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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBAC03 it is the complementary color #0453FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBAC03. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBAC03 shade: #FFAC00, #FFBE11, #FFD024, #FFE237 and #FFF44A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBAC03. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBAC03 shade: #FBAC03, #EA9A00, #D98800, #C87600 and #B76400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBAC03 shade: #FCAC02, #FC6902, #FC2602 and #FC0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBAC03 shade: #FCAC02, #FCF002, #C5FC02, #81FC02 and #3EFC02

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBAC03 shade matches the following richer shades: #FCAC02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBAC03 shade: #FCAC02, #E7A517, #D39D2B, #BE9640 and #A98E55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBAC03 shade: #FC2302, #FC6602, #FCA902, #FCEB02 and #CAFC02

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBAC03 shade: #AA7401, #D39002, #FCAC02, #FCBA2B and #FDC754

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBAC03 shade: #FBAC03, #23FC02 and #4502FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBAC03 shade: #FBAC03, #02FCA9 and #A902FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBAC03 shade: #FBAC03, #23FC02, #0255FC and #DB02FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBAC03 shade: #FBAC03, #02FC2C, #0255FC and #FC02D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 99 / 2

HEX #FBAC03

RGB 251 172 3

HSL 40.89, 0.98%, 0.5%

LAB 76.08, 18.62, 79.16

 

Complementary color

CMYK 98 / 67 / 0 / 1

HEX #0453FC

RGB 4 83 252

HSL 220.89, 0.98%, 0.5%

LAB 43.12, 46.05, -88.2

 

CMYK 0 / 33 / 100 / 0

HEX #FFAC00

RGB 255 172 0

HSL 40.47, 1%, 0.5%

LAB 76.54, 20.28, 80.01

 

CMYK 0 / 25 / 93 / 0

HEX #FFBE11

RGB 255 190 17

HSL 43.61, 1%, 0.53%

LAB 80.81, 11.05, 81.1

 

CMYK 0 / 18 / 86 / 0

HEX #FFD024

RGB 255 208 36

HSL 47.12, 1%, 0.57%

LAB 85.25, 2.08, 81.07

 

CMYK 0 / 11 / 78 / 0

HEX #FFE237

RGB 255 226 55

HSL 51.3, 1%, 0.61%

LAB 89.83, -6.5, 80.03

 

CMYK 0 / 4 / 71 / 0

HEX #FFF44A

RGB 255 244 74

HSL 56.35, 1%, 0.65%

LAB 94.51, -14.64, 78.33

 

CMYK 0 / 31 / 99 / 2

HEX #FBAC03

RGB 251 172 3

HSL 40.89, 0.98%, 0.5%

LAB 76.08, 18.62, 79.16

 

CMYK 0 / 34 / 100 / 8

HEX #EA9A00

RGB 234 154 0

HSL 39.49, 1%, 0.46%

LAB 69.9, 20.85, 74.44

 

CMYK 0 / 37 / 100 / 15

HEX #D98800

RGB 217 136 0

HSL 37.6, 1%, 0.43%

LAB 63.64, 23.18, 69.34

 

CMYK 0 / 41 / 100 / 22

HEX #C87600

RGB 200 118 0

HSL 35.4, 1%, 0.39%

LAB 57.3, 25.59, 64.19

 

CMYK 0 / 45 / 100 / 28

HEX #B76400

RGB 183 100 0

HSL 32.79, 1%, 0.36%

LAB 50.9, 28.05, 59.01

 

CMYK 0 / 32 / 99 / 1

HEX #FCAC02

RGB 252 172 2

HSL 40.8, 0.98%, 0.5%

LAB 76.19, 19.03, 79.4

 

CMYK 0 / 58 / 99 / 1

HEX #FC6902

RGB 252 105 2

HSL 24.72, 0.98%, 0.5%

LAB 62.34, 52.62, 70.76

 

CMYK 0 / 85 / 99 / 1

HEX #FC2602

RGB 252 38 2

HSL 8.64, 0.98%, 0.5%

LAB 54.12, 75.09, 66.69

 

CMYK 0 / 99 / 99 / 1

HEX #FC0202

RGB 252 2 2

HSL 0, 0.98%, 0.5%

LAB 52.67, 79.27, 66.12

 

CMYK 0 / 32 / 99 / 1

HEX #FCAC02

RGB 252 172 2

HSL 40.8, 0.98%, 0.5%

LAB 76.19, 19.03, 79.4

 

CMYK 0 / 5 / 99 / 1

HEX #FCF002

RGB 252 240 2

HSL 57.12, 0.98%, 0.5%

LAB 93.02, -15.58, 91.23

 

CMYK 22 / 0 / 99 / 1

HEX #C5FC02

RGB 197 252 2

HSL 73.2, 0.98%, 0.5%

LAB 92.35, -43.31, 89

 

CMYK 49 / 0 / 99 / 1

HEX #81FC02

RGB 129 252 2

HSL 89.52, 0.98%, 0.5%

LAB 89.06, -66.42, 85.02

 

CMYK 75 / 0 / 99 / 1

HEX #3EFC02

RGB 62 252 2

HSL 105.6, 0.98%, 0.5%

LAB 87.31, -80.87, 82.9

 

CMYK 0 / 32 / 99 / 1

HEX #FCAC02

RGB 252 172 2

HSL 40.8, 0.98%, 0.5%

LAB 76.19, 19.03, 79.4

 

CMYK 0 / 32 / 99 / 1

HEX #FCAC02

RGB 252 172 2

HSL 40.8, 0.98%, 0.5%

LAB 76.19, 19.03, 79.4

 

CMYK 0 / 29 / 90 / 9

HEX #E7A517

RGB 231 165 23

HSL 40.96, 0.82%, 0.5%

LAB 72.2, 13.98, 72.56

 

CMYK 0 / 26 / 80 / 17

HEX #D39D2B

RGB 211 157 43

HSL 40.71, 0.66%, 0.5%

LAB 68.12, 10.08, 62.79

 

CMYK 0 / 21 / 66 / 25

HEX #BE9640

RGB 190 150 64

HSL 40.95, 0.5%, 0.5%

LAB 64.27, 5.68, 49.68

 

CMYK 0 / 16 / 50 / 34

HEX #A98E55

RGB 169 142 85

HSL 40.71, 0.33%, 0.5%

LAB 60.28, 2.6, 33.99

 

CMYK 0 / 86 / 99 / 1

HEX #FC2302

RGB 252 35 2

HSL 7.92, 0.98%, 0.5%

LAB 53.92, 75.65, 66.61

 

CMYK 0 / 60 / 99 / 1

HEX #FC6602

RGB 252 102 2

HSL 24, 0.98%, 0.5%

LAB 61.83, 53.96, 70.47

 

CMYK 0 / 33 / 99 / 1

HEX #FCA902

RGB 252 169 2

HSL 40.08, 0.98%, 0.5%

LAB 75.5, 20.6, 78.93

 

CMYK 0 / 7 / 99 / 1

HEX #FCEB02

RGB 252 235 2

HSL 55.92, 0.98%, 0.5%

LAB 91.74, -13.14, 90.29

 

CMYK 20 / 0 / 99 / 1

HEX #CAFC02

RGB 202 252 2

HSL 72, 0.98%, 0.5%

LAB 92.66, -41.39, 89.36

 

CMYK 0 / 32 / 99 / 33

HEX #AA7401

RGB 170 116 1

HSL 40.83, 0.99%, 0.34%

LAB 52.99, 13.42, 59.32

 

CMYK 0 / 32 / 99 / 17

HEX #D39002

RGB 211 144 2

HSL 40.77, 0.98%, 0.42%

LAB 64.8, 16.29, 69.46

 

CMYK 0 / 32 / 99 / 1

HEX #FCAC02

RGB 252 172 2

HSL 40.8, 0.98%, 0.5%

LAB 76.19, 19.03, 79.4

 

CMYK 0 / 26 / 83 / 1

HEX #FCBA2B

RGB 252 186 43

HSL 41.05, 0.97%, 0.58%

LAB 79.61, 12.34, 74.52

 

CMYK 0 / 21 / 67 / 1

HEX #FDC754

RGB 253 199 84

HSL 40.83, 0.98%, 0.66%

LAB 83.11, 7.67, 62.91

 

CMYK 0 / 31 / 99 / 2

HEX #FBAC03

RGB 251 172 3

HSL 40.89, 0.98%, 0.5%

LAB 76.08, 18.62, 79.16

 

CMYK 86 / 0 / 99 / 1

HEX #23FC02

RGB 35 252 2

HSL 112.08, 0.98%, 0.5%

LAB 86.99, -83.79, 82.5

 

CMYK 73 / 99 / 0 / 1

HEX #4502FC

RGB 69 2 252

HSL 256.08, 0.98%, 0.5%

LAB 34.67, 79.2, -102.15

 

CMYK 0 / 31 / 99 / 2

HEX #FBAC03

RGB 251 172 3

HSL 40.89, 0.98%, 0.5%

LAB 76.08, 18.62, 79.16

 

CMYK 99 / 0 / 33 / 1

HEX #02FCA9

RGB 2 252 169

HSL 160.08, 0.98%, 0.5%

LAB 88.21, -68.34, 26.08

 

CMYK 33 / 99 / 0 / 1

HEX #A902FC

RGB 169 2 252

HSL 280.08, 0.98%, 0.5%

LAB 46.32, 86.15, -82.51

 

CMYK 0 / 31 / 99 / 2

HEX #FBAC03

RGB 251 172 3

HSL 40.89, 0.98%, 0.5%

LAB 76.08, 18.62, 79.16

 

CMYK 86 / 0 / 99 / 1

HEX #23FC02

RGB 35 252 2

HSL 112.08, 0.98%, 0.5%

LAB 86.99, -83.79, 82.5

 

CMYK 99 / 66 / 0 / 1

HEX #0255FC

RGB 2 85 252

HSL 220.08, 0.98%, 0.5%

LAB 43.56, 44.78, -87.48

 

CMYK 13 / 99 / 0 / 1

HEX #DB02FC

RGB 219 2 252

HSL 292.08, 0.98%, 0.5%

LAB 54.17, 92.4, -69.39

 

CMYK 0 / 31 / 99 / 2

HEX #FBAC03

RGB 251 172 3

HSL 40.89, 0.98%, 0.5%

LAB 76.08, 18.62, 79.16

 

CMYK 99 / 0 / 83 / 1

HEX #02FC2C

RGB 2 252 44

HSL 130.08, 0.98%, 0.5%

LAB 86.91, -84.19, 76.48

 

CMYK 99 / 66 / 0 / 1

HEX #0255FC

RGB 2 85 252

HSL 220.08, 0.98%, 0.5%

LAB 43.56, 44.78, -87.48

 

CMYK 0 / 99 / 17 / 1

HEX #FC02D2

RGB 252 2 210

HSL 310.08, 0.98%, 0.5%

LAB 57.46, 91.79, -40.14

 

Description

Color code: HEX #FBAC03 | qconv.com Color code: HEX #FBAC03 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 172 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 172 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 99 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 99% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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