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Color name
HEX #FBA7A6

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBA7A6 it is the complementary color #045859. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBA7A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBA7A6 shade: #FFA7A1, #FFB9B4, #FFCBC7, #FFDDDA and #FFEFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBA7A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBA7A6 shade: #FBA7A6, #EA9593, #D98380, #C8716D and #B75F5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBA7A6 shade: #FAA8A7 and #FAA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBA7A6 shade: #FAA8A7, #FABEA7, #FAD5A7, #FAEBA7 and #F3FAA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBA7A6 shade matches the following richer shades: #FAA8A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBA7A6 shade: #FAA8A7, #F3AFAE, #ECB6B6, #E4BEBD and #DDC5C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBA7A6 shade: #FAA7D3, #FAA7BD, #FAA7A7, #FABDA7 and #FAD3A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBA7A6 shade: #F75A58, #F9817F, #FAA8A7, #FCCFCE and #FEF6F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBA7A6 shade: #FBA7A6, #EAFAA7 and #A7C8FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBA7A6 shade: #FBA7A6, #A7FAA7 and #A7A7FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBA7A6 shade: #FBA7A6, #EAFAA7, #A7FAFA and #B8A7FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBA7A6 shade: #FBA7A6, #D1FAA7, #A7FAFA and #D1A7FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 34 / 2

HEX #FBA7A6

RGB 251 167 166

HSL 0.71, 0.91%, 0.82%

LAB 76.62, 30.85, 13.28

 

Complementary color

CMYK 96 / 1 / 0 / 65

HEX #045859

RGB 4 88 89

HSL 180.71, 0.91%, 0.18%

LAB 33.41, -21.42, -7

 

CMYK 0 / 35 / 37 / 0

HEX #FFA7A1

RGB 255 167 161

HSL 3.83, 1%, 0.82%

LAB 76.96, 31.74, 16.55

 

CMYK 0 / 27 / 29 / 0

HEX #FFB9B4

RGB 255 185 180

HSL 4, 1%, 0.85%

LAB 81.43, 24.65, 12.57

 

CMYK 0 / 20 / 22 / 0

HEX #FFCBC7

RGB 255 203 199

HSL 4.29, 1%, 0.89%

LAB 86.05, 17.81, 9

 

CMYK 0 / 13 / 15 / 0

HEX #FFDDDA

RGB 255 221 218

HSL 4.86, 1%, 0.93%

LAB 90.8, 11.27, 5.8

 

CMYK 0 / 6 / 7 / 0

HEX #FFEFED

RGB 255 239 237

HSL 6.67, 1%, 0.96%

LAB 95.63, 5.06, 2.89

 

CMYK 0 / 33 / 34 / 2

HEX #FBA7A6

RGB 251 167 166

HSL 0.71, 0.91%, 0.82%

LAB 76.62, 30.85, 13.28

 

CMYK 0 / 36 / 37 / 8

HEX #EA9593

RGB 234 149 147

HSL 1.38, 0.67%, 0.75%

LAB 70.24, 31.75, 14.48

 

CMYK 0 / 40 / 41 / 15

HEX #D98380

RGB 217 131 128

HSL 2.02, 0.54%, 0.68%

LAB 63.79, 32.73, 15.82

 

CMYK 0 / 44 / 46 / 22

HEX #C8716D

RGB 200 113 109

HSL 2.64, 0.45%, 0.61%

LAB 57.26, 33.79, 17.33

 

CMYK 0 / 48 / 51 / 28

HEX #B75F5A

RGB 183 95 90

HSL 3.23, 0.39%, 0.54%

LAB 50.68, 34.94, 19.08

 

CMYK 0 / 33 / 33 / 2

HEX #FAA8A7

RGB 250 168 167

HSL 0.72, 0.89%, 0.82%

LAB 76.75, 30.08, 12.91

 

CMYK 0 / 33 / 33 / 2

HEX #FAA7A7

RGB 250 167 167

HSL 0, 0.89%, 0.82%

LAB 76.53, 30.61, 12.59

 

CMYK 0 / 33 / 33 / 2

HEX #FAA8A7

RGB 250 168 167

HSL 0.72, 0.89%, 0.82%

LAB 76.75, 30.08, 12.91

 

CMYK 0 / 24 / 33 / 2

HEX #FABEA7

RGB 250 190 167

HSL 16.63, 0.89%, 0.82%

LAB 81.81, 18.51, 19.97

 

CMYK 0 / 15 / 33 / 2

HEX #FAD5A7

RGB 250 213 167

HSL 33.25, 0.89%, 0.82%

LAB 87.34, 6.52, 27.55

 

CMYK 0 / 6 / 33 / 2

HEX #FAEBA7

RGB 250 235 167

HSL 49.16, 0.89%, 0.82%

LAB 92.81, -4.7, 34.88

 

CMYK 3 / 0 / 33 / 2

HEX #F3FAA7

RGB 243 250 167

HSL 65.06, 0.89%, 0.82%

LAB 96.09, -14.77, 39.1

 

CMYK 0 / 33 / 33 / 2

HEX #FAA8A7

RGB 250 168 167

HSL 0.72, 0.89%, 0.82%

LAB 76.75, 30.08, 12.91

 

CMYK 0 / 33 / 33 / 2

HEX #FAA8A7

RGB 250 168 167

HSL 0.72, 0.89%, 0.82%

LAB 76.75, 30.08, 12.91

 

CMYK 0 / 28 / 28 / 5

HEX #F3AFAE

RGB 243 175 174

HSL 0.87, 0.74%, 0.82%

LAB 77.74, 24.71, 10.39

 

CMYK 0 / 23 / 23 / 7

HEX #ECB6B6

RGB 236 182 182

HSL 0, 0.59%, 0.82%

LAB 78.85, 19.52, 7.55

 

CMYK 0 / 17 / 17 / 11

HEX #E4BEBD

RGB 228 190 189

HSL 1.54, 0.42%, 0.82%

LAB 80.18, 13.39, 5.58

 

CMYK 0 / 11 / 11 / 13

HEX #DDC5C5

RGB 221 197 197

HSL 0, 0.26%, 0.82%

LAB 81.48, 8.44, 3.08

 

CMYK 0 / 33 / 16 / 2

HEX #FAA7D3

RGB 250 167 211

HSL 328.19, 0.89%, 0.82%

LAB 77.68, 36.74, -9.75

 

CMYK 0 / 33 / 24 / 2

HEX #FAA7BD

RGB 250 167 189

HSL 344.1, 0.89%, 0.82%

LAB 77.06, 33.5, 1.34

 

CMYK 0 / 33 / 33 / 2

HEX #FAA7A7

RGB 250 167 167

HSL 0, 0.89%, 0.82%

LAB 76.53, 30.61, 12.59

 

CMYK 0 / 24 / 33 / 2

HEX #FABDA7

RGB 250 189 167

HSL 15.9, 0.89%, 0.82%

LAB 81.57, 19.04, 19.65

 

CMYK 0 / 16 / 33 / 2

HEX #FAD3A7

RGB 250 211 167

HSL 31.81, 0.89%, 0.82%

LAB 86.85, 7.55, 26.89

 

CMYK 0 / 64 / 64 / 3

HEX #F75A58

RGB 247 90 88

HSL 0.75, 0.91%, 0.66%

LAB 59.7, 59.84, 33.86

 

CMYK 0 / 48 / 49 / 2

HEX #F9817F

RGB 249 129 127

HSL 0.98, 0.91%, 0.74%

LAB 67.56, 45.48, 22.22

 

CMYK 0 / 33 / 33 / 2

HEX #FAA8A7

RGB 250 168 167

HSL 0.72, 0.89%, 0.82%

LAB 76.75, 30.08, 12.91

 

CMYK 0 / 18 / 18 / 1

HEX #FCCFCE

RGB 252 207 206

HSL 1.3, 0.88%, 0.9%

LAB 86.89, 15.66, 6.45

 

CMYK 0 / 3 / 3 / 0

HEX #FEF6F6

RGB 254 246 246

HSL 0, 0.8%, 0.98%

LAB 97.49, 2.67, 0.94

 

CMYK 0 / 33 / 34 / 2

HEX #FBA7A6

RGB 251 167 166

HSL 0.71, 0.91%, 0.82%

LAB 76.62, 30.85, 13.28

 

CMYK 6 / 0 / 33 / 2

HEX #EAFAA7

RGB 234 250 167

HSL 71.57, 0.89%, 0.82%

LAB 95.44, -18.1, 38.13

 

CMYK 33 / 20 / 0 / 2

HEX #A7C8FA

RGB 167 200 250

HSL 216.14, 0.89%, 0.82%

LAB 79.86, 0.55, -28.16

 

CMYK 0 / 33 / 34 / 2

HEX #FBA7A6

RGB 251 167 166

HSL 0.71, 0.91%, 0.82%

LAB 76.62, 30.85, 13.28

 

CMYK 33 / 0 / 33 / 2

HEX #A7FAA7

RGB 167 250 167

HSL 120, 0.89%, 0.82%

LAB 91.4, -41.06, 32.05

 

CMYK 33 / 33 / 0 / 2

HEX #A7A7FA

RGB 167 167 250

HSL 240, 0.89%, 0.82%

LAB 71.39, 18.74, -41.25

 

CMYK 0 / 33 / 34 / 2

HEX #FBA7A6

RGB 251 167 166

HSL 0.71, 0.91%, 0.82%

LAB 76.62, 30.85, 13.28

 

CMYK 6 / 0 / 33 / 2

HEX #EAFAA7

RGB 234 250 167

HSL 71.57, 0.89%, 0.82%

LAB 95.44, -18.1, 38.13

 

CMYK 33 / 0 / 0 / 2

HEX #A7FAFA

RGB 167 250 250

HSL 180, 0.89%, 0.82%

LAB 93.23, -24.99, -8.01

 

CMYK 26 / 33 / 0 / 2

HEX #B8A7FA

RGB 184 167 250

HSL 252.29, 0.89%, 0.82%

LAB 72.71, 23.49, -39.09

 

CMYK 0 / 33 / 34 / 2

HEX #FBA7A6

RGB 251 167 166

HSL 0.71, 0.91%, 0.82%

LAB 76.62, 30.85, 13.28

 

CMYK 16 / 0 / 33 / 2

HEX #D1FAA7

RGB 209 250 167

HSL 89.64, 0.89%, 0.82%

LAB 93.76, -27.11, 35.61

 

CMYK 33 / 0 / 0 / 2

HEX #A7FAFA

RGB 167 250 250

HSL 180, 0.89%, 0.82%

LAB 93.23, -24.99, -8.01

 

CMYK 16 / 33 / 0 / 2

HEX #D1A7FA

RGB 209 167 250

HSL 270.36, 0.89%, 0.82%

LAB 74.88, 30.81, -35.55

 

Description

Color code: HEX #FBA7A6 | qconv.com Color code: HEX #FBA7A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 167 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 167 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 34 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 34% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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