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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBB188 it is the complementary color #044E77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBB188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBB188 shade: #FFB183, #FFC396, #FFD5A9, #FFE7BC and #FFF9CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBB188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBB188 shade: #FBB188, #EA9F75, #D98D62, #C87B4F and #B7693C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBB188 shade: #FAB188, #FA9288 and #FA8888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBB188 shade: #FAB188, #FAD088, #FAEE88, #E7FA88 and #C9FA88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBB188 shade matches the following richer shades: #FAB188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBB188 shade: #FAB188, #F0B492, #E6B79C, #DDB9A6 and #D3BCB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBB188 shade: #FA889D, #FA9288, #FAB088, #FACF88 and #FAED88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBB188 shade: #F77D39, #F99761, #FAB188, #FCCBB0 and #FDE5D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBB188 shade: #FBB188, #BCFA88 and #888EFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBB188 shade: #FBB188, #88FAB0 and #B088FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBB188 shade: #FBB188, #BCFA88, #88D2FA and #C788FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBB188 shade: #FBB188, #99FA88, #88D2FA and #E988FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 46 / 2

HEX #FBB188

RGB 251 177 136

HSL 21.39, 0.93%, 0.76%

LAB 78.3, 22.31, 31.73

 

Complementary color

CMYK 97 / 34 / 0 / 53

HEX #044E77

RGB 4 78 119

HSL 201.39, 0.93%, 0.24%

LAB 31.36, -3.92, -29

 

CMYK 0 / 31 / 49 / 0

HEX #FFB183

RGB 255 177 131

HSL 22.26, 1%, 0.76%

LAB 78.66, 23.4, 34.91

 

CMYK 0 / 24 / 41 / 0

HEX #FFC396

RGB 255 195 150

HSL 25.71, 1%, 0.79%

LAB 83.17, 15.87, 30.89

 

CMYK 0 / 16 / 34 / 0

HEX #FFD5A9

RGB 255 213 169

HSL 30.7, 1%, 0.83%

LAB 87.83, 8.66, 27.26

 

CMYK 0 / 9 / 26 / 0

HEX #FFE7BC

RGB 255 231 188

HSL 38.51, 1%, 0.87%

LAB 92.59, 1.82, 23.94

 

CMYK 0 / 2 / 19 / 0

HEX #FFF9CF

RGB 255 249 207

HSL 52.5, 1%, 0.91%

LAB 97.44, -4.64, 20.91

 

CMYK 0 / 29 / 46 / 2

HEX #FBB188

RGB 251 177 136

HSL 21.39, 0.93%, 0.76%

LAB 78.3, 22.31, 31.73

 

CMYK 0 / 32 / 50 / 8

HEX #EA9F75

RGB 234 159 117

HSL 21.54, 0.74%, 0.69%

LAB 71.94, 23.33, 33.16

 

CMYK 0 / 35 / 55 / 15

HEX #D98D62

RGB 217 141 98

HSL 21.68, 0.61%, 0.62%

LAB 65.5, 24.47, 34.71

 

CMYK 0 / 39 / 61 / 22

HEX #C87B4F

RGB 200 123 79

HSL 21.82, 0.52%, 0.55%

LAB 58.98, 25.76, 36.4

 

CMYK 0 / 43 / 67 / 28

HEX #B7693C

RGB 183 105 60

HSL 21.95, 0.51%, 0.48%

LAB 52.39, 27.24, 38.21

 

CMYK 0 / 29 / 46 / 2

HEX #FAB188

RGB 250 177 136

HSL 21.58, 0.92%, 0.76%

LAB 78.2, 21.92, 31.56

 

CMYK 0 / 42 / 46 / 2

HEX #FA9288

RGB 250 146 136

HSL 5.26, 0.92%, 0.76%

LAB 71.32, 38.1, 22.36

 

CMYK 0 / 46 / 46 / 2

HEX #FA8888

RGB 250 136 136

HSL 0, 0.92%, 0.76%

LAB 69.26, 43.18, 19.55

 

CMYK 0 / 29 / 46 / 2

HEX #FAB188

RGB 250 177 136

HSL 21.58, 0.92%, 0.76%

LAB 78.2, 21.92, 31.56

 

CMYK 0 / 17 / 46 / 2

HEX #FAD088

RGB 250 208 136

HSL 37.89, 0.92%, 0.76%

LAB 85.61, 5.73, 41.17

 

CMYK 0 / 5 / 46 / 2

HEX #FAEE88

RGB 250 238 136

HSL 53.68, 0.92%, 0.76%

LAB 93.12, -9.47, 50.57

 

CMYK 8 / 0 / 46 / 2

HEX #E7FA88

RGB 231 250 136

HSL 70, 0.92%, 0.76%

LAB 94.8, -22.66, 52.3

 

CMYK 20 / 0 / 46 / 2

HEX #C9FA88

RGB 201 250 136

HSL 85.79, 0.92%, 0.76%

LAB 92.82, -33.77, 49.43

 

CMYK 0 / 29 / 46 / 2

HEX #FAB188

RGB 250 177 136

HSL 21.58, 0.92%, 0.76%

LAB 78.2, 21.92, 31.56

 

CMYK 0 / 29 / 46 / 2

HEX #FAB188

RGB 250 177 136

HSL 21.58, 0.92%, 0.76%

LAB 78.2, 21.92, 31.56

 

CMYK 0 / 25 / 39 / 6

HEX #F0B492

RGB 240 180 146

HSL 21.7, 0.76%, 0.76%

LAB 78.02, 17.49, 25.83

 

CMYK 0 / 20 / 32 / 10

HEX #E6B79C

RGB 230 183 156

HSL 21.89, 0.6%, 0.76%

LAB 77.93, 13.22, 20.19

 

CMYK 0 / 16 / 25 / 13

HEX #DDB9A6

RGB 221 185 166

HSL 20.73, 0.45%, 0.76%

LAB 77.77, 10.06, 14.46

 

CMYK 0 / 11 / 17 / 17

HEX #D3BCB0

RGB 211 188 176

HSL 20.57, 0.28%, 0.76%

LAB 77.85, 6.22, 9.04

 

CMYK 0 / 46 / 37 / 2

HEX #FA889D

RGB 250 136 157

HSL 348.95, 0.92%, 0.76%

LAB 69.73, 45.39, 8.46

 

CMYK 0 / 42 / 46 / 2

HEX #FA9288

RGB 250 146 136

HSL 5.26, 0.92%, 0.76%

LAB 71.32, 38.1, 22.36

 

CMYK 0 / 30 / 46 / 2

HEX #FAB088

RGB 250 176 136

HSL 21.05, 0.92%, 0.76%

LAB 77.96, 22.45, 31.26

 

CMYK 0 / 17 / 46 / 2

HEX #FACF88

RGB 250 207 136

HSL 37.37, 0.92%, 0.76%

LAB 85.37, 6.25, 40.86

 

CMYK 0 / 5 / 46 / 2

HEX #FAED88

RGB 250 237 136

HSL 53.16, 0.92%, 0.76%

LAB 92.87, -8.98, 50.26

 

CMYK 0 / 49 / 77 / 3

HEX #F77D39

RGB 247 125 57

HSL 21.47, 0.92%, 0.6%

LAB 65.54, 42.3, 56.38

 

CMYK 0 / 39 / 61 / 2

HEX #F99761

RGB 249 151 97

HSL 21.32, 0.93%, 0.68%

LAB 71.65, 31.91, 43.68

 

CMYK 0 / 29 / 46 / 2

HEX #FAB188

RGB 250 177 136

HSL 21.58, 0.92%, 0.76%

LAB 78.2, 21.92, 31.56

 

CMYK 0 / 19 / 30 / 1

HEX #FCCBB0

RGB 252 203 176

HSL 21.32, 0.93%, 0.84%

LAB 85.27, 13.59, 20.04

 

CMYK 0 / 9 / 15 / 1

HEX #FDE5D8

RGB 253 229 216

HSL 21.08, 0.9%, 0.92%

LAB 92.52, 6.13, 9.3

 

CMYK 0 / 29 / 46 / 2

HEX #FBB188

RGB 251 177 136

HSL 21.39, 0.93%, 0.76%

LAB 78.3, 22.31, 31.73

 

CMYK 25 / 0 / 46 / 2

HEX #BCFA88

RGB 188 250 136

HSL 92.63, 0.92%, 0.76%

LAB 92.06, -38.37, 48.31

 

CMYK 46 / 43 / 0 / 2

HEX #888EFA

RGB 136 142 250

HSL 236.84, 0.92%, 0.76%

LAB 62.91, 25.21, -54.76

 

CMYK 0 / 29 / 46 / 2

HEX #FBB188

RGB 251 177 136

HSL 21.39, 0.93%, 0.76%

LAB 78.3, 22.31, 31.73

 

CMYK 46 / 0 / 30 / 2

HEX #88FAB0

RGB 136 250 176

HSL 141.05, 0.92%, 0.76%

LAB 90.2, -48.37, 25.64

 

CMYK 30 / 46 / 0 / 2

HEX #B088FA

RGB 176 136 250

HSL 261.05, 0.92%, 0.76%

LAB 64.76, 38.6, -51.63

 

CMYK 0 / 29 / 46 / 2

HEX #FBB188

RGB 251 177 136

HSL 21.39, 0.93%, 0.76%

LAB 78.3, 22.31, 31.73

 

CMYK 25 / 0 / 46 / 2

HEX #BCFA88

RGB 188 250 136

HSL 92.63, 0.92%, 0.76%

LAB 92.06, -38.37, 48.31

 

CMYK 46 / 16 / 0 / 2

HEX #88D2FA

RGB 136 210 250

HSL 201.05, 0.92%, 0.76%

LAB 80.87, -12.68, -26.76

 

CMYK 20 / 46 / 0 / 2

HEX #C788FA

RGB 199 136 250

HSL 273.16, 0.92%, 0.76%

LAB 67.02, 44.76, -47.91

 

CMYK 0 / 29 / 46 / 2

HEX #FBB188

RGB 251 177 136

HSL 21.39, 0.93%, 0.76%

LAB 78.3, 22.31, 31.73

 

CMYK 39 / 0 / 46 / 2

HEX #99FA88

RGB 153 250 136

HSL 111.05, 0.92%, 0.76%

LAB 90.29, -49.8, 45.71

 

CMYK 46 / 16 / 0 / 2

HEX #88D2FA

RGB 136 210 250

HSL 201.05, 0.92%, 0.76%

LAB 80.87, -12.68, -26.76

 

CMYK 7 / 46 / 0 / 2

HEX #E988FA

RGB 233 136 250

HSL 291.05, 0.92%, 0.76%

LAB 70.76, 54.17, -41.78

 

Description

Color code: HEX #FBB188 | qconv.com Color code: HEX #FBB188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 177 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 177 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 46 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 46% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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