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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBB5C4 it is the complementary color #044A3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBB5C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBB5C4 shade: #FFB5BF, #FFC7D2, #FFD9E5, #FFEBF8 and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBB5C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBB5C4 shade: #FBB5C4, #EAA3B1, #D9919E, #C87F8B and #B76D78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBB5C4 shade: #FBB6C5 and #FBB6B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBB5C4 shade: #FBB6C5, #FBB6D7, #FBB6EA, #F9B6FB and #E7B6FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBB5C4 shade matches the following richer shades: #FBB6C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBB5C4 shade: #FBB6C5, #F4BCC8, #EEC2CC, #E8C8CF and #E2CFD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBB5C4 shade: #FBB6E9, #FBB6D7, #FBB6C5, #FBB9B6 and #FBCCB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBB5C4 shade: #F76786, #F98FA5, #FBB6C5 and #FDDDE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBB5C4 shade: #FBB5C4, #FBFAB6 and #B6E0FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBB5C4 shade: #FBB5C4, #C5FBB6 and #B6C5FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBB5C4 shade: #FBB5C4, #FBFAB6, #B6FBEC and #B6B7FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBB5C4 shade: #FBB5C4, #E7FBB6, #B6FBEC and #C9B6FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 22 / 2

HEX #FBB5C4

RGB 251 181 196

HSL 347.14, 0.9%, 0.85%

LAB 80.48, 27.49, 2.53

 

Complementary color

CMYK 95 / 0 / 20 / 71

HEX #044A3B

RGB 4 74 59

HSL 167.14, 0.9%, 0.15%

LAB 27.41, -24.17, 3.33

 

CMYK 0 / 29 / 25 / 0

HEX #FFB5BF

RGB 255 181 191

HSL 351.89, 1%, 0.85%

LAB 80.78, 28.22, 5.71

 

CMYK 0 / 22 / 18 / 0

HEX #FFC7D2

RGB 255 199 210

HSL 348.21, 1%, 0.89%

LAB 85.38, 21.52, 2.19

 

CMYK 0 / 15 / 10 / 0

HEX #FFD9E5

RGB 255 217 229

HSL 341.05, 1%, 0.93%

LAB 90.11, 15.1, -0.97

 

CMYK 0 / 8 / 3 / 0

HEX #FFEBF8

RGB 255 235 248

HSL 321, 1%, 0.96%

LAB 94.93, 8.98, -3.83

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 28 / 22 / 2

HEX #FBB5C4

RGB 251 181 196

HSL 347.14, 0.9%, 0.85%

LAB 80.48, 27.49, 2.53

 

CMYK 0 / 30 / 24 / 8

HEX #EAA3B1

RGB 234 163 177

HSL 348.17, 0.63%, 0.78%

LAB 74.1, 28.2, 3.4

 

CMYK 0 / 33 / 27 / 15

HEX #D9919E

RGB 217 145 158

HSL 349.17, 0.49%, 0.71%

LAB 67.63, 28.97, 4.36

 

CMYK 0 / 37 / 31 / 22

HEX #C87F8B

RGB 200 127 139

HSL 350.14, 0.4%, 0.64%

LAB 61.06, 29.82, 5.41

 

CMYK 0 / 40 / 34 / 28

HEX #B76D78

RGB 183 109 120

HSL 351.08, 0.34%, 0.57%

LAB 54.41, 30.74, 6.6

 

CMYK 0 / 27 / 22 / 2

HEX #FBB6C5

RGB 251 182 197

HSL 346.96, 0.9%, 0.85%

LAB 80.74, 27.11, 2.36

 

CMYK 0 / 27 / 27 / 2

HEX #FBB6B6

RGB 251 182 182

HSL 0, 0.9%, 0.85%

LAB 80.37, 25.02, 9.93

 

CMYK 0 / 27 / 22 / 2

HEX #FBB6C5

RGB 251 182 197

HSL 346.96, 0.9%, 0.85%

LAB 80.74, 27.11, 2.36

 

CMYK 0 / 27 / 14 / 2

HEX #FBB6D7

RGB 251 182 215

HSL 331.3, 0.9%, 0.85%

LAB 81.22, 29.83, -6.64

 

CMYK 0 / 27 / 7 / 2

HEX #FBB6EA

RGB 251 182 234

HSL 314.78, 0.9%, 0.85%

LAB 81.79, 32.95, -16.02

 

CMYK 1 / 27 / 0 / 2

HEX #F9B6FB

RGB 249 182 251

HSL 298.26, 0.9%, 0.85%

LAB 82.14, 35.3, -24.61

 

CMYK 8 / 27 / 0 / 2

HEX #E7B6FB

RGB 231 182 251

HSL 282.61, 0.9%, 0.85%

LAB 80.41, 29.64, -27.41

 

CMYK 0 / 27 / 22 / 2

HEX #FBB6C5

RGB 251 182 197

HSL 346.96, 0.9%, 0.85%

LAB 80.74, 27.11, 2.36

 

CMYK 0 / 27 / 22 / 2

HEX #FBB6C5

RGB 251 182 197

HSL 346.96, 0.9%, 0.85%

LAB 80.74, 27.11, 2.36

 

CMYK 0 / 23 / 18 / 4

HEX #F4BCC8

RGB 244 188 200

HSL 347.14, 0.72%, 0.85%

LAB 81.49, 21.89, 1.76

 

CMYK 0 / 18 / 14 / 7

HEX #EEC2CC

RGB 238 194 204

HSL 346.36, 0.56%, 0.85%

LAB 82.44, 17.21, 0.92

 

CMYK 0 / 14 / 11 / 9

HEX #E8C8CF

RGB 232 200 207

HSL 346.88, 0.41%, 0.85%

LAB 83.43, 12.4, 0.68

 

CMYK 0 / 8 / 7 / 11

HEX #E2CFD3

RGB 226 207 211

HSL 347.37, 0.25%, 0.85%

LAB 84.74, 7.27, 0.4

 

CMYK 0 / 27 / 7 / 2

HEX #FBB6E9

RGB 251 182 233

HSL 315.65, 0.9%, 0.85%

LAB 81.76, 32.78, -15.53

 

CMYK 0 / 27 / 14 / 2

HEX #FBB6D7

RGB 251 182 215

HSL 331.3, 0.9%, 0.85%

LAB 81.22, 29.83, -6.64

 

CMYK 0 / 27 / 22 / 2

HEX #FBB6C5

RGB 251 182 197

HSL 346.96, 0.9%, 0.85%

LAB 80.74, 27.11, 2.36

 

CMYK 0 / 26 / 27 / 2

HEX #FBB9B6

RGB 251 185 182

HSL 2.61, 0.9%, 0.85%

LAB 81.06, 23.44, 10.91

 

CMYK 0 / 19 / 27 / 2

HEX #FBCCB6

RGB 251 204 182

HSL 19.13, 0.9%, 0.85%

LAB 85.54, 13.47, 17.23

 

CMYK 0 / 58 / 46 / 3

HEX #F76786

RGB 247 103 134

HSL 347.08, 0.9%, 0.69%

LAB 62.67, 57.71, 11.45

 

CMYK 0 / 43 / 34 / 2

HEX #F98FA5

RGB 249 143 165

HSL 347.55, 0.9%, 0.77%

LAB 71.22, 42.44, 6.1

 

CMYK 0 / 27 / 22 / 2

HEX #FBB6C5

RGB 251 182 197

HSL 346.96, 0.9%, 0.85%

LAB 80.74, 27.11, 2.36

 

CMYK 0 / 13 / 10 / 1

HEX #FDDDE4

RGB 253 221 228

HSL 346.88, 0.89%, 0.93%

LAB 90.87, 12.16, 0.64

 

CMYK 0 / 28 / 22 / 2

HEX #FBB5C4

RGB 251 181 196

HSL 347.14, 0.9%, 0.85%

LAB 80.48, 27.49, 2.53

 

CMYK 0 / 0 / 27 / 2

HEX #FBFAB6

RGB 251 250 182

HSL 59.13, 0.9%, 0.85%

LAB 96.93, -9.96, 32.83

 

CMYK 27 / 11 / 0 / 2

HEX #B6E0FB

RGB 182 224 251

HSL 203.48, 0.9%, 0.85%

LAB 87.11, -7.64, -17.59

 

CMYK 0 / 28 / 22 / 2

HEX #FBB5C4

RGB 251 181 196

HSL 347.14, 0.9%, 0.85%

LAB 80.48, 27.49, 2.53

 

CMYK 22 / 0 / 27 / 2

HEX #C5FBB6

RGB 197 251 182

HSL 106.96, 0.9%, 0.85%

LAB 93.56, -29.53, 27.66

 

CMYK 27 / 22 / 0 / 2

HEX #B6C5FB

RGB 182 197 251

HSL 226.96, 0.9%, 0.85%

LAB 80.09, 6.65, -28.25

 

CMYK 0 / 28 / 22 / 2

HEX #FBB5C4

RGB 251 181 196

HSL 347.14, 0.9%, 0.85%

LAB 80.48, 27.49, 2.53

 

CMYK 0 / 0 / 27 / 2

HEX #FBFAB6

RGB 251 250 182

HSL 59.13, 0.9%, 0.85%

LAB 96.93, -9.96, 32.83

 

CMYK 27 / 0 / 6 / 2

HEX #B6FBEC

RGB 182 251 236

HSL 166.96, 0.9%, 0.85%

LAB 93.88, -24.41, 0.28

 

CMYK 27 / 27 / 0 / 2

HEX #B6B7FB

RGB 182 183 251

HSL 239.13, 0.9%, 0.85%

LAB 76.54, 14.29, -33.7

 

CMYK 0 / 28 / 22 / 2

HEX #FBB5C4

RGB 251 181 196

HSL 347.14, 0.9%, 0.85%

LAB 80.48, 27.49, 2.53

 

CMYK 8 / 0 / 27 / 2

HEX #E7FBB6

RGB 231 251 182

HSL 77.39, 0.9%, 0.85%

LAB 95.73, -17.73, 30.98

 

CMYK 27 / 0 / 6 / 2

HEX #B6FBEC

RGB 182 251 236

HSL 166.96, 0.9%, 0.85%

LAB 93.88, -24.41, 0.28

 

CMYK 20 / 27 / 0 / 2

HEX #C9B6FB

RGB 201 182 251

HSL 256.52, 0.9%, 0.85%

LAB 77.78, 20.43, -31.67

 

Description

Color code: HEX #FBB5C4 | qconv.com Color code: HEX #FBB5C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 181 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 181 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 22 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 22% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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