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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB9936 it is the complementary color #0466C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB9936. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB9936 shade: #FF9931, #FFAB44, #FFBD57, #FFCF6A and #FFE17D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB9936. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB9936 shade: #FB9936, #EA8723, #D97510, #C86300 and #B75100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB9936 shade: #FA9937, #FA6437 and #FA3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB9936 shade: #FA9937, #FACE37, #F2FA37, #BDFA37 and #89FA37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB9936 shade matches the following richer shades: #FA9937

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB9936 shade: #FA9937, #EA9947, #D99958, #C99968 and #B89979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB9936 shade: #FA373D, #FA6437, #FA9937, #FACD37 and #F4FA37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB9936 shade: #DB7004, #FA840E, #FA9937, #FBAE5F and #FCC287

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB9936 shade: #FB9936, #71FA37 and #4A37FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB9936 shade: #FB9936, #37FA99 and #9937FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB9936 shade: #FB9936, #71FA37, #3799FA and #C037FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB9936 shade: #FB9936, #37FA37, #3799FA and #FA37FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 78 / 2

HEX #FB9936

RGB 251 153 54

HSL 30.15, 0.96%, 0.6%

LAB 71.93, 29.5, 63.96

 

Complementary color

CMYK 98 / 49 / 0 / 21

HEX #0466C9

RGB 4 102 201

HSL 210.15, 0.96%, 0.4%

LAB 43.87, 14.21, -58.07

 

CMYK 0 / 40 / 81 / 0

HEX #FF9931

RGB 255 153 49

HSL 30.29, 1%, 0.6%

LAB 72.4, 30.97, 66.46

 

CMYK 0 / 33 / 73 / 0

HEX #FFAB44

RGB 255 171 68

HSL 33.05, 1%, 0.63%

LAB 76.56, 22.3, 62.96

 

CMYK 0 / 26 / 66 / 0

HEX #FFBD57

RGB 255 189 87

HSL 36.43, 1%, 0.67%

LAB 80.93, 13.86, 59.31

 

CMYK 0 / 19 / 58 / 0

HEX #FFCF6A

RGB 255 207 106

HSL 40.67, 1%, 0.71%

LAB 85.47, 5.75, 55.72

 

CMYK 0 / 12 / 51 / 0

HEX #FFE17D

RGB 255 225 125

HSL 46.15, 1%, 0.75%

LAB 90.13, -1.96, 52.27

 

CMYK 0 / 39 / 78 / 2

HEX #FB9936

RGB 251 153 54

HSL 30.15, 0.96%, 0.6%

LAB 71.93, 29.5, 63.96

 

CMYK 0 / 42 / 85 / 8

HEX #EA8723

RGB 234 135 35

HSL 30.15, 0.83%, 0.53%

LAB 65.7, 31.37, 64.45

 

CMYK 0 / 46 / 93 / 15

HEX #D97510

RGB 217 117 16

HSL 30.15, 0.86%, 0.46%

LAB 59.45, 33.43, 63.86

 

CMYK 0 / 51 / 100 / 22

HEX #C86300

RGB 200 99 0

HSL 29.7, 1%, 0.39%

LAB 53.17, 35.65, 61.65

 

CMYK 0 / 56 / 100 / 28

HEX #B75100

RGB 183 81 0

HSL 26.56, 1%, 0.36%

LAB 46.91, 38, 56.64

 

CMYK 0 / 39 / 78 / 2

HEX #FA9937

RGB 250 153 55

HSL 30.15, 0.95%, 0.6%

LAB 71.81, 29.13, 63.41

 

CMYK 0 / 60 / 78 / 2

HEX #FA6437

RGB 250 100 55

HSL 13.85, 0.95%, 0.6%

LAB 61.41, 55.1, 53.36

 

CMYK 0 / 78 / 78 / 2

HEX #FA3737

RGB 250 55 55

HSL 0, 0.95%, 0.6%

LAB 55.41, 71.45, 47.31

 

CMYK 0 / 39 / 78 / 2

HEX #FA9937

RGB 250 153 55

HSL 30.15, 0.95%, 0.6%

LAB 71.81, 29.13, 63.41

 

CMYK 0 / 18 / 78 / 2

HEX #FACE37

RGB 250 206 55

HSL 46.46, 0.95%, 0.6%

LAB 84.35, 1.52, 74.96

 

CMYK 3 / 0 / 78 / 2

HEX #F2FA37

RGB 242 250 55

HSL 62.46, 0.95%, 0.6%

LAB 94.96, -23.56, 84.17

 

CMYK 24 / 0 / 78 / 2

HEX #BDFA37

RGB 189 250 55

HSL 78.77, 0.95%, 0.6%

LAB 91.44, -44.3, 79.69

 

CMYK 45 / 0 / 78 / 2

HEX #89FA37

RGB 137 250 55

HSL 94.77, 0.95%, 0.6%

LAB 88.91, -61.93, 76.42

 

CMYK 0 / 39 / 78 / 2

HEX #FA9937

RGB 250 153 55

HSL 30.15, 0.95%, 0.6%

LAB 71.81, 29.13, 63.41

 

CMYK 0 / 39 / 78 / 2

HEX #FA9937

RGB 250 153 55

HSL 30.15, 0.95%, 0.6%

LAB 71.81, 29.13, 63.41

 

CMYK 0 / 35 / 70 / 8

HEX #EA9947

RGB 234 153 71

HSL 30.18, 0.8%, 0.6%

LAB 69.99, 23.24, 54.06

 

CMYK 0 / 29 / 59 / 15

HEX #D99958

RGB 217 153 88

HSL 30.23, 0.63%, 0.6%

LAB 68.2, 17.22, 43.24

 

CMYK 0 / 24 / 48 / 21

HEX #C99968

RGB 201 153 104

HSL 30.31, 0.47%, 0.6%

LAB 66.67, 11.92, 32.61

 

CMYK 0 / 17 / 34 / 28

HEX #B89979

RGB 184 153 121

HSL 30.48, 0.31%, 0.6%

LAB 65.24, 6.86, 21.14

 

CMYK 0 / 78 / 76 / 2

HEX #FA373D

RGB 250 55 61

HSL 358.15, 0.95%, 0.6%

LAB 55.48, 71.64, 44.13

 

CMYK 0 / 60 / 78 / 2

HEX #FA6437

RGB 250 100 55

HSL 13.85, 0.95%, 0.6%

LAB 61.41, 55.1, 53.36

 

CMYK 0 / 39 / 78 / 2

HEX #FA9937

RGB 250 153 55

HSL 30.15, 0.95%, 0.6%

LAB 71.81, 29.13, 63.41

 

CMYK 0 / 18 / 78 / 2

HEX #FACD37

RGB 250 205 55

HSL 46.15, 0.95%, 0.6%

LAB 84.1, 2.03, 74.73

 

CMYK 2 / 0 / 78 / 2

HEX #F4FA37

RGB 244 250 55

HSL 61.85, 0.95%, 0.6%

LAB 95.11, -22.74, 84.36

 

CMYK 0 / 49 / 98 / 14

HEX #DB7004

RGB 219 112 4

HSL 30.14, 0.96%, 0.44%

LAB 58.66, 36.69, 65.65

 

CMYK 0 / 47 / 94 / 2

HEX #FA840E

RGB 250 132 14

HSL 30, 0.96%, 0.52%

LAB 67.17, 39, 71.72

 

CMYK 0 / 39 / 78 / 2

HEX #FA9937

RGB 250 153 55

HSL 30.15, 0.95%, 0.6%

LAB 71.81, 29.13, 63.41

 

CMYK 0 / 31 / 62 / 2

HEX #FBAE5F

RGB 251 174 95

HSL 30.38, 0.95%, 0.68%

LAB 77.05, 20.55, 51.1

 

CMYK 0 / 23 / 46 / 1

HEX #FCC287

RGB 252 194 135

HSL 30.26, 0.95%, 0.76%

LAB 82.39, 13.7, 37.6

 

CMYK 0 / 39 / 78 / 2

HEX #FB9936

RGB 251 153 54

HSL 30.15, 0.96%, 0.6%

LAB 71.93, 29.5, 63.96

 

CMYK 55 / 0 / 78 / 2

HEX #71FA37

RGB 113 250 55

HSL 102.15, 0.95%, 0.6%

LAB 88.04, -68.58, 75.31

 

CMYK 70 / 78 / 0 / 2

HEX #4A37FA

RGB 74 55 250

HSL 245.85, 0.95%, 0.6%

LAB 39.73, 64.17, -92.61

 

CMYK 0 / 39 / 78 / 2

HEX #FB9936

RGB 251 153 54

HSL 30.15, 0.96%, 0.6%

LAB 71.93, 29.5, 63.96

 

CMYK 78 / 0 / 39 / 2

HEX #37FA99

RGB 55 250 153

HSL 150.15, 0.95%, 0.6%

LAB 87.72, -67.71, 33.53

 

CMYK 39 / 78 / 0 / 2

HEX #9937FA

RGB 153 55 250

HSL 270.15, 0.95%, 0.6%

LAB 47.5, 73.23, -79.54

 

CMYK 0 / 39 / 78 / 2

HEX #FB9936

RGB 251 153 54

HSL 30.15, 0.96%, 0.6%

LAB 71.93, 29.5, 63.96

 

CMYK 55 / 0 / 78 / 2

HEX #71FA37

RGB 113 250 55

HSL 102.15, 0.95%, 0.6%

LAB 88.04, -68.58, 75.31

 

CMYK 78 / 39 / 0 / 2

HEX #3799FA

RGB 55 153 250

HSL 209.85, 0.95%, 0.6%

LAB 62.08, 4.72, -56.31

 

CMYK 23 / 78 / 0 / 2

HEX #C037FA

RGB 192 55 250

HSL 282.15, 0.95%, 0.6%

LAB 52.78, 79.37, -70.73

 

CMYK 0 / 39 / 78 / 2

HEX #FB9936

RGB 251 153 54

HSL 30.15, 0.96%, 0.6%

LAB 71.93, 29.5, 63.96

 

CMYK 78 / 0 / 78 / 2

HEX #37FA37

RGB 55 250 55

HSL 120, 0.95%, 0.6%

LAB 86.73, -79.54, 73.6

 

CMYK 78 / 39 / 0 / 2

HEX #3799FA

RGB 55 153 250

HSL 209.85, 0.95%, 0.6%

LAB 62.08, 4.72, -56.31

 

CMYK 0 / 78 / 0 / 2

HEX #FA37FA

RGB 250 55 250

HSL 300, 0.95%, 0.6%

LAB 61.62, 89.65, -56.05

 

Description

Color code: HEX #FB9936 | qconv.com Color code: HEX #FB9936 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 153 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 153 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 78 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 78% 2% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

78% - New York City Depart...
Link: http://schools.nyc.gov

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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