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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FB4BC1 it is the complementary color #04B43E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FB4BC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FB4BC1 shade: #FF4BBC, #FF5DCF, #FF6FE2, #FF81F5 and #FF93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FB4BC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FB4BC1 shade: #FB4BC1, #EA39AE, #D9279B, #C81588 and #B70375

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FB4BC1 shade: #FB4BC1, #FB4B91, #FB4B62 and #FB4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FB4BC1 shade: #FB4BC1, #FB4BF0, #D64BFB, #A64BFB and #774BFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FB4BC1 shade matches the following richer shades: #FB4BC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FB4BC1 shade: #FB4BC1, #EC59BC, #DD68B7, #CE77B2 and #BF86AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FB4BC1 shade: #D54BFB, #FB4BF2, #FB4BC3, #FB4B94 and #FB4B65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FB4BC1 shade: #EF04A1, #FA22B3, #FB4BC1, #FC73CF and #FC9BDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FB4BC1 shade: #FB4BC1, #FBA64B and #4BFBEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FB4BC1 shade: #FB4BC1, #C3FB4B and #4BC3FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FB4BC1 shade: #FB4BC1, #FBA64B, #4BFB82 and #4BA0FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FB4BC1 shade: #FB4BC1, #FBDB4B, #4BFB82 and #4B6BFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 23 / 2

HEX #FB4BC1

RGB 251 75 193

HSL 319.77, 0.96%, 0.64%

LAB 61.13, 76.3, -24.73

 

Complementary color

CMYK 98 / 0 / 66 / 29

HEX #04B43E

RGB 4 180 62

HSL 139.77, 0.96%, 0.36%

LAB 64.17, -62.54, 47.93

 

CMYK 0 / 71 / 26 / 0

HEX #FF4BBC

RGB 255 75 188

HSL 322.33, 1%, 0.65%

LAB 61.59, 76.68, -21.11

 

CMYK 0 / 64 / 19 / 0

HEX #FF5DCF

RGB 255 93 207

HSL 317.78, 1%, 0.68%

LAB 64.64, 72.62, -27.22

 

CMYK 0 / 56 / 11 / 0

HEX #FF6FE2

RGB 255 111 226

HSL 312.08, 1%, 0.72%

LAB 68.11, 67.93, -32.48

 

CMYK 0 / 49 / 4 / 0

HEX #FF81F5

RGB 255 129 245

HSL 304.76, 1%, 0.75%

LAB 71.93, 62.8, -37.02

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 70 / 23 / 2

HEX #FB4BC1

RGB 251 75 193

HSL 319.77, 0.96%, 0.64%

LAB 61.13, 76.3, -24.73

 

CMYK 0 / 76 / 26 / 8

HEX #EA39AE

RGB 234 57 174

HSL 320.34, 0.81%, 0.57%

LAB 55.56, 75.5, -22.57

 

CMYK 0 / 82 / 29 / 15

HEX #D9279B

RGB 217 39 155

HSL 320.9, 0.7%, 0.5%

LAB 50.18, 74, -19.88

 

CMYK 0 / 90 / 32 / 22

HEX #C81588

RGB 200 21 136

HSL 321.45, 0.81%, 0.43%

LAB 45.07, 71.54, -16.52

 

CMYK 0 / 98 / 36 / 28

HEX #B70375

RGB 183 3 117

HSL 322, 0.97%, 0.36%

LAB 40.27, 67.99, -12.4

 

CMYK 0 / 70 / 23 / 2

HEX #FB4BC1

RGB 251 75 193

HSL 319.77, 0.96%, 0.64%

LAB 61.13, 76.3, -24.73

 

CMYK 0 / 70 / 42 / 2

HEX #FB4B91

RGB 251 75 145

HSL 336.14, 0.96%, 0.64%

LAB 59.51, 71.05, 0.61

 

CMYK 0 / 70 / 61 / 2

HEX #FB4B62

RGB 251 75 98

HSL 352.16, 0.96%, 0.64%

LAB 58.44, 67.41, 26.65

 

CMYK 0 / 70 / 70 / 2

HEX #FB4B4B

RGB 251 75 75

HSL 0, 0.96%, 0.64%

LAB 58.08, 66.2, 39.37

 

CMYK 0 / 70 / 23 / 2

HEX #FB4BC1

RGB 251 75 193

HSL 319.77, 0.96%, 0.64%

LAB 61.13, 76.3, -24.73

 

CMYK 0 / 70 / 4 / 2

HEX #FB4BF0

RGB 251 75 240

HSL 303.75, 0.96%, 0.64%

LAB 63.2, 82.77, -47.97

 

CMYK 15 / 70 / 0 / 2

HEX #D64BFB

RGB 214 75 251

HSL 287.39, 0.96%, 0.64%

LAB 58.31, 76.91, -62.19

 

CMYK 34 / 70 / 0 / 2

HEX #A64BFB

RGB 166 75 251

HSL 271.02, 0.96%, 0.64%

LAB 51.95, 67.69, -72.78

 

CMYK 53 / 70 / 0 / 2

HEX #774BFB

RGB 119 75 251

HSL 255, 0.96%, 0.64%

LAB 46.87, 59.86, -81.29

 

CMYK 0 / 70 / 23 / 2

HEX #FB4BC1

RGB 251 75 193

HSL 319.77, 0.96%, 0.64%

LAB 61.13, 76.3, -24.73

 

CMYK 0 / 70 / 23 / 2

HEX #FB4BC1

RGB 251 75 193

HSL 319.77, 0.96%, 0.64%

LAB 61.13, 76.3, -24.73

 

CMYK 0 / 62 / 20 / 7

HEX #EC59BC

RGB 236 89 188

HSL 319.59, 0.79%, 0.64%

LAB 60.43, 66.6, -23.14

 

CMYK 0 / 53 / 17 / 13

HEX #DD68B7

RGB 221 104 183

HSL 319.49, 0.63%, 0.64%

LAB 60.51, 55, -20.36

 

CMYK 0 / 42 / 14 / 19

HEX #CE77B2

RGB 206 119 178

HSL 319.31, 0.47%, 0.64%

LAB 61.25, 42.01, -16.57

 

CMYK 0 / 30 / 10 / 25

HEX #BF86AC

RGB 191 134 172

HSL 320, 0.31%, 0.64%

LAB 62.6, 27.8, -11.29

 

CMYK 15 / 70 / 0 / 2

HEX #D54BFB

RGB 213 75 251

HSL 287.05, 0.96%, 0.64%

LAB 58.17, 76.71, -62.43

 

CMYK 0 / 70 / 4 / 2

HEX #FB4BF2

RGB 251 75 242

HSL 303.07, 0.96%, 0.64%

LAB 63.3, 83.07, -48.93

 

CMYK 0 / 70 / 22 / 2

HEX #FB4BC3

RGB 251 75 195

HSL 319.09, 0.96%, 0.64%

LAB 61.2, 76.55, -25.76

 

CMYK 0 / 70 / 41 / 2

HEX #FB4B94

RGB 251 75 148

HSL 335.11, 0.96%, 0.64%

LAB 59.6, 71.33, -1.02

 

CMYK 0 / 70 / 60 / 2

HEX #FB4B65

RGB 251 75 101

HSL 351.14, 0.96%, 0.64%

LAB 58.49, 67.6, 24.98

 

CMYK 0 / 98 / 33 / 6

HEX #EF04A1

RGB 239 4 161

HSL 319.91, 0.97%, 0.48%

LAB 52.96, 83.81, -18.83

 

CMYK 0 / 86 / 28 / 2

HEX #FA22B3

RGB 250 34 179

HSL 319.72, 0.96%, 0.56%

LAB 56.8, 84.73, -23.32

 

CMYK 0 / 70 / 23 / 2

HEX #FB4BC1

RGB 251 75 193

HSL 319.77, 0.96%, 0.64%

LAB 61.13, 76.3, -24.73

 

CMYK 0 / 54 / 18 / 1

HEX #FC73CF

RGB 252 115 207

HSL 319.71, 0.96%, 0.72%

LAB 67.62, 62.53, -22.68

 

CMYK 0 / 38 / 12 / 1

HEX #FC9BDD

RGB 252 155 221

HSL 319.18, 0.94%, 0.8%

LAB 75.67, 45.18, -18.19

 

CMYK 0 / 70 / 23 / 2

HEX #FB4BC1

RGB 251 75 193

HSL 319.77, 0.96%, 0.64%

LAB 61.13, 76.3, -24.73

 

CMYK 0 / 34 / 70 / 2

HEX #FBA64B

RGB 251 166 75

HSL 31.02, 0.96%, 0.64%

LAB 75.01, 23.6, 58.19

 

CMYK 70 / 0 / 6 / 2

HEX #4BFBEC

RGB 75 251 236

HSL 174.89, 0.96%, 0.64%

LAB 90.11, -47.03, -5.69

 

CMYK 0 / 70 / 23 / 2

HEX #FB4BC1

RGB 251 75 193

HSL 319.77, 0.96%, 0.64%

LAB 61.13, 76.3, -24.73

 

CMYK 22 / 0 / 70 / 2

HEX #C3FB4B

RGB 195 251 75

HSL 79.09, 0.96%, 0.64%

LAB 92.18, -41.52, 74.28

 

CMYK 70 / 22 / 0 / 2

HEX #4BC3FB

RGB 75 195 251

HSL 199.09, 0.96%, 0.64%

LAB 74.5, -15.94, -37.28

 

CMYK 0 / 70 / 23 / 2

HEX #FB4BC1

RGB 251 75 193

HSL 319.77, 0.96%, 0.64%

LAB 61.13, 76.3, -24.73

 

CMYK 0 / 34 / 70 / 2

HEX #FBA64B

RGB 251 166 75

HSL 31.02, 0.96%, 0.64%

LAB 75.01, 23.6, 58.19

 

CMYK 70 / 0 / 48 / 2

HEX #4BFB82

RGB 75 251 130

HSL 138.75, 0.96%, 0.64%

LAB 88.02, -69.25, 45.2

 

CMYK 70 / 36 / 0 / 2

HEX #4BA0FB

RGB 75 160 251

HSL 211.02, 0.96%, 0.64%

LAB 64.65, 3.4, -52.75

 

CMYK 0 / 70 / 23 / 2

HEX #FB4BC1

RGB 251 75 193

HSL 319.77, 0.96%, 0.64%

LAB 61.13, 76.3, -24.73

 

CMYK 0 / 13 / 70 / 2

HEX #FBDB4B

RGB 251 219 75

HSL 49.09, 0.96%, 0.64%

LAB 87.81, -3.85, 71.31

 

CMYK 70 / 0 / 48 / 2

HEX #4BFB82

RGB 75 251 130

HSL 138.75, 0.96%, 0.64%

LAB 88.02, -69.25, 45.2

 

CMYK 70 / 57 / 0 / 2

HEX #4B6BFB

RGB 75 107 251

HSL 229.09, 0.96%, 0.64%

LAB 50.66, 35.46, -75.22

 

Description

Color code: HEX #FB4BC1 | qconv.com Color code: HEX #FB4BC1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 75 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 75 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 23 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 23% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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