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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB7008 it is the complementary color #048FF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB7008. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB7008 shade: #FF7003, #FF8216, #FF9429, #FFA63C and #FFB84F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB7008. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB7008 shade: #FB7008, #EA5E00, #D94C00, #C83A00 and #B72800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB7008 shade: #FB7008, #FB2F08 and #FB0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB7008 shade: #FB7008, #FBB108, #FBF308, #C1FB08 and #80FB08

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB7008 shade matches the following richer shades: #FB7008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB7008 shade: #FB7008, #E7731D, #D27631, #BE7945 and #AA7C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB7008 shade: #FB0825, #FB2D08, #FB6D08, #FBAE08 and #FBEF08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB7008 shade: #AE4C02, #D75E03, #FB7008, #FB8831 and #FC9F5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB7008 shade: #FB7008, #65FB08 and #0C08FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB7008 shade: #FB7008, #08FB6D and #6D08FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB7008 shade: #FB7008, #65FB08, #0896FB and #9E08FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB7008 shade: #FB7008, #1DFB08, #0896FB and #E708FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 97 / 2

HEX #FB7008

RGB 251 112 8

HSL 25.68, 0.97%, 0.51%

LAB 63.44, 49.08, 70.34

 

Complementary color

CMYK 98 / 42 / 0 / 3

HEX #048FF7

RGB 4 143 247

HSL 205.68, 0.97%, 0.49%

LAB 58.4, 6.61, -60.58

 

CMYK 0 / 56 / 99 / 0

HEX #FF7003

RGB 255 112 3

HSL 25.95, 1%, 0.51%

LAB 64.04, 50.52, 71.81

 

CMYK 0 / 49 / 91 / 0

HEX #FF8216

RGB 255 130 22

HSL 27.81, 1%, 0.54%

LAB 67.49, 42.05, 70.68

 

CMYK 0 / 42 / 84 / 0

HEX #FF9429

RGB 255 148 41

HSL 30, 1%, 0.58%

LAB 71.28, 33.32, 68.26

 

CMYK 0 / 35 / 76 / 0

HEX #FFA63C

RGB 255 166 60

HSL 32.62, 1%, 0.62%

LAB 75.36, 24.59, 65.03

 

CMYK 0 / 28 / 69 / 0

HEX #FFB84F

RGB 255 184 79

HSL 35.8, 1%, 0.65%

LAB 79.67, 16.03, 61.49

 

CMYK 0 / 55 / 97 / 2

HEX #FB7008

RGB 251 112 8

HSL 25.68, 0.97%, 0.51%

LAB 63.44, 49.08, 70.34

 

CMYK 0 / 60 / 100 / 8

HEX #EA5E00

RGB 234 94 0

HSL 24.1, 1%, 0.46%

LAB 57.56, 51.07, 66.94

 

CMYK 0 / 65 / 100 / 15

HEX #D94C00

RGB 217 76 0

HSL 21.01, 1%, 0.43%

LAB 51.75, 52.9, 62.33

 

CMYK 0 / 71 / 100 / 22

HEX #C83A00

RGB 200 58 0

HSL 17.4, 1%, 0.39%

LAB 46.05, 54.32, 57.8

 

CMYK 0 / 78 / 100 / 28

HEX #B72800

RGB 183 40 0

HSL 13.11, 1%, 0.36%

LAB 40.55, 55.07, 53.4

 

CMYK 0 / 55 / 97 / 2

HEX #FB7008

RGB 251 112 8

HSL 25.68, 0.97%, 0.51%

LAB 63.44, 49.08, 70.34

 

CMYK 0 / 81 / 97 / 2

HEX #FB2F08

RGB 251 47 8

HSL 9.63, 0.97%, 0.51%

LAB 54.62, 72.93, 65.43

 

CMYK 0 / 97 / 97 / 2

HEX #FB0808

RGB 251 8 8

HSL 0, 0.97%, 0.51%

LAB 52.62, 78.65, 64.49

 

CMYK 0 / 55 / 97 / 2

HEX #FB7008

RGB 251 112 8

HSL 25.68, 0.97%, 0.51%

LAB 63.44, 49.08, 70.34

 

CMYK 0 / 29 / 97 / 2

HEX #FBB108

RGB 251 177 8

HSL 41.73, 0.97%, 0.51%

LAB 77.26, 16.04, 79.43

 

CMYK 0 / 3 / 97 / 2

HEX #FBF308

RGB 251 243 8

HSL 58.02, 0.97%, 0.51%

LAB 93.72, -17.41, 91.26

 

CMYK 23 / 0 / 97 / 2

HEX #C1FB08

RGB 193 251 8

HSL 74.32, 0.97%, 0.51%

LAB 91.84, -44.34, 88.06

 

CMYK 49 / 0 / 97 / 2

HEX #80FB08

RGB 128 251 8

HSL 90.37, 0.97%, 0.51%

LAB 88.73, -66.29, 84.3

 

CMYK 0 / 55 / 97 / 2

HEX #FB7008

RGB 251 112 8

HSL 25.68, 0.97%, 0.51%

LAB 63.44, 49.08, 70.34

 

CMYK 0 / 55 / 97 / 2

HEX #FB7008

RGB 251 112 8

HSL 25.68, 0.97%, 0.51%

LAB 63.44, 49.08, 70.34

 

CMYK 0 / 50 / 87 / 9

HEX #E7731D

RGB 231 115 29

HSL 25.54, 0.81%, 0.51%

LAB 61.08, 40.28, 62.47

 

CMYK 0 / 44 / 77 / 18

HEX #D27631

RGB 210 118 49

HSL 25.71, 0.64%, 0.51%

LAB 58.86, 30.89, 51.63

 

CMYK 0 / 36 / 64 / 25

HEX #BE7945

RGB 190 121 69

HSL 25.79, 0.48%, 0.51%

LAB 57.13, 21.98, 39.19

 

CMYK 0 / 27 / 48 / 33

HEX #AA7C59

RGB 170 124 89

HSL 25.93, 0.32%, 0.51%

LAB 55.77, 13.51, 26.09

 

CMYK 0 / 97 / 85 / 2

HEX #FB0825

RGB 251 8 37

HSL 352.84, 0.97%, 0.51%

LAB 52.75, 79, 54.05

 

CMYK 0 / 82 / 97 / 2

HEX #FB2D08

RGB 251 45 8

HSL 9.14, 0.97%, 0.51%

LAB 54.45, 73.4, 65.35

 

CMYK 0 / 57 / 97 / 2

HEX #FB6D08

RGB 251 109 8

HSL 24.94, 0.97%, 0.51%

LAB 62.9, 50.48, 70.02

 

CMYK 0 / 31 / 97 / 2

HEX #FBAE08

RGB 251 174 8

HSL 40.99, 0.97%, 0.51%

LAB 76.56, 17.61, 78.94

 

CMYK 0 / 5 / 97 / 2

HEX #FBEF08

RGB 251 239 8

HSL 57.04, 0.97%, 0.51%

LAB 92.69, -15.47, 90.5

 

CMYK 0 / 56 / 99 / 32

HEX #AE4C02

RGB 174 76 2

HSL 25.81, 0.98%, 0.35%

LAB 44.48, 36.96, 53.93

 

CMYK 0 / 56 / 99 / 16

HEX #D75E03

RGB 215 94 3

HSL 25.75, 0.97%, 0.43%

LAB 54.51, 44.07, 63.02

 

CMYK 0 / 55 / 97 / 2

HEX #FB7008

RGB 251 112 8

HSL 25.68, 0.97%, 0.51%

LAB 63.44, 49.08, 70.34

 

CMYK 0 / 46 / 80 / 2

HEX #FB8831

RGB 251 136 49

HSL 25.84, 0.96%, 0.59%

LAB 68.27, 38.07, 62.53

 

CMYK 0 / 37 / 64 / 1

HEX #FC9F5A

RGB 252 159 90

HSL 25.56, 0.96%, 0.67%

LAB 73.69, 28.49, 49.7

 

CMYK 0 / 55 / 97 / 2

HEX #FB7008

RGB 251 112 8

HSL 25.68, 0.97%, 0.51%

LAB 63.44, 49.08, 70.34

 

CMYK 60 / 0 / 97 / 2

HEX #65FB08

RGB 101 251 8

HSL 97.04, 0.97%, 0.51%

LAB 87.86, -73.27, 83.23

 

CMYK 95 / 97 / 0 / 2

HEX #0C08FB

RGB 12 8 251

HSL 240.99, 0.97%, 0.51%

LAB 32.3, 77.09, -105.62

 

CMYK 0 / 55 / 97 / 2

HEX #FB7008

RGB 251 112 8

HSL 25.68, 0.97%, 0.51%

LAB 63.44, 49.08, 70.34

 

CMYK 97 / 0 / 57 / 2

HEX #08FB6D

RGB 8 251 109

HSL 144.94, 0.97%, 0.51%

LAB 87.07, -78.01, 53.57

 

CMYK 57 / 97 / 0 / 2

HEX #6D08FB

RGB 109 8 251

HSL 264.94, 0.97%, 0.51%

LAB 38.53, 80.12, -95.07

 

CMYK 0 / 55 / 97 / 2

HEX #FB7008

RGB 251 112 8

HSL 25.68, 0.97%, 0.51%

LAB 63.44, 49.08, 70.34

 

CMYK 60 / 0 / 97 / 2

HEX #65FB08

RGB 101 251 8

HSL 97.04, 0.97%, 0.51%

LAB 87.86, -73.27, 83.23

 

CMYK 97 / 40 / 0 / 2

HEX #0896FB

RGB 8 150 251

HSL 204.94, 0.97%, 0.51%

LAB 60.63, 4.04, -59.21

 

CMYK 37 / 97 / 0 / 2

HEX #9E08FB

RGB 158 8 251

HSL 277.04, 0.97%, 0.51%

LAB 44.81, 84.26, -84.49

 

CMYK 0 / 55 / 97 / 2

HEX #FB7008

RGB 251 112 8

HSL 25.68, 0.97%, 0.51%

LAB 63.44, 49.08, 70.34

 

CMYK 88 / 0 / 97 / 2

HEX #1DFB08

RGB 29 251 8

HSL 114.81, 0.97%, 0.51%

LAB 86.64, -83.86, 81.74

 

CMYK 97 / 40 / 0 / 2

HEX #0896FB

RGB 8 150 251

HSL 204.94, 0.97%, 0.51%

LAB 60.63, 4.04, -59.21

 

CMYK 8 / 97 / 0 / 2

HEX #E708FB

RGB 231 8 251

HSL 295.06, 0.97%, 0.51%

LAB 56.22, 93.57, -65.43

 

Description

Color code: HEX #FB7008 | qconv.com Color code: HEX #FB7008 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 112 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 112 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 97 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 97% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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