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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB79E6 it is the complementary color #048619. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB79E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB79E6 shade: #FF79E1, #FF8BF4, #FF9DFF, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB79E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB79E6 shade: #FB79E6, #EA67D3, #D955C0, #C843AD and #B7319A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB79E6 shade: #FA79E5, #FA79C3, #FA79A0, #FA797D and #FA7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB79E6 shade: #FA79E5, #EC79FA, #C979FA, #A779FA and #8479FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB79E6 shade matches the following richer shades: #FA79E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB79E6 shade: #FA79E5, #EF84DE, #E48FD6, #D99ACF and #CEA5C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB79E6 shade: #C979FA, #EB79FA, #FA79E7, #FA79C4 and #FA79A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB79E6 shade: #F829D6, #F951DE, #FA79E5, #FCA1ED and #FDC9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB79E6 shade: #FB79E6, #FAA679 and #79FADA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB79E6 shade: #FB79E6, #E7FA79 and #79E7FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB79E6 shade: #FB79E6, #FAA679, #79FA8C and #79CDFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB79E6 shade: #FB79E6, #FACD79, #79FA8C and #79A6FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 8 / 2

HEX #FB79E6

RGB 251 121 230

HSL 309.69, 0.94%, 0.73%

LAB 69.4, 62.97, -32.75

 

Complementary color

CMYK 97 / 0 / 81 / 47

HEX #048619

RGB 4 134 25

HSL 129.69, 0.94%, 0.27%

LAB 48.44, -52, 45.93

 

CMYK 0 / 53 / 12 / 0

HEX #FF79E1

RGB 255 121 225

HSL 313.43, 1%, 0.74%

LAB 69.73, 63.32, -29.42

 

CMYK 0 / 45 / 4 / 0

HEX #FF8BF4

RGB 255 139 244

HSL 305.69, 1%, 0.77%

LAB 73.71, 57.86, -33.71

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 52 / 8 / 2

HEX #FB79E6

RGB 251 121 230

HSL 309.69, 0.94%, 0.73%

LAB 69.4, 62.97, -32.75

 

CMYK 0 / 56 / 10 / 8

HEX #EA67D3

RGB 234 103 211

HSL 310.53, 0.76%, 0.66%

LAB 63.26, 63.45, -31.86

 

CMYK 0 / 61 / 12 / 15

HEX #D955C0

RGB 217 85 192

HSL 311.36, 0.63%, 0.59%

LAB 57.13, 63.74, -30.77

 

CMYK 0 / 67 / 14 / 22

HEX #C843AD

RGB 200 67 173

HSL 312.18, 0.55%, 0.52%

LAB 51.05, 63.72, -29.41

 

CMYK 0 / 73 / 16 / 28

HEX #B7319A

RGB 183 49 154

HSL 312.99, 0.58%, 0.45%

LAB 45.08, 63.21, -27.66

 

CMYK 0 / 52 / 8 / 2

HEX #FA79E5

RGB 250 121 229

HSL 309.77, 0.93%, 0.73%

LAB 69.22, 62.54, -32.47

 

CMYK 0 / 52 / 22 / 2

HEX #FA79C3

RGB 250 121 195

HSL 325.58, 0.93%, 0.73%

LAB 67.98, 57.48, -15.45

 

CMYK 0 / 52 / 36 / 2

HEX #FA79A0

RGB 250 121 160

HSL 341.86, 0.93%, 0.73%

LAB 66.93, 53.07, 2.74

 

CMYK 0 / 52 / 50 / 2

HEX #FA797D

RGB 250 121 125

HSL 358.14, 0.93%, 0.73%

LAB 66.12, 49.56, 21.42

 

CMYK 0 / 52 / 52 / 2

HEX #FA7979

RGB 250 121 121

HSL 0, 0.93%, 0.73%

LAB 66.04, 49.22, 23.57

 

CMYK 0 / 52 / 8 / 2

HEX #FA79E5

RGB 250 121 229

HSL 309.77, 0.93%, 0.73%

LAB 69.22, 62.54, -32.47

 

CMYK 6 / 52 / 0 / 2

HEX #EC79FA

RGB 236 121 250

HSL 293.49, 0.93%, 0.73%

LAB 68.32, 62.31, -45.57

 

CMYK 20 / 52 / 0 / 2

HEX #C979FA

RGB 201 121 250

HSL 277.21, 0.93%, 0.73%

LAB 64.16, 53.17, -52.42

 

CMYK 33 / 52 / 0 / 2

HEX #A779FA

RGB 167 121 250

HSL 261.4, 0.93%, 0.73%

LAB 60.6, 44.62, -58.3

 

CMYK 47 / 52 / 0 / 2

HEX #8479FA

RGB 132 121 250

HSL 245.12, 0.93%, 0.73%

LAB 57.54, 36.57, -63.36

 

CMYK 0 / 52 / 8 / 2

HEX #FA79E5

RGB 250 121 229

HSL 309.77, 0.93%, 0.73%

LAB 69.22, 62.54, -32.47

 

CMYK 0 / 52 / 8 / 2

HEX #FA79E5

RGB 250 121 229

HSL 309.77, 0.93%, 0.73%

LAB 69.22, 62.54, -32.47

 

CMYK 0 / 45 / 7 / 6

HEX #EF84DE

RGB 239 132 222

HSL 309.53, 0.77%, 0.73%

LAB 69.56, 52.93, -28.2

 

CMYK 0 / 37 / 6 / 11

HEX #E48FD6

RGB 228 143 214

HSL 309.88, 0.61%, 0.73%

LAB 70.17, 42.57, -22.96

 

CMYK 0 / 29 / 5 / 15

HEX #D99ACF

RGB 217 154 207

HSL 309.52, 0.45%, 0.73%

LAB 71.12, 31.91, -17.75

 

CMYK 0 / 20 / 3 / 19

HEX #CEA5C7

RGB 206 165 199

HSL 310.24, 0.29%, 0.73%

LAB 72.33, 20.77, -11.64

 

CMYK 20 / 52 / 0 / 2

HEX #C979FA

RGB 201 121 250

HSL 277.21, 0.93%, 0.73%

LAB 64.16, 53.17, -52.42

 

CMYK 6 / 52 / 0 / 2

HEX #EB79FA

RGB 235 121 250

HSL 293.02, 0.93%, 0.73%

LAB 68.2, 62.04, -45.77

 

CMYK 0 / 52 / 8 / 2

HEX #FA79E7

RGB 250 121 231

HSL 308.84, 0.93%, 0.73%

LAB 69.3, 62.86, -33.45

 

CMYK 0 / 52 / 22 / 2

HEX #FA79C4

RGB 250 121 196

HSL 325.12, 0.93%, 0.73%

LAB 68.01, 57.62, -15.96

 

CMYK 0 / 52 / 35 / 2

HEX #FA79A2

RGB 250 121 162

HSL 340.93, 0.93%, 0.73%

LAB 66.98, 53.3, 1.69

 

CMYK 0 / 83 / 14 / 3

HEX #F829D6

RGB 248 41 214

HSL 309.86, 0.94%, 0.57%

LAB 58.41, 87.26, -40.96

 

CMYK 0 / 67 / 11 / 2

HEX #F951DE

RGB 249 81 222

HSL 309.64, 0.93%, 0.65%

LAB 62.76, 77.67, -38.64

 

CMYK 0 / 52 / 8 / 2

HEX #FA79E5

RGB 250 121 229

HSL 309.77, 0.93%, 0.73%

LAB 69.22, 62.54, -32.47

 

CMYK 0 / 36 / 6 / 1

HEX #FCA1ED

RGB 252 161 237

HSL 309.89, 0.94%, 0.81%

LAB 77.46, 44.73, -24.18

 

CMYK 0 / 21 / 4 / 1

HEX #FDC9F4

RGB 253 201 244

HSL 310.38, 0.93%, 0.89%

LAB 86.6, 25.34, -14.12

 

CMYK 0 / 52 / 8 / 2

HEX #FB79E6

RGB 251 121 230

HSL 309.69, 0.94%, 0.73%

LAB 69.4, 62.97, -32.75

 

CMYK 0 / 34 / 52 / 2

HEX #FAA679

RGB 250 166 121

HSL 20.93, 0.93%, 0.73%

LAB 75.44, 26.31, 35.9

 

CMYK 52 / 0 / 13 / 2

HEX #79FADA

RGB 121 250 218

HSL 165.12, 0.93%, 0.73%

LAB 90.55, -43.31, 4.45

 

CMYK 0 / 52 / 8 / 2

HEX #FB79E6

RGB 251 121 230

HSL 309.69, 0.94%, 0.73%

LAB 69.4, 62.97, -32.75

 

CMYK 8 / 0 / 52 / 2

HEX #E7FA79

RGB 231 250 121

HSL 68.84, 0.93%, 0.73%

LAB 94.63, -24.04, 59.01

 

CMYK 52 / 8 / 0 / 2

HEX #79E7FA

RGB 121 231 250

HSL 188.84, 0.93%, 0.73%

LAB 86.07, -26.55, -18.92

 

CMYK 0 / 52 / 8 / 2

HEX #FB79E6

RGB 251 121 230

HSL 309.69, 0.94%, 0.73%

LAB 69.4, 62.97, -32.75

 

CMYK 0 / 34 / 52 / 2

HEX #FAA679

RGB 250 166 121

HSL 20.93, 0.93%, 0.73%

LAB 75.44, 26.31, 35.9

 

CMYK 52 / 0 / 44 / 2

HEX #79FA8C

RGB 121 250 140

HSL 128.84, 0.93%, 0.73%

LAB 89.08, -58.08, 41.99

 

CMYK 52 / 18 / 0 / 2

HEX #79CDFA

RGB 121 205 250

HSL 200.93, 0.93%, 0.73%

LAB 78.83, -13.43, -29.94

 

CMYK 0 / 52 / 8 / 2

HEX #FB79E6

RGB 251 121 230

HSL 309.69, 0.94%, 0.73%

LAB 69.4, 62.97, -32.75

 

CMYK 0 / 18 / 52 / 2

HEX #FACD79

RGB 250 205 121

HSL 39.07, 0.93%, 0.73%

LAB 84.67, 5.92, 47.47

 

CMYK 52 / 0 / 44 / 2

HEX #79FA8C

RGB 121 250 140

HSL 128.84, 0.93%, 0.73%

LAB 89.08, -58.08, 41.99

 

CMYK 52 / 34 / 0 / 2

HEX #79A6FA

RGB 121 166 250

HSL 219.07, 0.93%, 0.73%

LAB 68.2, 7.92, -46.47

 

Description

Color code: HEX #FB79E6 | qconv.com Color code: HEX #FB79E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 121 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 121 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 8 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 8% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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