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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB52E8 it is the complementary color #04AD17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB52E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB52E8 shade: #FF52E3, #FF64F6, #FF76FF, #FF88FF and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB52E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB52E8 shade: #FB52E8, #EA40D5, #D92EC2, #C81CAF and #B70A9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB52E8 shade: #FA50E7, #FA50B9, #FA508C, #FA505E and #FA5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB52E8 shade: #FA50E7, #DF50FA, #B250FA, #8450FA and #5650FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB52E8 shade matches the following richer shades: #FA50E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB52E8 shade: #FA50E7, #EC5FDC, #DD6DD1, #CF7CC5 and #C08ABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB52E8 shade: #B150FA, #DE50FA, #FA50E9, #FA50BC and #FA508F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB52E8 shade: #F206D8, #F928E2, #FA50E7, #FB79EC and #FCA1F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB52E8 shade: #FB52E8, #FA8350 and #50FAC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB52E8 shade: #FB52E8, #E9FA50 and #50E9FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB52E8 shade: #FB52E8, #FA8350, #50FA61 and #50C7FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB52E8 shade: #FB52E8, #FAB650, #50FA61 and #5094FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 8 / 2

HEX #FB52E8

RGB 251 82 232

HSL 306.75, 0.95%, 0.65%

LAB 63.65, 79.24, -42.82

 

Complementary color

CMYK 98 / 0 / 87 / 32

HEX #04AD17

RGB 4 173 23

HSL 126.75, 0.95%, 0.35%

LAB 61.63, -63.53, 58.61

 

CMYK 0 / 68 / 11 / 0

HEX #FF52E3

RGB 255 82 227

HSL 309.71, 1%, 0.66%

LAB 64.03, 79.43, -39.39

 

CMYK 0 / 61 / 4 / 0

HEX #FF64F6

RGB 255 100 246

HSL 303.48, 1%, 0.7%

LAB 67.3, 75.59, -44.8

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 67 / 8 / 2

HEX #FB52E8

RGB 251 82 232

HSL 306.75, 0.95%, 0.65%

LAB 63.65, 79.24, -42.82

 

CMYK 0 / 73 / 9 / 8

HEX #EA40D5

RGB 234 64 213

HSL 307.41, 0.8%, 0.58%

LAB 58, 78.57, -41.19

 

CMYK 0 / 79 / 11 / 15

HEX #D92EC2

RGB 217 46 194

HSL 308.07, 0.69%, 0.52%

LAB 52.51, 77.29, -39.15

 

CMYK 0 / 86 / 13 / 22

HEX #C81CAF

RGB 200 28 175

HSL 308.72, 0.75%, 0.45%

LAB 47.24, 75.14, -36.55

 

CMYK 0 / 95 / 15 / 28

HEX #B70A9C

RGB 183 10 156

HSL 309.36, 0.9%, 0.38%

LAB 42.28, 71.84, -33.24

 

CMYK 0 / 68 / 8 / 2

HEX #FA50E7

RGB 250 80 231

HSL 306.71, 0.94%, 0.65%

LAB 63.2, 79.56, -42.97

 

CMYK 0 / 68 / 26 / 2

HEX #FA50B9

RGB 250 80 185

HSL 322.94, 0.94%, 0.65%

LAB 61.28, 73.35, -19.94

 

CMYK 0 / 68 / 44 / 2

HEX #FA508C

RGB 250 80 140

HSL 338.82, 0.94%, 0.65%

LAB 59.85, 68.53, 4

 

CMYK 0 / 68 / 62 / 2

HEX #FA505E

RGB 250 80 94

HSL 355.06, 0.94%, 0.65%

LAB 58.85, 65.06, 29.48

 

CMYK 0 / 68 / 68 / 2

HEX #FA5050

RGB 250 80 80

HSL 0, 0.94%, 0.65%

LAB 58.64, 64.3, 37.19

 

CMYK 0 / 68 / 8 / 2

HEX #FA50E7

RGB 250 80 231

HSL 306.71, 0.94%, 0.65%

LAB 63.2, 79.56, -42.97

 

CMYK 11 / 68 / 0 / 2

HEX #DF50FA

RGB 223 80 250

HSL 290.47, 0.94%, 0.65%

LAB 60.18, 76.74, -58.58

 

CMYK 29 / 68 / 0 / 2

HEX #B250FA

RGB 178 80 250

HSL 274.59, 0.94%, 0.65%

LAB 54.14, 67.58, -68.62

 

CMYK 47 / 68 / 0 / 2

HEX #8450FA

RGB 132 80 250

HSL 258.35, 0.94%, 0.65%

LAB 48.94, 59.15, -77.3

 

CMYK 66 / 68 / 0 / 2

HEX #5650FA

RGB 86 80 250

HSL 242.12, 0.94%, 0.65%

LAB 45.11, 52.47, -83.72

 

CMYK 0 / 68 / 8 / 2

HEX #FA50E7

RGB 250 80 231

HSL 306.71, 0.94%, 0.65%

LAB 63.2, 79.56, -42.97

 

CMYK 0 / 68 / 8 / 2

HEX #FA50E7

RGB 250 80 231

HSL 306.71, 0.94%, 0.65%

LAB 63.2, 79.56, -42.97

 

CMYK 0 / 60 / 7 / 7

HEX #EC5FDC

RGB 236 95 220

HSL 306.81, 0.79%, 0.65%

LAB 62.66, 68.83, -37.81

 

CMYK 0 / 51 / 5 / 13

HEX #DD6DD1

RGB 221 109 209

HSL 306.43, 0.62%, 0.65%

LAB 62.43, 56.74, -32.15

 

CMYK 0 / 40 / 5 / 19

HEX #CF7CC5

RGB 207 124 197

HSL 307.23, 0.46%, 0.65%

LAB 63.1, 42.92, -24.5

 

CMYK 0 / 28 / 3 / 25

HEX #C08ABA

RGB 192 138 186

HSL 306.67, 0.3%, 0.65%

LAB 64.1, 28.45, -16.93

 

CMYK 29 / 68 / 0 / 2

HEX #B150FA

RGB 177 80 250

HSL 274.24, 0.94%, 0.65%

LAB 54.01, 67.39, -68.82

 

CMYK 11 / 68 / 0 / 2

HEX #DE50FA

RGB 222 80 250

HSL 290.12, 0.94%, 0.65%

LAB 60.04, 76.53, -58.81

 

CMYK 0 / 68 / 7 / 2

HEX #FA50E9

RGB 250 80 233

HSL 306, 0.94%, 0.65%

LAB 63.3, 79.85, -43.94

 

CMYK 0 / 68 / 25 / 2

HEX #FA50BC

RGB 250 80 188

HSL 321.88, 0.94%, 0.65%

LAB 61.39, 73.71, -21.49

 

CMYK 0 / 68 / 43 / 2

HEX #FA508F

RGB 250 80 143

HSL 337.76, 0.94%, 0.65%

LAB 59.93, 68.81, 2.37

 

CMYK 0 / 98 / 11 / 5

HEX #F206D8

RGB 242 6 216

HSL 306.61, 0.95%, 0.49%

LAB 56.05, 90.56, -45.89

 

CMYK 0 / 84 / 9 / 2

HEX #F928E2

RGB 249 40 226

HSL 306.6, 0.95%, 0.57%

LAB 59.11, 89.21, -46.63

 

CMYK 0 / 68 / 8 / 2

HEX #FA50E7

RGB 250 80 231

HSL 306.71, 0.94%, 0.65%

LAB 63.2, 79.56, -42.97

 

CMYK 0 / 52 / 6 / 2

HEX #FB79EC

RGB 251 121 236

HSL 306.92, 0.94%, 0.73%

LAB 69.64, 63.94, -35.68

 

CMYK 0 / 36 / 4 / 1

HEX #FCA1F2

RGB 252 161 242

HSL 306.59, 0.94%, 0.81%

LAB 77.64, 45.59, -26.62

 

CMYK 0 / 67 / 8 / 2

HEX #FB52E8

RGB 251 82 232

HSL 306.75, 0.95%, 0.65%

LAB 63.65, 79.24, -42.82

 

CMYK 0 / 48 / 68 / 2

HEX #FA8350

RGB 250 131 80

HSL 18, 0.94%, 0.65%

LAB 67.38, 41.5, 47.4

 

CMYK 68 / 0 / 20 / 2

HEX #50FAC7

RGB 80 250 199

HSL 162, 0.94%, 0.65%

LAB 89.02, -55.03, 11.94

 

CMYK 0 / 67 / 8 / 2

HEX #FB52E8

RGB 251 82 232

HSL 306.75, 0.95%, 0.65%

LAB 63.65, 79.24, -42.82

 

CMYK 7 / 0 / 68 / 2

HEX #E9FA50

RGB 233 250 80

HSL 66, 0.94%, 0.65%

LAB 94.43, -26.1, 75.59

 

CMYK 68 / 7 / 0 / 2

HEX #50E9FA

RGB 80 233 250

HSL 186, 0.94%, 0.65%

LAB 85.45, -34.44, -19.97

 

CMYK 0 / 67 / 8 / 2

HEX #FB52E8

RGB 251 82 232

HSL 306.75, 0.95%, 0.65%

LAB 63.65, 79.24, -42.82

 

CMYK 0 / 48 / 68 / 2

HEX #FA8350

RGB 250 131 80

HSL 18, 0.94%, 0.65%

LAB 67.38, 41.5, 47.4

 

CMYK 68 / 0 / 61 / 2

HEX #50FA61

RGB 80 250 97

HSL 126, 0.94%, 0.65%

LAB 87.46, -72.33, 59.41

 

CMYK 68 / 20 / 0 / 2

HEX #50C7FA

RGB 80 199 250

HSL 198, 0.94%, 0.65%

LAB 75.73, -17.65, -34.83

 

CMYK 0 / 67 / 8 / 2

HEX #FB52E8

RGB 251 82 232

HSL 306.75, 0.95%, 0.65%

LAB 63.65, 79.24, -42.82

 

CMYK 0 / 27 / 68 / 2

HEX #FAB650

RGB 250 182 80

HSL 36, 0.94%, 0.65%

LAB 78.67, 15.06, 59.83

 

CMYK 68 / 0 / 61 / 2

HEX #50FA61

RGB 80 250 97

HSL 126, 0.94%, 0.65%

LAB 87.46, -72.33, 59.41

 

CMYK 68 / 41 / 0 / 2

HEX #5094FA

RGB 80 148 250

HSL 216, 0.94%, 0.65%

LAB 61.47, 10.82, -57.24

 

Description

Color code: HEX #FB52E8 | qconv.com Color code: HEX #FB52E8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 82 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 82 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 8 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 8% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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