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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB66BB it is the complementary color #049944. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB66BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB66BB shade: #FF66B6, #FF78C9, #FF8ADC, #FF9CEF and #FFAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB66BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB66BB shade: #FB66BB, #EA54A8, #D94295, #C83082 and #B71E6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB66BB shade: #FB64BA, #FB6492, #FB6469 and #FB6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB66BB shade: #FB64BA, #FB64E3, #EA64FB, #C264FB and #9964FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB66BB shade matches the following richer shades: #FB64BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB66BB shade: #FB64BA, #EE71B8, #E17EB6, #D48BB5 and #C798B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB66BB shade: #E964FB, #FB64E4, #FB64BC, #FB6494 and #FB646C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB66BB shade: #F81496, #FA3CA8, #FB64BA, #FC8DCC and #FDB5DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB66BB shade: #FB66BB, #FBC164 and #64F8FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB66BB shade: #FB66BB, #BCFB64 and #64BCFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB66BB shade: #FB66BB, #FBC164, #64FBA3 and #649EFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB66BB shade: #FB66BB, #FBEE64, #64FBA3 and #6471FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 25 / 2

HEX #FB66BB

RGB 251 102 187

HSL 325.77, 0.95%, 0.69%

LAB 64.64, 65.24, -15.95

 

Complementary color

CMYK 97 / 0 / 56 / 40

HEX #049944

RGB 4 153 68

HSL 145.77, 0.95%, 0.31%

LAB 55.3, -53.18, 34.88

 

CMYK 0 / 60 / 29 / 0

HEX #FF66B6

RGB 255 102 182

HSL 328.63, 1%, 0.7%

LAB 65.07, 65.77, -12.41

 

CMYK 0 / 53 / 21 / 0

HEX #FF78C9

RGB 255 120 201

HSL 324, 1%, 0.74%

LAB 68.69, 60.29, -17.67

 

CMYK 0 / 46 / 14 / 0

HEX #FF8ADC

RGB 255 138 220

HSL 317.95, 1%, 0.77%

LAB 72.63, 54.49, -22.22

 

CMYK 0 / 39 / 6 / 0

HEX #FF9CEF

RGB 255 156 239

HSL 309.7, 1%, 0.81%

LAB 76.84, 48.56, -26.18

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 0 / 59 / 25 / 2

HEX #FB66BB

RGB 251 102 187

HSL 325.77, 0.95%, 0.69%

LAB 64.64, 65.24, -15.95

 

CMYK 0 / 64 / 28 / 8

HEX #EA54A8

RGB 234 84 168

HSL 326.4, 0.78%, 0.62%

LAB 58.66, 65.48, -14.36

 

CMYK 0 / 70 / 31 / 15

HEX #D94295

RGB 217 66 149

HSL 327.02, 0.67%, 0.55%

LAB 52.75, 65.39, -12.41

 

CMYK 0 / 76 / 35 / 22

HEX #C83082

RGB 200 48 130

HSL 327.63, 0.61%, 0.49%

LAB 46.98, 64.77, -9.98

 

CMYK 0 / 84 / 39 / 28

HEX #B71E6F

RGB 183 30 111

HSL 328.24, 0.72%, 0.42%

LAB 41.44, 63.35, -6.89

 

CMYK 0 / 60 / 26 / 2

HEX #FB64BA

RGB 251 100 186

HSL 325.83, 0.95%, 0.69%

LAB 64.3, 65.96, -15.91

 

CMYK 0 / 60 / 42 / 2

HEX #FB6492

RGB 251 100 146

HSL 341.72, 0.95%, 0.69%

LAB 63.09, 61.44, 5.22

 

CMYK 0 / 60 / 58 / 2

HEX #FB6469

RGB 251 100 105

HSL 358.01, 0.95%, 0.69%

LAB 62.21, 57.99, 27.55

 

CMYK 0 / 60 / 60 / 2

HEX #FB6464

RGB 251 100 100

HSL 0, 0.95%, 0.69%

LAB 62.12, 57.65, 30.28

 

CMYK 0 / 60 / 26 / 2

HEX #FB64BA

RGB 251 100 186

HSL 325.83, 0.95%, 0.69%

LAB 64.3, 65.96, -15.91

 

CMYK 0 / 60 / 10 / 2

HEX #FB64E3

RGB 251 100 227

HSL 309.54, 0.95%, 0.69%

LAB 65.88, 71.67, -36.54

 

CMYK 7 / 60 / 0 / 2

HEX #EA64FB

RGB 234 100 251

HSL 293.25, 0.95%, 0.69%

LAB 64.62, 71.42, -51.97

 

CMYK 23 / 60 / 0 / 2

HEX #C264FB

RGB 194 100 251

HSL 277.35, 0.95%, 0.69%

LAB 59.48, 62.09, -60.47

 

CMYK 39 / 60 / 0 / 2

HEX #9964FB

RGB 153 100 251

HSL 261.06, 0.95%, 0.69%

LAB 54.92, 53.06, -68.05

 

CMYK 0 / 60 / 26 / 2

HEX #FB64BA

RGB 251 100 186

HSL 325.83, 0.95%, 0.69%

LAB 64.3, 65.96, -15.91

 

CMYK 0 / 60 / 26 / 2

HEX #FB64BA

RGB 251 100 186

HSL 325.83, 0.95%, 0.69%

LAB 64.3, 65.96, -15.91

 

CMYK 0 / 53 / 23 / 7

HEX #EE71B8

RGB 238 113 184

HSL 325.92, 0.79%, 0.69%

LAB 64.52, 56.06, -14.62

 

CMYK 0 / 44 / 19 / 12

HEX #E17EB6

RGB 225 126 182

HSL 326.06, 0.62%, 0.69%

LAB 65.21, 45.24, -12.63

 

CMYK 0 / 34 / 15 / 17

HEX #D48BB5

RGB 212 139 181

HSL 325.48, 0.46%, 0.69%

LAB 66.37, 33.88, -10.49

 

CMYK 0 / 24 / 10 / 22

HEX #C798B3

RGB 199 152 179

HSL 325.53, 0.3%, 0.69%

LAB 67.91, 21.9, -7.21

 

CMYK 7 / 60 / 0 / 2

HEX #E964FB

RGB 233 100 251

HSL 292.85, 0.95%, 0.69%

LAB 64.49, 71.18, -52.2

 

CMYK 0 / 60 / 9 / 2

HEX #FB64E4

RGB 251 100 228

HSL 309.14, 0.95%, 0.69%

LAB 65.92, 71.82, -37.03

 

CMYK 0 / 60 / 25 / 2

HEX #FB64BC

RGB 251 100 188

HSL 325.03, 0.95%, 0.69%

LAB 64.37, 66.22, -16.94

 

CMYK 0 / 60 / 41 / 2

HEX #FB6494

RGB 251 100 148

HSL 340.93, 0.95%, 0.69%

LAB 63.15, 61.64, 4.14

 

CMYK 0 / 60 / 57 / 2

HEX #FB646C

RGB 251 100 108

HSL 356.82, 0.95%, 0.69%

LAB 62.26, 58.2, 25.91

 

CMYK 0 / 92 / 40 / 3

HEX #F81496

RGB 248 20 150

HSL 325.79, 0.94%, 0.53%

LAB 54.72, 83.33, -9.48

 

CMYK 0 / 76 / 33 / 2

HEX #FA3CA8

RGB 250 60 168

HSL 325.89, 0.95%, 0.61%

LAB 58.4, 77.79, -14.49

 

CMYK 0 / 60 / 26 / 2

HEX #FB64BA

RGB 251 100 186

HSL 325.83, 0.95%, 0.69%

LAB 64.3, 65.96, -15.91

 

CMYK 0 / 44 / 19 / 1

HEX #FC8DCC

RGB 252 141 204

HSL 325.95, 0.95%, 0.77%

LAB 72.3, 49.67, -13.93

 

CMYK 0 / 28 / 12 / 1

HEX #FDB5DE

RGB 253 181 222

HSL 325.83, 0.95%, 0.85%

LAB 81.4, 32.16, -10.12

 

CMYK 0 / 59 / 25 / 2

HEX #FB66BB

RGB 251 102 187

HSL 325.77, 0.95%, 0.69%

LAB 64.64, 65.24, -15.95

 

CMYK 0 / 23 / 60 / 2

HEX #FBC164

RGB 251 193 100

HSL 36.95, 0.95%, 0.69%

LAB 81.6, 10.95, 53.97

 

CMYK 60 / 1 / 0 / 2

HEX #64F8FB

RGB 100 248 251

HSL 181.19, 0.95%, 0.69%

LAB 90.23, -38.15, -13.25

 

CMYK 0 / 59 / 25 / 2

HEX #FB66BB

RGB 251 102 187

HSL 325.77, 0.95%, 0.69%

LAB 64.64, 65.24, -15.95

 

CMYK 25 / 0 / 60 / 2

HEX #BCFB64

RGB 188 251 100

HSL 85.03, 0.95%, 0.69%

LAB 91.96, -42.36, 64.35

 

CMYK 60 / 25 / 0 / 2

HEX #64BCFB

RGB 100 188 251

HSL 205.03, 0.95%, 0.69%

LAB 73.31, -8.25, -39.07

 

CMYK 0 / 59 / 25 / 2

HEX #FB66BB

RGB 251 102 187

HSL 325.77, 0.95%, 0.69%

LAB 64.64, 65.24, -15.95

 

CMYK 0 / 23 / 60 / 2

HEX #FBC164

RGB 251 193 100

HSL 36.95, 0.95%, 0.69%

LAB 81.6, 10.95, 53.97

 

CMYK 60 / 0 / 35 / 2

HEX #64FBA3

RGB 100 251 163

HSL 145.03, 0.95%, 0.69%

LAB 89.09, -59.37, 30.51

 

CMYK 60 / 37 / 0 / 2

HEX #649EFB

RGB 100 158 251

HSL 216.95, 0.95%, 0.69%

LAB 65.06, 8.61, -52.02

 

CMYK 0 / 59 / 25 / 2

HEX #FB66BB

RGB 251 102 187

HSL 325.77, 0.95%, 0.69%

LAB 64.64, 65.24, -15.95

 

CMYK 0 / 5 / 60 / 2

HEX #FBEE64

RGB 251 238 100

HSL 54.83, 0.95%, 0.69%

LAB 92.83, -11.91, 66.55

 

CMYK 60 / 0 / 35 / 2

HEX #64FBA3

RGB 100 251 163

HSL 145.03, 0.95%, 0.69%

LAB 89.09, -59.37, 30.51

 

CMYK 60 / 55 / 0 / 2

HEX #6471FB

RGB 100 113 251

HSL 234.83, 0.95%, 0.69%

LAB 53.48, 35.48, -70.59

 

Description

Color code: HEX #FB66BB | qconv.com Color code: HEX #FB66BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 102 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 102 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 25 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 25% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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