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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB8DFA it is the complementary color #047205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB8DFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB8DFA shade: #FF8DF5, #FF9FFF, #FFB1FF, #FFC3FF and #FFD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB8DFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB8DFA shade: #FB8DFA, #EA7BE7, #D969D4, #C857C1 and #B745AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB8DFA shade: #FA8DF9, #FA8DDC, #FA8DBF, #FA8DA1 and #FA8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB8DFA shade: #FA8DF9, #DE8DFA, #C18DFA, #A38DFA and #8D8DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB8DFA shade matches the following richer shades: #FA8DF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB8DFA shade: #FA8DF9, #F197F0, #E7A0E7, #DEAADD and #D4B3D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB8DFA shade: #C08DFA, #DD8DFA, #FA8DFA, #FA8DDD and #FA8DC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB8DFA shade: #F83EF6, #F965F8, #FA8DF9, #FCB5FB and #FDDDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB8DFA shade: #FB8DFA, #FAA38D and #8DFACF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB8DFA shade: #FB8DFA, #FAFA8D and #8DFAFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB8DFA shade: #FB8DFA, #FAA38D, #8DFA8D and #8DE5FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB8DFA shade: #FB8DFA, #FAC48D, #8DFA8D and #8DC4FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 0 / 2

HEX #FB8DFA

RGB 251 141 250

HSL 300.55, 0.93%, 0.77%

LAB 73.84, 56.76, -36.81

 

Complementary color

CMYK 96 / 0 / 96 / 55

HEX #047205

RGB 4 114 5

HSL 120.55, 0.93%, 0.23%

LAB 41.33, -46.98, 44.77

 

CMYK 0 / 45 / 4 / 0

HEX #FF8DF5

RGB 255 141 245

HSL 305.26, 1%, 0.78%

LAB 74.13, 57.05, -33.61

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 44 / 0 / 2

HEX #FB8DFA

RGB 251 141 250

HSL 300.55, 0.93%, 0.77%

LAB 73.84, 56.76, -36.81

 

CMYK 0 / 47 / 1 / 8

HEX #EA7BE7

RGB 234 123 231

HSL 301.62, 0.73%, 0.7%

LAB 67.6, 57.43, -36.27

 

CMYK 0 / 52 / 2 / 15

HEX #D969D4

RGB 217 105 212

HSL 302.68, 0.6%, 0.63%

LAB 61.31, 58.03, -35.62

 

CMYK 0 / 57 / 4 / 22

HEX #C857C1

RGB 200 87 193

HSL 303.72, 0.51%, 0.56%

LAB 55.02, 58.49, -34.82

 

CMYK 0 / 62 / 5 / 28

HEX #B745AE

RGB 183 69 174

HSL 304.74, 0.45%, 0.49%

LAB 48.73, 58.72, -33.81

 

CMYK 0 / 44 / 0 / 2

HEX #FA8DF9

RGB 250 141 249

HSL 300.55, 0.92%, 0.77%

LAB 73.68, 56.3, -36.52

 

CMYK 0 / 44 / 12 / 2

HEX #FA8DDC

RGB 250 141 220

HSL 316.51, 0.92%, 0.77%

LAB 72.59, 51.47, -22.34

 

CMYK 0 / 44 / 24 / 2

HEX #FA8DBF

RGB 250 141 191

HSL 332.48, 0.92%, 0.77%

LAB 71.65, 47.17, -7.72

 

CMYK 0 / 44 / 36 / 2

HEX #FA8DA1

RGB 250 141 161

HSL 348.99, 0.92%, 0.77%

LAB 70.83, 43.33, 7.81

 

CMYK 0 / 44 / 44 / 2

HEX #FA8D8D

RGB 250 141 141

HSL 0, 0.92%, 0.77%

LAB 70.38, 41.15, 18.31

 

CMYK 0 / 44 / 0 / 2

HEX #FA8DF9

RGB 250 141 249

HSL 300.55, 0.92%, 0.77%

LAB 73.68, 56.3, -36.52

 

CMYK 11 / 44 / 0 / 2

HEX #DE8DFA

RGB 222 141 250

HSL 284.59, 0.92%, 0.77%

LAB 70.51, 48.51, -42.25

 

CMYK 23 / 44 / 0 / 2

HEX #C18DFA

RGB 193 141 250

HSL 268.62, 0.92%, 0.77%

LAB 67.49, 40.41, -47.2

 

CMYK 35 / 44 / 0 / 2

HEX #A38DFA

RGB 163 141 250

HSL 252.11, 0.92%, 0.77%

LAB 64.75, 32.41, -51.71

 

CMYK 44 / 44 / 0 / 2

HEX #8D8DFA

RGB 141 141 250

HSL 240, 0.92%, 0.77%

LAB 63.02, 26.96, -54.56

 

CMYK 0 / 44 / 0 / 2

HEX #FA8DF9

RGB 250 141 249

HSL 300.55, 0.92%, 0.77%

LAB 73.68, 56.3, -36.52

 

CMYK 0 / 44 / 0 / 2

HEX #FA8DF9

RGB 250 141 249

HSL 300.55, 0.92%, 0.77%

LAB 73.68, 56.3, -36.52

 

CMYK 0 / 37 / 0 / 5

HEX #F197F0

RGB 241 151 240

HSL 300.67, 0.76%, 0.77%

LAB 74.27, 47.02, -30.81

 

CMYK 0 / 31 / 0 / 9

HEX #E7A0E7

RGB 231 160 231

HSL 300, 0.6%, 0.77%

LAB 74.76, 37.58, -25.24

 

CMYK 0 / 23 / 0 / 13

HEX #DEAADD

RGB 222 170 221

HSL 301.15, 0.44%, 0.77%

LAB 75.76, 27.48, -18.36

 

CMYK 0 / 16 / 0 / 17

HEX #D4B3D4

RGB 212 179 212

HSL 300, 0.28%, 0.77%

LAB 76.67, 17.59, -12.19

 

CMYK 23 / 44 / 0 / 2

HEX #C08DFA

RGB 192 141 250

HSL 268.07, 0.92%, 0.77%

LAB 67.4, 40.14, -47.36

 

CMYK 12 / 44 / 0 / 2

HEX #DD8DFA

RGB 221 141 250

HSL 284.04, 0.92%, 0.77%

LAB 70.4, 48.23, -42.43

 

CMYK 0 / 44 / 0 / 2

HEX #FA8DFA

RGB 250 141 250

HSL 300, 0.92%, 0.77%

LAB 73.72, 56.48, -37.01

 

CMYK 0 / 44 / 12 / 2

HEX #FA8DDD

RGB 250 141 221

HSL 315.96, 0.92%, 0.77%

LAB 72.62, 51.63, -22.84

 

CMYK 0 / 44 / 23 / 2

HEX #FA8DC0

RGB 250 141 192

HSL 331.93, 0.92%, 0.77%

LAB 71.68, 47.31, -8.23

 

CMYK 0 / 75 / 1 / 3

HEX #F83EF6

RGB 248 62 246

HSL 300.65, 0.93%, 0.61%

LAB 61.7, 86.89, -53.72

 

CMYK 0 / 59 / 0 / 2

HEX #F965F8

RGB 249 101 248

HSL 300.41, 0.93%, 0.69%

LAB 66.69, 74.07, -46.92

 

CMYK 0 / 44 / 0 / 2

HEX #FA8DF9

RGB 250 141 249

HSL 300.55, 0.92%, 0.77%

LAB 73.68, 56.3, -36.52

 

CMYK 0 / 28 / 0 / 1

HEX #FCB5FB

RGB 252 181 251

HSL 300.85, 0.92%, 0.85%

LAB 82.22, 36.77, -24.46

 

CMYK 0 / 13 / 0 / 1

HEX #FDDDFD

RGB 253 221 253

HSL 300, 0.89%, 0.93%

LAB 91.54, 16.45, -11.47

 

CMYK 0 / 44 / 0 / 2

HEX #FB8DFA

RGB 251 141 250

HSL 300.55, 0.93%, 0.77%

LAB 73.84, 56.76, -36.81

 

CMYK 0 / 35 / 44 / 2

HEX #FAA38D

RGB 250 163 141

HSL 12.11, 0.92%, 0.77%

LAB 75.1, 29.77, 24.76

 

CMYK 44 / 0 / 17 / 2

HEX #8DFACF

RGB 141 250 207

HSL 156.33, 0.92%, 0.77%

LAB 91.03, -41.07, 10.92

 

CMYK 0 / 44 / 0 / 2

HEX #FB8DFA

RGB 251 141 250

HSL 300.55, 0.93%, 0.77%

LAB 73.84, 56.76, -36.81

 

CMYK 0 / 0 / 44 / 2

HEX #FAFA8D

RGB 250 250 141

HSL 60, 0.92%, 0.77%

LAB 96.25, -14.9, 52.04

 

CMYK 44 / 0 / 0 / 2

HEX #8DFAFA

RGB 141 250 250

HSL 180, 0.92%, 0.77%

LAB 92.1, -31.34, -9.8

 

CMYK 0 / 44 / 0 / 2

HEX #FB8DFA

RGB 251 141 250

HSL 300.55, 0.93%, 0.77%

LAB 73.84, 56.76, -36.81

 

CMYK 0 / 35 / 44 / 2

HEX #FAA38D

RGB 250 163 141

HSL 12.11, 0.92%, 0.77%

LAB 75.1, 29.77, 24.76

 

CMYK 44 / 0 / 44 / 2

HEX #8DFA8D

RGB 141 250 141

HSL 120, 0.92%, 0.77%

LAB 89.84, -52.64, 42.63

 

CMYK 44 / 8 / 0 / 2

HEX #8DE5FA

RGB 141 229 250

HSL 191.56, 0.92%, 0.77%

LAB 86.31, -21.17, -18.48

 

CMYK 0 / 44 / 0 / 2

HEX #FB8DFA

RGB 251 141 250

HSL 300.55, 0.93%, 0.77%

LAB 73.84, 56.76, -36.81

 

CMYK 0 / 22 / 44 / 2

HEX #FAC48D

RGB 250 196 141

HSL 30.28, 0.92%, 0.77%

LAB 82.77, 12.46, 34.95

 

CMYK 44 / 0 / 44 / 2

HEX #8DFA8D

RGB 141 250 141

HSL 120, 0.92%, 0.77%

LAB 89.84, -52.64, 42.63

 

CMYK 44 / 22 / 0 / 2

HEX #8DC4FA

RGB 141 196 250

HSL 209.72, 0.92%, 0.77%

LAB 77.31, -4.07, -32.2

 

Description

Color code: HEX #FB8DFA | qconv.com Color code: HEX #FB8DFA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 141 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 141 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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