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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBC41C it is the complementary color #043BE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBC41C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBC41C shade: #FFC417, #FFD62A, #FFE83D, #FFFA50 and #FFFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBC41C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBC41C shade: #FBC41C, #EAB209, #D9A000, #C88E00 and #B77C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBC41C shade: #FBC41C, #FB881C, #FB4C1C and #FB1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBC41C shade: #FBC41C, #F6FB1C, #BAFB1C, #7EFB1C and #42FB1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBC41C shade matches the following richer shades: #FBC41C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBC41C shade: #FBC41C, #E8BB2F, #D6B142, #C3A854 and #B19F67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBC41C shade: #FB4D1C, #FB881C, #FBC31C, #F7FB1C and #BCFB1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBC41C shade: #C39302, #EBB203, #FBC41C, #FCCF45 and #FCD96E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBC41C shade: #FBC41C, #28FB1C and #6A1CFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBC41C shade: #FBC41C, #1CFBC3 and #C31CFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBC41C shade: #FBC41C, #28FB1C, #1C54FB and #F01CFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBC41C shade: #FBC41C, #1CFB54, #1C54FB and #FB1CC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 89 / 2

HEX #FBC41C

RGB 251 196 28

HSL 45.2, 0.97%, 0.55%

LAB 81.88, 6.39, 79.91

 

Complementary color

CMYK 98 / 74 / 0 / 11

HEX #043BE3

RGB 4 59 227

HSL 225.2, 0.97%, 0.45%

LAB 35.4, 51.5, -86.85

 

CMYK 0 / 23 / 91 / 0

HEX #FFC417

RGB 255 196 23

HSL 44.74, 1%, 0.55%

LAB 82.27, 8.02, 81.28

 

CMYK 0 / 16 / 84 / 0

HEX #FFD62A

RGB 255 214 42

HSL 48.45, 1%, 0.58%

LAB 86.76, -0.83, 80.9

 

CMYK 0 / 9 / 76 / 0

HEX #FFE83D

RGB 255 232 61

HSL 52.89, 1%, 0.62%

LAB 91.37, -9.28, 79.62

 

CMYK 0 / 2 / 69 / 0

HEX #FFFA50

RGB 255 250 80

HSL 58.29, 1%, 0.66%

LAB 96.08, -17.27, 77.79

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 0 / 22 / 89 / 2

HEX #FBC41C

RGB 251 196 28

HSL 45.2, 0.97%, 0.55%

LAB 81.88, 6.39, 79.91

 

CMYK 0 / 24 / 96 / 8

HEX #EAB209

RGB 234 178 9

HSL 45.07, 0.93%, 0.48%

LAB 75.67, 8.23, 77.35

 

CMYK 0 / 26 / 100 / 15

HEX #D9A000

RGB 217 160 0

HSL 44.24, 1%, 0.43%

LAB 69.39, 10.29, 73.17

 

CMYK 0 / 29 / 100 / 22

HEX #C88E00

RGB 200 142 0

HSL 42.6, 1%, 0.39%

LAB 63.03, 12.51, 67.95

 

CMYK 0 / 32 / 100 / 28

HEX #B77C00

RGB 183 124 0

HSL 40.66, 1%, 0.36%

LAB 56.57, 14.82, 62.66

 

CMYK 0 / 22 / 89 / 2

HEX #FBC41C

RGB 251 196 28

HSL 45.2, 0.97%, 0.55%

LAB 81.88, 6.39, 79.91

 

CMYK 0 / 46 / 89 / 2

HEX #FB881C

RGB 251 136 28

HSL 29.06, 0.97%, 0.55%

LAB 68.17, 37.57, 69.44

 

CMYK 0 / 70 / 89 / 2

HEX #FB4C1C

RGB 251 76 28

HSL 12.91, 0.97%, 0.55%

LAB 57.81, 64.43, 61.75

 

CMYK 0 / 89 / 89 / 2

HEX #FB1C1C

RGB 251 28 28

HSL 0, 0.97%, 0.55%

LAB 53.41, 76.78, 58.58

 

CMYK 0 / 22 / 89 / 2

HEX #FBC41C

RGB 251 196 28

HSL 45.2, 0.97%, 0.55%

LAB 81.88, 6.39, 79.91

 

CMYK 2 / 0 / 89 / 2

HEX #F6FB1C

RGB 246 251 28

HSL 61.35, 0.97%, 0.55%

LAB 95.44, -23.06, 90.29

 

CMYK 26 / 0 / 89 / 2

HEX #BAFB1C

RGB 186 251 28

HSL 77.49, 0.97%, 0.55%

LAB 91.47, -46.68, 85.44

 

CMYK 50 / 0 / 89 / 2

HEX #7EFB1C

RGB 126 251 28

HSL 93.63, 0.97%, 0.55%

LAB 88.69, -66.5, 82.01

 

CMYK 74 / 0 / 89 / 2

HEX #42FB1C

RGB 66 251 28

HSL 109.78, 0.97%, 0.55%

LAB 87.11, -79.52, 80.04

 

CMYK 0 / 22 / 89 / 2

HEX #FBC41C

RGB 251 196 28

HSL 45.2, 0.97%, 0.55%

LAB 81.88, 6.39, 79.91

 

CMYK 0 / 22 / 89 / 2

HEX #FBC41C

RGB 251 196 28

HSL 45.2, 0.97%, 0.55%

LAB 81.88, 6.39, 79.91

 

CMYK 0 / 19 / 80 / 9

HEX #E8BB2F

RGB 232 187 47

HSL 45.41, 0.8%, 0.55%

LAB 77.82, 3.4, 70.97

 

CMYK 0 / 17 / 69 / 16

HEX #D6B142

RGB 214 177 66

HSL 45, 0.64%, 0.55%

LAB 73.63, 1.72, 59.41

 

CMYK 0 / 14 / 57 / 24

HEX #C3A854

RGB 195 168 84

HSL 45.41, 0.48%, 0.55%

LAB 69.65, -0.47, 46.37

 

CMYK 0 / 10 / 42 / 31

HEX #B19F67

RGB 177 159 103

HSL 45.41, 0.32%, 0.55%

LAB 65.84, -1.43, 31.6

 

CMYK 0 / 69 / 89 / 2

HEX #FB4D1C

RGB 251 77 28

HSL 13.18, 0.97%, 0.55%

LAB 57.94, 64.07, 61.84

 

CMYK 0 / 46 / 89 / 2

HEX #FB881C

RGB 251 136 28

HSL 29.06, 0.97%, 0.55%

LAB 68.17, 37.57, 69.44

 

CMYK 0 / 22 / 89 / 2

HEX #FBC31C

RGB 251 195 28

HSL 44.93, 0.97%, 0.55%

LAB 81.63, 6.91, 79.72

 

CMYK 2 / 0 / 89 / 2

HEX #F7FB1C

RGB 247 251 28

HSL 61.08, 0.97%, 0.55%

LAB 95.52, -22.66, 90.38

 

CMYK 25 / 0 / 89 / 2

HEX #BCFB1C

RGB 188 251 28

HSL 76.95, 0.97%, 0.55%

LAB 91.58, -45.93, 85.58

 

CMYK 0 / 25 / 99 / 24

HEX #C39302

RGB 195 147 2

HSL 45.08, 0.98%, 0.39%

LAB 63.73, 7.57, 67.87

 

CMYK 0 / 24 / 99 / 8

HEX #EBB203

RGB 235 178 3

HSL 45.26, 0.97%, 0.47%

LAB 75.77, 8.61, 78.11

 

CMYK 0 / 22 / 89 / 2

HEX #FBC41C

RGB 251 196 28

HSL 45.2, 0.97%, 0.55%

LAB 81.88, 6.39, 79.91

 

CMYK 0 / 18 / 73 / 1

HEX #FCCF45

RGB 252 207 69

HSL 45.25, 0.97%, 0.63%

LAB 84.87, 2.39, 70.68

 

CMYK 0 / 14 / 56 / 1

HEX #FCD96E

RGB 252 217 110

HSL 45.21, 0.96%, 0.71%

LAB 87.7, -0.3, 56.38

 

CMYK 0 / 22 / 89 / 2

HEX #FBC41C

RGB 251 196 28

HSL 45.2, 0.97%, 0.55%

LAB 81.88, 6.39, 79.91

 

CMYK 84 / 0 / 89 / 2

HEX #28FB1C

RGB 40 251 28

HSL 116.77, 0.97%, 0.55%

LAB 86.77, -82.6, 79.61

 

CMYK 58 / 89 / 0 / 2

HEX #6A1CFB

RGB 106 28 251

HSL 260.99, 0.97%, 0.55%

LAB 39.34, 76.48, -93.73

 

CMYK 0 / 22 / 89 / 2

HEX #FBC41C

RGB 251 196 28

HSL 45.2, 0.97%, 0.55%

LAB 81.88, 6.39, 79.91

 

CMYK 89 / 0 / 22 / 2

HEX #1CFBC3

RGB 28 251 195

HSL 164.93, 0.97%, 0.55%

LAB 88.53, -61.38, 13.23

 

CMYK 22 / 89 / 0 / 2

HEX #C31CFB

RGB 195 28 251

HSL 284.93, 0.97%, 0.55%

LAB 51.15, 86.3, -73.91

 

CMYK 0 / 22 / 89 / 2

HEX #FBC41C

RGB 251 196 28

HSL 45.2, 0.97%, 0.55%

LAB 81.88, 6.39, 79.91

 

CMYK 84 / 0 / 89 / 2

HEX #28FB1C

RGB 40 251 28

HSL 116.77, 0.97%, 0.55%

LAB 86.77, -82.6, 79.61

 

CMYK 89 / 67 / 0 / 2

HEX #1C54FB

RGB 28 84 251

HSL 224.93, 0.97%, 0.55%

LAB 43.58, 45.74, -86.87

 

CMYK 4 / 89 / 0 / 2

HEX #F01CFB

RGB 240 28 251

HSL 297.04, 0.97%, 0.55%

LAB 58.34, 93.08, -61.94

 

CMYK 0 / 22 / 89 / 2

HEX #FBC41C

RGB 251 196 28

HSL 45.2, 0.97%, 0.55%

LAB 81.88, 6.39, 79.91

 

CMYK 89 / 0 / 67 / 2

HEX #1CFB54

RGB 28 251 84

HSL 135.07, 0.97%, 0.55%

LAB 86.94, -80.02, 63.89

 

CMYK 89 / 67 / 0 / 2

HEX #1C54FB

RGB 28 84 251

HSL 224.93, 0.97%, 0.55%

LAB 43.58, 45.74, -86.87

 

CMYK 0 / 89 / 22 / 2

HEX #FB1CC3

RGB 251 28 195

HSL 315.07, 0.97%, 0.55%

LAB 57.35, 87.61, -31.72

 

Description

Color code: HEX #FBC41C | qconv.com Color code: HEX #FBC41C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 196 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 196 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 89 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 89% 2% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

39% - Web Resources for We...
Link: http://itwebresources.com

21% - Home - Pinnacle Cran...
Link: http://www.pinnaclecranes.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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