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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBF187 it is the complementary color #040E78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBF187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBF187 shade: #FFF182, #FFFF95, #FFFFA8, #FFFFBB and #FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBF187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBF187 shade: #FBF187, #EADF74, #D9CD61, #C8BB4E and #B7A93B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBF187 shade: #FBF188, #FBD288, #FBB388, #FB9488 and #FB8888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBF187 shade: #FBF188, #E6FB88, #C7FB88, #A8FB88 and #89FB88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBF187 shade matches the following richer shades: #FBF188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBF187 shade: #FBF188, #F1E992, #E7E19C, #DDD8A5 and #D3D0AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBF187 shade: #FBB288, #FBD188, #FBEF88, #E8FB88 and #C9FB88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBF187 shade: #F8E838, #FAEC60, #FBF188, #FCF5B0 and #FDFAD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBF187 shade: #FBF187, #88FB93 and #C188FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBF187 shade: #FBF187, #88FBEF and #EF88FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBF187 shade: #FBF187, #88FB93, #8893FB and #FB88EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBF187 shade: #FBF187, #88FBB6, #8893FB and #FB88CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 46 / 2

HEX #FBF187

RGB 251 241 135

HSL 54.83, 0.94%, 0.76%

LAB 93.96, -10.66, 52.09

 

Complementary color

CMYK 97 / 88 / 0 / 53

HEX #040E78

RGB 4 14 120

HSL 234.83, 0.94%, 0.24%

LAB 13.8, 39.41, -58.19

 

CMYK 0 / 5 / 49 / 0

HEX #FFF182

RGB 255 241 130

HSL 53.28, 1%, 0.75%

LAB 94.22, -9.53, 54.84

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 4 / 46 / 2

HEX #FBF187

RGB 251 241 135

HSL 54.83, 0.94%, 0.76%

LAB 93.96, -10.66, 52.09

 

CMYK 0 / 5 / 50 / 8

HEX #EADF74

RGB 234 223 116

HSL 54.41, 0.74%, 0.69%

LAB 87.74, -10.12, 53.24

 

CMYK 0 / 6 / 55 / 15

HEX #D9CD61

RGB 217 205 97

HSL 54, 0.61%, 0.62%

LAB 81.44, -9.5, 54.36

 

CMYK 0 / 7 / 61 / 22

HEX #C8BB4E

RGB 200 187 78

HSL 53.61, 0.53%, 0.55%

LAB 75.06, -8.76, 55.38

 

CMYK 0 / 8 / 68 / 28

HEX #B7A93B

RGB 183 169 59

HSL 53.23, 0.51%, 0.47%

LAB 68.58, -7.87, 56.19

 

CMYK 0 / 4 / 46 / 2

HEX #FBF188

RGB 251 241 136

HSL 54.78, 0.93%, 0.76%

LAB 93.97, -10.56, 51.63

 

CMYK 0 / 16 / 46 / 2

HEX #FBD288

RGB 251 210 136

HSL 38.61, 0.93%, 0.76%

LAB 86.2, 5.09, 41.93

 

CMYK 0 / 29 / 46 / 2

HEX #FBB388

RGB 251 179 136

HSL 22.43, 0.93%, 0.76%

LAB 78.77, 21.26, 32.34

 

CMYK 0 / 41 / 46 / 2

HEX #FB9488

RGB 251 148 136

HSL 6.26, 0.93%, 0.76%

LAB 71.87, 37.44, 23.13

 

CMYK 0 / 46 / 46 / 2

HEX #FB8888

RGB 251 136 136

HSL 0, 0.93%, 0.76%

LAB 69.39, 43.54, 19.75

 

CMYK 0 / 4 / 46 / 2

HEX #FBF188

RGB 251 241 136

HSL 54.78, 0.93%, 0.76%

LAB 93.97, -10.56, 51.63

 

CMYK 8 / 0 / 46 / 2

HEX #E6FB88

RGB 230 251 136

HSL 70.96, 0.93%, 0.76%

LAB 94.99, -23.51, 52.52

 

CMYK 21 / 0 / 46 / 2

HEX #C7FB88

RGB 199 251 136

HSL 87.13, 0.93%, 0.76%

LAB 92.98, -34.95, 49.59

 

CMYK 33 / 0 / 46 / 2

HEX #A8FB88

RGB 168 251 136

HSL 103.3, 0.93%, 0.76%

LAB 91.28, -45.52, 47.11

 

CMYK 45 / 0 / 46 / 2

HEX #89FB88

RGB 137 251 136

HSL 119.48, 0.93%, 0.76%

LAB 89.9, -54.85, 45.09

 

CMYK 0 / 4 / 46 / 2

HEX #FBF188

RGB 251 241 136

HSL 54.78, 0.93%, 0.76%

LAB 93.97, -10.56, 51.63

 

CMYK 0 / 4 / 46 / 2

HEX #FBF188

RGB 251 241 136

HSL 54.78, 0.93%, 0.76%

LAB 93.97, -10.56, 51.63

 

CMYK 0 / 3 / 39 / 5

HEX #F1E992

RGB 241 233 146

HSL 54.95, 0.77%, 0.76%

LAB 91.26, -9.5, 43.22

 

CMYK 0 / 3 / 32 / 9

HEX #E7E19C

RGB 231 225 156

HSL 55.2, 0.61%, 0.76%

LAB 88.56, -8.2, 34.56

 

CMYK 0 / 2 / 25 / 13

HEX #DDD8A5

RGB 221 216 165

HSL 54.64, 0.45%, 0.76%

LAB 85.61, -6.27, 25.83

 

CMYK 0 / 1 / 17 / 17

HEX #D3D0AF

RGB 211 208 175

HSL 55, 0.29%, 0.76%

LAB 82.94, -4.44, 16.78

 

CMYK 0 / 29 / 46 / 2

HEX #FBB288

RGB 251 178 136

HSL 21.91, 0.93%, 0.76%

LAB 78.54, 21.79, 32.03

 

CMYK 0 / 17 / 46 / 2

HEX #FBD188

RGB 251 209 136

HSL 38.09, 0.93%, 0.76%

LAB 85.95, 5.61, 41.62

 

CMYK 0 / 5 / 46 / 2

HEX #FBEF88

RGB 251 239 136

HSL 53.74, 0.93%, 0.76%

LAB 93.46, -9.58, 51

 

CMYK 8 / 0 / 46 / 2

HEX #E8FB88

RGB 232 251 136

HSL 69.91, 0.93%, 0.76%

LAB 95.13, -22.75, 52.72

 

CMYK 20 / 0 / 46 / 2

HEX #C9FB88

RGB 201 251 136

HSL 86.09, 0.93%, 0.76%

LAB 93.1, -34.23, 49.77

 

CMYK 0 / 6 / 77 / 3

HEX #F8E838

RGB 248 232 56

HSL 55, 0.93%, 0.6%

LAB 90.76, -12.36, 80.34

 

CMYK 0 / 6 / 62 / 2

HEX #FAEC60

RGB 250 236 96

HSL 54.55, 0.94%, 0.68%

LAB 92.2, -11.59, 67.51

 

CMYK 0 / 4 / 46 / 2

HEX #FBF188

RGB 251 241 136

HSL 54.78, 0.93%, 0.76%

LAB 93.97, -10.56, 51.63

 

CMYK 0 / 3 / 30 / 1

HEX #FCF5B0

RGB 252 245 176

HSL 54.47, 0.93%, 0.84%

LAB 95.64, -7.86, 34.14

 

CMYK 0 / 1 / 15 / 1

HEX #FDFAD8

RGB 253 250 216

HSL 55.14, 0.9%, 0.92%

LAB 97.72, -4.52, 16.68

 

CMYK 0 / 4 / 46 / 2

HEX #FBF187

RGB 251 241 135

HSL 54.83, 0.94%, 0.76%

LAB 93.96, -10.66, 52.09

 

CMYK 46 / 0 / 41 / 2

HEX #88FB93

RGB 136 251 147

HSL 125.74, 0.93%, 0.76%

LAB 90.01, -53.56, 39.89

 

CMYK 23 / 46 / 0 / 2

HEX #C188FB

RGB 193 136 251

HSL 269.74, 0.93%, 0.76%

LAB 66.45, 43.35, -49.39

 

CMYK 0 / 4 / 46 / 2

HEX #FBF187

RGB 251 241 135

HSL 54.83, 0.94%, 0.76%

LAB 93.96, -10.66, 52.09

 

CMYK 46 / 0 / 5 / 2

HEX #88FBEF

RGB 136 251 239

HSL 173.74, 0.93%, 0.76%

LAB 91.89, -35.58, -4.43

 

CMYK 5 / 46 / 0 / 2

HEX #EF88FB

RGB 239 136 251

HSL 293.74, 0.93%, 0.76%

LAB 71.5, 56.03, -41.11

 

CMYK 0 / 4 / 46 / 2

HEX #FBF187

RGB 251 241 135

HSL 54.83, 0.94%, 0.76%

LAB 93.96, -10.66, 52.09

 

CMYK 46 / 0 / 41 / 2

HEX #88FB93

RGB 136 251 147

HSL 125.74, 0.93%, 0.76%

LAB 90.01, -53.56, 39.89

 

CMYK 46 / 41 / 0 / 2

HEX #8893FB

RGB 136 147 251

HSL 234.26, 0.93%, 0.76%

LAB 64.21, 22.59, -53.24

 

CMYK 0 / 46 / 5 / 2

HEX #FB88EF

RGB 251 136 239

HSL 306.26, 0.93%, 0.76%

LAB 72.46, 57.33, -32.95

 

CMYK 0 / 4 / 46 / 2

HEX #FBF187

RGB 251 241 135

HSL 54.83, 0.94%, 0.76%

LAB 93.96, -10.66, 52.09

 

CMYK 46 / 0 / 27 / 2

HEX #88FBB6

RGB 136 251 182

HSL 144, 0.93%, 0.76%

LAB 90.6, -47.7, 23.14

 

CMYK 46 / 41 / 0 / 2

HEX #8893FB

RGB 136 147 251

HSL 234.26, 0.93%, 0.76%

LAB 64.21, 22.59, -53.24

 

CMYK 0 / 46 / 18 / 2

HEX #FB88CD

RGB 251 136 205

HSL 324, 0.93%, 0.76%

LAB 71.23, 51.98, -16.1

 

Description

Color code: HEX #FBF187 | qconv.com Color code: HEX #FBF187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 241 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 241 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 46 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 46% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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