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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBF84B it is the complementary color #0407B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBF84B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBF84B shade: #FFF846, #FFFF59, #FFFF6C, #FFFF7F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBF84B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBF84B shade: #FBF84B, #EAE638, #D9D425, #C8C212 and #B7B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBF84B shade: #FBF84B, #FBC84B, #FB994B, #FB694B and #FB4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBF84B shade: #FBF84B, #CEFB4B, #9FFB4B, #6FFB4B and #4BFB55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBF84B shade matches the following richer shades: #FBF84B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBF84B shade: #FBF84B, #ECE959, #DDDB68, #CECD77 and #BFBE86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBF84B shade: #FB974B, #FBC64B, #FBF54B, #D2FB4B and #A3FB4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBF84B shade: #EFEB04, #FAF622, #FBF84B, #FCF973 and #FCFB9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBF84B shade: #FBF84B, #4BFB68 and #AE4BFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBF84B shade: #FBF84B, #4BFBF5 and #F54BFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBF84B shade: #FBF84B, #4BFB68, #4B50FB and #FB4BDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBF84B shade: #FBF84B, #4BFB9D, #4B50FB and #FB4BA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 70 / 2

HEX #FBF84B

RGB 251 248 75

HSL 58.98, 0.96%, 0.64%

LAB 95.22, -18.16, 78.57

 

Complementary color

CMYK 98 / 96 / 0 / 29

HEX #0407B4

RGB 4 7 180

HSL 238.98, 0.96%, 0.36%

LAB 21.85, 59.27, -81.95

 

CMYK 0 / 3 / 73 / 0

HEX #FFF846

RGB 255 248 70

HSL 57.73, 1%, 0.64%

LAB 95.51, -16.75, 80.62

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 1 / 70 / 2

HEX #FBF84B

RGB 251 248 75

HSL 58.98, 0.96%, 0.64%

LAB 95.22, -18.16, 78.57

 

CMYK 0 / 2 / 76 / 8

HEX #EAE638

RGB 234 230 56

HSL 58.65, 0.81%, 0.57%

LAB 89.1, -17.19, 78.42

 

CMYK 0 / 2 / 83 / 15

HEX #D9D425

RGB 217 212 37

HSL 58.33, 0.71%, 0.5%

LAB 82.9, -16.06, 77.52

 

CMYK 0 / 3 / 91 / 22

HEX #C8C212

RGB 200 194 18

HSL 58.02, 0.83%, 0.43%

LAB 76.62, -14.74, 75.51

 

CMYK 0 / 4 / 100 / 28

HEX #B7B000

RGB 183 176 0

HSL 57.7, 1%, 0.36%

LAB 70.26, -13.24, 72.24

 

CMYK 0 / 1 / 70 / 2

HEX #FBF84B

RGB 251 248 75

HSL 58.98, 0.96%, 0.64%

LAB 95.22, -18.16, 78.57

 

CMYK 0 / 20 / 70 / 2

HEX #FBC84B

RGB 251 200 75

HSL 42.61, 0.96%, 0.64%

LAB 83.09, 5.85, 66.56

 

CMYK 0 / 39 / 70 / 2

HEX #FB994B

RGB 251 153 75

HSL 26.59, 0.96%, 0.64%

LAB 72.09, 30.38, 55.08

 

CMYK 0 / 58 / 70 / 2

HEX #FB694B

RGB 251 105 75

HSL 10.23, 0.96%, 0.64%

LAB 62.61, 54.03, 44.6

 

CMYK 0 / 70 / 70 / 2

HEX #FB4B4B

RGB 251 75 75

HSL 0, 0.96%, 0.64%

LAB 58.08, 66.2, 39.37

 

CMYK 0 / 1 / 70 / 2

HEX #FBF84B

RGB 251 248 75

HSL 58.98, 0.96%, 0.64%

LAB 95.22, -18.16, 78.57

 

CMYK 18 / 0 / 70 / 2

HEX #CEFB4B

RGB 206 251 75

HSL 75.34, 0.96%, 0.64%

LAB 92.85, -37.37, 75.17

 

CMYK 37 / 0 / 70 / 2

HEX #9FFB4B

RGB 159 251 75

HSL 91.36, 0.96%, 0.64%

LAB 90.26, -54.23, 71.73

 

CMYK 56 / 0 / 70 / 2

HEX #6FFB4B

RGB 111 251 75

HSL 107.73, 0.96%, 0.64%

LAB 88.39, -68.15, 69.22

 

CMYK 70 / 0 / 66 / 2

HEX #4BFB55

RGB 75 251 85

HSL 123.41, 0.96%, 0.64%

LAB 87.56, -74.69, 64.35

 

CMYK 0 / 1 / 70 / 2

HEX #FBF84B

RGB 251 248 75

HSL 58.98, 0.96%, 0.64%

LAB 95.22, -18.16, 78.57

 

CMYK 0 / 1 / 70 / 2

HEX #FBF84B

RGB 251 248 75

HSL 58.98, 0.96%, 0.64%

LAB 95.22, -18.16, 78.57

 

CMYK 0 / 1 / 62 / 7

HEX #ECE959

RGB 236 233 89

HSL 58.78, 0.79%, 0.64%

LAB 90.24, -16.23, 67.94

 

CMYK 0 / 1 / 53 / 13

HEX #DDDB68

RGB 221 219 104

HSL 58.97, 0.63%, 0.64%

LAB 85.52, -14.35, 55.93

 

CMYK 0 / 0 / 42 / 19

HEX #CECD77

RGB 206 205 119

HSL 59.31, 0.47%, 0.64%

LAB 80.8, -11.98, 42.82

 

CMYK 0 / 1 / 30 / 25

HEX #BFBE86

RGB 191 190 134

HSL 58.95, 0.31%, 0.64%

LAB 75.84, -8.47, 28.49

 

CMYK 0 / 40 / 70 / 2

HEX #FB974B

RGB 251 151 75

HSL 25.91, 0.96%, 0.64%

LAB 71.66, 31.42, 54.61

 

CMYK 0 / 21 / 70 / 2

HEX #FBC64B

RGB 251 198 75

HSL 41.93, 0.96%, 0.64%

LAB 82.6, 6.89, 66.06

 

CMYK 0 / 2 / 70 / 2

HEX #FBF54B

RGB 251 245 75

HSL 57.95, 0.96%, 0.64%

LAB 94.45, -16.71, 77.82

 

CMYK 16 / 0 / 70 / 2

HEX #D2FB4B

RGB 210 251 75

HSL 73.98, 0.96%, 0.64%

LAB 93.1, -35.84, 75.51

 

CMYK 35 / 0 / 70 / 2

HEX #A3FB4B

RGB 163 251 75

HSL 90, 0.96%, 0.64%

LAB 90.45, -52.9, 71.99

 

CMYK 0 / 2 / 98 / 6

HEX #EFEB04

RGB 239 235 4

HSL 58.98, 0.97%, 0.48%

LAB 90.68, -18.56, 88.89

 

CMYK 0 / 2 / 86 / 2

HEX #FAF622

RGB 250 246 34

HSL 58.89, 0.96%, 0.56%

LAB 94.46, -18.93, 88.67

 

CMYK 0 / 1 / 70 / 2

HEX #FBF84B

RGB 251 248 75

HSL 58.98, 0.96%, 0.64%

LAB 95.22, -18.16, 78.57

 

CMYK 0 / 1 / 54 / 1

HEX #FCF973

RGB 252 249 115

HSL 58.69, 0.96%, 0.72%

LAB 95.87, -15.84, 63.51

 

CMYK 0 / 0 / 38 / 1

HEX #FCFB9B

RGB 252 251 155

HSL 59.38, 0.94%, 0.8%

LAB 96.84, -13.21, 46.1

 

CMYK 0 / 1 / 70 / 2

HEX #FBF84B

RGB 251 248 75

HSL 58.98, 0.96%, 0.64%

LAB 95.22, -18.16, 78.57

 

CMYK 70 / 0 / 59 / 2

HEX #4BFB68

RGB 75 251 104

HSL 129.89, 0.96%, 0.64%

LAB 87.72, -72.71, 56.7

 

CMYK 31 / 70 / 0 / 2

HEX #AE4BFB

RGB 174 75 251

HSL 273.75, 0.96%, 0.64%

LAB 52.94, 69.17, -71.13

 

CMYK 0 / 1 / 70 / 2

HEX #FBF84B

RGB 251 248 75

HSL 58.98, 0.96%, 0.64%

LAB 95.22, -18.16, 78.57

 

CMYK 70 / 0 / 2 / 2

HEX #4BFBF5

RGB 75 251 245

HSL 177.95, 0.96%, 0.64%

LAB 90.36, -44.64, -10

 

CMYK 2 / 70 / 0 / 2

HEX #F54BFB

RGB 245 75 251

HSL 297.95, 0.96%, 0.64%

LAB 62.85, 83.2, -54.68

 

CMYK 0 / 1 / 70 / 2

HEX #FBF84B

RGB 251 248 75

HSL 58.98, 0.96%, 0.64%

LAB 95.22, -18.16, 78.57

 

CMYK 70 / 0 / 59 / 2

HEX #4BFB68

RGB 75 251 104

HSL 129.89, 0.96%, 0.64%

LAB 87.72, -72.71, 56.7

 

CMYK 70 / 68 / 0 / 2

HEX #4B50FB

RGB 75 80 251

HSL 238.3, 0.96%, 0.64%

LAB 44.52, 51.56, -85.28

 

CMYK 0 / 70 / 12 / 2

HEX #FB4BDD

RGB 251 75 221

HSL 310.23, 0.96%, 0.64%

LAB 62.31, 80.01, -38.77

 

CMYK 0 / 1 / 70 / 2

HEX #FBF84B

RGB 251 248 75

HSL 58.98, 0.96%, 0.64%

LAB 95.22, -18.16, 78.57

 

CMYK 70 / 0 / 37 / 2

HEX #4BFB9D

RGB 75 251 157

HSL 147.95, 0.96%, 0.64%

LAB 88.41, -64.78, 32.51

 

CMYK 70 / 68 / 0 / 2

HEX #4B50FB

RGB 75 80 251

HSL 238.3, 0.96%, 0.64%

LAB 44.52, 51.56, -85.28

 

CMYK 0 / 70 / 33 / 2

HEX #FB4BA9

RGB 251 75 169

HSL 327.95, 0.96%, 0.64%

LAB 60.25, 73.49, -12.26

 

Description

Color code: HEX #FBF84B | qconv.com Color code: HEX #FBF84B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 248 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 248 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 70 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 70% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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