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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBA44F it is the complementary color #045BB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBA44F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBA44F shade: #FFA44A, #FFB65D, #FFC870, #FFDA83 and #FFEC96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBA44F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBA44F shade: #FBA44F, #EA923C, #D98029, #C86E16 and #B75C03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBA44F shade: #FBA450, #FB7650 and #FB5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBA44F shade: #FBA450, #FBD250, #F5FB50, #C7FB50 and #99FB50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBA44F shade matches the following richer shades: #FBA450

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBA44F shade: #FBA450, #ECA45E, #DEA56C, #D0A57B and #C1A589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBA44F shade: #FB5058, #FB7550, #FBA250, #FBD050 and #F8FB50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBA44F shade: #F47B04, #FA8F27, #FBA450, #FCB978 and #FDCEA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBA44F shade: #FBA44F, #86FB50 and #5E50FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBA44F shade: #FBA44F, #50FBA2 and #A250FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBA44F shade: #FBA44F, #86FB50, #50A8FB and #C550FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBA44F shade: #FBA44F, #52FB50, #50A8FB and #F850FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 69 / 2

HEX #FBA44F

RGB 251 164 79

HSL 29.65, 0.96%, 0.65%

LAB 74.59, 24.85, 55.92

 

Complementary color

CMYK 98 / 48 / 0 / 31

HEX #045BB0

RGB 4 91 176

HSL 209.65, 0.96%, 0.35%

LAB 38.97, 11.26, -51.4

 

CMYK 0 / 36 / 71 / 0

HEX #FFA44A

RGB 255 164 74

HSL 29.83, 1%, 0.65%

LAB 75.02, 26.23, 58.79

 

CMYK 0 / 29 / 64 / 0

HEX #FFB65D

RGB 255 182 93

HSL 32.96, 1%, 0.68%

LAB 79.33, 17.87, 54.78

 

CMYK 0 / 22 / 56 / 0

HEX #FFC870

RGB 255 200 112

HSL 36.92, 1%, 0.72%

LAB 83.83, 9.81, 50.95

 

CMYK 0 / 15 / 49 / 0

HEX #FFDA83

RGB 255 218 131

HSL 42.1, 1%, 0.76%

LAB 88.47, 2.12, 47.34

 

CMYK 0 / 7 / 41 / 0

HEX #FFEC96

RGB 255 236 150

HSL 49.14, 1%, 0.79%

LAB 93.21, -5.16, 43.97

 

CMYK 0 / 35 / 69 / 2

HEX #FBA44F

RGB 251 164 79

HSL 29.65, 0.96%, 0.65%

LAB 74.59, 24.85, 55.92

 

CMYK 0 / 38 / 74 / 8

HEX #EA923C

RGB 234 146 60

HSL 29.66, 0.81%, 0.58%

LAB 68.3, 26.42, 57.23

 

CMYK 0 / 41 / 81 / 15

HEX #D98029

RGB 217 128 41

HSL 29.66, 0.7%, 0.51%

LAB 61.96, 28.19, 58.21

 

CMYK 0 / 45 / 89 / 22

HEX #C86E16

RGB 200 110 22

HSL 29.66, 0.8%, 0.44%

LAB 55.57, 30.18, 58.41

 

CMYK 0 / 50 / 98 / 28

HEX #B75C03

RGB 183 92 3

HSL 29.67, 0.97%, 0.36%

LAB 49.16, 32.37, 57.26

 

CMYK 0 / 35 / 68 / 2

HEX #FBA450

RGB 251 164 80

HSL 29.47, 0.96%, 0.65%

LAB 74.6, 24.9, 55.47

 

CMYK 0 / 53 / 68 / 2

HEX #FB7650

RGB 251 118 80

HSL 13.33, 0.96%, 0.65%

LAB 65, 48.24, 44.71

 

CMYK 0 / 68 / 68 / 2

HEX #FB5050

RGB 251 80 80

HSL 0, 0.96%, 0.65%

LAB 58.81, 64.61, 37.44

 

CMYK 0 / 35 / 68 / 2

HEX #FBA450

RGB 251 164 80

HSL 29.47, 0.96%, 0.65%

LAB 74.6, 24.9, 55.47

 

CMYK 0 / 16 / 68 / 2

HEX #FBD250

RGB 251 210 80

HSL 45.61, 0.96%, 0.65%

LAB 85.6, 0.97, 67.11

 

CMYK 2 / 0 / 68 / 2

HEX #F5FB50

RGB 245 251 80

HSL 62.11, 0.96%, 0.65%

LAB 95.57, -21.78, 77.03

 

CMYK 21 / 0 / 68 / 2

HEX #C7FB50

RGB 199 251 80

HSL 78.25, 0.96%, 0.65%

LAB 92.45, -39.73, 72.86

 

CMYK 39 / 0 / 68 / 2

HEX #99FB50

RGB 153 251 80

HSL 94.39, 0.96%, 0.65%

LAB 90.02, -55.84, 69.6

 

CMYK 0 / 35 / 68 / 2

HEX #FBA450

RGB 251 164 80

HSL 29.47, 0.96%, 0.65%

LAB 74.6, 24.9, 55.47

 

CMYK 0 / 35 / 68 / 2

HEX #FBA450

RGB 251 164 80

HSL 29.47, 0.96%, 0.65%

LAB 74.6, 24.9, 55.47

 

CMYK 0 / 31 / 60 / 7

HEX #ECA45E

RGB 236 164 94

HSL 29.58, 0.79%, 0.65%

LAB 73.02, 19.63, 46.46

 

CMYK 0 / 26 / 51 / 13

HEX #DEA56C

RGB 222 165 108

HSL 30, 0.63%, 0.65%

LAB 71.91, 14.46, 37.6

 

CMYK 0 / 21 / 41 / 18

HEX #D0A57B

RGB 208 165 123

HSL 29.65, 0.47%, 0.65%

LAB 70.7, 10.26, 27.79

 

CMYK 0 / 15 / 29 / 24

HEX #C1A589

RGB 193 165 137

HSL 30, 0.31%, 0.65%

LAB 69.51, 6.01, 18.32

 

CMYK 0 / 68 / 65 / 2

HEX #FB5058

RGB 251 80 88

HSL 357.19, 0.96%, 0.65%

LAB 58.93, 65.03, 33.05

 

CMYK 0 / 53 / 68 / 2

HEX #FB7550

RGB 251 117 80

HSL 12.98, 0.96%, 0.65%

LAB 64.81, 48.71, 44.5

 

CMYK 0 / 35 / 68 / 2

HEX #FBA250

RGB 251 162 80

HSL 28.77, 0.96%, 0.65%

LAB 74.14, 25.95, 54.97

 

CMYK 0 / 17 / 68 / 2

HEX #FBD050

RGB 251 208 80

HSL 44.91, 0.96%, 0.65%

LAB 85.1, 1.99, 66.6

 

CMYK 1 / 0 / 68 / 2

HEX #F8FB50

RGB 248 251 80

HSL 61.05, 0.96%, 0.65%

LAB 95.8, -20.57, 77.33

 

CMYK 0 / 50 / 98 / 4

HEX #F47B04

RGB 244 123 4

HSL 29.75, 0.97%, 0.49%

LAB 64.49, 41.06, 71.08

 

CMYK 0 / 43 / 84 / 2

HEX #FA8F27

RGB 250 143 39

HSL 29.57, 0.95%, 0.57%

LAB 69.55, 33.83, 67.2

 

CMYK 0 / 35 / 68 / 2

HEX #FBA450

RGB 251 164 80

HSL 29.47, 0.96%, 0.65%

LAB 74.6, 24.9, 55.47

 

CMYK 0 / 27 / 52 / 1

HEX #FCB978

RGB 252 185 120

HSL 29.55, 0.96%, 0.73%

LAB 80.04, 17.06, 42.28

 

CMYK 0 / 19 / 37 / 1

HEX #FDCEA0

RGB 253 206 160

HSL 29.68, 0.96%, 0.81%

LAB 85.79, 10.47, 29.14

 

CMYK 0 / 35 / 69 / 2

HEX #FBA44F

RGB 251 164 79

HSL 29.65, 0.96%, 0.65%

LAB 74.59, 24.85, 55.92

 

CMYK 47 / 0 / 68 / 2

HEX #86FB50

RGB 134 251 80

HSL 101.05, 0.96%, 0.65%

LAB 89.22, -61.63, 68.53

 

CMYK 63 / 68 / 0 / 2

HEX #5E50FB

RGB 94 80 251

HSL 244.91, 0.96%, 0.65%

LAB 45.75, 53.77, -83.21

 

CMYK 0 / 35 / 69 / 2

HEX #FBA44F

RGB 251 164 79

HSL 29.65, 0.96%, 0.65%

LAB 74.59, 24.85, 55.92

 

CMYK 68 / 0 / 35 / 2

HEX #50FBA2

RGB 80 251 162

HSL 148.77, 0.96%, 0.65%

LAB 88.59, -63.09, 30.27

 

CMYK 35 / 68 / 0 / 2

HEX #A250FB

RGB 162 80 251

HSL 268.77, 0.96%, 0.65%

LAB 52.27, 64.74, -72.29

 

CMYK 0 / 35 / 69 / 2

HEX #FBA44F

RGB 251 164 79

HSL 29.65, 0.96%, 0.65%

LAB 74.59, 24.85, 55.92

 

CMYK 47 / 0 / 68 / 2

HEX #86FB50

RGB 134 251 80

HSL 101.05, 0.96%, 0.65%

LAB 89.22, -61.63, 68.53

 

CMYK 68 / 33 / 0 / 2

HEX #50A8FB

RGB 80 168 251

HSL 209.12, 0.96%, 0.65%

LAB 67.03, -0.47, -48.96

 

CMYK 22 / 68 / 0 / 2

HEX #C550FB

RGB 197 80 251

HSL 281.05, 0.96%, 0.65%

LAB 56.66, 71.57, -64.98

 

CMYK 0 / 35 / 69 / 2

HEX #FBA44F

RGB 251 164 79

HSL 29.65, 0.96%, 0.65%

LAB 74.59, 24.85, 55.92

 

CMYK 67 / 0 / 68 / 2

HEX #52FB50

RGB 82 251 80

HSL 119.3, 0.96%, 0.65%

LAB 87.66, -73.93, 66.41

 

CMYK 68 / 33 / 0 / 2

HEX #50A8FB

RGB 80 168 251

HSL 209.12, 0.96%, 0.65%

LAB 67.03, -0.47, -48.96

 

CMYK 1 / 68 / 0 / 2

HEX #F850FB

RGB 248 80 251

HSL 298.95, 0.96%, 0.65%

LAB 63.88, 82.18, -53.02

 

Description

Color code: HEX #FBA44F | qconv.com Color code: HEX #FBA44F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 164 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 164 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 69 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 69% 2% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - Self+Catering+Villa+...
Link: http://www.ownersdirect.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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