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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBA37E it is the complementary color #045C81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBA37E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBA37E shade: #FFA379, #FFB58C, #FFC79F, #FFD9B2 and #FFEBC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBA37E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBA37E shade: #FBA37E, #EA916B, #D97F58, #C86D45 and #B75B32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBA37E shade: #FBA37E, #FB817E and #FB7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBA37E shade: #FBA37E, #FBC47E, #FBE67E, #EDFB7E and #CCFB7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBA37E shade matches the following richer shades: #FBA37E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBA37E shade: #FBA37E, #F0A789, #E5AC93, #DAB09E and #D0B4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBA37E shade: #FB7E9D, #FB807E, #FBA17E, #FBC27E and #FBE47E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBA37E shade: #F86A2E, #F98656, #FBA37E, #FCBFA6 and #FDDCCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBA37E shade: #FBA37E, #BEFB7E and #7E8CFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBA37E shade: #FBA37E, #7EFBA1 and #A17EFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBA37E shade: #FBA37E, #BEFB7E, #7ED7FB and #BA7EFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBA37E shade: #FBA37E, #99FB7E, #7ED7FB and #E07EFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 50 / 2

HEX #FBA37E

RGB 251 163 126

HSL 17.76, 0.94%, 0.74%

LAB 74.96, 28.72, 32.65

 

Complementary color

CMYK 97 / 29 / 0 / 49

HEX #045C81

RGB 4 92 129

HSL 197.76, 0.94%, 0.26%

LAB 36.49, -8.6, -27.12

 

CMYK 0 / 36 / 53 / 0

HEX #FFA379

RGB 255 163 121

HSL 18.81, 1%, 0.74%

LAB 75.35, 29.84, 35.9

 

CMYK 0 / 29 / 45 / 0

HEX #FFB58C

RGB 255 181 140

HSL 21.39, 1%, 0.77%

LAB 79.73, 22.17, 31.57

 

CMYK 0 / 22 / 38 / 0

HEX #FFC79F

RGB 255 199 159

HSL 25, 1%, 0.81%

LAB 84.28, 14.77, 27.67

 

CMYK 0 / 15 / 30 / 0

HEX #FFD9B2

RGB 255 217 178

HSL 30.39, 1%, 0.85%

LAB 88.97, 7.7, 24.13

 

CMYK 0 / 8 / 23 / 0

HEX #FFEBC5

RGB 255 235 197

HSL 39.31, 1%, 0.89%

LAB 93.76, 1, 20.92

 

CMYK 0 / 35 / 50 / 2

HEX #FBA37E

RGB 251 163 126

HSL 17.76, 0.94%, 0.74%

LAB 74.96, 28.72, 32.65

 

CMYK 0 / 38 / 54 / 8

HEX #EA916B

RGB 234 145 107

HSL 17.95, 0.75%, 0.67%

LAB 68.61, 29.88, 34.24

 

CMYK 0 / 41 / 59 / 15

HEX #D97F58

RGB 217 127 88

HSL 18.14, 0.63%, 0.6%

LAB 62.2, 31.17, 35.98

 

CMYK 0 / 46 / 66 / 22

HEX #C86D45

RGB 200 109 69

HSL 18.32, 0.54%, 0.53%

LAB 55.73, 32.61, 37.88

 

CMYK 0 / 50 / 73 / 28

HEX #B75B32

RGB 183 91 50

HSL 18.5, 0.57%, 0.46%

LAB 49.23, 34.19, 39.93

 

CMYK 0 / 35 / 50 / 2

HEX #FBA37E

RGB 251 163 126

HSL 17.76, 0.94%, 0.74%

LAB 74.96, 28.72, 32.65

 

CMYK 0 / 49 / 50 / 2

HEX #FB817E

RGB 251 129 126

HSL 1.44, 0.94%, 0.74%

LAB 67.81, 46.11, 23.17

 

CMYK 0 / 50 / 50 / 2

HEX #FB7E7E

RGB 251 126 126

HSL 0, 0.94%, 0.74%

LAB 67.23, 47.58, 22.39

 

CMYK 0 / 35 / 50 / 2

HEX #FBA37E

RGB 251 163 126

HSL 17.76, 0.94%, 0.74%

LAB 74.96, 28.72, 32.65

 

CMYK 0 / 22 / 50 / 2

HEX #FBC47E

RGB 251 196 126

HSL 33.6, 0.94%, 0.74%

LAB 82.64, 11.43, 42.48

 

CMYK 0 / 8 / 50 / 2

HEX #FBE67E

RGB 251 230 126

HSL 49.92, 0.94%, 0.74%

LAB 91.06, -5.98, 52.83

 

CMYK 6 / 0 / 50 / 2

HEX #EDFB7E

RGB 237 251 126

HSL 66.72, 0.94%, 0.74%

LAB 95.37, -21.77, 57.73

 

CMYK 19 / 0 / 50 / 2

HEX #CCFB7E

RGB 204 251 126

HSL 82.56, 0.94%, 0.74%

LAB 93.16, -34.2, 54.56

 

CMYK 0 / 35 / 50 / 2

HEX #FBA37E

RGB 251 163 126

HSL 17.76, 0.94%, 0.74%

LAB 74.96, 28.72, 32.65

 

CMYK 0 / 35 / 50 / 2

HEX #FBA37E

RGB 251 163 126

HSL 17.76, 0.94%, 0.74%

LAB 74.96, 28.72, 32.65

 

CMYK 0 / 30 / 43 / 6

HEX #F0A789

RGB 240 167 137

HSL 17.48, 0.77%, 0.74%

LAB 74.81, 23.4, 26.32

 

CMYK 0 / 25 / 36 / 10

HEX #E5AC93

RGB 229 172 147

HSL 18.29, 0.61%, 0.74%

LAB 74.99, 17.59, 20.99

 

CMYK 0 / 19 / 28 / 15

HEX #DAB09E

RGB 218 176 158

HSL 18, 0.45%, 0.74%

LAB 75.09, 12.62, 14.99

 

CMYK 0 / 13 / 19 / 18

HEX #D0B4A9

RGB 208 180 169

HSL 16.92, 0.29%, 0.74%

LAB 75.4, 8.3, 9.31

 

CMYK 0 / 50 / 37 / 2

HEX #FB7E9D

RGB 251 126 157

HSL 345.12, 0.94%, 0.74%

LAB 67.92, 50.67, 5.89

 

CMYK 0 / 49 / 50 / 2

HEX #FB807E

RGB 251 128 126

HSL 0.96, 0.94%, 0.74%

LAB 67.62, 46.6, 22.91

 

CMYK 0 / 36 / 50 / 2

HEX #FBA17E

RGB 251 161 126

HSL 16.8, 0.94%, 0.74%

LAB 74.51, 29.76, 32.07

 

CMYK 0 / 23 / 50 / 2

HEX #FBC27E

RGB 251 194 126

HSL 32.64, 0.94%, 0.74%

LAB 82.16, 12.47, 41.88

 

CMYK 0 / 9 / 50 / 2

HEX #FBE47E

RGB 251 228 126

HSL 48.96, 0.94%, 0.74%

LAB 90.55, -4.98, 52.22

 

CMYK 0 / 57 / 81 / 3

HEX #F86A2E

RGB 248 106 46

HSL 17.82, 0.94%, 0.58%

LAB 62.05, 51.41, 57.93

 

CMYK 0 / 46 / 65 / 2

HEX #F98656

RGB 249 134 86

HSL 17.67, 0.93%, 0.66%

LAB 67.92, 39.94, 44.92

 

CMYK 0 / 35 / 50 / 2

HEX #FBA37E

RGB 251 163 126

HSL 17.76, 0.94%, 0.74%

LAB 74.96, 28.72, 32.65

 

CMYK 0 / 24 / 34 / 1

HEX #FCBFA6

RGB 252 191 166

HSL 17.44, 0.93%, 0.82%

LAB 82.22, 18.63, 21.11

 

CMYK 0 / 13 / 19 / 1

HEX #FDDCCE

RGB 253 220 206

HSL 17.87, 0.92%, 0.9%

LAB 90.1, 9.26, 11.07

 

CMYK 0 / 35 / 50 / 2

HEX #FBA37E

RGB 251 163 126

HSL 17.76, 0.94%, 0.74%

LAB 74.96, 28.72, 32.65

 

CMYK 24 / 0 / 50 / 2

HEX #BEFB7E

RGB 190 251 126

HSL 89.28, 0.94%, 0.74%

LAB 92.33, -39.22, 53.36

 

CMYK 50 / 44 / 0 / 2

HEX #7E8CFB

RGB 126 140 251

HSL 233.28, 0.94%, 0.74%

LAB 61.79, 24.43, -57.14

 

CMYK 0 / 35 / 50 / 2

HEX #FBA37E

RGB 251 163 126

HSL 17.76, 0.94%, 0.74%

LAB 74.96, 28.72, 32.65

 

CMYK 50 / 0 / 36 / 2

HEX #7EFBA1

RGB 126 251 161

HSL 136.8, 0.94%, 0.74%

LAB 89.86, -53.93, 32.69

 

CMYK 36 / 50 / 0 / 2

HEX #A17EFB

RGB 161 126 251

HSL 256.8, 0.94%, 0.74%

LAB 61.19, 40.64, -57.94

 

CMYK 0 / 35 / 50 / 2

HEX #FBA37E

RGB 251 163 126

HSL 17.76, 0.94%, 0.74%

LAB 74.96, 28.72, 32.65

 

CMYK 24 / 0 / 50 / 2

HEX #BEFB7E

RGB 190 251 126

HSL 89.28, 0.94%, 0.74%

LAB 92.33, -39.22, 53.36

 

CMYK 50 / 14 / 0 / 2

HEX #7ED7FB

RGB 126 215 251

HSL 197.28, 0.94%, 0.74%

LAB 81.84, -17.24, -25.85

 

CMYK 26 / 50 / 0 / 2

HEX #BA7EFB

RGB 186 126 251

HSL 268.8, 0.94%, 0.74%

LAB 63.61, 46.9, -53.94

 

CMYK 0 / 35 / 50 / 2

HEX #FBA37E

RGB 251 163 126

HSL 17.76, 0.94%, 0.74%

LAB 74.96, 28.72, 32.65

 

CMYK 39 / 0 / 50 / 2

HEX #99FB7E

RGB 153 251 126

HSL 107.04, 0.94%, 0.74%

LAB 90.45, -51.46, 50.63

 

CMYK 50 / 14 / 0 / 2

HEX #7ED7FB

RGB 126 215 251

HSL 197.28, 0.94%, 0.74%

LAB 81.84, -17.24, -25.85

 

CMYK 11 / 50 / 0 / 2

HEX #E07EFB

RGB 224 126 251

HSL 287.04, 0.94%, 0.74%

LAB 67.82, 56.89, -47

 

Description

Color code: HEX #FBA37E | qconv.com Color code: HEX #FBA37E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 163 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 163 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 50% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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