 72.06, -3.18

 

CMYK 0 / 98 / 67 / 1

HEX #FC0654

RGB 252 6 84

HSL 340.98, 0.98%, 0.51%

LAB 53.46, 80.89, 28.54

 

CMYK 0 / 100 / 72 / 8

HEX #EB0041

RGB 235 0 65

HSL 343.4, 1%, 0.46%

LAB 49.55, 76.58, 34.34

 

CMYK 0 / 100 / 79 / 15

HEX #DA002E

RGB 218 0 46

HSL 347.34, 1%, 0.43%

LAB 45.77, 71.9, 40.3

 

CMYK 0 / 100 / 87 / 21

HEX #C9001B

RGB 201 0 27

HSL 351.94, 1%, 0.39%

LAB 41.99, 67.3, 45.77

 

CMYK 0 / 100 / 96 / 28

HEX #B80008

RGB 184 0 8

HSL 357.39, 1%, 0.36%

LAB 38.21, 62.78, 49.51

 

CMYK 0 / 97 / 66 / 1

HEX #FC0755

RGB 252 7 85

HSL 340.9, 0.98%, 0.51%

LAB 53.5, 80.86, 27.99

 

CMYK 0 / 97 / 92 / 1

HEX #FC0713

RGB 252 7 19

HSL 357.06, 0.98%, 0.51%

LAB 52.83, 79.05, 61.66

 

CMYK 0 / 97 / 97 / 1

HEX #FC0707

RGB 252 7 7

HSL 0, 0.98%, 0.51%

LAB 52.8, 78.95, 64.93

 

CMYK 0 / 97 / 66 / 1

HEX #FC0755

RGB 252 7 85

HSL 340.9, 0.98%, 0.51%

LAB 53.5, 80.86, 27.99

 

CMYK 0 / 97 / 40 / 1

HEX #FC0797

RGB 252 7 151

HSL 324.73, 0.98%, 0.51%

LAB 55.16, 85.3, -9.34

 

CMYK 0 / 97 / 14 / 1

HEX #FC07D9

RGB 252 7 217

HSL 308.57, 0.98%, 0.51%

LAB 57.9, 92.34, -43.42

 

CMYK 12 / 97 / 0 / 1

HEX #DD07FC

RGB 221 7 252

HSL 292.41, 0.98%, 0.51%

LAB 54.61, 92.34, -68.66

 

CMYK 38 / 97 / 0 / 1

HEX #9B07FC

RGB 155 7 252

HSL 276.24, 0.98%, 0.51%

LAB 44.45, 84.24, -85.67

 

CMYK 0 / 97 / 66 / 1

HEX #FC0755

RGB 252 7 85

HSL 340.9, 0.98%, 0.51%

LAB 53.5, 80.86, 27.99

 

CMYK 0 / 97 / 66 / 1

HEX #FC0755

RGB 252 7 85

HSL 340.9, 0.98%, 0.51%

LAB 53.5, 80.86, 27.99

 

CMYK 0 / 88 / 60 / 9

HEX #E81B5C

RGB 232 27 92

HSL 340.98, 0.82%, 0.51%

LAB 50.35, 74.44, 18.88

 

CMYK 0 / 77 / 53 / 17

HEX #D43064

RGB 212 48 100

HSL 340.98, 0.66%, 0.51%

LAB 48.3, 65.19, 10.55

 

CMYK 0 / 64 / 44 / 25

HEX #BF446B

RGB 191 68 107

HSL 340.98, 0.49%, 0.51%

LAB 47.33, 52.46, 4.38

 

CMYK 0 / 49 / 33 / 33

HEX #AB5872

RGB 171 88 114

HSL 341.2, 0.33%, 0.51%

LAB 48.07, 36.84, 0.82

 

CMYK 0 / 97 / 13 / 1

HEX #FC07DB

RGB 252 7 219

HSL 308.08, 0.98%, 0.51%

LAB 58, 92.59, -44.4

 

CMYK 0 / 97 / 39 / 1

HEX #FC079A

RGB 252 7 154

HSL 324, 0.98%, 0.51%

LAB 55.26, 85.57, -10.97

 

CMYK 0 / 97 / 65 / 1

HEX #FC0759

RGB 252 7 89

HSL 339.92, 0.98%, 0.51%

LAB 53.57, 81.06, 25.68

 

CMYK 0 / 97 / 91 / 1

HEX #FC0717

RGB 252 7 23

HSL 356.08, 0.98%, 0.51%

LAB 52.85, 79.1, 60.25

 

CMYK 0 / 78 / 97 / 1

HEX #FC3807

RGB 252 56 7

HSL 12, 0.98%, 0.51%

LAB 55.62, 70.9, 66.25

 

CMYK 0 / 99 / 68 / 31

HEX #AF0138

RGB 175 1 56

HSL 341.03, 0.99%, 0.35%

LAB 36.78, 61.75, 21.4

 

CMYK 0 / 99 / 68 / 15

HEX #D80246

RGB 216 2 70

HSL 340.93, 0.98%, 0.43%

LAB 45.75, 72.16, 25.76

 

CMYK 0 / 97 / 66 / 1

HEX #FC0755

RGB 252 7 85

HSL 340.9, 0.98%, 0.51%

LAB 53.5, 80.86, 27.99

 

CMYK 0 / 81 / 55 / 1

HEX #FC3071

RGB 252 48 113

HSL 340.88, 0.97%, 0.59%

LAB 56.09, 76.59, 14.67

 

CMYK 0 / 65 / 44 / 1

HEX #FD598D

RGB 253 89 141

HSL 340.98, 0.98%, 0.67%

LAB 61.61, 66.08, 6.02

 

CMYK 0 / 98 / 67 / 1

HEX #FC0654

RGB 252 6 84

HSL 340.98, 0.98%, 0.51%

LAB 53.46, 80.89, 28.54

 

CMYK 0 / 13 / 97 / 1

HEX #FCDB07

RGB 252 219 7

HSL 51.92, 0.98%, 0.51%

LAB 87.67, -5.16, 86.95

 

CMYK 97 / 26 / 0 / 1

HEX #07BBFC

RGB 7 187 252

HSL 195.92, 0.98%, 0.51%

LAB 71.29, -16.42, -42.89

 

CMYK 0 / 98 / 67 / 1

HEX #FC0654

RGB 252 6 84

HSL 340.98, 0.98%, 0.51%

LAB 53.46, 80.89, 28.54

 

CMYK 65 / 0 / 97 / 1

HEX #59FC07

RGB 89 252 7

HSL 99.92, 0.98%, 0.51%

LAB 87.85, -76.2, 83.17

 

CMYK 97 / 65 / 0 / 1

HEX #0759FC

RGB 7 89 252

HSL 219.92, 0.98%, 0.51%

LAB 44.54, 42.41, -85.86

 

CMYK 0 / 98 / 67 / 1

HEX #FC0654

RGB 252 6 84

HSL 340.98, 0.98%, 0.51%

LAB 53.46, 80.89, 28.54

 

CMYK 0 / 13 / 97 / 1

HEX #FCDB07

RGB 252 219 7

HSL 51.92, 0.98%, 0.51%

LAB 87.67, -5.16, 86.95

 

CMYK 97 / 0 / 33 / 1

HEX #07FCAA

RGB 7 252 170

HSL 159.92, 0.98%, 0.51%

LAB 88.24, -68.01, 25.62

 

CMYK 97 / 84 / 0 / 1

HEX #0728FC

RGB 7 40 252

HSL 231.92, 0.98%, 0.51%

LAB 35.18, 68.71, -101.36

 

CMYK 0 / 98 / 67 / 1

HEX #FC0654

RGB 252 6 84

HSL 340.98, 0.98%, 0.51%

LAB 53.46, 80.89, 28.54

 

CMYK 16 / 0 / 97 / 1

HEX #D3FC07

RGB 211 252 7

HSL 70.04, 0.98%, 0.51%

LAB 93.23, -37.84, 89.68

 

CMYK 97 / 0 / 33 / 1

HEX #07FCAA

RGB 7 252 170

HSL 159.92, 0.98%, 0.51%

LAB 88.24, -68.01, 25.62

 

CMYK 81 / 97 / 0 / 1

HEX #3007FC

RGB 48 7 252

HSL 250.04, 0.98%, 0.51%

LAB 33.58, 77.95, -104.01

 

Description

Color code: HEX #FC0654 | qconv.com Color code: HEX #FC0654 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 6 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 6 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 67 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 67% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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