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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBCB87 it is the complementary color #043478. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBCB87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBCB87 shade: #FFCB82, #FFDD95, #FFEFA8, #FFFFBB and #FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBCB87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBCB87 shade: #FBCB87, #EAB974, #D9A761, #C8954E and #B7833B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBCB87 shade: #FBCB88, #FBAC88, #FB8D88 and #FB8888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBCB87 shade: #FBCB88, #FBEA88, #ECFB88, #CDFB88 and #AEFB88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBCB87 shade matches the following richer shades: #FBCB88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBCB87 shade: #FBCB88, #F1CA92, #E7C89C, #DDC6A5 and #D3C4AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBCB87 shade: #FB8E88, #FBAC88, #FBCB88, #FBEA88 and #EDFB88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBCB87 shade: #F8A938, #FABA60, #FBCB88, #FCDDB0 and #FDEED8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBCB87 shade: #FBCB87, #A1FB88 and #9D88FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBCB87 shade: #FBCB87, #88FBCB and #CB88FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBCB87 shade: #FBCB87, #A1FB88, #88B8FB and #E288FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBCB87 shade: #FBCB87, #88FB91, #88B8FB and #FB88F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 46 / 2

HEX #FBCB87

RGB 251 203 135

HSL 35.17, 0.94%, 0.76%

LAB 84.47, 8.62, 40.24

 

Complementary color

CMYK 97 / 57 / 0 / 53

HEX #043478

RGB 4 52 120

HSL 215.17, 0.94%, 0.24%

LAB 23.13, 14.45, -42.84

 

CMYK 0 / 20 / 49 / 0

HEX #FFCB82

RGB 255 203 130

HSL 35.04, 1%, 0.75%

LAB 84.78, 9.75, 43.24

 

CMYK 0 / 13 / 42 / 0

HEX #FFDD95

RGB 255 221 149

HSL 40.75, 1%, 0.79%

LAB 89.46, 2.32, 39.65

 

CMYK 0 / 6 / 34 / 0

HEX #FFEFA8

RGB 255 239 168

HSL 48.97, 1%, 0.83%

LAB 94.24, -4.7, 36.34

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 19 / 46 / 2

HEX #FBCB87

RGB 251 203 135

HSL 35.17, 0.94%, 0.76%

LAB 84.47, 8.62, 40.24

 

CMYK 0 / 21 / 50 / 8

HEX #EAB974

RGB 234 185 116

HSL 35.08, 0.74%, 0.69%

LAB 78.14, 9.44, 41.55

 

CMYK 0 / 23 / 55 / 15

HEX #D9A761

RGB 217 167 97

HSL 35, 0.61%, 0.62%

LAB 71.73, 10.39, 42.91

 

CMYK 0 / 26 / 61 / 22

HEX #C8954E

RGB 200 149 78

HSL 34.92, 0.53%, 0.55%

LAB 65.22, 11.49, 44.31

 

CMYK 0 / 28 / 68 / 28

HEX #B7833B

RGB 183 131 59

HSL 34.84, 0.51%, 0.47%

LAB 58.62, 12.78, 45.67

 

CMYK 0 / 19 / 46 / 2

HEX #FBCB88

RGB 251 203 136

HSL 34.96, 0.93%, 0.76%

LAB 84.48, 8.71, 39.75

 

CMYK 0 / 31 / 46 / 2

HEX #FBAC88

RGB 251 172 136

HSL 18.78, 0.93%, 0.76%

LAB 77.16, 24.94, 30.21

 

CMYK 0 / 44 / 46 / 2

HEX #FB8D88

RGB 251 141 136

HSL 2.61, 0.93%, 0.76%

LAB 70.41, 41.02, 21.14

 

CMYK 0 / 46 / 46 / 2

HEX #FB8888

RGB 251 136 136

HSL 0, 0.93%, 0.76%

LAB 69.39, 43.54, 19.75

 

CMYK 0 / 19 / 46 / 2

HEX #FBCB88

RGB 251 203 136

HSL 34.96, 0.93%, 0.76%

LAB 84.48, 8.71, 39.75

 

CMYK 0 / 7 / 46 / 2

HEX #FBEA88

RGB 251 234 136

HSL 51.13, 0.93%, 0.76%

LAB 92.19, -7.09, 49.44

 

CMYK 6 / 0 / 46 / 2

HEX #ECFB88

RGB 236 251 136

HSL 67.83, 0.93%, 0.76%

LAB 95.42, -21.23, 53.14

 

CMYK 18 / 0 / 46 / 2

HEX #CDFB88

RGB 205 251 136

HSL 84, 0.93%, 0.76%

LAB 93.34, -32.79, 50.12

 

CMYK 31 / 0 / 46 / 2

HEX #AEFB88

RGB 174 251 136

HSL 100.17, 0.93%, 0.76%

LAB 91.58, -43.56, 47.55

 

CMYK 0 / 19 / 46 / 2

HEX #FBCB88

RGB 251 203 136

HSL 34.96, 0.93%, 0.76%

LAB 84.48, 8.71, 39.75

 

CMYK 0 / 19 / 46 / 2

HEX #FBCB88

RGB 251 203 136

HSL 34.96, 0.93%, 0.76%

LAB 84.48, 8.71, 39.75

 

CMYK 0 / 16 / 39 / 5

HEX #F1CA92

RGB 241 202 146

HSL 35.37, 0.77%, 0.76%

LAB 83.45, 6.32, 33.1

 

CMYK 0 / 13 / 32 / 9

HEX #E7C89C

RGB 231 200 156

HSL 35.2, 0.61%, 0.76%

LAB 82.22, 4.64, 26.07

 

CMYK 0 / 10 / 25 / 13

HEX #DDC6A5

RGB 221 198 165

HSL 35.36, 0.45%, 0.76%

LAB 81, 3.05, 19.51

 

CMYK 0 / 7 / 17 / 17

HEX #D3C4AF

RGB 211 196 175

HSL 35, 0.29%, 0.76%

LAB 79.85, 1.82, 12.44

 

CMYK 0 / 43 / 46 / 2

HEX #FB8E88

RGB 251 142 136

HSL 3.13, 0.93%, 0.76%

LAB 70.62, 40.51, 21.42

 

CMYK 0 / 31 / 46 / 2

HEX #FBAC88

RGB 251 172 136

HSL 18.78, 0.93%, 0.76%

LAB 77.16, 24.94, 30.21

 

CMYK 0 / 19 / 46 / 2

HEX #FBCB88

RGB 251 203 136

HSL 34.96, 0.93%, 0.76%

LAB 84.48, 8.71, 39.75

 

CMYK 0 / 7 / 46 / 2

HEX #FBEA88

RGB 251 234 136

HSL 51.13, 0.93%, 0.76%

LAB 92.19, -7.09, 49.44

 

CMYK 6 / 0 / 46 / 2

HEX #EDFB88

RGB 237 251 136

HSL 67.3, 0.93%, 0.76%

LAB 95.49, -20.85, 53.24

 

CMYK 0 / 32 / 77 / 3

HEX #F8A938

RGB 248 169 56

HSL 35.31, 0.93%, 0.6%

LAB 75.21, 19.97, 66.14

 

CMYK 0 / 26 / 62 / 2

HEX #FABA60

RGB 250 186 96

HSL 35.06, 0.94%, 0.68%

LAB 79.78, 13.92, 53.73

 

CMYK 0 / 19 / 46 / 2

HEX #FBCB88

RGB 251 203 136

HSL 34.96, 0.93%, 0.76%

LAB 84.48, 8.71, 39.75

 

CMYK 0 / 12 / 30 / 1

HEX #FCDDB0

RGB 252 221 176

HSL 35.53, 0.93%, 0.84%

LAB 89.65, 4.27, 26.06

 

CMYK 0 / 6 / 15 / 1

HEX #FDEED8

RGB 253 238 216

HSL 35.68, 0.9%, 0.92%

LAB 94.73, 1.53, 12.46

 

CMYK 0 / 19 / 46 / 2

HEX #FBCB87

RGB 251 203 135

HSL 35.17, 0.94%, 0.76%

LAB 84.47, 8.62, 40.24

 

CMYK 36 / 0 / 46 / 2

HEX #A1FB88

RGB 161 251 136

HSL 106.96, 0.93%, 0.76%

LAB 90.94, -47.75, 46.61

 

CMYK 37 / 46 / 0 / 2

HEX #9D88FB

RGB 157 136 251

HSL 250.96, 0.93%, 0.76%

LAB 63.13, 34, -54.87

 

CMYK 0 / 19 / 46 / 2

HEX #FBCB87

RGB 251 203 135

HSL 35.17, 0.94%, 0.76%

LAB 84.47, 8.62, 40.24

 

CMYK 46 / 0 / 19 / 2

HEX #88FBCB

RGB 136 251 203

HSL 154.96, 0.93%, 0.76%

LAB 91.03, -43.58, 12.96

 

CMYK 19 / 46 / 0 / 2

HEX #CB88FB

RGB 203 136 251

HSL 274.96, 0.93%, 0.76%

LAB 67.48, 46.07, -47.7

 

CMYK 0 / 19 / 46 / 2

HEX #FBCB87

RGB 251 203 135

HSL 35.17, 0.94%, 0.76%

LAB 84.47, 8.62, 40.24

 

CMYK 36 / 0 / 46 / 2

HEX #A1FB88

RGB 161 251 136

HSL 106.96, 0.93%, 0.76%

LAB 90.94, -47.75, 46.61

 

CMYK 46 / 27 / 0 / 2

HEX #88B8FB

RGB 136 184 251

HSL 214.96, 0.93%, 0.76%

LAB 73.86, 1.54, -38.1

 

CMYK 10 / 46 / 0 / 2

HEX #E288FB

RGB 226 136 251

HSL 286.96, 0.93%, 0.76%

LAB 69.99, 52.41, -43.58

 

CMYK 0 / 19 / 46 / 2

HEX #FBCB87

RGB 251 203 135

HSL 35.17, 0.94%, 0.76%

LAB 84.47, 8.62, 40.24

 

CMYK 46 / 0 / 42 / 2

HEX #88FB91

RGB 136 251 145

HSL 124.7, 0.93%, 0.76%

LAB 89.99, -53.85, 40.84

 

CMYK 46 / 27 / 0 / 2

HEX #88B8FB

RGB 136 184 251

HSL 214.96, 0.93%, 0.76%

LAB 73.86, 1.54, -38.1

 

CMYK 0 / 46 / 4 / 2

HEX #FB88F1

RGB 251 136 241

HSL 305.22, 0.93%, 0.76%

LAB 72.54, 57.66, -33.93

 

Description

Color code: HEX #FBCB87 | qconv.com Color code: HEX #FBCB87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 203 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 203 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 46 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 46% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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