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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB51AA it is the complementary color #04AE55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB51AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB51AA shade: #FF51A5, #FF63B8, #FF75CB, #FF87DE and #FF99F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB51AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB51AA shade: #FB51AA, #EA3F97, #D92D84, #C81B71 and #B7095E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB51AA shade: #FB50A9, #FB507B and #FB5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB51AA shade: #FB50A9, #FB50D7, #F050FB, #C250FB and #9450FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB51AA shade matches the following richer shades: #FB50A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB51AA shade: #FB50A9, #EC5EA9, #DE6CA8, #D07BA7 and #C189A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB51AA shade: #F050FB, #FB50D9, #FB50AB, #FB507D and #FB5050

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB51AA shade: #F40482, #FA2796, #FB50A9, #FC78BD and #FDA0D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB51AA shade: #FB51AA, #FBC250 and #50F0FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB51AA shade: #FB51AA, #ABFB50 and #50ABFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB51AA shade: #FB51AA, #FBC250, #50FBA0 and #5089FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB51AA shade: #FB51AA, #FBF550, #50FBA0 and #5055FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 32 / 2

HEX #FB51AA

RGB 251 81 170

HSL 328.59, 0.96%, 0.65%

LAB 61.04, 71.5, -11.65

 

Complementary color

CMYK 98 / 0 / 51 / 32

HEX #04AE55

RGB 4 174 85

HSL 148.59, 0.96%, 0.35%

LAB 62.47, -57.48, 35.12

 

CMYK 0 / 68 / 35 / 0

HEX #FF51A5

RGB 255 81 165

HSL 331.03, 1%, 0.66%

LAB 61.53, 72.03, -7.96

 

CMYK 0 / 61 / 28 / 0

HEX #FF63B8

RGB 255 99 184

HSL 327.31, 1%, 0.69%

LAB 64.68, 67.26, -14.14

 

CMYK 0 / 54 / 20 / 0

HEX #FF75CB

RGB 255 117 203

HSL 322.61, 1%, 0.73%

LAB 68.24, 61.93, -19.47

 

CMYK 0 / 47 / 13 / 0

HEX #FF87DE

RGB 255 135 222

HSL 316.5, 1%, 0.76%

LAB 72.14, 56.26, -24.08

 

CMYK 0 / 40 / 5 / 0

HEX #FF99F1

RGB 255 153 241

HSL 308.24, 1%, 0.8%

LAB 76.31, 50.42, -28.08

 

CMYK 0 / 68 / 32 / 2

HEX #FB51AA

RGB 251 81 170

HSL 328.59, 0.96%, 0.65%

LAB 61.04, 71.5, -11.65

 

CMYK 0 / 73 / 35 / 8

HEX #EA3F97

RGB 234 63 151

HSL 329.12, 0.8%, 0.58%

LAB 55.36, 71.1, -9.37

 

CMYK 0 / 79 / 39 / 15

HEX #D92D84

RGB 217 45 132

HSL 329.65, 0.69%, 0.51%

LAB 49.85, 70.11, -6.57

 

CMYK 0 / 87 / 44 / 22

HEX #C81B71

RGB 200 27 113

HSL 330.17, 0.76%, 0.45%

LAB 44.6, 68.27, -3.09

 

CMYK 0 / 95 / 49 / 28

HEX #B7095E

RGB 183 9 94

HSL 330.69, 0.91%, 0.38%

LAB 39.7, 65.26, 1.26

 

CMYK 0 / 68 / 33 / 2

HEX #FB50A9

RGB 251 80 169

HSL 328.77, 0.96%, 0.65%

LAB 60.88, 71.75, -11.32

 

CMYK 0 / 68 / 51 / 2

HEX #FB507B

RGB 251 80 123

HSL 344.91, 0.96%, 0.65%

LAB 59.6, 67.37, 13.61

 

CMYK 0 / 68 / 68 / 2

HEX #FB5050

RGB 251 80 80

HSL 0, 0.96%, 0.65%

LAB 58.81, 64.61, 37.44

 

CMYK 0 / 68 / 33 / 2

HEX #FB50A9

RGB 251 80 169

HSL 328.77, 0.96%, 0.65%

LAB 60.88, 71.75, -11.32

 

CMYK 0 / 68 / 14 / 2

HEX #FB50D7

RGB 251 80 215

HSL 312.63, 0.96%, 0.65%

LAB 62.64, 77.5, -34.88

 

CMYK 4 / 68 / 0 / 2

HEX #F050FB

RGB 240 80 251

HSL 296.14, 0.96%, 0.65%

LAB 62.7, 80.48, -54.97

 

CMYK 23 / 68 / 0 / 2

HEX #C250FB

RGB 194 80 251

HSL 280, 0.96%, 0.65%

LAB 56.26, 70.97, -65.64

 

CMYK 41 / 68 / 0 / 2

HEX #9450FB

RGB 148 80 251

HSL 263.86, 0.96%, 0.65%

LAB 50.69, 62.18, -74.94

 

CMYK 0 / 68 / 33 / 2

HEX #FB50A9

RGB 251 80 169

HSL 328.77, 0.96%, 0.65%

LAB 60.88, 71.75, -11.32

 

CMYK 0 / 68 / 33 / 2

HEX #FB50A9

RGB 251 80 169

HSL 328.77, 0.96%, 0.65%

LAB 60.88, 71.75, -11.32

 

CMYK 0 / 60 / 28 / 7

HEX #EC5EA9

RGB 236 94 169

HSL 328.31, 0.79%, 0.65%

LAB 60.52, 62.05, -12.1

 

CMYK 0 / 51 / 24 / 13

HEX #DE6CA8

RGB 222 108 168

HSL 328.42, 0.63%, 0.65%

LAB 60.85, 51.24, -11.23

 

CMYK 0 / 41 / 20 / 18

HEX #D07BA7

RGB 208 123 167

HSL 328.94, 0.47%, 0.65%

LAB 61.97, 38.84, -9.18

 

CMYK 0 / 29 / 13 / 24

HEX #C189A7

RGB 193 137 167

HSL 327.86, 0.31%, 0.65%

LAB 63.36, 26, -7.29

 

CMYK 4 / 68 / 0 / 2

HEX #F050FB

RGB 240 80 251

HSL 296.14, 0.96%, 0.65%

LAB 62.7, 80.48, -54.97

 

CMYK 0 / 68 / 14 / 2

HEX #FB50D9

RGB 251 80 217

HSL 311.93, 0.96%, 0.65%

LAB 62.72, 77.78, -35.87

 

CMYK 0 / 68 / 32 / 2

HEX #FB50AB

RGB 251 80 171

HSL 328.07, 0.96%, 0.65%

LAB 60.95, 71.97, -12.37

 

CMYK 0 / 68 / 50 / 2

HEX #FB507D

RGB 251 80 125

HSL 344.21, 0.96%, 0.65%

LAB 59.64, 67.53, 12.51

 

CMYK 0 / 68 / 68 / 2

HEX #FB5050

RGB 251 80 80

HSL 0, 0.96%, 0.65%

LAB 58.81, 64.61, 37.44

 

CMYK 0 / 98 / 47 / 4

HEX #F40482

RGB 244 4 130

HSL 328.5, 0.97%, 0.49%

LAB 52.87, 82.08, -0.32

 

CMYK 0 / 84 / 40 / 2

HEX #FA2796

RGB 250 39 150

HSL 328.44, 0.95%, 0.57%

LAB 56.06, 80.96, -7.43

 

CMYK 0 / 68 / 33 / 2

HEX #FB50A9

RGB 251 80 169

HSL 328.77, 0.96%, 0.65%

LAB 60.88, 71.75, -11.32

 

CMYK 0 / 52 / 25 / 1

HEX #FC78BD

RGB 252 120 189

HSL 328.64, 0.96%, 0.73%

LAB 67.87, 57.75, -12.21

 

CMYK 0 / 37 / 17 / 1

HEX #FDA0D1

RGB 253 160 209

HSL 328.39, 0.96%, 0.81%

LAB 76.45, 41.08, -10.45

 

CMYK 0 / 68 / 32 / 2

HEX #FB51AA

RGB 251 81 170

HSL 328.59, 0.96%, 0.65%

LAB 61.04, 71.5, -11.65

 

CMYK 0 / 23 / 68 / 2

HEX #FBC250

RGB 251 194 80

HSL 40, 0.96%, 0.65%

LAB 81.66, 9.22, 63.02

 

CMYK 68 / 4 / 0 / 2

HEX #50F0FB

RGB 80 240 251

HSL 183.86, 0.96%, 0.65%

LAB 87.48, -37.41, -17.43

 

CMYK 0 / 68 / 32 / 2

HEX #FB51AA

RGB 251 81 170

HSL 328.59, 0.96%, 0.65%

LAB 61.04, 71.5, -11.65

 

CMYK 32 / 0 / 68 / 2

HEX #ABFB50

RGB 171 251 80

HSL 88.07, 0.96%, 0.65%

LAB 90.89, -49.84, 70.77

 

CMYK 68 / 32 / 0 / 2

HEX #50ABFB

RGB 80 171 251

HSL 208.07, 0.96%, 0.65%

LAB 67.87, -2.16, -47.64

 

CMYK 0 / 68 / 32 / 2

HEX #FB51AA

RGB 251 81 170

HSL 328.59, 0.96%, 0.65%

LAB 61.04, 71.5, -11.65

 

CMYK 0 / 23 / 68 / 2

HEX #FBC250

RGB 251 194 80

HSL 40, 0.96%, 0.65%

LAB 81.66, 9.22, 63.02

 

CMYK 68 / 0 / 36 / 2

HEX #50FBA0

RGB 80 251 160

HSL 148.07, 0.96%, 0.65%

LAB 88.56, -63.46, 31.23

 

CMYK 68 / 45 / 0 / 2

HEX #5089FB

RGB 80 137 251

HSL 220, 0.96%, 0.65%

LAB 58.57, 17.76, -62.43

 

CMYK 0 / 68 / 32 / 2

HEX #FB51AA

RGB 251 81 170

HSL 328.59, 0.96%, 0.65%

LAB 61.04, 71.5, -11.65

 

CMYK 0 / 2 / 68 / 2

HEX #FBF550

RGB 251 245 80

HSL 57.89, 0.96%, 0.65%

LAB 94.48, -16.47, 76.1

 

CMYK 68 / 0 / 36 / 2

HEX #50FBA0

RGB 80 251 160

HSL 148.07, 0.96%, 0.65%

LAB 88.56, -63.46, 31.23

 

CMYK 68 / 66 / 0 / 2

HEX #5055FB

RGB 80 85 251

HSL 238.25, 0.96%, 0.65%

LAB 45.86, 49.25, -83.05

 

Description

Color code: HEX #FB51AA | qconv.com Color code: HEX #FB51AA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 81 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 81 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 32 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 32% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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