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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBBB82 it is the complementary color #04447D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBBB82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBBB82 shade: #FFBB7D, #FFCD90, #FFDFA3, #FFF1B6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBBB82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBBB82 shade: #FBBB82, #EAA96F, #D9975C, #C88549 and #B77336

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBBB82 shade: #FBBB83, #FB9B83 and #FB8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBBB82 shade: #FBBB83, #FBDC83, #F9FB83, #D9FB83 and #B9FB83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBBB82 shade matches the following richer shades: #FBBB83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBBB82 shade: #FBBB83, #F0BC8D, #E6BC97, #DCBDA2 and #D1BEAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBBB82 shade: #FB838B, #FB9B83, #FBBB83, #FBDB83 and #FBFB83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBBB82 shade: #F89033, #F9A65B, #FBBB83, #FCD1AB and #FDE7D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBBB82 shade: #FBBB82, #ABFB83 and #8B83FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBBB82 shade: #FBBB82, #83FBBB and #BB83FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBBB82 shade: #FBBB82, #ABFB83, #83C3FB and #D383FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBBB82 shade: #FBBB82, #87FB83, #83C3FB and #F783FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 48 / 2

HEX #FBBB82

RGB 251 187 130

HSL 28.26, 0.94%, 0.75%

LAB 80.55, 16.49, 37.78

 

Complementary color

CMYK 97 / 46 / 0 / 51

HEX #04447D

RGB 4 68 125

HSL 208.26, 0.94%, 0.25%

LAB 28.49, 5.31, -37.33

 

CMYK 0 / 27 / 51 / 0

HEX #FFBB7D

RGB 255 187 125

HSL 28.62, 1%, 0.75%

LAB 80.89, 17.63, 40.87

 

CMYK 0 / 20 / 44 / 0

HEX #FFCD90

RGB 255 205 144

HSL 32.97, 1%, 0.78%

LAB 85.47, 10.04, 37.02

 

CMYK 0 / 13 / 36 / 0

HEX #FFDFA3

RGB 255 223 163

HSL 39.13, 1%, 0.82%

LAB 90.17, 2.82, 33.49

 

CMYK 0 / 5 / 29 / 0

HEX #FFF1B6

RGB 255 241 182

HSL 48.49, 1%, 0.86%

LAB 94.97, -4.01, 30.25

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 25 / 48 / 2

HEX #FBBB82

RGB 251 187 130

HSL 28.26, 0.94%, 0.75%

LAB 80.55, 16.49, 37.78

 

CMYK 0 / 28 / 53 / 8

HEX #EAA96F

RGB 234 169 111

HSL 28.29, 0.75%, 0.68%

LAB 74.2, 17.48, 39.19

 

CMYK 0 / 30 / 58 / 15

HEX #D9975C

RGB 217 151 92

HSL 28.32, 0.62%, 0.61%

LAB 67.77, 18.6, 40.67

 

CMYK 0 / 34 / 64 / 22

HEX #C88549

RGB 200 133 73

HSL 28.35, 0.54%, 0.54%

LAB 61.25, 19.89, 42.23

 

CMYK 0 / 37 / 70 / 28

HEX #B77336

RGB 183 115 54

HSL 28.37, 0.54%, 0.46%

LAB 54.65, 21.38, 43.8

 

CMYK 0 / 25 / 48 / 2

HEX #FBBB83

RGB 251 187 131

HSL 28, 0.94%, 0.75%

LAB 80.57, 16.59, 37.28

 

CMYK 0 / 38 / 48 / 2

HEX #FB9B83

RGB 251 155 131

HSL 12, 0.94%, 0.75%

LAB 73.28, 33.35, 27.75

 

CMYK 0 / 48 / 48 / 2

HEX #FB8383

RGB 251 131 131

HSL 0, 0.94%, 0.75%

LAB 68.3, 45.57, 21.04

 

CMYK 0 / 25 / 48 / 2

HEX #FBBB83

RGB 251 187 131

HSL 28, 0.94%, 0.75%

LAB 80.57, 16.59, 37.28

 

CMYK 0 / 12 / 48 / 2

HEX #FBDC83

RGB 251 220 131

HSL 44.5, 0.94%, 0.75%

LAB 88.61, -0.49, 47.43

 

CMYK 1 / 0 / 48 / 2

HEX #F9FB83

RGB 249 251 131

HSL 61, 0.94%, 0.75%

LAB 96.32, -16.68, 56.78

 

CMYK 14 / 0 / 48 / 2

HEX #D9FB83

RGB 217 251 131

HSL 77, 0.94%, 0.75%

LAB 94.05, -28.9, 53.51

 

CMYK 26 / 0 / 48 / 2

HEX #B9FB83

RGB 185 251 131

HSL 93, 0.94%, 0.75%

LAB 92.11, -40.42, 50.7

 

CMYK 0 / 25 / 48 / 2

HEX #FBBB83

RGB 251 187 131

HSL 28, 0.94%, 0.75%

LAB 80.57, 16.59, 37.28

 

CMYK 0 / 25 / 48 / 2

HEX #FBBB83

RGB 251 187 131

HSL 28, 0.94%, 0.75%

LAB 80.57, 16.59, 37.28

 

CMYK 0 / 22 / 41 / 6

HEX #F0BC8D

RGB 240 188 141

HSL 28.48, 0.77%, 0.75%

LAB 79.85, 12.72, 30.92

 

CMYK 0 / 18 / 34 / 10

HEX #E6BC97

RGB 230 188 151

HSL 28.1, 0.61%, 0.75%

LAB 79.05, 9.95, 24.4

 

CMYK 0 / 14 / 26 / 14

HEX #DCBDA2

RGB 220 189 162

HSL 27.93, 0.45%, 0.75%

LAB 78.59, 7, 17.74

 

CMYK 0 / 9 / 18 / 18

HEX #D1BEAC

RGB 209 190 172

HSL 29.19, 0.29%, 0.75%

LAB 78.09, 3.79, 11.52

 

CMYK 0 / 48 / 45 / 2

HEX #FB838B

RGB 251 131 139

HSL 356, 0.94%, 0.75%

LAB 68.46, 46.33, 16.79

 

CMYK 0 / 38 / 48 / 2

HEX #FB9B83

RGB 251 155 131

HSL 12, 0.94%, 0.75%

LAB 73.28, 33.35, 27.75

 

CMYK 0 / 25 / 48 / 2

HEX #FBBB83

RGB 251 187 131

HSL 28, 0.94%, 0.75%

LAB 80.57, 16.59, 37.28

 

CMYK 0 / 13 / 48 / 2

HEX #FBDB83

RGB 251 219 131

HSL 44, 0.94%, 0.75%

LAB 88.36, 0.02, 47.12

 

CMYK 0 / 0 / 48 / 2

HEX #FBFB83

RGB 251 251 131

HSL 60, 0.94%, 0.75%

LAB 96.47, -15.91, 56.99

 

CMYK 0 / 42 / 79 / 3

HEX #F89033

RGB 248 144 51

HSL 28.32, 0.93%, 0.59%

LAB 69.57, 32.85, 62.79

 

CMYK 0 / 33 / 63 / 2

HEX #F9A65B

RGB 249 166 91

HSL 28.48, 0.93%, 0.67%

LAB 74.93, 23.68, 50.54

 

CMYK 0 / 25 / 48 / 2

HEX #FBBB83

RGB 251 187 131

HSL 28, 0.94%, 0.75%

LAB 80.57, 16.59, 37.28

 

CMYK 0 / 17 / 32 / 1

HEX #FCD1AB

RGB 252 209 171

HSL 28.15, 0.93%, 0.83%

LAB 86.62, 9.84, 24.52

 

CMYK 0 / 9 / 17 / 1

HEX #FDE7D3

RGB 253 231 211

HSL 28.57, 0.91%, 0.91%

LAB 92.9, 4.34, 12.44

 

CMYK 0 / 25 / 48 / 2

HEX #FBBB82

RGB 251 187 130

HSL 28.26, 0.94%, 0.75%

LAB 80.55, 16.49, 37.78

 

CMYK 32 / 0 / 48 / 2

HEX #ABFB83

RGB 171 251 131

HSL 100, 0.94%, 0.75%

LAB 91.37, -45.15, 49.62

 

CMYK 45 / 48 / 0 / 2

HEX #8B83FB

RGB 139 131 251

HSL 244, 0.94%, 0.75%

LAB 60.5, 32.59, -59.14

 

CMYK 0 / 25 / 48 / 2

HEX #FBBB82

RGB 251 187 130

HSL 28.26, 0.94%, 0.75%

LAB 80.55, 16.49, 37.78

 

CMYK 48 / 0 / 25 / 2

HEX #83FBBB

RGB 131 251 187

HSL 148, 0.94%, 0.75%

LAB 90.51, -47.99, 20.43

 

CMYK 25 / 48 / 0 / 2

HEX #BB83FB

RGB 187 131 251

HSL 268, 0.94%, 0.75%

LAB 64.77, 44.47, -52.09

 

CMYK 0 / 25 / 48 / 2

HEX #FBBB82

RGB 251 187 130

HSL 28.26, 0.94%, 0.75%

LAB 80.55, 16.49, 37.78

 

CMYK 32 / 0 / 48 / 2

HEX #ABFB83

RGB 171 251 131

HSL 100, 0.94%, 0.75%

LAB 91.37, -45.15, 49.62

 

CMYK 48 / 22 / 0 / 2

HEX #83C3FB

RGB 131 195 251

HSL 208, 0.94%, 0.75%

LAB 76.57, -5.63, -33.91

 

CMYK 16 / 48 / 0 / 2

HEX #D383FB

RGB 211 131 251

HSL 280, 0.94%, 0.75%

LAB 67.31, 50.86, -47.91

 

CMYK 0 / 25 / 48 / 2

HEX #FBBB82

RGB 251 187 130

HSL 28.26, 0.94%, 0.75%

LAB 80.55, 16.49, 37.78

 

CMYK 46 / 0 / 48 / 2

HEX #87FB83

RGB 135 251 131

HSL 118, 0.94%, 0.75%

LAB 89.76, -56.07, 47.27

 

CMYK 48 / 22 / 0 / 2

HEX #83C3FB

RGB 131 195 251

HSL 208, 0.94%, 0.75%

LAB 76.57, -5.63, -33.91

 

CMYK 2 / 48 / 0 / 2

HEX #F783FB

RGB 247 131 251

HSL 298, 0.94%, 0.75%

LAB 71.54, 60.68, -40.98

 

Description

Color code: HEX #FBBB82 | qconv.com Color code: HEX #FBBB82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 187 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 187 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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