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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB9E3B it is the complementary color #0461C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB9E3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB9E3B shade: #FF9E36, #FFB049, #FFC25C, #FFD46F and #FFE682

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB9E3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB9E3B shade: #FB9E3B, #EA8C28, #D97A15, #C86802 and #B75600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB9E3B shade: #FB9E3C, #FB6B3C and #FB3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB9E3B shade: #FB9E3C, #FBD23C, #F0FB3C, #BDFB3C and #89FB3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB9E3B shade matches the following richer shades: #FB9E3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB9E3B shade: #FB9E3C, #EA9E4C, #DA9D5C, #CA9D6C and #BA9C7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB9E3B shade: #FB3C42, #FB683C, #FB9B3C, #FBCE3C and #F4FB3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB9E3B shade: #E07504, #FA8A13, #FB9E3C, #FBB264 and #FCC68C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB9E3B shade: #FB9E3B, #75FB3C and #4F3CFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB9E3B shade: #FB9E3B, #3CFB9B and #9B3CFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB9E3B shade: #FB9E3B, #75FB3C, #3C9BFB and #C13CFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB9E3B shade: #FB9E3B, #3CFB3C, #3C9BFB and #FB3CFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 76 / 2

HEX #FB9E3B

RGB 251 158 59

HSL 30.94, 0.96%, 0.61%

LAB 73.08, 27.08, 63.06

 

Complementary color

CMYK 98 / 51 / 0 / 23

HEX #0461C4

RGB 4 97 196

HSL 210.94, 0.96%, 0.39%

LAB 42.09, 15.46, -58.05

 

CMYK 0 / 38 / 79 / 0

HEX #FF9E36

RGB 255 158 54

HSL 31.04, 1%, 0.61%

LAB 73.53, 28.54, 65.62

 

CMYK 0 / 31 / 71 / 0

HEX #FFB049

RGB 255 176 73

HSL 33.96, 1%, 0.64%

LAB 77.75, 19.92, 62.07

 

CMYK 0 / 24 / 64 / 0

HEX #FFC25C

RGB 255 194 92

HSL 37.55, 1%, 0.68%

LAB 82.17, 11.55, 58.42

 

CMYK 0 / 17 / 56 / 0

HEX #FFD46F

RGB 255 212 111

HSL 42.08, 1%, 0.72%

LAB 86.75, 3.55, 54.87

 

CMYK 0 / 10 / 49 / 0

HEX #FFE682

RGB 255 230 130

HSL 48, 1%, 0.75%

LAB 91.44, -4.05, 51.48

 

CMYK 0 / 37 / 76 / 2

HEX #FB9E3B

RGB 251 158 59

HSL 30.94, 0.96%, 0.61%

LAB 73.08, 27.08, 63.06

 

CMYK 0 / 40 / 83 / 8

HEX #EA8C28

RGB 234 140 40

HSL 30.93, 0.82%, 0.54%

LAB 66.83, 28.88, 63.72

 

CMYK 0 / 44 / 90 / 15

HEX #D97A15

RGB 217 122 21

HSL 30.92, 0.82%, 0.47%

LAB 60.54, 30.88, 63.48

 

CMYK 0 / 48 / 99 / 22

HEX #C86802

RGB 200 104 2

HSL 30.91, 0.98%, 0.4%

LAB 54.22, 33.07, 61.88

 

CMYK 0 / 53 / 100 / 28

HEX #B75600

RGB 183 86 0

HSL 28.2, 1%, 0.36%

LAB 47.91, 35.46, 57.21

 

CMYK 0 / 37 / 76 / 2

HEX #FB9E3C

RGB 251 158 60

HSL 30.79, 0.96%, 0.61%

LAB 73.08, 27.12, 62.66

 

CMYK 0 / 57 / 76 / 2

HEX #FB6B3C

RGB 251 107 60

HSL 14.76, 0.96%, 0.61%

LAB 62.8, 52.49, 52.42

 

CMYK 0 / 76 / 76 / 2

HEX #FB3C3C

RGB 251 60 60

HSL 0, 0.96%, 0.61%

LAB 56.16, 70.47, 45.46

 

CMYK 0 / 37 / 76 / 2

HEX #FB9E3C

RGB 251 158 60

HSL 30.79, 0.96%, 0.61%

LAB 73.08, 27.12, 62.66

 

CMYK 0 / 16 / 76 / 2

HEX #FBD23C

RGB 251 210 60

HSL 47.12, 0.96%, 0.61%

LAB 85.47, 0.07, 74.39

 

CMYK 4 / 0 / 76 / 2

HEX #F0FB3C

RGB 240 251 60

HSL 63.46, 0.96%, 0.61%

LAB 95.1, -24.66, 82.86

 

CMYK 25 / 0 / 76 / 2

HEX #BDFB3C

RGB 189 251 60

HSL 79.48, 0.96%, 0.61%

LAB 91.75, -44.52, 78.55

 

CMYK 45 / 0 / 76 / 2

HEX #89FB3C

RGB 137 251 60

HSL 95.81, 0.96%, 0.61%

LAB 89.22, -62.04, 75.27

 

CMYK 0 / 37 / 76 / 2

HEX #FB9E3C

RGB 251 158 60

HSL 30.79, 0.96%, 0.61%

LAB 73.08, 27.12, 62.66

 

CMYK 0 / 37 / 76 / 2

HEX #FB9E3C

RGB 251 158 60

HSL 30.79, 0.96%, 0.61%

LAB 73.08, 27.12, 62.66

 

CMYK 0 / 32 / 68 / 8

HEX #EA9E4C

RGB 234 158 76

HSL 31.14, 0.79%, 0.61%

LAB 71.19, 20.85, 53.04

 

CMYK 0 / 28 / 58 / 15

HEX #DA9D5C

RGB 218 157 92

HSL 30.95, 0.63%, 0.61%

LAB 69.32, 15.78, 42.58

 

CMYK 0 / 22 / 47 / 21

HEX #CA9D6C

RGB 202 157 108

HSL 31.28, 0.47%, 0.61%

LAB 67.84, 10.56, 31.98

 

CMYK 0 / 16 / 33 / 27

HEX #BA9C7C

RGB 186 156 124

HSL 30.97, 0.31%, 0.61%

LAB 66.27, 6.41, 20.91

 

CMYK 0 / 76 / 74 / 2

HEX #FB3C42

RGB 251 60 66

HSL 358.12, 0.96%, 0.61%

LAB 56.22, 70.69, 42.25

 

CMYK 0 / 59 / 76 / 2

HEX #FB683C

RGB 251 104 60

HSL 13.82, 0.96%, 0.61%

LAB 62.28, 53.85, 51.89

 

CMYK 0 / 38 / 76 / 2

HEX #FB9B3C

RGB 251 155 60

HSL 29.84, 0.96%, 0.61%

LAB 72.41, 28.68, 62.01

 

CMYK 0 / 18 / 76 / 2

HEX #FBCE3C

RGB 251 206 60

HSL 45.86, 0.96%, 0.61%

LAB 84.47, 2.12, 73.47

 

CMYK 3 / 0 / 76 / 2

HEX #F4FB3C

RGB 244 251 60

HSL 62.2, 0.96%, 0.61%

LAB 95.39, -23.04, 83.24

 

CMYK 0 / 48 / 98 / 12

HEX #E07504

RGB 224 117 4

HSL 30.82, 0.96%, 0.45%

LAB 60.41, 36.14, 67.11

 

CMYK 0 / 45 / 92 / 2

HEX #FA8A13

RGB 250 138 19

HSL 30.91, 0.96%, 0.53%

LAB 68.42, 36.02, 71.65

 

CMYK 0 / 37 / 76 / 2

HEX #FB9E3C

RGB 251 158 60

HSL 30.79, 0.96%, 0.61%

LAB 73.08, 27.12, 62.66

 

CMYK 0 / 29 / 60 / 2

HEX #FBB264

RGB 251 178 100

HSL 30.99, 0.95%, 0.69%

LAB 78.03, 18.79, 49.82

 

CMYK 0 / 21 / 44 / 1

HEX #FCC68C

RGB 252 198 140

HSL 31.07, 0.95%, 0.77%

LAB 83.43, 12.1, 36.36

 

CMYK 0 / 37 / 76 / 2

HEX #FB9E3B

RGB 251 158 59

HSL 30.94, 0.96%, 0.61%

LAB 73.08, 27.08, 63.06

 

CMYK 53 / 0 / 76 / 2

HEX #75FB3C

RGB 117 251 60

HSL 102.09, 0.96%, 0.61%

LAB 88.5, -67.63, 74.33

 

CMYK 69 / 76 / 0 / 2

HEX #4F3CFB

RGB 79 60 251

HSL 245.97, 0.96%, 0.61%

LAB 40.99, 62.52, -91.08

 

CMYK 0 / 37 / 76 / 2

HEX #FB9E3B

RGB 251 158 59

HSL 30.94, 0.96%, 0.61%

LAB 73.08, 27.08, 63.06

 

CMYK 76 / 0 / 38 / 2

HEX #3CFB9B

RGB 60 251 155

HSL 149.84, 0.96%, 0.61%

LAB 88.12, -67.13, 33.08

 

CMYK 38 / 76 / 0 / 2

HEX #9B3CFB

RGB 155 60 251

HSL 269.84, 0.96%, 0.61%

LAB 48.47, 71.92, -78.52

 

CMYK 0 / 37 / 76 / 2

HEX #FB9E3B

RGB 251 158 59

HSL 30.94, 0.96%, 0.61%

LAB 73.08, 27.08, 63.06

 

CMYK 53 / 0 / 76 / 2

HEX #75FB3C

RGB 117 251 60

HSL 102.09, 0.96%, 0.61%

LAB 88.5, -67.63, 74.33

 

CMYK 76 / 38 / 0 / 2

HEX #3C9BFB

RGB 60 155 251

HSL 210.16, 0.96%, 0.61%

LAB 62.82, 4.43, -55.68

 

CMYK 23 / 76 / 0 / 2

HEX #C13CFB

RGB 193 60 251

HSL 281.78, 0.96%, 0.61%

LAB 53.53, 78.16, -70.06

 

CMYK 0 / 37 / 76 / 2

HEX #FB9E3B

RGB 251 158 59

HSL 30.94, 0.96%, 0.61%

LAB 73.08, 27.08, 63.06

 

CMYK 76 / 0 / 76 / 2

HEX #3CFB3C

RGB 60 251 60

HSL 120, 0.96%, 0.61%

LAB 87.13, -78.88, 72.54

 

CMYK 76 / 38 / 0 / 2

HEX #3C9BFB

RGB 60 155 251

HSL 210.16, 0.96%, 0.61%

LAB 62.82, 4.43, -55.68

 

CMYK 0 / 76 / 0 / 2

HEX #FB3CFB

RGB 251 60 251

HSL 300, 0.96%, 0.61%

LAB 62.26, 88.75, -55.57

 

Description

Color code: HEX #FB9E3B | qconv.com Color code: HEX #FB9E3B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 158 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 158 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 76 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 76% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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