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Color name
HEX #FBA7B4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBA7B4 it is the complementary color #04584B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBA7B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBA7B4 shade: #FFA7AF, #FFB9C2, #FFCBD5, #FFDDE8 and #FFEFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBA7B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBA7B4 shade: #FBA7B4, #EA95A1, #D9838E, #C8717B and #B75F68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBA7B4 shade: #FAA7B4 and #FAA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBA7B4 shade: #FAA7B4, #FAA7CA, #FAA7E1, #FAA7F7 and #E7A7FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBA7B4 shade matches the following richer shades: #FAA7B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBA7B4 shade: #FAA7B4, #F3AEB9, #ECB6BE, #E4BDC3 and #DDC5C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBA7B4 shade: #FAA7E1, #FAA7CB, #FAA7B5, #FAAFA7 and #FAC5A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBA7B4 shade: #F75871, #F97F92, #FAA7B4, #FCCED5 and #FEF6F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBA7B4 shade: #FBA7B4, #F8FAA7 and #A7D6FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBA7B4 shade: #FBA7B4, #B5FAA7 and #A7B5FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBA7B4 shade: #FBA7B4, #F8FAA7, #A7FAEC and #AAA7FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBA7B4 shade: #FBA7B4, #DFFAA7, #A7FAEC and #C3A7FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 28 / 2

HEX #FBA7B4

RGB 251 167 180

HSL 350.71, 0.91%, 0.82%

LAB 76.95, 32.63, 6.11

 

Complementary color

CMYK 95 / 0 / 15 / 65

HEX #04584B

RGB 4 88 75

HSL 170.71, 0.91%, 0.18%

LAB 32.95, -26.04, 1.14

 

CMYK 0 / 35 / 31 / 0

HEX #FFA7AF

RGB 255 167 175

HSL 354.55, 1%, 0.83%

LAB 77.28, 33.43, 9.37

 

CMYK 0 / 27 / 24 / 0

HEX #FFB9C2

RGB 255 185 194

HSL 352.29, 1%, 0.86%

LAB 81.76, 26.53, 5.5

 

CMYK 0 / 20 / 16 / 0

HEX #FFCBD5

RGB 255 203 213

HSL 348.46, 1%, 0.9%

LAB 86.39, 19.88, 2.06

 

CMYK 0 / 13 / 9 / 0

HEX #FFDDE8

RGB 255 221 232

HSL 340.59, 1%, 0.93%

LAB 91.14, 13.51, -1.04

 

CMYK 0 / 6 / 2 / 0

HEX #FFEFFB

RGB 255 239 251

HSL 315, 1%, 0.97%

LAB 95.98, 7.44, -3.84

 

CMYK 0 / 33 / 28 / 2

HEX #FBA7B4

RGB 251 167 180

HSL 350.71, 0.91%, 0.82%

LAB 76.95, 32.63, 6.11

 

CMYK 0 / 36 / 31 / 8

HEX #EA95A1

RGB 234 149 161

HSL 351.53, 0.67%, 0.75%

LAB 70.57, 33.46, 7.16

 

CMYK 0 / 40 / 35 / 15

HEX #D9838E

RGB 217 131 142

HSL 352.33, 0.53%, 0.68%

LAB 64.11, 34.37, 8.33

 

CMYK 0 / 44 / 39 / 22

HEX #C8717B

RGB 200 113 123

HSL 353.1, 0.44%, 0.61%

LAB 57.58, 35.33, 9.66

 

CMYK 0 / 48 / 43 / 28

HEX #B75F68

RGB 183 95 104

HSL 353.86, 0.38%, 0.55%

LAB 50.98, 36.36, 11.2

 

CMYK 0 / 33 / 28 / 2

HEX #FAA7B4

RGB 250 167 180

HSL 350.6, 0.89%, 0.82%

LAB 76.83, 32.27, 5.93

 

CMYK 0 / 33 / 33 / 2

HEX #FAA7A7

RGB 250 167 167

HSL 0, 0.89%, 0.82%

LAB 76.53, 30.61, 12.59

 

CMYK 0 / 33 / 28 / 2

HEX #FAA7B4

RGB 250 167 180

HSL 350.6, 0.89%, 0.82%

LAB 76.83, 32.27, 5.93

 

CMYK 0 / 33 / 19 / 2

HEX #FAA7CA

RGB 250 167 202

HSL 334.7, 0.89%, 0.82%

LAB 77.42, 35.37, -5.23

 

CMYK 0 / 33 / 10 / 2

HEX #FAA7E1

RGB 250 167 225

HSL 318.07, 0.89%, 0.82%

LAB 78.11, 38.98, -16.71

 

CMYK 0 / 33 / 1 / 2

HEX #FAA7F7

RGB 250 167 247

HSL 302.17, 0.89%, 0.82%

LAB 78.85, 42.74, -27.47

 

CMYK 8 / 33 / 0 / 2

HEX #E7A7FA

RGB 231 167 250

HSL 286.27, 0.89%, 0.82%

LAB 77, 37.46, -32.11

 

CMYK 0 / 33 / 28 / 2

HEX #FAA7B4

RGB 250 167 180

HSL 350.6, 0.89%, 0.82%

LAB 76.83, 32.27, 5.93

 

CMYK 0 / 33 / 28 / 2

HEX #FAA7B4

RGB 250 167 180

HSL 350.6, 0.89%, 0.82%

LAB 76.83, 32.27, 5.93

 

CMYK 0 / 28 / 24 / 5

HEX #F3AEB9

RGB 243 174 185

HSL 350.43, 0.74%, 0.82%

LAB 77.77, 26.75, 4.46

 

CMYK 0 / 23 / 19 / 7

HEX #ECB6BE

RGB 236 182 190

HSL 351.11, 0.59%, 0.82%

LAB 79.04, 20.7, 3.5

 

CMYK 0 / 17 / 14 / 11

HEX #E4BDC3

RGB 228 189 195

HSL 350.77, 0.42%, 0.82%

LAB 80.08, 14.87, 2.21

 

CMYK 0 / 11 / 10 / 13

HEX #DDC5C8

RGB 221 197 200

HSL 352.5, 0.26%, 0.82%

LAB 81.55, 8.94, 1.58

 

CMYK 0 / 33 / 10 / 2

HEX #FAA7E1

RGB 250 167 225

HSL 318.07, 0.89%, 0.82%

LAB 78.11, 38.98, -16.71

 

CMYK 0 / 33 / 19 / 2

HEX #FAA7CB

RGB 250 167 203

HSL 333.98, 0.89%, 0.82%

LAB 77.44, 35.52, -5.74

 

CMYK 0 / 33 / 28 / 2

HEX #FAA7B5

RGB 250 167 181

HSL 349.88, 0.89%, 0.82%

LAB 76.86, 32.4, 5.42

 

CMYK 0 / 30 / 33 / 2

HEX #FAAFA7

RGB 250 175 167

HSL 5.78, 0.89%, 0.82%

LAB 78.33, 26.41, 15.13

 

CMYK 0 / 21 / 33 / 2

HEX #FAC5A7

RGB 250 197 167

HSL 21.69, 0.89%, 0.82%

LAB 83.47, 14.84, 22.27

 

CMYK 0 / 64 / 54 / 3

HEX #F75871

RGB 247 88 113

HSL 350.57, 0.91%, 0.66%

LAB 59.84, 62.31, 19.68

 

CMYK 0 / 49 / 41 / 2

HEX #F97F92

RGB 249 127 146

HSL 350.66, 0.91%, 0.74%

LAB 67.57, 48.31, 11.56

 

CMYK 0 / 33 / 28 / 2

HEX #FAA7B4

RGB 250 167 180

HSL 350.6, 0.89%, 0.82%

LAB 76.83, 32.27, 5.93

 

CMYK 0 / 18 / 15 / 1

HEX #FCCED5

RGB 252 206 213

HSL 350.87, 0.88%, 0.9%

LAB 86.82, 17.25, 2.65

 

CMYK 0 / 3 / 3 / 0

HEX #FEF6F7

RGB 254 246 247

HSL 352.5, 0.8%, 0.98%

LAB 97.51, 2.84, 0.46

 

CMYK 0 / 33 / 28 / 2

HEX #FBA7B4

RGB 251 167 180

HSL 350.71, 0.91%, 0.82%

LAB 76.95, 32.63, 6.11

 

CMYK 1 / 0 / 33 / 2

HEX #F8FAA7

RGB 248 250 167

HSL 61.45, 0.89%, 0.82%

LAB 96.46, -12.9, 39.66

 

CMYK 33 / 14 / 0 / 2

HEX #A7D6FA

RGB 167 214 250

HSL 206.02, 0.89%, 0.82%

LAB 83.55, -6.87, -22.52

 

CMYK 0 / 33 / 28 / 2

HEX #FBA7B4

RGB 251 167 180

HSL 350.71, 0.91%, 0.82%

LAB 76.95, 32.63, 6.11

 

CMYK 28 / 0 / 33 / 2

HEX #B5FAA7

RGB 181 250 167

HSL 109.88, 0.89%, 0.82%

LAB 92.13, -36.62, 33.14

 

CMYK 33 / 28 / 0 / 2

HEX #A7B5FA

RGB 167 181 250

HSL 229.88, 0.89%, 0.82%

LAB 74.93, 10.92, -35.75

 

CMYK 0 / 33 / 28 / 2

HEX #FBA7B4

RGB 251 167 180

HSL 350.71, 0.91%, 0.82%

LAB 76.95, 32.63, 6.11

 

CMYK 1 / 0 / 33 / 2

HEX #F8FAA7

RGB 248 250 167

HSL 61.45, 0.89%, 0.82%

LAB 96.46, -12.9, 39.66

 

CMYK 33 / 0 / 6 / 2

HEX #A7FAEC

RGB 167 250 236

HSL 169.88, 0.89%, 0.82%

LAB 92.86, -28.11, -1.3

 

CMYK 32 / 33 / 0 / 2

HEX #AAA7FA

RGB 170 167 250

HSL 242.17, 0.89%, 0.82%

LAB 71.61, 19.56, -40.89

 

CMYK 0 / 33 / 28 / 2

HEX #FBA7B4

RGB 251 167 180

HSL 350.71, 0.91%, 0.82%

LAB 76.95, 32.63, 6.11

 

CMYK 11 / 0 / 33 / 2

HEX #DFFAA7

RGB 223 250 167

HSL 79.52, 0.89%, 0.82%

LAB 94.67, -22.11, 36.98

 

CMYK 33 / 0 / 6 / 2

HEX #A7FAEC

RGB 167 250 236

HSL 169.88, 0.89%, 0.82%

LAB 92.86, -28.11, -1.3

 

CMYK 22 / 33 / 0 / 2

HEX #C3A7FA

RGB 195 167 250

HSL 260.24, 0.89%, 0.82%

LAB 73.64, 26.67, -37.58

 

Description

Color code: HEX #FBA7B4 | qconv.com Color code: HEX #FBA7B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 167 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 167 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 28 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 28% 2% C M Y K

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Provide designers and agencies with accurate color values.

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