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Color name
HEX #FBD0A9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBD0A9 it is the complementary color #042F56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBD0A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBD0A9 shade: #FFD0A4, #FFE2B7, #FFF4CA, #FFFFDD and #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBD0A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBD0A9 shade: #FBD0A9, #EABE96, #D9AC83, #C89A70 and #B7885D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBD0A9 shade: #FACFA7, #FAB8A7 and #FAA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBD0A9 shade: #FACFA7, #FAE5A7, #F9FAA7, #E3FAA7 and #CCFAA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBD0A9 shade matches the following richer shades: #FACFA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBD0A9 shade: #FACFA7, #F3CFAE, #ECCFB6, #E4D0BD and #DDD0C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBD0A9 shade: #FAA7AC, #FAB8A7, #FACEA7, #FAE4A7 and #FAFAA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBD0A9 shade: #F7A358, #F9B97F, #FACFA7, #FCE4CE and #FEFAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBD0A9 shade: #FBD0A9, #C3FAA7 and #ACA7FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBD0A9 shade: #FBD0A9, #A7FACE and #CEA7FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBD0A9 shade: #FBD0A9, #C3FAA7, #A7D3FA and #DFA7FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBD0A9 shade: #FBD0A9, #AAFAA7, #A7D3FA and #F8A7FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 33 / 2

HEX #FBD0A9

RGB 251 208 169

HSL 28.54, 0.91%, 0.82%

LAB 86.25, 9.73, 25.04

 

Complementary color

CMYK 95 / 45 / 0 / 66

HEX #042F56

RGB 4 47 86

HSL 208.54, 0.91%, 0.18%

LAB 18.93, 2.86, -27.49

 

CMYK 0 / 18 / 36 / 0

HEX #FFD0A4

RGB 255 208 164

HSL 29.01, 1%, 0.82%

LAB 86.53, 10.66, 28.09

 

CMYK 0 / 11 / 28 / 0

HEX #FFE2B7

RGB 255 226 183

HSL 35.83, 1%, 0.86%

LAB 91.27, 3.72, 24.7

 

CMYK 0 / 4 / 21 / 0

HEX #FFF4CA

RGB 255 244 202

HSL 47.55, 1%, 0.9%

LAB 96.09, -2.84, 21.59

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 0 / 17 / 33 / 2

HEX #FBD0A9

RGB 251 208 169

HSL 28.54, 0.91%, 0.82%

LAB 86.25, 9.73, 25.04

 

CMYK 0 / 19 / 36 / 8

HEX #EABE96

RGB 234 190 150

HSL 28.57, 0.67%, 0.75%

LAB 79.91, 10.33, 26.16

 

CMYK 0 / 21 / 40 / 15

HEX #D9AC83

RGB 217 172 131

HSL 28.6, 0.53%, 0.68%

LAB 73.48, 11.01, 27.35

 

CMYK 0 / 23 / 44 / 22

HEX #C89A70

RGB 200 154 112

HSL 28.64, 0.44%, 0.61%

LAB 66.95, 11.78, 28.63

 

CMYK 0 / 26 / 49 / 28

HEX #B7885D

RGB 183 136 93

HSL 28.67, 0.38%, 0.54%

LAB 60.31, 12.68, 30.01

 

CMYK 0 / 17 / 33 / 2

HEX #FACFA7

RGB 250 207 167

HSL 28.92, 0.89%, 0.82%

LAB 85.88, 9.63, 25.56

 

CMYK 0 / 26 / 33 / 2

HEX #FAB8A7

RGB 250 184 167

HSL 12.29, 0.89%, 0.82%

LAB 80.4, 21.67, 18.02

 

CMYK 0 / 33 / 33 / 2

HEX #FAA7A7

RGB 250 167 167

HSL 0, 0.89%, 0.82%

LAB 76.53, 30.61, 12.59

 

CMYK 0 / 17 / 33 / 2

HEX #FACFA7

RGB 250 207 167

HSL 28.92, 0.89%, 0.82%

LAB 85.88, 9.63, 25.56

 

CMYK 0 / 8 / 33 / 2

HEX #FAE5A7

RGB 250 229 167

HSL 44.82, 0.89%, 0.82%

LAB 91.3, -1.67, 32.88

 

CMYK 0 / 0 / 33 / 2

HEX #F9FAA7

RGB 249 250 167

HSL 60.72, 0.89%, 0.82%

LAB 96.53, -12.53, 39.77

 

CMYK 9 / 0 / 33 / 2

HEX #E3FAA7

RGB 227 250 167

HSL 76.63, 0.89%, 0.82%

LAB 94.95, -20.66, 37.39

 

CMYK 18 / 0 / 33 / 2

HEX #CCFAA7

RGB 204 250 167

HSL 93.25, 0.89%, 0.82%

LAB 93.45, -28.86, 35.14

 

CMYK 0 / 17 / 33 / 2

HEX #FACFA7

RGB 250 207 167

HSL 28.92, 0.89%, 0.82%

LAB 85.88, 9.63, 25.56

 

CMYK 0 / 17 / 33 / 2

HEX #FACFA7

RGB 250 207 167

HSL 28.92, 0.89%, 0.82%

LAB 85.88, 9.63, 25.56

 

CMYK 0 / 15 / 28 / 5

HEX #F3CFAE

RGB 243 207 174

HSL 28.7, 0.74%, 0.82%

LAB 85.37, 7.86, 21.1

 

CMYK 0 / 12 / 23 / 7

HEX #ECCFB6

RGB 236 207 182

HSL 27.78, 0.59%, 0.82%

LAB 84.91, 6.33, 16.15

 

CMYK 0 / 9 / 17 / 11

HEX #E4D0BD

RGB 228 208 189

HSL 29.23, 0.42%, 0.82%

LAB 84.63, 3.9, 11.95

 

CMYK 0 / 6 / 11 / 13

HEX #DDD0C5

RGB 221 208 197

HSL 27.5, 0.26%, 0.82%

LAB 84.23, 2.64, 7.06

 

CMYK 0 / 33 / 31 / 2

HEX #FAA7AC

RGB 250 167 172

HSL 356.39, 0.89%, 0.82%

LAB 76.64, 31.23, 10.02

 

CMYK 0 / 26 / 33 / 2

HEX #FAB8A7

RGB 250 184 167

HSL 12.29, 0.89%, 0.82%

LAB 80.4, 21.67, 18.02

 

CMYK 0 / 18 / 33 / 2

HEX #FACEA7

RGB 250 206 167

HSL 28.19, 0.89%, 0.82%

LAB 85.63, 10.15, 25.23

 

CMYK 0 / 9 / 33 / 2

HEX #FAE4A7

RGB 250 228 167

HSL 44.1, 0.89%, 0.82%

LAB 91.05, -1.17, 32.55

 

CMYK 0 / 0 / 33 / 2

HEX #FAFAA7

RGB 250 250 167

HSL 60, 0.89%, 0.82%

LAB 96.61, -12.15, 39.88

 

CMYK 0 / 34 / 64 / 3

HEX #F7A358

RGB 247 163 88

HSL 28.3, 0.91%, 0.66%

LAB 73.98, 24.26, 50.85

 

CMYK 0 / 26 / 49 / 2

HEX #F9B97F

RGB 249 185 127

HSL 28.52, 0.91%, 0.74%

LAB 79.82, 16.47, 38.36

 

CMYK 0 / 17 / 33 / 2

HEX #FACFA7

RGB 250 207 167

HSL 28.92, 0.89%, 0.82%

LAB 85.88, 9.63, 25.56

 

CMYK 0 / 10 / 18 / 1

HEX #FCE4CE

RGB 252 228 206

HSL 28.7, 0.88%, 0.9%

LAB 91.97, 4.78, 13.71

 

CMYK 0 / 2 / 3 / 0

HEX #FEFAF6

RGB 254 250 246

HSL 30, 0.8%, 0.98%

LAB 98.47, 0.64, 2.37

 

CMYK 0 / 17 / 33 / 2

HEX #FBD0A9

RGB 251 208 169

HSL 28.54, 0.91%, 0.82%

LAB 86.25, 9.73, 25.04

 

CMYK 22 / 0 / 33 / 2

HEX #C3FAA7

RGB 195 250 167

HSL 99.76, 0.89%, 0.82%

LAB 92.91, -31.96, 34.33

 

CMYK 31 / 33 / 0 / 2

HEX #ACA7FA

RGB 172 167 250

HSL 243.61, 0.89%, 0.82%

LAB 71.77, 20.12, -40.64

 

CMYK 0 / 17 / 33 / 2

HEX #FBD0A9

RGB 251 208 169

HSL 28.54, 0.91%, 0.82%

LAB 86.25, 9.73, 25.04

 

CMYK 33 / 0 / 18 / 2

HEX #A7FACE

RGB 167 250 206

HSL 148.19, 0.89%, 0.82%

LAB 92.15, -34.26, 13.19

 

CMYK 18 / 33 / 0 / 2

HEX #CEA7FA

RGB 206 167 250

HSL 268.19, 0.89%, 0.82%

LAB 74.61, 29.91, -35.99

 

CMYK 0 / 17 / 33 / 2

HEX #FBD0A9

RGB 251 208 169

HSL 28.54, 0.91%, 0.82%

LAB 86.25, 9.73, 25.04

 

CMYK 22 / 0 / 33 / 2

HEX #C3FAA7

RGB 195 250 167

HSL 99.76, 0.89%, 0.82%

LAB 92.91, -31.96, 34.33

 

CMYK 33 / 16 / 0 / 2

HEX #A7D3FA

RGB 167 211 250

HSL 208.19, 0.89%, 0.82%

LAB 82.76, -5.3, -23.73

 

CMYK 11 / 33 / 0 / 2

HEX #DFA7FA

RGB 223 167 250

HSL 280.48, 0.89%, 0.82%

LAB 76.21, 35.02, -33.39

 

CMYK 0 / 17 / 33 / 2

HEX #FBD0A9

RGB 251 208 169

HSL 28.54, 0.91%, 0.82%

LAB 86.25, 9.73, 25.04

 

CMYK 32 / 0 / 33 / 2

HEX #AAFAA7

RGB 170 250 167

HSL 117.83, 0.89%, 0.82%

LAB 91.55, -40.13, 32.28

 

CMYK 33 / 16 / 0 / 2

HEX #A7D3FA

RGB 167 211 250

HSL 208.19, 0.89%, 0.82%

LAB 82.76, -5.3, -23.73

 

CMYK 1 / 33 / 0 / 2

HEX #F8A7FA

RGB 248 167 250

HSL 298.55, 0.89%, 0.82%

LAB 78.75, 42.67, -29.27

 

Description

Color code: HEX #FBD0A9 | qconv.com Color code: HEX #FBD0A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 208 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 208 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 33 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 33% 2% C M Y K

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Provide designers and agencies with accurate color values.

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