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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB5212 it is the complementary color #04ADED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB5212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB5212 shade: #FF520D, #FF6420, #FF7633, #FF8846 and #FF9A59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB5212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB5212 shade: #FB5212, #EA4000, #D92E00, #C81C00 and #B70A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB5212 shade: #FB5212, #FB1412 and #FB1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB5212 shade: #FB5212, #FB9112, #FBD012, #E7FB12 and #A9FB12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB5212 shade matches the following richer shades: #FB5212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB5212 shade: #FB5212, #E85B26, #D46439, #C16C4D and #AD7560

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB5212 shade: #FB1250, #FB1212, #FB5012, #FB8E12 and #FBCC12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB5212 shade: #B83402, #E14003, #FB5212, #FC703B and #FC8E64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB5212 shade: #FB5212, #8EFB12 and #1231FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB5212 shade: #FB5212, #12FB50 and #5012FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB5212 shade: #FB5212, #8EFB12, #12BDFB and #7F12FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB5212 shade: #FB5212, #49FB12, #12BDFB and #C512FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 93 / 2

HEX #FB5212

RGB 251 82 18

HSL 16.48, 0.97%, 0.53%

LAB 58.59, 62.06, 65.36

 

Complementary color

CMYK 98 / 27 / 0 / 7

HEX #04ADED

RGB 4 173 237

HSL 196.48, 0.97%, 0.47%

LAB 66.54, -14.29, -42.19

 

CMYK 0 / 68 / 95 / 0

HEX #FF520D

RGB 255 82 13

HSL 17.11, 1%, 0.53%

LAB 59.27, 63.3, 67.31

 

CMYK 0 / 61 / 87 / 0

HEX #FF6420

RGB 255 100 32

HSL 18.3, 1%, 0.56%

LAB 62.07, 56.24, 63.84

 

CMYK 0 / 54 / 80 / 0

HEX #FF7633

RGB 255 118 51

HSL 19.71, 1%, 0.6%

LAB 65.32, 48.51, 59.2

 

CMYK 0 / 47 / 73 / 0

HEX #FF8846

RGB 255 136 70

HSL 21.41, 1%, 0.64%

LAB 68.98, 40.42, 54.26

 

CMYK 0 / 40 / 65 / 0

HEX #FF9A59

RGB 255 154 89

HSL 23.49, 1%, 0.67%

LAB 72.95, 32.22, 49.44

 

CMYK 0 / 67 / 93 / 2

HEX #FB5212

RGB 251 82 18

HSL 16.48, 0.97%, 0.53%

LAB 58.59, 62.06, 65.36

 

CMYK 0 / 73 / 100 / 8

HEX #EA4000

RGB 234 64 0

HSL 16.41, 1%, 0.46%

LAB 53.12, 63.03, 64.71

 

CMYK 0 / 79 / 100 / 15

HEX #D92E00

RGB 217 46 0

HSL 12.72, 1%, 0.43%

LAB 47.89, 63.51, 60.51

 

CMYK 0 / 86 / 100 / 22

HEX #C81C00

RGB 200 28 0

HSL 8.4, 1%, 0.39%

LAB 42.93, 63.05, 56.45

 

CMYK 0 / 95 / 100 / 28

HEX #B70A00

RGB 183 10 0

HSL 3.28, 1%, 0.36%

LAB 38.35, 61.33, 52.53

 

CMYK 0 / 67 / 93 / 2

HEX #FB5212

RGB 251 82 18

HSL 16.48, 0.97%, 0.53%

LAB 58.59, 62.06, 65.36

 

CMYK 0 / 92 / 93 / 2

HEX #FB1412

RGB 251 20 18

HSL 0.52, 0.97%, 0.53%

LAB 53.01, 77.69, 61.98

 

CMYK 0 / 93 / 93 / 2

HEX #FB1212

RGB 251 18 18

HSL 0, 0.97%, 0.53%

LAB 52.93, 77.91, 61.94

 

CMYK 0 / 67 / 93 / 2

HEX #FB5212

RGB 251 82 18

HSL 16.48, 0.97%, 0.53%

LAB 58.59, 62.06, 65.36

 

CMYK 0 / 42 / 93 / 2

HEX #FB9112

RGB 251 145 18

HSL 32.7, 0.97%, 0.53%

LAB 70.04, 32.82, 73.04

 

CMYK 0 / 17 / 93 / 2

HEX #FBD012

RGB 251 208 18

HSL 48.93, 0.97%, 0.53%

LAB 84.83, 0.08, 83.74

 

CMYK 8 / 0 / 93 / 2

HEX #E7FB12

RGB 231 251 18

HSL 65.15, 0.97%, 0.53%

LAB 94.32, -29.31, 90.2

 

CMYK 33 / 0 / 93 / 2

HEX #A9FB12

RGB 169 251 18

HSL 81.12, 0.97%, 0.53%

LAB 90.54, -53, 85.61

 

CMYK 0 / 67 / 93 / 2

HEX #FB5212

RGB 251 82 18

HSL 16.48, 0.97%, 0.53%

LAB 58.59, 62.06, 65.36

 

CMYK 0 / 67 / 93 / 2

HEX #FB5212

RGB 251 82 18

HSL 16.48, 0.97%, 0.53%

LAB 58.59, 62.06, 65.36

 

CMYK 0 / 61 / 84 / 9

HEX #E85B26

RGB 232 91 38

HSL 16.39, 0.81%, 0.53%

LAB 56.86, 52.25, 55.73

 

CMYK 0 / 53 / 73 / 17

HEX #D46439

RGB 212 100 57

HSL 16.65, 0.64%, 0.53%

LAB 55.49, 41.31, 44.38

 

CMYK 0 / 44 / 60 / 24

HEX #C16C4D

RGB 193 108 77

HSL 16.03, 0.48%, 0.53%

LAB 54.66, 30.87, 31.98

 

CMYK 0 / 32 / 45 / 32

HEX #AD7560

RGB 173 117 96

HSL 16.36, 0.32%, 0.53%

LAB 54.5, 19.46, 20.5

 

CMYK 0 / 93 / 68 / 2

HEX #FB1250

RGB 251 18 80

HSL 344.03, 0.97%, 0.53%

LAB 53.52, 79.53, 30.97

 

CMYK 0 / 93 / 93 / 2

HEX #FB1212

RGB 251 18 18

HSL 0, 0.97%, 0.53%

LAB 52.93, 77.91, 61.94

 

CMYK 0 / 68 / 93 / 2

HEX #FB5012

RGB 251 80 18

HSL 15.97, 0.97%, 0.53%

LAB 58.31, 62.82, 65.19

 

CMYK 0 / 43 / 93 / 2

HEX #FB8E12

RGB 251 142 18

HSL 31.93, 0.97%, 0.53%

LAB 69.4, 34.36, 72.59

 

CMYK 0 / 19 / 93 / 2

HEX #FBCC12

RGB 251 204 18

HSL 47.9, 0.97%, 0.53%

LAB 83.83, 2.13, 83

 

CMYK 0 / 72 / 99 / 28

HEX #B83402

RGB 184 52 2

HSL 16.48, 0.98%, 0.36%

LAB 42.23, 51.3, 53.63

 

CMYK 0 / 72 / 99 / 12

HEX #E14003

RGB 225 64 3

HSL 16.49, 0.97%, 0.45%

LAB 51.47, 60.23, 62.27

 

CMYK 0 / 67 / 93 / 2

HEX #FB5212

RGB 251 82 18

HSL 16.48, 0.97%, 0.53%

LAB 58.59, 62.06, 65.36

 

CMYK 0 / 56 / 77 / 1

HEX #FC703B

RGB 252 112 59

HSL 16.48, 0.97%, 0.61%

LAB 63.84, 50.51, 53.99

 

CMYK 0 / 44 / 60 / 1

HEX #FC8E64

RGB 252 142 100

HSL 16.58, 0.96%, 0.69%

LAB 70.15, 37.92, 40.38

 

CMYK 0 / 67 / 93 / 2

HEX #FB5212

RGB 251 82 18

HSL 16.48, 0.97%, 0.53%

LAB 58.59, 62.06, 65.36

 

CMYK 43 / 0 / 93 / 2

HEX #8EFB12

RGB 142 251 18

HSL 88.07, 0.97%, 0.53%

LAB 89.29, -61.97, 84.09

 

CMYK 93 / 80 / 0 / 2

HEX #1231FB

RGB 18 49 251

HSL 232.02, 0.97%, 0.53%

LAB 36.54, 64.67, -98.54

 

CMYK 0 / 67 / 93 / 2

HEX #FB5212

RGB 251 82 18

HSL 16.48, 0.97%, 0.53%

LAB 58.59, 62.06, 65.36

 

CMYK 93 / 0 / 68 / 2

HEX #12FB50

RGB 18 251 80

HSL 135.97, 0.97%, 0.53%

LAB 86.85, -80.91, 65.3

 

CMYK 68 / 93 / 0 / 2

HEX #5012FB

RGB 80 18 251

HSL 255.97, 0.97%, 0.53%

LAB 36.18, 77.05, -99.05

 

CMYK 0 / 67 / 93 / 2

HEX #FB5212

RGB 251 82 18

HSL 16.48, 0.97%, 0.53%

LAB 58.59, 62.06, 65.36

 

CMYK 43 / 0 / 93 / 2

HEX #8EFB12

RGB 142 251 18

HSL 88.07, 0.97%, 0.53%

LAB 89.29, -61.97, 84.09

 

CMYK 93 / 25 / 0 / 2

HEX #12BDFB

RGB 18 189 251

HSL 195.97, 0.97%, 0.53%

LAB 71.89, -17.52, -41.42

 

CMYK 49 / 93 / 0 / 2

HEX #7F12FB

RGB 127 18 251

HSL 268.07, 0.97%, 0.53%

LAB 41.07, 80.15, -90.8

 

CMYK 0 / 67 / 93 / 2

HEX #FB5212

RGB 251 82 18

HSL 16.48, 0.97%, 0.53%

LAB 58.59, 62.06, 65.36

 

CMYK 71 / 0 / 93 / 2

HEX #49FB12

RGB 73 251 18

HSL 105.84, 0.97%, 0.53%

LAB 87.22, -78.67, 81.54

 

CMYK 93 / 25 / 0 / 2

HEX #12BDFB

RGB 18 189 251

HSL 195.97, 0.97%, 0.53%

LAB 71.89, -17.52, -41.42

 

CMYK 22 / 93 / 0 / 2

HEX #C512FB

RGB 197 18 251

HSL 286.09, 0.97%, 0.53%

LAB 51, 87.94, -74.14

 

Description

Color code: HEX #FB5212 | qconv.com Color code: HEX #FB5212 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 82 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 82 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 93 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 93% 2% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - billiger.de - Preisv...
Link: http://www.billiger.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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