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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBB817 it is the complementary color #0447E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBB817. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBB817 shade: #FFB812, #FFCA25, #FFDC38, #FFEE4B and #FFFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBB817. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBB817 shade: #FBB817, #EAA604, #D99400, #C88200 and #B77000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBB817 shade: #FBB817, #FB7B17, #FB3D17 and #FB1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBB817 shade: #FBB817, #FBF517, #C3FB17, #86FB17 and #48FB17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBB817 shade matches the following richer shades: #FBB817

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBB817 shade: #FBB817, #E8B02A, #D5A83D, #C2A150 and #AF9963

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBB817 shade: #FB3D17, #FB7A17, #FBB717, #FBF317 and #C6FB17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBB817 shade: #BD8702, #E6A303, #FBB817, #FCC440 and #FCD169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBB817 shade: #FBB817, #2EFB17 and #5C17FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBB817 shade: #FBB817, #17FBB7 and #B717FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBB817 shade: #FBB817, #2EFB17, #175CFB and #E417FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBB817 shade: #FBB817, #17FB45, #175CFB and #FB17CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 91 / 2

HEX #FBB817

RGB 251 184 23

HSL 42.37, 0.97%, 0.54%

LAB 78.96, 12.55, 78.61

 

Complementary color

CMYK 98 / 69 / 0 / 9

HEX #0447E8

RGB 4 71 232

HSL 222.37, 0.97%, 0.46%

LAB 38.48, 46.17, -84.61

 

CMYK 0 / 28 / 93 / 0

HEX #FFB812

RGB 255 184 18

HSL 42.03, 1%, 0.54%

LAB 79.38, 14.18, 79.92

 

CMYK 0 / 21 / 85 / 0

HEX #FFCA25

RGB 255 202 37

HSL 45.41, 1%, 0.57%

LAB 83.78, 5.18, 79.65

 

CMYK 0 / 14 / 78 / 0

HEX #FFDC38

RGB 255 220 56

HSL 49.45, 1%, 0.61%

LAB 88.32, -3.46, 78.39

 

CMYK 0 / 7 / 71 / 0

HEX #FFEE4B

RGB 255 238 75

HSL 54.33, 1%, 0.65%

LAB 92.98, -11.66, 76.51

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 0 / 27 / 91 / 2

HEX #FBB817

RGB 251 184 23

HSL 42.37, 0.97%, 0.54%

LAB 78.96, 12.55, 78.61

 

CMYK 0 / 29 / 98 / 8

HEX #EAA604

RGB 234 166 4

HSL 42.26, 0.97%, 0.47%

LAB 72.74, 14.52, 75.86

 

CMYK 0 / 32 / 100 / 15

HEX #D99400

RGB 217 148 0

HSL 40.92, 1%, 0.43%

LAB 66.47, 16.73, 71.2

 

CMYK 0 / 35 / 100 / 22

HEX #C88200

RGB 200 130 0

HSL 39, 1%, 0.39%

LAB 60.11, 19.06, 66

 

CMYK 0 / 39 / 100 / 28

HEX #B77000

RGB 183 112 0

HSL 36.72, 1%, 0.36%

LAB 53.66, 21.47, 60.75

 

CMYK 0 / 27 / 91 / 2

HEX #FBB817

RGB 251 184 23

HSL 42.37, 0.97%, 0.54%

LAB 78.96, 12.55, 78.61

 

CMYK 0 / 51 / 91 / 2

HEX #FB7B17

RGB 251 123 23

HSL 26.32, 0.97%, 0.54%

LAB 65.54, 43.97, 68.79

 

CMYK 0 / 76 / 91 / 2

HEX #FB3D17

RGB 251 61 23

HSL 10, 0.97%, 0.54%

LAB 56, 69.32, 62.2

 

CMYK 0 / 91 / 91 / 2

HEX #FB1717

RGB 251 23 23

HSL 0, 0.97%, 0.54%

LAB 53.15, 77.4, 60.34

 

CMYK 0 / 27 / 91 / 2

HEX #FBB817

RGB 251 184 23

HSL 42.37, 0.97%, 0.54%

LAB 78.96, 12.55, 78.61

 

CMYK 0 / 2 / 91 / 2

HEX #FBF517

RGB 251 245 23

HSL 58.42, 0.97%, 0.54%

LAB 94.26, -18.22, 90.22

 

CMYK 22 / 0 / 91 / 2

HEX #C3FB17

RGB 195 251 23

HSL 74.74, 0.97%, 0.54%

LAB 91.98, -43.39, 86.77

 

CMYK 47 / 0 / 91 / 2

HEX #86FB17

RGB 134 251 23

HSL 90.79, 0.97%, 0.54%

LAB 88.98, -64.3, 83.1

 

CMYK 71 / 0 / 91 / 2

HEX #48FB17

RGB 72 251 23

HSL 107.11, 0.97%, 0.54%

LAB 87.21, -78.72, 80.9

 

CMYK 0 / 27 / 91 / 2

HEX #FBB817

RGB 251 184 23

HSL 42.37, 0.97%, 0.54%

LAB 78.96, 12.55, 78.61

 

CMYK 0 / 27 / 91 / 2

HEX #FBB817

RGB 251 184 23

HSL 42.37, 0.97%, 0.54%

LAB 78.96, 12.55, 78.61

 

CMYK 0 / 24 / 82 / 9

HEX #E8B02A

RGB 232 176 42

HSL 42.32, 0.81%, 0.54%

LAB 75.06, 9.02, 70.09

 

CMYK 0 / 21 / 71 / 16

HEX #D5A83D

RGB 213 168 61

HSL 42.24, 0.64%, 0.54%

LAB 71.21, 5.81, 58.97

 

CMYK 0 / 17 / 59 / 24

HEX #C2A150

RGB 194 161 80

HSL 42.63, 0.48%, 0.54%

LAB 67.68, 2.55, 46.01

 

CMYK 0 / 13 / 43 / 31

HEX #AF9963

RGB 175 153 99

HSL 42.63, 0.32%, 0.54%

LAB 64, 0.55, 31.33

 

CMYK 0 / 76 / 91 / 2

HEX #FB3D17

RGB 251 61 23

HSL 10, 0.97%, 0.54%

LAB 56, 69.32, 62.2

 

CMYK 0 / 51 / 91 / 2

HEX #FB7A17

RGB 251 122 23

HSL 26.05, 0.97%, 0.54%

LAB 65.35, 44.46, 68.66

 

CMYK 0 / 27 / 91 / 2

HEX #FBB717

RGB 251 183 23

HSL 42.11, 0.97%, 0.54%

LAB 78.72, 13.07, 78.43

 

CMYK 0 / 3 / 91 / 2

HEX #FBF317

RGB 251 243 23

HSL 57.89, 0.97%, 0.54%

LAB 93.74, -17.25, 89.83

 

CMYK 21 / 0 / 91 / 2

HEX #C6FB17

RGB 198 251 23

HSL 73.95, 0.97%, 0.54%

LAB 92.16, -42.25, 86.99

 

CMYK 0 / 29 / 99 / 26

HEX #BD8702

RGB 189 135 2

HSL 42.67, 0.98%, 0.37%

LAB 60.03, 11.45, 64.99

 

CMYK 0 / 29 / 99 / 10

HEX #E6A303

RGB 230 163 3

HSL 42.29, 0.97%, 0.46%

LAB 71.57, 14.38, 74.96

 

CMYK 0 / 27 / 91 / 2

HEX #FBB817

RGB 251 184 23

HSL 42.37, 0.97%, 0.54%

LAB 78.96, 12.55, 78.61

 

CMYK 0 / 22 / 75 / 1

HEX #FCC440

RGB 252 196 64

HSL 42.13, 0.97%, 0.62%

LAB 82.13, 7.85, 69.88

 

CMYK 0 / 17 / 58 / 1

HEX #FCD169

RGB 252 209 105

HSL 42.45, 0.96%, 0.7%

LAB 85.66, 3.43, 56.33

 

CMYK 0 / 27 / 91 / 2

HEX #FBB817

RGB 251 184 23

HSL 42.37, 0.97%, 0.54%

LAB 78.96, 12.55, 78.61

 

CMYK 82 / 0 / 91 / 2

HEX #2EFB17

RGB 46 251 23

HSL 113.95, 0.97%, 0.54%

LAB 86.82, -82.16, 80.42

 

CMYK 63 / 91 / 0 / 2

HEX #5C17FB

RGB 92 23 251

HSL 258.16, 0.97%, 0.54%

LAB 37.58, 76.67, -96.7

 

CMYK 0 / 27 / 91 / 2

HEX #FBB817

RGB 251 184 23

HSL 42.37, 0.97%, 0.54%

LAB 78.96, 12.55, 78.61

 

CMYK 91 / 0 / 27 / 2

HEX #17FBB7

RGB 23 251 183

HSL 162.11, 0.97%, 0.54%

LAB 88.25, -64.36, 19.01

 

CMYK 27 / 91 / 0 / 2

HEX #B717FB

RGB 183 23 251

HSL 282.11, 0.97%, 0.54%

LAB 49.06, 85.45, -77.38

 

CMYK 0 / 27 / 91 / 2

HEX #FBB817

RGB 251 184 23

HSL 42.37, 0.97%, 0.54%

LAB 78.96, 12.55, 78.61

 

CMYK 82 / 0 / 91 / 2

HEX #2EFB17

RGB 46 251 23

HSL 113.95, 0.97%, 0.54%

LAB 86.82, -82.16, 80.42

 

CMYK 91 / 63 / 0 / 2

HEX #175CFB

RGB 23 92 251

HSL 221.84, 0.97%, 0.54%

LAB 45.36, 40.6, -83.96

 

CMYK 9 / 91 / 0 / 2

HEX #E417FB

RGB 228 23 251

HSL 293.95, 0.97%, 0.54%

LAB 56.16, 91.82, -65.55

 

CMYK 0 / 27 / 91 / 2

HEX #FBB817

RGB 251 184 23

HSL 42.37, 0.97%, 0.54%

LAB 78.96, 12.55, 78.61

 

CMYK 91 / 0 / 73 / 2

HEX #17FB45

RGB 23 251 69

HSL 132.11, 0.97%, 0.54%

LAB 86.8, -81.61, 69.19

 

CMYK 91 / 63 / 0 / 2

HEX #175CFB

RGB 23 92 251

HSL 221.84, 0.97%, 0.54%

LAB 45.36, 40.6, -83.96

 

CMYK 0 / 91 / 18 / 2

HEX #FB17CD

RGB 251 23 205

HSL 312.11, 0.97%, 0.54%

LAB 57.59, 89.4, -37.08

 

Description

Color code: HEX #FBB817 | qconv.com Color code: HEX #FBB817 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 184 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 184 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 91 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 91% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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